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1922 Elizabeth T
co.rYRIG HT, 192' The Moootainetro !scot1oror,d The MOUNTAINEER VOLUME FIFTEEN Number One D EC E M BER 15, 1 9 2 2 ffiount Adams, ffiount St. Helens and the (!oat Rocks I ncoq)Ora,tecl 1913 Organized 190!i EDITORlAL ST AitF 1922 Elizabeth T. Kirk,vood, Eclttor Margaret W. Hazard, Associate Editor· Fairman B. L�e, Publication Manager Arthur L. Loveless Effie L. Chapman Subsc1·iption Price. $2.00 per year. Annual ·(onl�') Se,·ent�·-Five Cents. Published by The Mountaineers lncorJ,orated Seattle, Washington Enlerecl as second-class matter December 15, 19t0. at the Post Office . at . eattle, "\Yash., under the .-\0t of March 3. 1879. .... I MOUNT ADAMS lllobcl Furrs AND REFLEC'rION POOL .. <§rtttings from Aristibes (. Jhoutribes Author of "ll3ith the <6obs on lltount ®l!!mµus" �. • � J� �·,,. ., .. e,..:,L....._d.L.. F_,,,.... cL.. ��-_, _..__ f.. pt",- 1-� r�._ '-';a_ ..ll.-�· t'� 1- tt.. �ti.. ..._.._....L- -.L.--e-- a';. ��c..L. 41- �. C4v(, � � �·,,-- �JL.,�f w/U. J/,--«---fi:( -A- -tr·�� �, : 'JJ! -, Y .,..._, e� .,...,____,� � � t-..__., ,..._ -u..,·,- .,..,_, ;-:.. � --r J /-e,-i L,J i-.,( '"'; 1..........,.- e..r- ,';z__ /-t.-.--,r� ;.,-.,.....__ � � ..-...,.,-<. ,.,.f--· :tL. ��- ''F.....- ,',L � .,.__ � 'f- f-� --"- ��7 � �. � �;')'... f ><- -a.c__ c/ � r v-f'.fl,'7'71.. I /!,,-e..-,K-// ,l...,"4/YL... t:l,._ c.J.� J..,_-...A 'f ',y-r/� �- lL.. ��•-/IC,/ ,V l j I '/ ;· , CONTENTS i Page Greetings .......................................................................tlristicles }!}, Phoiitricles ........ r The Mount Adams, Mount St. Helens, and the Goat Rocks Outing .......................................... B1/.ith Page Bennett 9 1 Selected References from Preceding Mount Adams and Mount St. -
Redington Mountain Wind Farm Page 6C-1 Section 6. Visual Impact Assessment Appendix C
Redington Mountain Wind Farm Page 6C-1 Section 6. Visual Impact Assessment Appendix C 6-P1. Lookout tower at the summit of Bald Mountain in Rangeley. Photos taken October, 2003. 6-P2. Picnic area at the summit of Bald Mountain near the base of the lookout tower. Redington Mountain Wind Farm Page 6C-2 Section 6. Visual Impact Assessment Appendix C 6-P3. View looking north from Bald Mountain lookout tower. Communications tower in foreground. Photos taken October, 2003. 6-P4. View looking north-northeast from Bald Mountain lookout tower. Redington Mountain Wind Farm Page 6C-3 Section 6. Visual Impact Assessment Appendix C 6-P5. View toward East Kennebago Mountain approximately 14.8 miles northeast of Bald Mountain lookout tower. Photos taken October, 2003. 6-P6. View toward Rangeley Village (6 miles to east-northeast). The wind farm will be 15.7 miles away. See Visualization 6-1a-c. Redington Mountain Wind Farm Page 6C-4 Section 6. Visual Impact Assessment Appendix C 6-P7. View looking north-northeast from Bald Mountain lookout tower. Photos taken October, 2003. 6-P8. View looking east from Bald Mountain lookout tower. Redington Mountain Wind Farm Page 6C-5 Section 6. Visual Impact Assessment Appendix C 6-P9. View looking east from Bald Mountain toward Rangeley Village (6 miles to east-northeast). The wind farm will be 15.7 miles away. Compare this photograph with 6-P12, taken on a day with less atmospheric haze. Photos taken October, 2003. See visualization, Figure 6-V1a-c. 6-P10. View looking east-southeast from Bald Mountain over Rangeley Lake. -
Black River United
Black River United how football frames the relationship between younger and older men in a rural Jamaican community William Tantam Department of Anthropology, Goldsmiths, University of London Submitted in accordance with the requirements for the degree of Doctor of Philosophy Declaration FOR GOLDSMITHS THESES A printed copy of your thesis will be deposited in Goldsmiths Library. Bibliographic details and a digital copy of your thesis will be deposited in Goldsmiths’ institutional repository Goldsmiths Research Online, hereafter referred to as “GRO”, for the purpose of preservation.1 Bibliographic details will also be deposited in the British Library’s Electronic Theses On-line System (EThOS).2 Every completing PhD student owns the copyright in his or her thesis. This ownership lasts indefinitely unless the student assigns copyright elsewhere. It is therefore for students to decide whether or not they wish to publish their theses, and in what form. Goldsmiths encourages candidates to allow for online availability of their thesis to ensure maximum visibility. However, there may be circumstances in which it is necessary to restrict access to theses on a temporary basis, for instance for reasons of commercial confidentiality or conditions imposed by sponsors. You should consult the Graduate School, read section 6.6 Thesis Access in your Research Handbook, and talk to your supervisors before opting to restrict access to your thesis for a limited period. Goldsmiths regulations make provision for restriction of access to an MPhil/PhD thesis and/or the abstract for a maximum of 36 months. If an embargo of 36 months is agreed the thesis will automatically go live after the specified time period has expired. -
The Excessive Present of Abolition: the Afterlife of Slavery in Law, Literature, and Performance
iii The Excessive Present of Abolition: The Afterlife of Slavery in Law, Literature, and Performance A Dissertation Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Jesse Aaron Goldberg May 2018 iv © 2018 Jesse Aaron Goldberg v THE EXCESSIVE PRESENT OF ABOLITION: THE AFTERLIFE OF SLAVERY IN LAW, LITERATURE, AND PERFORMANCE Jesse Aaron Goldberg, Ph.D. Cornell University The Excessive Present of Abolition reframes timescales of black radical imaginaries, arguing that Black Atlantic literary and performative texts and traditions resist periodization into past, present, and future. Their temporalities create an excessive present, in which the past persists alongside a future that emerges concurrently through forms of daily practice. I intervene in debates in black studies scholarship between a pessimistic view that points backward, arguing that blackness is marked by social death, and an optimistic view that points forward, insisting that blackness exceeds slavery’s reach. Holding both views in tension, I illuminate the “excess” that undermines this binary. The law’s violence in its rendering of black bodies as fungible exceeds its capacity for justice, and yet blackness exceeds the reach of the law, never reducible to only the state of abjection conjured by the structuring power of white supremacy. I theorize the excessive present through literature and performance in contrast to legal discourse – notably the 1783 British case Gregson v Gilbert, which is striking because it records a massacre of 131 people as an insurance case, not a murder case. The 1781 Zong Massacre recurs through each of my chapters, via J.M.W. -
Review of Ian Baucom, Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History
Bryn Mawr Review of Comparative Literature Volume 8 Article 4 Number 1 Fall 2009/Spring 2010 Fall 2009 Review of Ian Baucom, Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History. Robin Blackburn New School for Social Research; University of Essex, UK Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Blackburn, Robin (2009). Review of "Review of Ian Baucom, Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History.," Bryn Mawr Review of Comparative Literature: Vol. 8 : No. 1 Available at: https://repository.brynmawr.edu/bmrcl/vol8/iss1/4 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol8/iss1/4 For more information, please contact [email protected]. Blackburn: Blackburn on Baucom Ian Baucom, Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History. Durham, NC: Duke University Press, 2005. 400 pp. ISBN 9780822335962. Reviewed by Robin Blackburn, New School for Social Research; University of Essex, UK Specters of the Atlantic is an ambitious and in some ways impressive book, based on archival research as well as a good knowledge of postcolonial theory, economic history, the philosophy of the Enlightenment, the requirements of late eighteenth-century marine insurance, the history of abolitionism and the Atlantic slave trade, and a variety of other difficult, indeed sometimes arcane, fields. Despite the demanding nature of the book, it is already finding a readership— checking on the holdings of a major New York library I note that it has already been borrowed by over a dozen readers. -
