Bd-Sp353 Euex

Total Page:16

File Type:pdf, Size:1020Kb

Bd-Sp353 Euex 2016 NEW PRODUCT RELEASE BD-SP353 Blu-ray Disc Player BLACK SILVER Affordable Blu-ray Disc Player with Hi-Res Audio Playback The sleek, minimalist lines of the BD-SP353 pack enough playback prowess to enliven any entertainment space. Partnered with one of Onkyo’s high-value home cinema systems, the BD-SP353 brings you the phenomenal detail and realism of Blu-ray. But that’s not the only source it handles. Along with DVD and CD playback, the BD-SP353 features an Ethernet port which opens up the interactive, content-rich world of BD-Live. Connectivity is also a highlight. The USB port on the BD-SP353 even allows you to play 192 kHz/24-bit Hi-Res Audio formats such as FLAC and WAV. Also it lets you play media from a variety of storage devices. Content encoded in HD formats such as AVCHD and DivX Plus™ HD is handled with ease, and all standard-definition video can be upscaled via HDMI® to widescreen 1080p. As well as handling Blu-ray video, the HDMI output also supports lossless audio from Dolby® and DTS™. So if it’s a versatile and affordable playback solution you seek, look no further than the BD-SP353. ADVANCED FEATURES • USB Port for Hi-Res Audio Playback OTHER FEATURES (192 kHz/24-bit WAV, FLAC) • HDMI® Output Supports 1080p, Deep Color™, • BONUSVIEW™ Compatible *Encoded on DVD-R/RW only. x.v.Color™ and CEC • Quick (x1.5) and Slow (x0.8) View with Audio Playback • Dolby® TrueHD and Dolby® Digital Plus Decoding AUDIO & VIDEO FEATURES • Quick Start Function • Supports DTS-HD Master Audio™ Essential and • Continue Mode to Resume Even After Powering • Plays BD-Video (BD-ROM, BD-R, BD-R DL, BD-RE, DTS-HD High Resolution Audio™ Off the Player DE-RE DL, BD-R LTH) • DVD Upscaling to 1080p • Short Skip / Replay • Plays DVD-Video (DVD Video, DVD-R, DVD-R DL, • Plays AVCHD*, DivX Plus™ HD (MKV), MP3, DVD-RW, DVD+R, DVD+RW, DVD+R DL, AVCHD Disc) • On-Screen Display with Multiple Languages and JPEG Formats (English, German, Hungarian, Czech, Slovak, Polish, • Plays Audio CDs and USB Audio Playback Slovene, Turkish, French, Italian, and Spanish) • 1080/24p Video Output for Full HD Movies on (CD-DA, CD-R, CD-RW, MP3, WMA, AAC, WAV, FLAC) Blu-ray Discs • Auto Power Down • Digital Audio Output (Optical) • BD-Live Functionality for Interactive Content • Firmware Updates (via USB) • 2-Channel Analog Audio Output BD-SP353 Blu-ray Disc Player High-Definition Surround Sound from Dolby® Full High-Definition 1080p Video and Compatibility SPECIFICATIONS TrueHD and DTS-HD Master Audio™ with AVCHD and DivX Plus™ HD Video Section The BD-SP353’s onboard decoders bring you the lossless, Blu-ray Disc delivers the most vivid and detailed video images Signal System PAL / NTSC studio-master quality of Dolby® TrueHD and DTS-HD Master ever seen in home theater. A disc played back on the HDMI Output 480p/576p, 720p, 1080i, 1080p, Audio Essential™ for Blu-ray Disc. The player outputs these BD-SP353 can be output in full high-definition 1080p at 1080p/24 fps formats in pure bitstream form via HDMI, meaning nothing 24 frames per second—the native frame rate for movies. General is lost from the original recording. If you don’t have an HD- Meanwhile, the BD-SP353 offers compatibility with the Power Supply AC 110~240 V, 50/60 Hz MI-compatible receiver, you can still enjoy playback of standard increasingly popular DivX Plus™ HD (MKV) and AVCHD Power Consumption 13 W Dolby® Digital and DTS 5.1-channel content via the onboard formats, which employ high-compression video codecs. Now Quick Standby Power Consumption 1 W optical digital output. you can enjoy big-screen playback of your high-definition Standby Power Consumption movies and video clips recorded on a compatible camcorder. 