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Connections a Publication by the National Association of Realtors®
VOLUME 17 / ISSUE 2 / SPRING 2017 COMMERCIAL CONNECTIONS A PUBLICATION BY THE NATIONAL ASSOCIATION OF REALTORS® INVESTMENT SPRINGS ETERNAL USING YOUR TIME, MONEY, & ENERGY FOR GROWTH IN THIS ISSUE: PRESIDENT’S UPDATE / Commercial Advocacy on Capitol Hill NETWORKING / Inside MIPIM 2017 ADVOCACY / Q&A With NAR’S Deputy Chief Lobbyist FEATURE / Smart Growth Grants Fund Communities PLUS / Explore New Research, IREM®’s Sustainability Certification, & more. COMMERCIAL CONNECTIONS 2017 NAR PRESIDENT Bill Brown Oakland, CA TABLE OF 2017 COMMERCIAL LIAISON Deena Zimmerman CONTENTS Chicago, IL 2017 COMMERCIAL COMMITTEE CHAIR Tray Bates, CCIM, CIPS, SIOR Corpus Christi, TX FEATURED CONTENT CHIEF EXECUTIVE OFFICER Dale A. Stinton, CAE, CMA, CPA, RCE INSIDE PERSPECTIVE: PAGE 5 SENIOR VICE PRESIDENT ONE-ON-ONE WITH NAR’S DEPUTY CHIEF LOBBYIST Spring is upon us, and the bloom of the cherry blossoms COMMERCIAL & GLOBAL SERVICES in Washington, D.C. means the arrival of my favorite Janet Branton, CAE, CIPS COMMUNITY DEVELOPMENT: PAGE 15 meeting of the year: the REALTORS® Legislative Meetings VICE PRESIDENT SMART GROWTH SPURS COMMUNITIES and Trade Expo. COMMERCIAL & GLOBAL SERVICES Jan Hope, CIPS, RCE INTERNATIONAL: PAGE 20 Members around the country have heard me say this many DIRECTOR MIPIM: STORIES OF A WORLD OF POSSIBILITIES times, but it cannot be repeated enough. 2017 is not only COMMERCIAL REAL ESTATE for the political and policy arenas, but for our own industry. Jean Maday, RCE Advocacy efforts put forth during the Legislative Meetings in ALSO IN THIS ISSUE May will ensure future success for our members. Successful DIRECTOR QUANTITATIVE & PRESIDENT’S UPDATE: PAGE 3 advocacy initiatives depend on visibility. -
Arguelles Climbs to Victory In2.70 'Mech Everest'
MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K. -
RELX Group Teach-In
RELX Group Teach-In Thursday, 9th November 2017 RELX Group Teach-In Thursday, 9th November 2017 Welcome Colin Tennant Head of Investor Relations, RELX Group Opening remarks My name is Colin Tennant. I am the Head of Investor Relations at RELX Group. I have three things to do today. First is to welcome everybody. So, welcome, everybody. Second is just a little bit of housekeeping. If the fire alarm does go off during this presentation, you'll be leaving the way you came in. There will be people with fluorescent jackets to help you find the exit. Hopefully, that won't happen. And the final thing I need to do is to introduce the host for today's presentation, Chet Burchett, the Chief Executive of Reed Exhibitions, who is going to lead you through all we are going to cover for today. So, Chet over to you. Overview of Reed Exhibitions Chet Burchett Chief Executive Officer, Reed Exhibitions My Background Thank you, Colin. Good afternoon. As Colin notes, I am, indeed, Chet Burchett. I have been Chief Executive for Reed Exhibitions since 2015. I have been with the company for almost 14 years. I joined in February 2004 as President of North America. I came over from Burson-Marsteller, one of the WPP's global public relations agencies, where I had been serving as Chief Executive for their US business. Then, my role expanded for Reed to President of the Americas when I took on responsibility for our South American business which, at the time, was a small operation in Argentina and a few shows in Brazil. -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
RELX Group Annual Reports and Financial Statements 2015
Annual Reports and Financial Statements 2015 Annual Reports and Financial Statements 2015 RELX Group is a world-leading provider of information and analytics for professional and business customers across industries. We help scientists make new discoveries, lawyers win cases, doctors save lives and insurance companies offer customers lower prices. We save taxpayers and consumers money by preventing fraud and help executives forge commercial relationships with their clients. In short, we enable our customers to make better decisions, get better results and be more productive. RELX PLC is a London listed holding company which owns 52.9 percent of RELX Group. RELX NV is an Amsterdam listed holding company which owns 47.1 percent of RELX Group. Forward-looking statements The Reports and Financial Statements 2015 contain forward-looking statements within the meaning of Section 27A of the US Securities Act of 1933, as amended, and Section 21E of the US Securities Exchange Act of 1934, as amended. These statements are subject to a number of risks and uncertainties that could cause actual results or outcomes to differ materially from those currently being anticipated. The terms “estimate”, “project”, “plan”, “intend”, “expect”, “should be”, “will be”, “believe”, “trends” and similar expressions identify forward-looking statements. Factors which may cause future outcomes to differ from those foreseen in forward-looking statements include, but are not limited to competitive factors in the industries in which the Group operates; demand for the Group’s products and services; exchange rate fluctuations; general economic and business conditions; legislative, fiscal, tax and regulatory developments and political risks; the availability of third-party content and data; breaches of our data security systems and interruptions in our information technology systems; changes in law and legal interpretations affecting the Group’s intellectual property rights and other risks referenced from time to time in the filings of the Group with the US Securities and Exchange Commission. -
