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Subversive Eroticism in Kate Chopin's the Awakening and Edith Wharton's Summer
This is the published version of the bachelor thesis: Martínez Boada, Alejandra; Gimeno Pahissa, Laura, dir. Speaking the Un- speakable : Subversive Eroticism in Kate Chopin’s The Awakening and Edith Wharton’s Summer. 2016. 46 pag. (997 Grau en Estudis d’Anglès i de Francès) This version is available at https://ddd.uab.cat/record/165497 under the terms of the license Speaking the Unspeakable: Subversive Eroticism in Kate Chopin’s The Awakening and Edith Wharton’s Summer Treball de Fi de Grau Grau en Estudis d’Anglès i Francès Supervisor: Dr Laura Gimeno Pahissa Alejandra Martínez Boada June 2016 We need to imagine a world in which every woman is the presiding genius of her own body Adrienne Rich Acknowledgments Foremost, I would like to express my sincerest gratitude to my supervisor Laura Gimeno for the continuous support and guidance I have received from her. I frankly cannot imagine what I would have done without her help. I would also like to thank my good friend Iris for the patience she has had with me and the joy she has always transmitted, as well as for reminding me of all the deadlines. She has always been very enthusiastic and has persistently attempted to motivate me. Besides, I am also deeply thankful to Manon, a very close person who has supported and inspired me all this time from Paris. She has equally helped and guided me whenever I have needed it. And finally, I am indebted with all the friends and relatives who have had to hear me talking about this research project for months. -
The Reading, Writing and Translating of Erotic Literature
CORE Metadata, citation and similar papers at core.ac.uk Provided by Concordia University Research Repository Lust in Language: The Reading, Writing and Translating of Erotic Literature Ghislaine LeFranc A Thesis in The Department of Études françaises Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Translation Studies) at Concordia University Montréal, Québec, Canada February 2017 © Ghislaine LeFranc, 2017 CONCORDIA UNIVERSITY CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Ghislaine LeFranc Entitled: Lust in Language: The Reading, Writing and Translating of Erotic Literature and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Translation Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ____________________________ Philippe Caignon (Chair) ____________________________ Sherry Simon (Examiner) ____________________________ Krista Lynes (Examiner) ____________________________ Pier-Pascale Boulanger (Supervisor) Approved by __________________________________________________ Chair of the Department or Graduate Program Director _____________ 2017 _____________________________________ Dean of the Faculty ABSTRACT Lust in Language: The Reading, Writing and Translating of Erotic Literature Ghislaine LeFranc Sexuality and language are two fundamental characteristics of human culture, and the relationship between both shows the role language has in expressing such inexpressible feelings as lust, desire and passion. Humans have long been preoccupied with the mysteries of sex, and language has been the vehicle through which to express such curiosities. Erotic literature has become a genre with such distinct characteristics that translating such texts requires a methodology and approach different from traditional translation tactics. -
Aesthetics, the Body, and Erotic Literature in the Age of Lessing
HEAVING AND SWELLING: AESTHETICS, THE BODY, AND EROTIC LITERATURE IN THE AGE OF LESSING Derrick Ray Miller A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages and Literatures. Chapel Hill 2007 approved by: Eric Downing Jonathan Hess (advisor) Clayton Koelb Alice Kuzniar Richard Langston © 2007 Derrick Ray Miller ALL RIGHTS RESERVED ii ABSTRACT DERRICK RAY MILLER: Heaving and Swelling: Aesthetics, the Body, and Erotic Literature in the Age of Lessing (Under the direction of Jonathan Hess) In this dissertation, I explore how signs affect the body in German neoclassicism. This period constructs a particular body (the voluptuary’s body) that derives primarily sensual—as opposed to cognitive—pleasure from the signs of art. Erotic literature with its sensual appeal, then, becomes a special case of art, one that manifests this relationship between signs and the body the most clearly. By focusing on erotic literature as a paradigmatic rather than a marginal case of literature, I am able to reconsider our current understanding of German neoclassicism. Erotic literature exceeds the aesthetic and semiotic principles that scholars have come to expect to circumscribe the literature of this period. Erotic literature moves beyond such categories as vividness, veracity, and verisimilitude to achieve an aesthetic pleasure of virtuality. Its arousing signs produce voluptuous sensations and transformations in the reader’s body in addition to transmitting knowledge and manipulating affect. And as they strike—or stroke—the body, these signs appear less transparent than sticky. -