0.3 W Dimensions (W x H x D) 435 x 58 x 249 mm Continue Mode Gets You Back to Where Weight 2.0 kg You Were Watching CARTON Continue key on the remote Dimensions (W x H x D) 503 x 122 x 342 mm BD-Live Offers a More Interactive Experience allows you to save where you left Weight 3.3 kg The BD-SP353’s BD-Live capabilities let you connect directly off last night. It lets you continue Supplied Accessories to the internet and access a variety of up-to-date content, such your entertainment with a snap. • Instruction manual • Remote controller • AAA (R03) batteries x 2 as movie previews, games, and live peer-to-peer interactions. • AC Cord The BD-Live specification also includes BonusView™ features, 1080p Upscaling Sharpens Your DVD Picture such as picture-in-picture. This function lets you view a small 1080p upscaling improves your standard-def DVD pictures to video in the corner of the screen while the main feature plays Full HD, giving your collection a new lease on life. in the background. Due to a policy of continuous product improvement, Onkyo reserves the right to change specifications and appearance without notice. Manufactured under license from Dolby Laboratories. The double-D symbol is a trademark of Dolby Laboratories. For DTS patents, see http://patents.dts. com. Manufactured under license from DTS Licensing Limited. DTS, the Symbol, DTS in combination with the Symbol are trademarks of DTS, Inc. in the United States and/or other countries. © DTS, Inc. All Rights Reserved. HDMI, the HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries. All other trademarks and registered trademarks are the property of their respective holders. http://www.onkyo.com/ Copyright © 2016 Onkyo Corporation. All rights reserved. 16N01 01/16 NPR No..
Recommended publications
  • FLAC Decoder Using ARM920T Using S3C2440
    International Journal of Engineering Research and Development e-ISSN: 2278-067X, p-ISSN: 2278-800X, www.ijerd.com Volume 4, Issue 7 (November 2012), PP. 21-24 FLAC Decoder using ARM920T using S3C2440 J. L. DivyaShivani1, M. Madan Gopal 2 1M.Tech (Embedded Systems) Student, 2Assoc.Professor Aurora’s Technological & Research Institute Uppal, Hyderabad, INDIA Abstract: In this paper, an embedded FLAC decoder system was designed, and the embedded development platform of ARM920T was built for the design. Furthermore, the IIS bus of S3C2440 in Linux which were used in designing the decoder system. Results show that the FLAC format sound can play well in the decoder system. The decoding solution can be applied to many high-end audio devices. With the development of multimedia technology, as well as the people's requirements to higher sound quality, the Lossy compression coding audio format such as MP3 cannot satisfy many music lovers. Therefore, many R & D staffs have research on how to develop Lossless Audio Decoding systems based on embedded devices with lower price and better sound quality. FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio, and you can play back compressed FLAC files in your favorite player (or your car or home stereo) just like you would an MP3 file. FLAC stands out as the fastest and most widely supported lossless audio codec, and the only one that at once is non-proprietary, is unencumbered by patents, has an open- source reference implementation, has a well-documented format and API, and has several other independent implementations.