Christian Rock Concerts As a Meeting Between Religion and Popular Culture
ANDREAS HAGER Christian Rock Concerts as a Meeting between Religion and Popular Culture Introduction Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s.1 The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical) Christianity, and the other in the commercial rock music industry. The subject of this paper is to study how this intermediate position is manifested and negotiated in Christian rock concerts. Such a performance of Christian rock music is here assumed to be both a rock concert and a religious service. The paper will examine how this duality is expressed in practices at Christian rock concerts. The research context of the study is, on the one hand, the sociology of religion, and on the other, the small but growing field of the study of religion and popular culture. The sociology of religion discusses the role and posi- tion of religion in contemporary society and culture. The duality of Chris- tian rock and Christian rock concerts, being part of both a traditional religion and a modern medium and business, is understood here as a concrete exam- ple of the relation of religion to modern society. The study of the relations between religion and popular culture seems to have been a latent field within research on religion at least since the 1970s, when the possibility of the research topic was suggested in a pioneer volume by John Nelson (1976). -
Amelia Farrugia
Amelia Farrugia One of Australia's best loved sopranos Amelia Farrugia is one Australia’s best-loved sopranos. Since her opera debut in 1994, she has sung many leading roles for Opera Australia, performed with all the ABC Orchestras and appeared internationally with distinguished conductors Richard Bonynge, Edo de Waart, Richard Hickox, Carlo Felice Cillario, Markus Stenz, Simone Young, Emmanuel Plasson, Paul Dyer, Andrea Licata, Alexander Briger, Brad Cohen, Robin Ticciati, Giovanni Reggioli and composers Gian Carlo Menotti, Richard Mills and George Palmer. More about Amelia Farrugia: Amelia is renowned for her dazzling portrayal of Manon in Massenet’s Manon, her show-stopping Adele in Johann Strauss’ Die Fledermaus (performed for Glyndebourne Festival Opera UK and OA’s production recorded by ABC Classics), her Musetta in Puccini’s La Boheme, Maria Corona in Menotti’s Saint of Bleeker Street (Spoleto Festival Italy), Adina in Donizetti’s L’elisir d’amore, Tytania in Britten’s A Midsummer Night’s Dream, Nannetta in Verdi’s Falstaff, Rosina in Rossini’s Il barbiere di Siviglia, Susanna in Mozart’s Le nozze di Figaro, Nedda in Leoncavallo’s Pagliacci and Oscar in Verdi’s Un ballo in maschera for which she received a Green Room Award (2008). Amelia’s debut solo recording, Joie de vivre! (BBC Symphony Orchestra, Alexander Briger) was released by Universal Music/ Decca in Australia in 2005 and the UK in 2006 and nominated for a Classical Aria (2006). Amelia is the first Australian solo artist to record on the prestigious Decca label since Dame Joan Sutherland in 1959. Amelia is a television favourite, most recently appearing in Carols in the Domain and Opera Australia’s La Boheme (ABC). -
Proptech 3.0: the Future of Real Estate
University of Oxford Research PropTech 3.0: the future of real estate PROPTECH 3.0: THE FUTURE OF REAL ESTATE WWW.SBS.OXFORD.EDU PROPTECH 3.0: THE FUTURE OF REAL ESTATE PropTech 3.0: the future of real estate Right now, thousands of extremely clever people backed by billions of dollars of often expert investment are working very hard to change the way real estate is traded, used and operated. It would be surprising, to say the least, if this burst of activity – let’s call it PropTech 2.0 - does not lead to some significant change. No doubt many PropTech firms will fail and a lot of money will be lost, but there will be some very successful survivors who will in time have a radical impact on what has been a slow-moving, conservative industry. How, and where, will this happen? Underlying this huge capitalist and social endeavour is a clash of generations. Many of the startups are driven by, and aimed at, millennials, but they often look to babyboomers for money - and sometimes for advice. PropTech 2.0 is also engineering a much-needed boost to property market diversity. Unlike many traditional real estate businesses, PropTech is attracting a diversified pool of talent that has a strong female component, representation from different regions of the world and entrepreneurs from a highly diverse career and education background. Given the difference in background between the establishment and the drivers of the PropTech wave, it is not surprising that there is some disagreement about the level of disruption that PropTech 2.0 will create. -