Literature, Criticism and Theory Provides a Completely Fresh and Original Introduction to Literary Studies
AW234x156.qxd 5/6/08 11:16 AM Page 1 . Introduction to Introduction The best introduction to literary study on the market. Jonathan Culler, Cornell University The most un-boring, unnerving, unpretentious textbook I've ever come across. Elizabeth Wright, University of Cambridge It is by far the best and most readable of all such introductions that I know Introduction to of...The treatment of the various topics is masterful, even-handed and informative. I cannot think of a better introduction for undergraduates, to be sure, but for many graduate students too. Literature, Criticism Hayden White, University of California at Santa Cruz Literature, Criticism and I don’t know of any book that could, or does, compete with this one. It is irreplaceable. Richard Rand, University of Alabama Theory [Bennett and Royle have] cracked the problem of how to be introductory and sophisticated, accessible but not patronising. Peter Buse, English Subject Centre Newsletter Third edition Introduction to Literature, Criticism and Theory provides a completely fresh and original introduction to literary studies. Bennett and Royle approach their subject by way of literary works themselves (a poem by Emily Dickinson, a passage from Shakespeare, a novel by Salman Rushdie), rather than by way of abstract theoretical ideas and isms. In 32 short chapters they focus on a range of familiar-looking terms (character, the author, and voice, narrative) as well as less obvious ones (laughter, pleasure, ghosts, secrets) in order to show why such literary texts are so compelling. This third edition updates and expands on earlier editions, and includes new chapters on: Theory • creative writing • literature and film • war • monsters, mutants and the inhuman Introduction to Literature, Criticism and Theory avoids what is so frequently tiresome or intimidating about ‘theory’, offering instead an introduction that is consistently entertaining, thought provoking and surprising. -
A Review of Martín, Adrienne Laskier's Book: an Erotic Philology of Golden
Volume 30.2 (2010) Reviews 213 Martín, Adrienne Laskier. An Erotic Philology of Golden Age Spain. Nashville: Vanderbilt University Press, 2008. 258 pp. isbn: 978 0 8265 1579 7. It is most welcome to recognize the newest study from an established scholar as meticulous in her critical research and erudite insights as Adrienne Martín. The groundwork for her present study on Spanish literary eroticism is invig- orated by her considerable examination of the subject in previous works that comprise several articles, the edited collectionPoesía erótica del Siglo de Oro. Crítica y antología (Calíope 2006), and compilations co-edited with J. Ignacio Díez Fernández: La poesía erótica de Fray Melchor de la Serna (2003), Venus ven- erada: Tradiciones eróticas de la literatura española (2006), and Venus venerada II: Literatura erótica y modernidad en España (2007). Martín analyzes the representation of eroticized figures found in canoni- cal and less prominent works that encompass the genres of poetry, prose, and drama. She addresses the function of these works as literature and as aesthetic constructs and explores their meanings, both literal and figurative. Her study is informed by Ericson’s sociology of deviance that characterizes behavior as nor- mal or anomalous based on its reception in society. The moral stigmas associ- ated with non-normative sexualities are formalized as codifying precepts in law, society and, consequently, literature. Martín’s five-chapter study opens with the chapter “Prostitution and Power” in which she discusses the social and literary frames of prostitution in Cervantes’s exemplary novel La tía fingida and in the Quixote. She describes prostitution as a threat to the existing social order that requires social and finan- cial containment. -
A Review Essay. Review of Eli Yassif, the Hebrew Folktale: History, Genre, Meaning
University of Pennsylvania ScholarlyCommons Department of Near Eastern Languages and Departmental Papers (NELC) Civilizations (NELC) 1995 The Hebrew Folktale: A Review Essay. Review of Eli Yassif, The Hebrew Folktale: History, Genre, Meaning Dan Ben-Amos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/nelc_papers Part of the Cultural History Commons, Folklore Commons, Jewish Studies Commons, Near and Middle Eastern Studies Commons, and the Oral History Commons Recommended Citation Ben-Amos, D. (1995). The Hebrew Folktale: A Review Essay. Review of Eli Yassif, The Hebrew Folktale: History, Genre, Meaning. Jewish Studies, 35 29-60. Retrieved from https://repository.upenn.edu/ nelc_papers/138 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/nelc_papers/138 