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RANDY TRAVIS (Marshville) “On the Other Hand” CHECKLIST ERIC CHURCH (Granite Falls) “Carolina” ANTHONY HAMILTON (Charlotte) ESSENTIAL NC “What I’m Feelin’” THE “5” ROYALES (Winston-Salem) TRAVEL TUNES “Think” The next time you take a road trip, roll down LITTLE EVA (Belhaven) your windows and turn up the volume on “The Loco-Motion” Our State’s curated Spotify playlist featuring INEZ & CHARLIE FOXX (Greensboro) 45 songs by North Carolina artists. “Mockingbird” BEN E. KING (Henderson) “Stand by Me” RUBY JOHNSON (Elizabeth City) “Come to Me My Darling” DON GIBSON (Shelby) “Sea of Heartbreak” LINK WRAY & HIS RAY MEN (Dunn) “Rumble” SOUTHERN CULTURE ON THE SKIDS (Chapel Hill) “Camel Walk” BETTY DAVIS (Durham) ARTISTS (IN ORDER OF APPEARANCE) “They Say I’m Different” GEORGE CLINTON (Kannapolis) CHARLIE POOLE (Randolph County) FANTASIA (High Point) “Don’t Let Your Deal Go Down Blues” “Sleeping with the One I Love” “Atomic Dog” RISSI PALMER (Durham) BLIND BOY FULLER (Wadesboro) THELONIOUS MONK (Rocky Mount) “Truckin’ My Blues Away” “Monk’s Dream – Take 8” “Little Black Girl, Little Black Boy” RAPSODY (Snow Hill) DOC WATSON (Deep Gap) JOHN COLTRANE (Hamlet) “Shady Grove” “Giant Steps” “Laila’s Wisdom” TORI AMOS (Newton) CAROLINA CHOCOLATE DROPS (Durham) MAX ROACH QUINTET (Pasquotank County) “Cornbread and Butterbeans” “Dr. Free-Zee” “Cornflake Girl” BEN FOLDS FIVE (Winston-Salem) ANDY GRIFFITH (Mount Airy) ROBERTA FLACK (Black Mountain) “Sourwood Mountain” “The First Time Ever I Saw Your Face” “Brick” KAMARA THOMAS & THE GHOST GAMBLERS EARL SCRUGGS of FLATT & SCRUGGS BLAND SIMPSON (Chapel Hill/Beaufort) (Durham) (Shelby) “Home on the River” “That’s No Way to Treat Your Sweet Guitar” “Earl’s Breakdown” RHIANNON GIDDENS (Greensboro) TIFT MERRITT (Raleigh) JOE THOMPSON (Orange County) “We Could Fly” “Traveling Alone” “I Shall Not Be Moved” JAMES TAYLOR (Chapel Hill) LAURELYN DOSSETT (Greensboro) THE AVETT BROTHERS (Concord) “Carolina in My Mind” “Leaving Eden” “Ain’t No Man” EMMYLOU HARRIS (Cherry Point) ALGIA MAE HINTON (Johnston County) SHIRLEY CAESAR (Durham) “Boulder to Birmingham” “Going Down This Road” “Tear Your Kingdom Down” THE CHARLIE DANIELS BAND (Wilmington) ELIZABETH COTTEN (Carrboro) JOHN D. LOUDERMILK (Durham) “Carolina (I Remember You)” “I’m Going Away” “Tobacco Road” RONNIE MILSAP (Robbinsville) ETTA BAKER (Morganton) NINA SIMONE (Tryon) “Smoky Mountain Rain” “Carolina Breakdown” “Feeling Good” Find our curated Spotify playlist Subscribe today! Visit ourstate.com or call (800) 948-1409. at ourstate.com/ncplaylist.

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A Document Guide to the Banjo Players 1900 -2008 ______
A DOCUMENT GUIDE TO THE BANJO PLAYERS 1900 -2008 _____________________________________________________ The banjo is a little like corn-licker; you either love it or loathe it – but you can’t ignore it. Since its gradual evolution across the centuries the sound of the banjo, in its various forms, has permeated into folk, jazz, blues, country and gospel music and made stars of many of those who chose to play the instrument. According to master banjo player Earl Scruggs, the banjo had its origins in Arabia thousands of years ago: it consisted of a skin ‘head’ stretched over a hollow body and strung with three strings. This instrument was carried to the East with the spread of Islam. Negro slaves brought it to the United States from Africa. Other instruments similar to the banjo have existed in India (the ravenastron) and Egypt ( where it was known as a banit) but other names associated with it include bangie, banza, banjer and banjar. In general terms the four and five-string banjo has found most favour with folk musicians and one Joel Walker Sweeney is usually credited with ‘inventing’ the true American banjo but this now seems doubtful. In 1830 Sweeney, a native of Appomattox, Virginia, supposedly made a revolutionary modification by adding a fifth string, or chanterelle, higher in pitch and next to the lowest pitched string and secured by a peg halfway up the neck. This ‘new’ instrument became extremely popular throughout the United States, where it held a place in the affections of ordinary people throughout the nineteenth century. Although Joel Sweeney’s name is legendary and he will be forever linked with the five-string banjo, watercolour paintings executed long before his time depict the fifth string on plantation banjos.