Opera Australia 2018 Annual Report
2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell. -
Corporate Responsibility Report 2008
Corporate Responsibility Report 2008 Strength through responsibility Summary Reed Elsevier Corporate Responsibility Report 2008 Chief Executive’s introduction Governance People Our true performance as a company must take account of both our non-financial and financial results. They are intrinsically linked – if we want to be a profitable and successful company, we must be an ethical one. We are committed to being both. To that end, we have been building on our expertise and engaging with stakeholders to find ways to innovate and improve. Health and safety In developing online solutions to the needs of our customers in areas like health, science and technology, law, environment, and business, we benefit society. For example, Procedures Consult gives doctors a way of maintaining their skills and knowledge through web-based simulation of essential medical techniques; TotalPatent is a single source for global patents, a primary driver in research and development; XpertHR helps practitioners advance good practice in people management; energylocate aggregates our energy offerings into a one-stop community, using tools like social networking and video to advance knowledge. Customers Innovation is also helping advance our internal corporate responsibility: > Increased online training in our Code of Ethics and Business Conduct has led to more of our people understanding what it means to do the right thing > A new global jobs board illuminates our value, Boundarylessness, by allowing employees to search for new positions across locations, functions, -
Exhibitions Teach-In November 9, 2017 London
Exhibitions teach-in November 9, 2017 London 1 DISCLAIMER REGARDING FORWARD-LOOKING STATEMENTS This presentation contains forward-looking statements within the meaning of Section 27A of the US Securities Act of 1933, as amended, and Section 21E of the US Securities Exchange Act of 1934, as amended. These statements are subject to a number of risks and uncertainties that could cause actual results or outcomes to differ materially from those currently being anticipated. The terms “outlook”, “estimate”, “project”, “plan”, “intend”, “expect”, “should be”, “will be”, “believe”, “trends” and similar expressions identify forward-looking statements. Factors which may cause future outcomes to differ from those foreseen in forward-looking statements include, but are not limited to: current and future economic, political and market forces; changes in law and legal interpretations affecting the Group’s intellectual property rights; regulatory and other changes regarding the collection, transfer or use of third party content and data; demand for the Group’s products and services; competitive factors in the industries in which the Group operates; compromises of our data security systems and interruptions in our information technology systems; legislative, fiscal, tax and regulatory developments and political risks; exchange rate fluctuations; and other risks referenced from time to time in the filings of RELX PLC and RELX NV with the US Securities and Exchange Commission. 2 1 Exhibitions overview Chet Burchett Chief Executive Officer, Exhibitions 3 -
2020-2021 Mock Trial Competition
2020-2021 MOCK TRIAL COMPETITION Val Orr, Personal Representative of the Estate of Doane Orr, Deceased vs. Dis-Chord, Inc. 1 Thank you The State Bar of Nevada Mock Trial Committee sincerely thanks the Indiana Bar Foundation and Susan Roberts, case author, for permission to use this mock trial case. The case and materials have been edited for use in the 2020-2021 State Bar of Nevada Mock Trial Program. We extend our thanks to the Washoe County Bar Association for their continued support of the Mock Trial Program including logistics and funding. Many thanks to the Nevada Bar Foundation. The state bar’s Mock Trial Program is sustained through a Foundation grant funded by the Charles Deaner Living Trust. Chuck Deaner was a Nevada attorney and ardent supporter of law-related education. The state championship round is named in his honor. Mock Trial Committee Members Andrew Chiu, Chair, Staff Counsel for AIG Lisa Bruce, Bruce Law Group Sandra DiGiacomo, Clark County District Attorney’s Office Neal Falk, Minden Lawyers, LLC John Giordani, Clark County District Attorney’s Office Edmund “Joe” Gorman, Second Judicial District Court Kimberley Hyson, Kravitz, Schnitzer & Johnson Gale Kotlikova, Heshmati & Associates Erica Roth, Second Judicial District Court John Shook, Shook and Stone Emily Strand, Pitaro & Fumo Andrew Wong, Federal Public Defender’s Office 2 INTRODUCTION This year’s mock trial case involves the death of a concert attendee from a lightning strike during an outdoor concert. The Plaintiff is the spouse of the Decedent and the Personal Representative of the estate. Plaintiff is pursuing a wrongful death claim against the rock band, claiming the Defendant failed to cancel the concert due to the bad weather and failed to communicate weather conditions to concert goers.