For more information, please contact [email protected]. The Hebrew Folktale: A Review Essay. Review of Eli Yassif, The Hebrew Folktale: History, Genre, Meaning Abstract The history of oral narratives is in the grip of a paradox. The voice of their past telling is no longer evident, and what is evident is no longer oral. Once committed to writing, oral tales become literature, bearing the consequences of this transformation that occurs under specific social, eligious,r economic, even technical, circumstances.1 The shift from orality to literacy involves thematic, stylistic, and poetic modifications, and although in their new state the tales have a relatively higher degree of stability, they still can offer us glimpses into their performance history. Disciplines Cultural History | Folklore | Jewish Studies | Near and Middle Eastern Studies | Oral History This review is available at ScholarlyCommons: https://repository.upenn.edu/nelc_papers/138 RECENT BOOKS IN JEWISH STUDIES THE HEBREW FOLKTALE: A REVIEW ESSAY Dan Ben-Amos A. -
Female Authorship and Implicit Power in Women’S Erotica: Japanese “Ladies’ Comics” and Fifty Shades of Grey
FEMALE AUTHORSHIP AND IMPLICIT POWER IN WOMEN’S EROTICA: JAPANESE “LADIES’ COMICS” AND FIFTY SHADES OF GREY by Shirin Eshghi M. L. I. S., The University of British Columbia, 2005 B. A., The University of British Columbia, 1998 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2012 © Shirin Eshghi, 2012 Abstract Can female readers perceive empowerment through sexually explicit, fictional stories that feature depictions of misogynistic relationships or encounters? In this thesis, I will attempt to answer this question by examining English- and Japanese- language examples of sexual writing for women, specifically the genre of women’s erotica (erotic fiction for a female audience). I will describe how women’s erotica in both languages is predominantly populated by female authors, and will argue that this allows readers to perceive sexual empowerment even when encountering storylines that feature female protagonists disempowered by male characters. The knowledge that the author is a woman perpetuates a belief on the side of the reader that the female protagonist is safe, and that she will enjoy the sexual acts that take place within the story. To illustrate this point, I will compare the recently-published Fifty Shades of Grey with Toraware no yoru (Captive night), a 1990s example of “ladies’ comics” (sexually explicit Japanese manga created for a female readership), which was re-published in e-format in 2009. I will demonstrate how the female sex of the authors enables readers to feel in control and empowered despite the often submissive role of the stories’ protagonists. -
Al-Suyūṭī and Erotic Literature
chapter 11 Al-Suyūṭī and Erotic Literature Jaakko Hämeen-Anttila Erotica form an important part of Classical Arabic literature, but they have received rather scarce scholarly attention. In the West, al-Nafzāwī’s al-Rawḍ al-ʿāṭir remains the rare exception, commonly known even to the general audi- ence. In the late Mamlūk and Early Ottoman East al-Tījānī’s Tuḥfat al-ʿarūs and Ibn Kamāl-Pāshā’s Kitāb Rujūʿ al-shaykh ilā ṣibāhu fī l-quwwa ʿalā l-bāh enjoyed a similar position as the erotic books. In the earlier Mamlūk period, the Jawāmiʿ (or Jāmiʿ) al-ladhdha played the same role.1 Arabic erotica, however, compose a much wider genre than this small selec- tion would lead one to think. Most pieces of Arabic erotic literature, with the above exceptions, remained unpublished for centuries, but especially since the 1990s the situation has improved, and today we have a wider selection of works available to us, even though still usually and unfortunately in inferior editions. The proliferation of editions has also brought al-Suyūṭī to the limelight as an author of erotica. His production in this field has been known to the academic world since, at least, Brockelmann, but the majority of his works remained for a long time unpublished and inaccessible.2 The definition of what belongs to erotica is, of course, vague, as the Arabs themselves did not have a clearly defined and distinct genre for erotic writings.3 Al-Suyūṭī’s oeuvre contains at least two works that, by any definition, belong to the genre, viz. -
Sex and Text: Teaching Porno-Erotic Literature to Undergraduates