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282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
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November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style.
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Sammy Shelor Photo by Jennifer Buckler
Sammy Shelor photo by Jennifer Buckler Sammy Shelor by Susan Marquez Sammy Shelor has been playing the banjo for as long as he can remember. Both of his grandfathers played banjo, and his great grandfather played the fiddle. “My great grandfather had a grist mill, and back then if you had a grist mill, you also had a still.” Charlie Poole, a banjo picker and singer who led the North Carolina Ramblers, lived about 25 miles east of where Sammy grew up in Patrick County, West Virginia during the band’s heyday in the late 1920s and early 1930s. “Poole liked to play where he could drink. My grandfather was born in 1903, and he would frequent the places Poole played, learning to play the banjo by watching Charlie Poole.” When Sammy was four years old, one of his grandfathers fashioned a banjo for him from a pressure cooker top. Hee-Haw was a popular television show at the time and Sammy watched it with his family. He learned to pick out Up on Cripple Creek by The Band, and his other grandfather told him that if he’d learn to play another song, he’d buy him a real banjo. “He bought me a Ventura banjo, and by the time I was ten years old I was playing with local bands. I’ve been totally blessed,” says Sammy. “It’s like both of my grandfathers planned out my life for me, and between the two of them, they kept me supplied with banjos until I went professional.” With influences including J.D.
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Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol.
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43Rd President of the United States, George W. Bush
BILL BELLES www.billandthebelles.com With striking three-part harmonies and masterful instrumentation, Bill and the Belles skillfully breathe new life into the sounds of early country music. At the foothills of the Blue Ridge and the forefront of old-time music, Bill and the Belles (Johnson City, Tennessee) continue to further the music traditions of their region. From sentimental Southern ballads to the popular songs of Tin Pan Alley to regional fiddle breakdowns, a Bill and the Belles show is a celebration of the diversity country music once represented. With a rapidly growing reputation throughout the Southeast, Bill and the Belles have shared the stage with many national acts, including Hot Rize, the Gibson Brothers, and Larry Sparks. They continue to play alongside America’s top country and roots music artists as the resident band for the historic radio program Farm and Fun Time presented by Radio Bristol and the Birthplace of Country Music. In just a short time, Bill and the Belles have brought their show to the audiences of television and radio broadcasts, and several major festivals around the country. Lifelong musicians Kris Truelsen, Grace Van’t Hof, Kalia Yeagle, and Karl Zerfas bring to the stage an uplifting show unlike any other, full of humor, high spirits, and all-around revelry. It’s clear this group shares a rare musical connection and deep love for the music, and their excitement is contagious. Bill and the Belles are hitting the road with fervor, eager to share their music with new audiences. KALIA YEAGLE’s (fiddle, guitar, KRIS TRUELSEN (guitar, tenor GRACE VAN’T HOF (banjo, banjo KARL ZERFAS (bass) of Manhattan, vocal) expressive and versatile guitar, vocal) was raised in the ukulele, vocal) from Western Kansas, grew up listening to his fiddling is quickly positioning her at mountains of Colorado and has Michigan, discovered the banjo in father sing Kansas cowboy and the forefront of a new generation been listening to, playing, and high school when she built a 5-string prairie songs of the early 20th of acoustic musicians.