BLACK LONDON Life Before Emancipation
BLACK LONDON Life before Emancipation ^^^^k iff'/J9^l BHv^MMiai>'^ii,k'' 5-- d^fli BP* ^B Br mL ^^ " ^B H N^ ^1 J '' j^' • 1 • GRETCHEN HOLBROOK GERZINA BLACK LONDON Other books by the author Carrington: A Life BLACK LONDON Life before Emancipation Gretchen Gerzina dartmouth college library Hanover Dartmouth College Library https://www.dartmouth.edu/~library/digital/publishing/ © 1995 Gretchen Holbrook Gerzina All rights reserved First published in the United States in 1995 by Rutgers University Press, New Brunswick, New Jersey First published in Great Britain in 1995 by John Murray (Publishers) Ltd. The Library of Congress cataloged the paperback edition as: Gerzina, Gretchen. Black London: life before emancipation / Gretchen Holbrook Gerzina p. cm. Includes bibliographical references and index ISBN 0-8135-2259-5 (alk. paper) 1. Blacks—England—London—History—18th century. 2. Africans— England—London—History—18th century. 3. London (England)— History—18th century. I. title. DA676.9.B55G47 1995 305.896´0421´09033—dc20 95-33060 CIP To Pat Kaufman and John Stathatos Contents Illustrations ix Acknowledgements xi 1. Paupers and Princes: Repainting the Picture of Eighteenth-Century England 1 2. High Life below Stairs 29 3. What about Women? 68 4. Sharp and Mansfield: Slavery in the Courts 90 5. The Black Poor 133 6. The End of English Slavery 165 Notes 205 Bibliography 227 Index Illustrations (between pages 116 and 111) 1. 'Heyday! is this my daughter Anne'. S.H. Grimm, del. Pub lished 14 June 1771 in Drolleries, p. 6. Courtesy of the Print Collection, Lewis Walpole Library, Yale University. 2. -
Shipwreck, Slavery, Revolution: History As the Open Secret in Charlotte Brontë’S Villette
Mark Celeste Graduate Student, Department of English Fondren Library Research Award Shipwreck, Slavery, Revolution: History as the Open Secret in Charlotte Brontë’s Villette ABSTRACT Is trauma a private or public experience? How do larger moments of historical, national, and imperial upheaval reverberate on the level of the individual? How readily do we forget a violent past, despite the traces that wash up on the textual margins? In this project I move against the critical current that posits Charlotte Brontë’s Villette (1853) as an autobiographical work. Although the parallels between the lives of Brontë and Lucy Snowe are perhaps tempting—much like her protagonist, Brontë leaves England for the continent, teaches English at a boarding school, and falls in love with a spirited, temperamental instructor—such an autobiographical reading imposes limits upon the possible interpretations of two traumatic scenes in the novel, Lucy’s journey to the continent and the (supposed) death of Monsieur Paul Emmanuel. Against an autobiographical backdrop, these two scenes read as simple textual symptoms of Brontë’s homesickness and unrequited love. By contrast, I place Brontë’s work in a longer, wider historical context, considering the uses and limits of framing Villette as a shipwreck novel. I contend that the flotsam and jetsam of a traumatic past—specifically, the violence of the British slave trade in the West Indies and the upheaval of the 1848 European revolutions—surface in Lucy’s pain and M. Paul’s apparent death. At stake in my project is the status of history: in Villette, I believe that history functions as an “open secret” (à la D. -
Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship
Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship Rebellions on Film Senior Thesis Presented to The Faculty of the School of Arts and Sciences Brandeis University Undergraduate Program in African and African-American Studies and History Chad Williams, Adviser In partial fulfillment of the requirements for the degree of Bachelor of Arts By Lucia Pugh-Sellers April 2020 Committee members: Name: Chad Williams Signature:___________________________________ Name: Alice Kelikian Signature:___________________________________ Name: Faith Smith Signature:___________________________________ Pugh-Sellers 2 ACKNOWLEDGEMENTS I would like to thank my committee members, who have inspired and helped me enormously during my time at Brandeis. I am grateful to know Professors Faith Smith and Alice Kelikian, who each influenced me so much, and ultimately changed my life. Professor Chad Williams, my thesis advisor, was a model of patience, offering step-by-step guidance and sage advice. His dedication to teaching was evident from the first day I stepped into his class, when he showed himself willing to engage with an intimidated first-year student. I could not have finished this thesis without these profoundly important academic mentors. I also want to thank everyone else who helped me through this thesis process, particularly: Kavita, for being my thesis-writing buddy and commiserator; Yael, for her empathy; Allison, for advice and laughter; Tamar; my thesis cohort (Dannie, Victoria, and Jake). Finally, I would like to acknowledge my family, especially my parents and sisters, for their wholehearted support, which keeps me going. I recognize and wrestle with my positionality as white woman, and one who has largely benefited from the systems of racism I describe here. -
Zong!'S “Should We?”: Questioning the Ethical Representation of Trauma
Zong!’s “Should we?”: Questioning the Ethical Representation of Trauma Veronica J. Austen St Jerome’s University he 2008 publication of Zong! marks M. NourbeSe Philip’s first col- Tlection of poetry since the groundbreaking and award-winning She Tries Her Tongue, Her Silence Softly Breaks in 1988.1 In taking as its subject the 1781 massacre of slaves from the slave ship Zong, Philip’s text participates in a recent upsurge of interest in the massacre. Ian Baucom’s 2005 Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History, in its discussion of the rise of speculative finance, provides a detailed account of the Zong massacre and the court cases resulting from it. Furthermore, in 2006, City University (United Kingdom) hosted a small conference to discuss new archival material discovered by Martin Dockray. Work from this conference resulted in a 2007 issue of The Journal of Legal His- tory which offered not only a broadened view of maritime insurance laws pertaining to slavery but also an expanded view of the massacre based on Dockray’s discovery of written testimony by James Kelsall, the ship’s first mate.2 Beyond this collection of articles suggesting the exciting possibility 1 1991’s Looking for Livingstone: A Odyssey of Silence is a narrative mostly in prose, although it does include poetry as well. 2 More specifically, this newly discovered testimony was Kelsall’s sworn answer given as part of a parallel court hearing held in the equity side of the court of the ESC 37.3–4 (September/December 2011): 61–81 of future scholarly archival work, one might even note a growing public interest in and awareness of the Zong massacre. -
164Th Topsham Fair Volunteers Thanked at Ice Cream
People Plus Non-Profit Organization P. O. Box 766 U. S. Postage PAID Brunswick, ME Brunswick, ME 04011 04011-0766 Permit No. 52 35 Union St. / PO Box 766, Brunswick, ME 04011 729-0757 www.peopleplusmaine.org August 2018 Volume 18, No. 8 People Plus supports an engaged, healthy, and independent life for older adults, while joining others to build community for all ages “We’re Ready!” The People Plus kitchen crew was again heralded for their service at last month’s Volunteer Appreciation event. Volunteers were given umbrellas “just in case” the weather for the Center’s annual picnic didn’t work out. NEW! Aging Parents Series Primping Pansies. Barbara Wyman, who last month was named the People Plus Volunteer of the Year, takes a minute from her desk duties to be sure the flowers at our front entry “look perfect!” “Navigating the journey” People Plus, Mid Coast-Parkview Health, parents when we hit our 50’s, helping them Volunteers thanked at Spectrum Generations and the folks at navigate the journey of aging can be an addi- Rousseau Management are teaming resources tional challenge for both parties. Where will to develop a new, “after work” series aimed at they live? How do we have the talk about “humanizing and customizing” the challenges giving up the car keys? What about the legal ice cream “sociable” and rewards associated with “kids” helping questions that arise? These questions are just Center volunteers gathered on Thursday, awarded to Carol Israel of Harpswell. their aging parents find and utilize needed the tip of the iceberg when it comes to dealing July 19, to “celebrate volunteerism and to fete “Frank's kitchen crew” was again recognized resources. -