    [Show full text]
  • Lossless Audio Codec Comparison
    Contents Introduction 3 1 CD-audio test 4 1.1 CD's used . .4 1.2 Results all CD's together . .4 1.3 Interesting quirks . .7 1.3.1 Mono encoded as stereo (Dan Browns Angels and Demons) . .7 1.3.2 Compressibility . .9 1.4 Convergence of the results . 10 2 High-resolution audio 13 2.1 Nine Inch Nails' The Slip . 13 2.2 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 16 2.3 Wasted bits . 18 3 Multichannel audio 20 3.1 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 20 A Motivation for choosing these CDs 23 B Test setup 27 B.1 Scripting and graphing . 27 B.2 Codecs and parameters used . 27 B.3 MD5 checksumming . 28 C Revision history 30 Bibliography 31 2 Introduction While testing the efficiency of lossy codecs can be quite cumbersome (as results differ for each person), comparing lossless codecs is much easier. As the last well documented and comprehensive test available on the internet has been a few years ago, I thought it would be a good idea to update. Beside comparing with CD-audio (which is often done to assess codec performance) and spitting out a grand total, this comparison also looks at extremes that occurred during the test and takes a look at 'high-resolution audio' and multichannel/surround audio. While the comparison was made to update the comparison-page on the FLAC website, it aims to be fair and unbiased.
    [Show full text]
  • Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
    download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more.
    [Show full text]
  • Tamil Flac Songs Free Download Tamil Flac Songs Free Download
    tamil flac songs free download Tamil flac songs free download. Get notified on all the latest Music, Movies and TV Shows. With a unique loyalty program, the Hungama rewards you for predefined action on our platform. Accumulated coins can be redeemed to, Hungama subscriptions. You can also login to Hungama Apps(Music & Movies) with your Hungama web credentials & redeem coins to download MP3/MP4 tracks. You need to be a registered user to enjoy the benefits of Rewards Program. You are not authorised arena user. Please subscribe to Arena to play this content. [Hi-Res Audio] 30+ Free HD Music Download Sites (2021) ► Read the definitive guide to hi-res audio (HD music, HRA): Where can you download free high-resolution files (24-bit FLAC, 384 kHz/ 32 bit, DSD, DXD, MQA, Multichannel)? Where to buy it? Where are hi-res audio streamings? See our top 10 and long hi-res download site list. ► What is high definition audio capability or it’s a gimmick? What is after hi-res? What's the highest sound quality? Discover greater details of high- definition musical formats, that, maybe, never heard before. The explanation is written by Yuri Korzunov, audio software developer with 20+ years of experience in signal processing. Keep reading. Table of content (click to show). Our Top 10 Hi-Res Audio Music Websites for Free Downloads Where can I download Hi Res music for free and paid music sites? High- resolution music free and paid download sites Big detailed list of free and paid download sites Download music free online resources (additional) Download music free online resources (additional) Download music and audio resources High resolution and audiophile streaming Why does Hi Res audio need? Digital recording issues Digital Signal Processing What is after hi-res sound? How many GB is 1000 songs? Myth #1.
    [Show full text]
  • Detail Streaming Support Protocols
    Encore+ User Guide Detail Streaming Support Protocols Supported Audio Codecs Supported Container Formats • MP3 • WAV • AAC • M4A • FLAC • OGG • LPCM/WAV/AIFF • AIFF • ALAC Supported Protocols • WMA, WMA9 • SHOUTcast • Ogg Vorbis • HTTPS Supported Playlist • WMA streaming • ASX • RTSP/SDP • M3U • PLS • WPL 43 Detail Audio Codec Support Encore+ User Guide Supported MP3 encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Bit rate [kbps]: 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320, VBR • Channels: stereo, joined stereo, mono • MP3PRO playback • MP3 File extensions: *.mp3 • Decoding of ID3v1, ID3v2, MP3 ID tags including optional album art in .jpeg format up to 2 megapixels • Gapless MP3: Playback is gapless if the container provides LAME encoder delay and padding tags. Supported Vorbis encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Nominal bit rate [kbps] (quality level): 80 (Q1), 96 (Q2), 112 (Q3), 128 (Q4), 160 (Q5), 192 (Q6), • Channels: stereo • The audio player supports reading of Vorbis content stored in Ogg containers. Supported file name extensions: *.ogg and *.oga. • The audio player supports decoding of Vorbis comments. NOTE: There is no specification for tag names. The system relies on the OSS implementation. • Tag names decoded: TITLE, ALBUM, ARTIST, GENRE. • Binary data (e.g. for album art) is not supported. • The audio player supports gapless Vorbis playback. Supported FLAC encoding parameters • Sampling rates [kHz]: 44.1, 48, 88.2, 96, 176.4, 192 • Resolution [bits]: 16, 24 • Channels: stereo, mono • The audio player supports reading of FLAC content stored in native FLAC containers.