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LOUDON WAINWRIGHT III Haven’T Got the Blues (Yet) (429 Records)
MUSIC / NEW MUSIC By STEPHEN HOLDEN Published: September 8, 2014 LOUDON WAINWRIGHT III Haven’t Got the Blues (Yet) (429 Records) From an enfant terrible, once hailed as a new Bob Dylan, to a wary but not too grumpy older man, Loudon Wainwright III, now 68, has stayed the course for well over four decades, charting his life and times with pungent light verses and biting turns of phrase. As a folk singer-songwriter, he has proved that a sharp sense of humor can make for verses more durable than earnest self-examination. You can’t whine about the aging process but you can confront it and soften it with laughter. And on the best songs in “Haven’t Got the Blues (Yet),” his 23rd studio album, he faces impending decrepitude with a smile on his face, buoyed by Zoloft. “Brand New Dance,” which opens the album, is a frantic rockabilly swinger in which he announces a new dance craze “sweeping the land,” where “First you get out of bed, then you attempt to stand.” There’s a silver lining. “But that senior discount that’s my kind of treat/Cause when I get on the bus, you got to gimme a seat.” As the song continues, the point of view widens to embrace an older person’s cynicism on Election Day: “One of them fools is bound to win/But it’s the same old same old all over again.” Mr. Wainwright’s music hasn’t changed significantly. It varies from good-timey folk to spare folk-blues. If his voice has thinned a bit, he still conveys the jovial intimacy of a born storyteller whose public self- mockery exorcises demons.
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General Assembly of North Carolina Session 2005 S 1 Senate Joint Resolution 161
GENERAL ASSEMBLY OF NORTH CAROLINA SESSION 2005 S 1 SENATE JOINT RESOLUTION 161 Sponsors: Senators Berger of Rockingham; Apodaca, Bingham, Brock, Brown, East, Goodall, Hartsell, Hunt, Jacumin, Pittenger, Stevens, and Tillman. Referred to: Rules and Operations of the Senate. February 16, 2005 1 A JOINT RESOLUTION HONORING THE LIFE AND INFLUENCE OF NORTH 2 CAROLINA MUSICIAN AND SINGER CHARLIE POOLE. 3 Whereas, Charles Cleveland "Charlie" Poole was born in Randolph County, 4 North Carolina, on March 22, 1892; and 5 Whereas, Charlie Poole learned to play the banjo at an early age and, after 6 suffering a damaged right hand in a baseball accident, he transcended his injury and 7 developed a unique three-finger banjo picking style that contained the critical elements 8 necessary for the later development of bluegrass music; and 9 Whereas, like so many of his contemporaries during the early 20th century in 10 the South, Charlie Poole followed the jobs available in the textile industry, and moved 11 to the important textile complex at Spray, North Carolina, now known as Eden, around 12 1918; and 13 Whereas, in the mill towns of Spray, Leaksville, and Draper, Charlie Poole 14 discovered a rich musical community, fed in part by the provision of professional music 15 teachers for workers by mill management; and 16 Whereas, upon arrival in Spray, Charlie Poole met Posey Rorer, an 17 accomplished fiddler, and later, Norman Woodlieff, a guitarist; and 18 Whereas, this trio of musicians formed an historic musical group named the 19 North Carolina Ramblers;
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Banjo Attitudes
Banjo Attitudes Biographies - Autobiographies G. De Smaele, 2016 Les interviews sont des sources directes, de première main, et c’est dans les notes d’accompagnement des disques, ainsi que dans les périodiques spécialisés que l’on retrouvera quantités d’informations précises sur les musiciens. De surcroit, il existe bon nombre de biographies et d’autobiographies à propos – ou de la plume – de quelques grands banjoïstes. D’autres personnalités – telles que Alan Lomax, Charles Seeger, Moses Asch… - gravitent autour d’eux et sont reprises dans Banjo Attitudes. Moe Asch GOLDSMITH Peter, Making People’s Music: Moe Asch and Folkways Records, Washington and London, Smithsonian Institution Press, 1998, 468 p. Bob Black BLACK Bob, Come Hither to Go Yonder, Playing Bluegrass with Bill Monroe, Chicago IL, University of Illinois Press, 2005, 208 p. Alfred Cammeyer CAMMEYER Alfred, My Adventuresome Banjo, London, Cammeyer, 1934, 335p. Elisabeth A. CARLSON CARLSON Elisabeth A., North Carolina Strin Band Masters: Old- Time and Bluegrass Legends, The History Press, 2016. Joseph Cave Autobiography ? Frank Converse HELLER Paul C., A History of the Banjo. Frank Converse’s Banjo Reminiscence, Create Space Independent Publishing Platform, 2011, 150 p. Jimmy Cox COX Jimmy, Five On Five, From Kentucky to Maine. A Memoir by Jimmy Cox as Told to Dev Devereux, 2011, 134 p. J.D. Crowe GODBEY Marty, Crowe on the Banjo: the Music Life of J.D. Crowe, Chicago IL, University of Illinois Press, 2011, 240 p. The Delmore Brothers DELMORE Alton, Truth is stranger than Publicity, Nashville TN, Country Music Foundation Press, 1977, 188 p. Dwight Diller STERN Lewis M., Dwight Diller: West Virginia Mountain Musician, Mc Farland & Co, 2016, 216 p.
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4D Charlie Poole Proclamation
PROCLAMATION HONORING CHARLIE C POOLE Whereas, Charles Cleveland "Charlie" Poole was born in Randolph County, North Carolina, on March 22, 1892; and Whereas, like so many of his contemporaries during the early 20th century in the South, Charlie Poole followed the jobs available in the textile industry, and moved to the important textile complex at Spray, North Carolina, now known as Eden, around 1918; and Whereas, in the mill towns of Spray, Leaksville, and Draper, Charlie Poole discovered a rich musical community, fed in part by the provision of professional music teachers for workers by mill management; and Whereas, upon arrival in Spray, Charlie Poole met Posey Rorer, an accomplished fiddler, and later, Norman Woodlieff, a guitarist; and Whereas, this trio of musicians formed an historic musical group named the North Carolina Ramblers; and Whereas, the North Carolina Ramblers, led by Charlie Poole, journeyed to New York City to make a recording for Columbia Records in June, 1925; and Whereas, the band's first recording, "Don't Let Your Deal Go Down" sold an astonishing 102,000 copies during the beginnings of the country music record industry, and this recording is now listed in the Grammy Hall of Fame; and Whereas, the North Carolina Ramblers, with later replacement artists Roy Harvey and Lonnie Austin, among others, but always led by Charlie Poole, continued to produce hit recordings until 1930 when the Great Depression began; and Whereas, Charlie Poole, by developing a unique style of banjo playing, and by producing a cohesive band
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1 the Words December 2007 Over the Last 15 Years Or So I Have Been
Songbook version January 2008 The Words December 2007 Over the last 15 years or so I have been collecting lyrics to songs - mostly old-time country, bluegrass, cowboy, and old blues songs. I wanted to consolidate these lyrics into one big searchable file that I could use as a reference. I started with the Carter Family, Stanley Brothers, Flatt & Scruggs, Bill Monroe, and Uncle Dave Macon sections, which I had in separate documents, previously downloaded from the web over the last few years. I can’t remember where I got the Carter Family or Uncle Dave songs, but the rest were mostly from Bluegrasslyrics.com. I had the rest of the songs in a huge binder. Excluding those that were already in the existing sections, I searched the web for lyrics that were close to the version I had. Other useful websites: www.mudcat.org www.traditionalmusic.co.uk http://mywebpages.comcast.net/barb923/lyrics/i_C.htm www.cowboylyrics.com http://prewarblues.org/ (not so many lyrics, but a cool site) There is a rough Table of Contents at the start of the document, and a detailed Index at the end. I’d recommend using the Index if you are looking for something in particular, or use your search tool. (There is no reason why some of the song titles are in CAPS but they are mostly Carter Family songs). I haven’t been able to read every song, so there may be lyrics that are insensitive, especially in the Uncle Dave Macon section. I’m sorry if I missed them.
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Senator Berger of Rockingham
GENERAL ASSEMBLY OF NORTH CAROLINA SESSION 2005 S D SENATE JOINT RESOLUTION DRSJR75061-LG-11B (01/05) Sponsors: Senator Berger of Rockingham. Referred to: 1 A JOINT RESOLUTION HONORING THE LIFE AND INFLUENCE OF NORTH 2 CAROLINA MUSICIAN AND SINGER CHARLIE POOLE. 3 Whereas, Charles Cleveland "Charlie" Poole was born in Randolph County, 4 North Carolina, on March 22, 1892; and 5 Whereas, Charlie Poole learned to play the banjo at an early age and, after 6 suffering a damaged right hand in a baseball accident, he transcended his injury and 7 developed a unique three-finger banjo picking style that contained the critical elements 8 necessary for the later development of bluegrass music; and 9 Whereas, like so many of his contemporaries during the early 20th century in 10 the South, Charlie Poole followed the jobs available in the textile industry, and moved 11 to the important textile complex at Spray, North Carolina, now known as Eden, around 12 1918; and 13 Whereas, in the mill towns of Spray, Leaksville, and Draper, Charlie Poole 14 discovered a rich musical community, fed in part by the provision of professional music 15 teachers for workers by mill management; and 16 Whereas, upon arrival in Spray, Charlie Poole met Posey Rorer, an 17 accomplished fiddler, and later, Norman Woodlieff, a guitarist; and 18 Whereas, this trio of musicians formed an historic musical group named the 19 North Carolina Ramblers; and 20 Whereas, the North Carolina Ramblers, led by Charlie Poole, journeyed to 21 New York City to make a recording for Columbia
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