The Middle Passage
The Middle Passage “If you look at the sea long enough, scenes from the past come back to life. ‘The sea is history… the sea has nothing to give but a well excavated grave.’”1 The Atlantic Ocean is a graveyard which holds the bodies of the enslaved Africans thrown overboard. The Atlantic Ocean is also an archive of black history; it tells the stories of all those lost in the journey to the Americas, the accounts of what happened aboard each ship, and echoes the anguish of all the words unspoken by the suffered. It was through the Middle Passage, in which the words family, neighbor, friend, wife, brother, sister, were lost. John Newton, a slave ship captain during the 1800s, wrote in Thoughts upon the African Slave Trade, "With our ships, the great object is, to be full. When the ship is there, it is thought… she should take as many as possible. The cargo of a vessel…is calculated to purchase from two hundred and twenty to two hundred and fifty slaves…the slaves lie in two rows, one above the other, on each side of the ship, close to each other, like books upon a shelf.”2 It is inherently problematic in how the ship is viewed as more of a living being in the captain’s referral to it as a “she,” while the enslaved Africans were reduced to simple commodities through the captain’s comparison to books on a shelf. Furthermore, the very act of placing a value on a person supports dehumanization — the commodification of the enslaved Africans devalues their existence to something easily bought or traded.3 The Middle Passage converted enslaved Africans to just another piece of property for the plantation owners, “A slave without a past had no life to avenge”4 and “had been forced to forget mother,”5 in the sense that the only thing left was a sense of hopelessness that made the enslaved Africans forget their origins, their countries, and their freedom; through this, it was easy to create a social hierarchy with the Africans at the bottom. -
The Zong Slave Ship Case
The Zong Slave Ship Case SOURCE: http://www.understandingslavery.com/index.php-option=com_content&view=article&id=373&Itemid=236.html On 19 March 1783, the African traveler and writer Olaudah Equiano called on anti-slavery campaigner Granville Sharp . 132 lives lost Three days earlier, a legal case in London had heard how the Liverpool owners of the ship, the Zong, had sued the ship's underwriters for the value of 132 Africans lost on a voyage from Africa to Jamaica. The owners claimed that the Africans had been thrown overboard when – because of poor navigation – the ship had sailed past its destination in Jamaica and had run short of water. To save the healthy, the sick, (or those who were said to be sick) were killed. There was however no such shortage. The jury decided that the underwriters were obliged, under law, to pay. Two months later, however, they went to Lord Mansfield's Court of King's Bench seeking a second trial and a reversal of the original decision. That hearing, which took place on 21–22 May 1783, was recorded at Granville Sharp's request. Most of what we know about the Zong derives from that report. The Voyage and the Massacre The Zong had been a Dutch vessel, the Zorgue, seized by the British in 1781 off West Africa, along with 244 Africans on board. It was then bought by the captain of a Liverpool slave Page 1 of 5 ship on behalf of his Liverpool owners. With a new make-shift crew, captained by Luke Collingwood, an experienced slave-ship surgeon, the Zong traded at Cape Coast and Accra, accumulating a final complement of 442 enslaved Africans.