    [Show full text]
  • Game Audio the Role of Audio in Games
    the gamedesigninitiative at cornell university Lecture 18 Game Audio The Role of Audio in Games Engagement Entertains the player Music/Soundtrack Enhances the realism Sound effects Establishes atmosphere Ambient sounds Other reasons? the gamedesigninitiative 2 Game Audio at cornell university The Role of Audio in Games Feedback Indicate off-screen action Indicate player should move Highlight on-screen action Call attention to an NPC Increase reaction time Players react to sound faster Other reasons? the gamedesigninitiative 3 Game Audio at cornell university History of Sound in Games Basic Sounds • Arcade games • Early handhelds • Early consoles the gamedesigninitiative 4 Game Audio at cornell university Early Sounds: Wizard of Wor the gamedesigninitiative 5 Game Audio at cornell university History of Sound in Games Recorded Basic Sound Sounds Samples Sample = pre-recorded audio • Arcade games • Starts w/ MIDI • Early handhelds • 5th generation • Early consoles (Playstation) • Early PCs the gamedesigninitiative 6 Game Audio at cornell university History of Sound in Games Recorded Some Basic Sound Variability Sounds Samples of Samples • Arcade games • Starts w/ MIDI • Sample selection • Early handhelds • 5th generation • Volume • Early consoles (Playstation) • Pitch • Early PCs • Stereo pan the gamedesigninitiative 7 Game Audio at cornell university History of Sound in Games Recorded Some More Basic Sound Variability Variability Sounds Samples of Samples of Samples • Arcade games • Starts w/ MIDI • Sample selection • Multiple
    [Show full text]
  • The Daala Video Codec Project Next-Next Generation Video
    The Daala Video Codec Project Next-next Generation Video Timothy B. Terriberry Mozilla & The Xiph.Org Foundation ● Patents are no longer a problem for free software – We can all go home 2 Mozilla & The Xiph.Org Foundation ● Except... not quite 3 Mozilla & The Xiph.Org Foundation Carving out Exceptions in OIN (Table 0 contains one Xiph codec: FLAC) 4 Mozilla & The Xiph.Org Foundation Why This Matters ● Encumbered codecs are a billion dollar toll-tax on communications – Every cost from codecs is repeated a million fold in all multimedia software ● Codec licensing is anti-competitive – Licensing regimes are universally discriminatory – An excuse for proprietary software (Flash) ● Ignoring licensing creates risks that can show up at any time – A tax on success 5 Mozilla & The Xiph.Org Foundation The Royalty-Free Video Challenge ● Creating good codecs is hard – But we don’t need many – The best implementations of patented codecs are already free software ● Network effects decide – Where RF is established, non-free codecs see no adoption (JPEG, PNG, FLAC, …) ● RF is not enough – People care about different things – Must be better on all fronts 6 Mozilla & The Xiph.Org Foundation We Did This for Audio 7 Mozilla & The Xiph.Org Foundation The Daala Project ● Goal: Better than HEVC without infringing IPR ● Need a better strategy than “read a lot of patents” – People don’t believe you – Analysis is error-prone ● Try to stay far away from the line, but... ● One mistake can ruin years of development effort ● See: H.264 Baseline 8 Mozilla & The Xiph.Org
    [Show full text]
  • LORE: a Loop Repository for the Evaluation of Compilers Zhi Chen∗, Zhangxiaowen Gong†, Justin Josef Szaday†, David C
    LORE: A Loop Repository for the Evaluation of Compilers Zhi Chen∗, Zhangxiaowen Gongy, Justin Josef Szadayy, David C. Wongz, David Padua y, Alexandru Nicolau ∗, Alexander V Veidenbaum ∗, Neftali Watkinson ∗, Zehra Sura x, Saeed Maleki{, Josep Torrellasy, Gerald DeJongy z Intel Corporation, x IBM Research, { Microsoft Research, ∗ University of California, Irvine, y University of Illinois at Urbana-Champaign, Email: ∗fzhic2, nicolau, alexv, [email protected], [email protected], yfgong15, szaday2, padua, torrella, [email protected], [email protected], {[email protected] Abstract—Although numerous loop optimization techniques successive versions, and the effectiveness of solo/compound have been designed and deployed in commercial compilers in transformations. While some of such data can be found in the the past, virtually no common experimental infrastructure nor literature, in many cases compiler studies are confined to a repository exists to help the compiler community evaluate the effectiveness of these techniques. few codes, which are not always widely available. In addition, This paper describes a repository, LORE, that maintains a there is little in the area of historical data that shows how much large number of C language for loop nests extracted from popu- progress compiler technology has made in terms of delivering lar benchmarks, libraries, and real applications. It also describes performance. the infrastructure that builds and maintains the repository. Each In this paper, we propose LORE, a repository of program loop nest in the repository has been compiled, transformed, executed, and measured independently. These loops cover a segments, their semantically equivalent transformed versions, variety of properties that can be used by the compiler community and performance measurements with various compilers.
    [Show full text]
  • VS1053B VLSI Vs1053b Solution Y
    VS1053B VLSI VS1053b Solution y VS1053b - Ogg Vorbis/MP3/AAC/WMA/FLAC/ MIDI AUDIO CODEC CIRCUIT Features Description ² Decodes VS1053b is an Ogg Vorbis/MP3/AAC/WMA/ Ogg Vorbis; FLAC/WAVMIDIaudio decoder as well as an PCM/IMA MP3 = MPEG 1 & 2 audio layer III (CBR ADPCM/Ogg Vorbis encoder on a single chip. +VBR +ABR); It contains a high-performance, proprietary low- MP1/MP2 = layers I & II optional; power DSP processor core VS DSP4, working data MPEG4 / 2 AAC-LC(+PNS), memory, 16 KiB instruction RAM and 0.5+ KiB HE-AAC v2 (Level 3) (SBR + PS); data RAM for user applications running simul- WMA 4.0/4.1/7/8/9 all profiles (5-384 kbps); taneously with any built-in decoder, serial con- FLAC with software plugin; trol and input data interfaces, upto 8 general pur- WAV (PCM + IMA ADPCM); pose I/O pins, an UART, as well as a high-quality General MIDI 1 / SP-MIDI format 0 files variable-sample-rate stereo ADC (mic, line, line ² Encodes Ogg Vorbis w/ software plugin + mic or 2£line) and stereo DAC, followed by an ² Encodes stereo IMA ADPCM / PCM earphone amplifier and a common voltage buffer. ² Streaming support for MP3 and WAV ² EarSpeaker Spatial Processing VS1053b receives its input bitstream through a serial input bus, which it listens to as a system ² Bass and treble controls slave. The input stream is decoded and passed ² Operates with a single 12..13 MHz clock through a digital volume control to an 18-bit over- ² Can also be used with a 24..26 MHz clock sampling, multi-bit, sigma-delta DAC.
    [Show full text]
  • Forcepoint DLP Supported File Formats and Size Limits
    Forcepoint DLP Supported File Formats and Size Limits Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 This article provides a list of the file formats that can be analyzed by Forcepoint DLP, file formats from which content and meta data can be extracted, and the file size limits for network, endpoint, and discovery functions. See: ● Supported File Formats ● File Size Limits © 2021 Forcepoint LLC Supported File Formats Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 The following tables lists the file formats supported by Forcepoint DLP. File formats are in alphabetical order by format group. ● Archive For mats, page 3 ● Backup Formats, page 7 ● Business Intelligence (BI) and Analysis Formats, page 8 ● Computer-Aided Design Formats, page 9 ● Cryptography Formats, page 12 ● Database Formats, page 14 ● Desktop publishing formats, page 16 ● eBook/Audio book formats, page 17 ● Executable formats, page 18 ● Font formats, page 20 ● Graphics formats - general, page 21 ● Graphics formats - vector graphics, page 26 ● Library formats, page 29 ● Log formats, page 30 ● Mail formats, page 31 ● Multimedia formats, page 32 ● Object formats, page 37 ● Presentation formats, page 38 ● Project management formats, page 40 ● Spreadsheet formats, page 41 ● Text and markup formats, page 43 ● Word processing formats, page 45 ● Miscellaneous formats, page 53 Supported file formats are added and updated frequently. Key to support tables Symbol Description Y The format is supported N The format is not supported P Partial metadata
    [Show full text]
  • Music Export
    The Kaleidescape Music Export application exports the imported music on a Kaleidescape Premiere system to either Free Lossless Audio Codec (FLAC) or Apple Lossless Audio Codec (ALAC) files. This application is available for Windows and Mac computers. GETTING STARTED When you run the application, it will automatically scan the local network for Premiere systems running kOS 8.6.1 or higher. SELECT PREMIERE SYSTEM Select the Premiere system from the Kaleidescape Music Server selector that you would like to export music from. The export summary will then update with the number of music albums and tracks to be exported, including the storage space required to export all tracks. EXPORT DESTINATION FOLDER The default export destination folder for exported music is the current user’s home directory under “Music\Kaleidescape Music”. You can change the export destination folder by clicking on the Browse button under the Destination section, then selecting the desired location in the file selector dialog. A warning will be displayed if there is not enough space to export all titles. 1 SELECT AUDIO CODEC Choose the lossless audio codec that is most suitable for your scenario. • Free Lossless Audio Codec (FLAC) • Apple Lossless Audio Codec (ALAC) Customers who use Apple products may find that the Apple Lossless Audio Codec works best as it is compatible with the Apple Music application. There is wide support for Free Lossless Audio Codec in many music listening applications. Both audio codecs provide a bit-for-bit quality to the original imported CD. EXPORTING MUSIC Clicking on the Export button will begin the export of all music tracks on the selected Premiere server.
    [Show full text]
  • Name Description Synopsis Options
    xcfa_cli(1) Manual: 0.0.6 xcfa_cli(1) NAME xcfa_cli −This program is an implementation of xcfaincommand line. DESCRIPTION xcfa_cli is an application for conversion, normalization, reconfiguring wav files and cut audio files ... What xcfa_cli can do: -replaygain on files: flac, mp3, ogg, wavpack -conversions: -from files: wav, flac, ape, wavpack, ogg, m4a, mpc, mp3, wma, shorten, rm, dts, aif, ac3 -tofiles: wav, flac, ape, wavpack, ogg, m4a, mpc, mp3, aac -conversion settings for file management: flac, ape, wavpack, ogg, m4a, aac, mpc, mp3 -management tags -management cue wav file -manipulation of the frequency, track and bit wav files -standardization on files: wav,mp3, ogg -cuts (split) wav files -displaying information on files SYNOPSIS xcfa_cli [ −i "file.*" ][ −d wav,mpc,... ][ OPTIONS ] OPTIONS −−verbose Verbose mode −h −−help Print help mode and quit −i <"file.type"> −−input <"file.type"> Input name file to convert in inverted commas: −−input "*.flac" Type input files: wav,flac, ape, wavpack, ogg, m4a, mpc, mp3, wma, shorten, rm, dts, aif, ac3 −o <path_dest/> −−output <path_dest/> Destination folder.Bydefault in the source file folder. −d <wav,flac,ape,...> −−dest <wav,flac,ape,...> Destination file: wav,flac, ape, wavpack, ogg, m4a, mpc, mp3, aac −r −−recursion Recursive search −e −−ext2src Extract in the source folder.This option is useful with ’−−recursion’ −−nice <priority> Change the priority of running processes in the interval: 0 .. 20 Management options with default parameters: −−op_flac <"−5"> −−op_ape <"c2000"> −−op_wavpack <"−y −j1"> 0.0.6 Thu, 06
    [Show full text]