]ANINE RoGERS Sex and Text: Teaching Porno-Erotic Literature to Undergraduates ROTIC LITERATURE Al'ID PORNOGRAPHY have been tradi E tionally designated morally suspect, if not outright criminal, and are therefore excluded from academic analysis within the uni versity system. Erotica and pornography are themselves transgres sive sexual acts. Vern L. Bullough, a historian of sexuality, includes pornography in the list of "the more forbidden topics"such as "ho mosexuality, lesbianism, transvestism, transsexualism, paedophilia, sadomasochism, pornography and so on."1 The research that has been done on pornographic or erotic writing is usually a historical analysis of publication and censorship, or sociological studies of the (patriarchal) contexts of sex text production, and its role in the objectification or oppression of 'others' (those who don't produce, but are represented by, this writing), especially women. Literary analysis of the methods and messages of the work itself is scarce. At best, it seems porno-erotic material is designated marginal to the interests of academic inquiry by virtue of its status as 'popular' literature (alongside best-selling paperbacks, romance novels, mys teries and other material suspected of being more about lowbrow entertainment and commerce than literary art). Nevertheless, many canonical writers have tried their hands at writing erotica or por nography, and erotica (especially) has come into its own of late, resulting in a volume of highly literary material. If the material itself is read by millions, then is it not worth considering as a subject of 1 Vern L Bullough, "Sex in History: A Re dux," Desire and Discipline: Sex and Sexu ality in the Premodern West, ed. -
Female Agency in Eroticized Fairy Tales Jeana Jorgensen Butler University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @ Butler University Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 2008 Innocent Initiations: Female Agency in Eroticized Fairy Tales Jeana Jorgensen Butler University, [email protected] Follow this and additional works at: http://digitalcommons.butler.edu/facsch_papers Part of the Folklore Commons, and the Women's Studies Commons Recommended Citation Jorgensen, Jeana, "Innocent Initiations: Female Agency in Eroticized Fairy Tales" Marvels & Tales: Journal of Fairy-Tale Studies / (2008): 27-37. Available at http://digitalcommons.butler.edu/facsch_papers/675 This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ,QQRFHQW,QLWLDWLRQV)HPDOH$JHQF\LQ(URWLFL]HG)DLU\ -HDQD-RUJHQVHQ7DOHV Marvels & Tales, Volume 22, Number 1, 2008, pp. 27-37 (Article) 3XEOLVKHGE\:D\QH6WDWH8QLYHUVLW\3UHVV For additional information about this article http://muse.jhu.edu/journals/mat/summary/v022/22.1.jorgensen.html Access provided by Butler University (13 Jul 2015 17:10 GMT) 010 M&T 22-1 (13-168) 7/15/08 3:54 PM Page 27 JEANA JORGENSEN Innocent Initiations: Female Agency in Eroticized Fairy Tales Obscene and bawdy folklore has suffered a long history of neglect and censor- ship. In 1965 Gershon Legman lamented the “prudery-ridden” reception of Aleksandr Afanas’ev’s Russian Secret Tales—a collection of bawdy Russian folk- tales with a troubled publication and translation history (xi). -
Sex, Spirits, and Sensibility: Human Generation in British Medicine, Anatomy, and Literature, 1660-1780
Sex, Spirits, and Sensibility: Human Generation in British Medicine, Anatomy, and Literature, 1660-1780 Darren Neil Wagner PhD The University of York Department of History September 2013 Abstract This thesis explores the physiological idea of animal spirits in relation to nerves, sex, and reproduction in the culture of sensibility. That physiology held the sex organs of both females and males to be exceptionally sensitive parts of the body that profoundly affected individuals’ constitutions and minds. Sexual sensations, desires, volition, and behaviour depended upon animal spirits and nerves. A central concern in this perception of the body and mind was the conflict between rationality from the intellectual will and sexual feelings from the genitalia. The idea that the body and mind interacted through animal spirits became influential in Georgian culture through anatomical and medical writings, teachings, and visual displays, but also through its resonance in literature about sensibility. This research predominantly draws upon material and print cultures of medicine, anatomy, and literature from 1660-1780. The analysis highlights the roles of gender, markets, literary modes, scientific practices, visual demonstrations, medical vocations, and broader social and political discourses in conceptions of the body and mind in relation to sex and reproduction. Ultimately, this study fleshes out the sensible and sexual body, which cultural and literary historians have frequently referred to, and emphasizes how the organs of generation commanded -
Faustian Figures: Modernity and Male (Homo)Sexualities in Spanish Commercial Literature, 1900-1936
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2012 FAUSTIAN FIGURES: MODERNITY AND MALE (HOMO)SEXUALITIES IN SPANISH COMMERCIAL LITERATURE, 1900-1936 Jeffrey Zamostny University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Zamostny, Jeffrey, "FAUSTIAN FIGURES: MODERNITY AND MALE (HOMO)SEXUALITIES IN SPANISH COMMERCIAL LITERATURE, 1900-1936" (2012). Theses and Dissertations--Hispanic Studies. 4. https://uknowledge.uky.edu/hisp_etds/4 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies.