Love Actually

Total Page:16

File Type:pdf, Size:1020Kb

Love Actually LEVEL 4 Answer keys Teacher Support Programme Love Actually Book key c his home office 1 Open answers d on the edge of town, in France 2 a designer, DJ, Prime Minister, vicar e Daniel’s office b best man, honeymoon, reception, stag night f Mark’s art gallery c carol, mistletoe g the hall of the building where her flat is 3 a Billy Mack h their bedroom b Daniel i a shop c Peter, Juliet j a language school/an underground station d Mark 22–23 Open answers e Natalie 24 a CD b one c presents d hospital e carol f David f cards g experience h spend 4 a Billy, to Joe, about the new record that he is 25–26 Open answers making. 27 a David, Natalie b Daisy, to her mother (Karen), about the school b Mia Christmas play. c Natalie, David c Peter, to Mark, about the stag night. d Sam d Juliet, to Peter, about the Beatles song/the surprise e Karen, David music in church. f Joanna 5–6 Open answers g David, Natalie 7 a 3 b 5 c 1 d 4 e 2 28–29 Open answers 8 a Harry 30 a unhappy b guilty c proud d happy b Mia e confused f interested g excited c Sarah 31 a Billy (and Daisy and Greta) d Karl b Jamie (and Aurelia) 9–10 Open answers c Harry 11 a The American President’s visit. d Joanna b The Fairtrade Christmas party. e David c Under the mistletoe. 32–42 Open answers d His worries about his stepson. Discussion activities key e He is in love. 1–2 Open answers f To his farmhouse in France. 3 a The story of Love Actually begins just before g With her parents. Christmas. h He can have him murdered. b Peter and Juliet are about to be married. 12–13 Open answers c The film Love Actually came out in 2003. 14 a pens d Richard Curtis worked on Notting Hill after he b language worked on Bridget Jone’s Diary. c head e Some scenes in Love Actually were filmed in famous d gallery places in London. e video f The actors who played Jamie and Aurelia did not f an art gallery really swim because the lake wasn’t very deep. 15–16 Open answers g In the first scene in the film, Hugh Grant wears two 17 a T b T c F d F e F f T different ties. 18 a 5 b 2 c 4 d 6 e 1 f 7 g 3 h The film story was changed several times to make it 19–20 Open answers shorter. 21 a Mark’s flat i There is more than one connection between many b the Prime Minister’s office of the characters. 4–22 Open answers pearsonenglishreaders.com © Pearson Education Limited 2015 Love Actually - Answer keys 1 of 2 LEVEL 4 Answer keys Teacher Support Programme Love Actually Activity worksheets key b Aurelia dived into the lake to get the papers and 1 a airport b studio c bedroom d kitchen then Jamie dived in as well. e church f office c Sarah thinks her brother looks worse than he did 2 a F Jamie meets his younger brother in his home before. after the wedding. d Harry is worried because the shop assistant is so b T slow. c T e Jamie is learning Portuguese from a cassette. d F Sarah fell in love with Karl half an hour after she f Sam never asks his stepfather about his love life. began working at Fairtrade. 10 a 8 b 2 c 10 d 6 e 5 f 9 g 1 h 3 e F The DJ in Watford doesn’t like Billy’s Christmas i 7 j 4 song. 11 a F b F c F d F e T f F f T 12 a Juliet to her husband Peter. Mark has come to her 3 a 3, 6 house to give her a Christmas card, and she doesn’t b 9, 12 want Peter to know. c 5, 8 b Billy to his manager, Joe, about why he has left Elton d 1, 10 John’s party early. e 7, 11 c The Prime Minister to Natalie. Everyone at the f 4, 14 school Christmas show has just seen them kiss. g 2, 13 d Sophia to her sister Aurelia. Jamie has just asked 4 a doesn’t want Aurelia to marry him, and said that they could live b doesn’t like in France or England. c cheerful e Carol to Daniel because Daniel asks why Sam d surprised doesn’t kiss Joanna when he meets her at the e make-up airport. f Natalie Progress test key g at school 1 a 3 b 1 c 1 d 3 h Blue 2 a Chris b Jo c Mark d Sarah e Mia f Mike i Juliet 3 a strong j Portuguese b children 5 a 5 b 3 c 1 d 7 e 8 f 2 g 6 h 4 c cry 6 a The Prime Minister to his ministers about his d Karen’s decision not to stand up to the American President. e parents b Mia to Harry, letting him know that she will be 4 Suggested answers: alone and available at the office Christmas party. a opinions c Daniel to his son Sam. He thought that Sam was sad b Natalie because of his mother’s death, but in fact he is in c mad love. d dancing d The Prime Minister to Natalie because she has told e fat him that she has just left her boyfriend. 5 a 3 b 5 c 2 d 1 e 4 e Ant, a presenter of a children’s TV show, to the 6 a 3 b 4 c 5 d 2 e 1 audience. Billy Mack has been saying bad things to 7 a 6 b 4 c 2 d 3 e 5 f 1 the children on the show and Ant wants to stop 8 a T him. b F Daniel suggests that he and Sam drive to the f Mark to Juliet. He doesn’t want her to see the video airport to find Joanna. he filmed at her wedding. c F The airport guards are watching Billy Mack on TV 7 a 1 b 2 c 2 d 3 at the airport. 8 a because b although c while d because d T e after f if g when e F Natalie runs to meet the Prime Minister. 9 a The Prime Minister says that the American President is very handsome. pearsonenglishreaders.com © Pearson Education Limited 2015 Love Actually - Answer keys 2 of 2.
Recommended publications
  • The Art of Adaptation
    Ritgerð til M.A.-prófs Bókmenntir, Menning og Miðlun The Art of Adaptation The move from page to stage/screen, as seen through three films Margrét Ann Thors 301287-3139 Leiðbeinandi: Guðrún Björk Guðsteinsdóttir Janúar 2020 2 Big TAKK to ÓBS, “Óskar Helps,” for being IMDB and the (very) best 3 Abstract This paper looks at the art of adaptation, specifically the move from page to screen/stage, through the lens of three films from the early aughts: Spike Jonze’s Adaptation, Alejandro González Iñárritu’s Birdman, or The Unexpected Virtue of Ignorance, and Joel and Ethan Coen’s O Brother, Where Art Thou? The analysis identifies three main adaptation-related themes woven throughout each of these films, namely, duality/the double, artistic madness/genius, and meta- commentary on the art of adaptation. Ultimately, the paper seeks to argue that contrary to common opinion, adaptations need not be viewed as derivatives of or secondary to their source text; rather, just as in nature species shift, change, and evolve over time to better suit their environment, so too do (and should) narratives change to suit new media, cultural mores, and modes of storytelling. The analysis begins with a theoretical framing that draws on T.S. Eliot’s, Linda Hutcheon’s, Kamilla Elliott’s, and Julie Sanders’s thoughts about the art of adaptation. The framing then extends to notions of duality/the double and artistic madness/genius, both of which feature prominently in the films discussed herein. Finally, the framing concludes with a discussion of postmodernism, and the basis on which these films can be situated within the postmodern artistic landscape.
    [Show full text]
  • Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
    THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • Film Is GREAT, Edition 2, November 2016
    ©Blenheim Palace ©Blenheim Brought to you by A guide for international media The filming of James Bond’s Spectre, Blenheim Palace, Oxfordshire visitbritain.com/media Contents Film is GREAT …………………………………………………………........................................................................ 2 FILMED IN BRITAIN - British film through the decades ……………………………………………………………………………………….. 9 - Around the world in British film locations ……………………………………………….…………………........ 15 - Triple-take: Britain's busiest film locations …………………………………………………………………….... 18 - Places so beautiful you'd think they were CGI ……………………………………………………………….... 21 - Eight of the best: costume dramas shot in Britain ……………………………………………………….... 24 - Stay in a film set ……………………………………………………………………………………………………………...... 27 - Bollywood Britain …………………………………………………………………………………………………………….... 30 - King Arthur's Britain: locations of legend ……………………………………………………………………...... 33 - A galaxy far, far away: Star Wars in Britain .…………………………………………………………………..... 37 ICONIC BRITISH CHARACTERS - Be James Bond for the day …………………………………………………………………………………………….... 39 - Live the Bridget Jones lifestyle ……………………………………………………………………………………..... 42 - Reign like King Arthur (or be one of his knights) ………………………………………………………….... 44 - A muggles' guide to Harry Potter's Britain ……………………………………………………………………... 46 FAMILY-FRIENDLY - Eight of the best: family films shot in Britain ………………………………………………………………….. 48 - Family film and TV experiences …………………….………………………………………………………………….. 51 WATCHING FILM IN BRITAIN - Ten of the best: quirky
    [Show full text]
  • Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
    Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.
    [Show full text]
  • Love Actually by Richard Curtis
    Love Actually by Richard Curtis Edited by Emma Freud Final June June 19th, 2002 LOVE ACTUALLY 1 INT. HEATHROWARRIVALS GAD. DAY. 1 A VOICEOVERIN DARKNESS... PM (V .0.) "Whenever I get gloomy with the state of the world, I think about the Arrival Gate at Heathrow Airport •. ANDWE START TO SEE THIS - AS 'STYLISHBUT REAL' DOCUMENTARYAS POSSIBLE, THE MOSTMISCELLANEOUS OF GROUPSAND COUPLES AT THE ARRIVALGATE, ALL KISSING, ALL FULL OF AFFECTIONAND EMOTION..• General opinion's starting to make out that we live in a world of hatred and greed - but I don't see that - seems to me that love is everywhere. Often it's not particularly dignified, or newsworthy - but it's always there - fathers & sons, mothers & daughters, husbands & wives, friends & strangers. When the planes hit the Twin Towers, as far as I know, none of the phone calls from the people about to die were messages of hate and revenge - they were all messages of love. If you look for it, I've got a nasty suspicion you'll find that love actually is all around ...• 2 INT. CBORCB. DAY 2 CUT TO TWOMEN'S FACES. WELLDRESSED UP IN WEDDINGTIES AND COATS. PETER No surprises? MARK No surprises. PULL BACK- THEYARE BEST MANAND GROOM WAITING AT THE END OF AN AISLE. THE CHURCHIS SUNNYAND FULL. PETER Not like the stag night? MARK Unlike the stag night. PETER Do you admit that the Brazilian prostitutes were a mistake? (CONTINUED) Page2 2 CONTINUED: 2 MARK I do. PETER And it would have been much better if they'd not turned out to be men? MARK That is t:i:ue.
    [Show full text]
  • Atonement (2007) Compiled by Jay Seller
    Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright.
    [Show full text]
  • When Did You Last See Your Father?
    WHEN DID YOU LAST SEE YOUR FATHER? Directed by Anand Tucker Starring Colin Firth Jim Broadbent Juliet Stevenson Official Selection 2007 Toronto International Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the website at: www.whendidyoulastseeyourfathermovie.com Short Synopsis When Did You Last See Your Father? is an unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur’s terminal illness and imminent death. Blake’s memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heart- rending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one’s parents are not always accountable to their children. Directed by Anand Tucker (Hilary and Jackie), from a screenplay by David Nicholls, adapted from Blake Morrison’s novel of the same name, the film stars Colin Firth, Jim Broadbent, Juliet Stevenson, Gina McKee, Claire Skinner, and Matthew Beard. Long Synopsis Arthur Morrison (Jim Broadbent), and his wife Kim (Juliet Stevenson), are doctors in the same medical practice in the heart of the Yorkshire Dales, England. They have two children, Gillian (Claire Skinner), and her older brother Blake (Colin Firth)Blake is a forty - year-old established author, married with two children and confronted with the fact that his father is terminally ill.
    [Show full text]
  • Hartford Public Library DVD Title List
    Hartford Public Library DVD Title List # 24 Season 1 (7 Discs) 2 Family Movies: Family Time: Adventures 24 Season 2 (7 Discs) of Gallant Bess & The Pied Piper of 24 Season 3 (7 Discs) Hamelin 24 Season 4 (7 Discs) 3:10 to Yuma 24 Season 5 (7 Discs) 30 Minutes or Less 24 Season 6 (7 Discs) 300 24 Season 7 (6 Discs) 3-Way 24 Season 8 (6 Discs) 4 Cult Horror Movies (2 Discs) 24: Redemption 2 Discs 4 Film Favorites: The Matrix Collection- 27 Dresses (4 Discs) 40 Year Old Virgin, The 4 Movies With Soul 50 Icons of Comedy 4 Peliculas! Accion Exploxiva VI (2 Discs) 150 Cartoon Classics (4 Discs) 400 Years of the Telescope 5 Action Movies A 5 Great Movies Rated G A.I. Artificial Intelligence (2 Discs) 5th Wave, The A.R.C.H.I.E. 6 Family Movies(2 Discs) Abduction 8 Family Movies (2 Discs) About Schmidt 8 Mile Abraham Lincoln Vampire Hunter 10 Bible Stories for the Whole Family Absolute Power 10 Minute Solution: Pilates Accountant, The 10 Movie Adventure Pack (2 Discs) Act of Valor 10,000 BC Action Films (2 Discs) 102 Minutes That Changed America Action Pack Volume 6 10th Kingdom, The (3 Discs) Adventure of Sherlock Holmes’ Smarter 11:14 Brother, The 12 Angry Men Adventures in Babysitting 12 Years a Slave Adventures in Zambezia 13 Hours Adventures of Elmo in Grouchland, The 13 Towns of Huron County, The: A 150 Year Adventures of Ichabod and Mr. Toad Heritage Adventures of Mickey Matson and the 16 Blocks Copperhead Treasure, The 17th Annual Lane Automotive Car Show Adventures of Milo and Otis, The 2005 Adventures of Pepper & Paula, The 20 Movie
    [Show full text]
  • In Love in a Movie : Women and Contemporary Romantic Comedy
    IN LOVE IN A MOVIE: WOMEN AND CONTEMPORARY ROMANTIC COMEDY By ANDREA ROCHELLE MABRY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2004 Copyright 2004 by Andrea Rochelle Mabry For Olivia and Grace ACKNOWLEDGMENTS This dissertation is very much a collaborative effort, and for its existence I am indebted to a great many people. I first wish to express my appreciation to the faculty of the University of Florida Department of English, particularly the members of my dissertation committee. Professor Maureen Turim, my advisor and dissertation director, has been an invaluable mentor, not only over the course of this project, but throughout my studies at Florida. Her guidance in the writing of this dissertation, from the original seed of an idea to the final reading, has been invaluable. I am also truly grateful to Professors Susan Hegeman, Roger Beebe, and Nora Alter for their enthusiasm, their advice, and their encouragement to take my work to new levels. My thanks also go out to my fellow graduate students in the Florida English Department for their friendship and their good humor. The camaraderie of other students helped lighten many a stressful day as I worked to complete this journey. Finally, my family—Mom, Dad, Linda, Christine, Tony, Olivia and Grace—have always provided me with love and support, not just as I wrote this dissertation, but all along the road I have taken to get to this point. For that they have my love and my thanks.
    [Show full text]
  • Destination London the Expansion of the Visitor Economy
    DESTINATION LONDON THE EXPANSION OF THE VISITOR ECONOMY EDITED BY ANDREW SMITH and ANNE GRAHAM Destination London: The Expansion of the Visitor Economy Edited by Andrew Smith and Anne Graham University of Westminster Press www.uwestminsterpress.co.uk Published by University of Westminster Press 115 New Cavendish Street London W1W 6UW www.uwestminsterpress.co.uk Text © the editors and several contributors 2019 First published 2019 Cover and back cover image: Diana Jarvis; Front cover image: Tristan Luker Print and digital versions typeset by Siliconchips Services Ltd. ISBN (Paperback): 978-1-912656-26-4 ISBN (PDF): 978-1-912656-27-1 ISBN (EPUB): 978-1-912656-28-8 ISBN (Kindle): 978-1-912656-29-5 DOI: https://doi.org/10.16997/book35 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying and distributing the work, provid ing author attribution is clearly stated, that you are not using the material for commercial purposes, and that modified versions are not distributed. The full text of this book has been peer-reviewed to ensure high academic standards. For full review policies, see: http://www.uwestminsterpress.co.uk/ site/publish. Suggested citation: Smith, A. and Graham, A. (eds.) 2019. Destination London: The Expansion of the Visitor Economy. London: University of Westminster Press. DOI: https://doi.org/10.16997/book35 License: CC-BY-NC-ND 4.0 To read the free, open access version of this book online, visit https://doi.org/10.16997/ book35 or scan this QR code with your mobile device: Contents Acknowledgements vii 1.
    [Show full text]
  • Is This London? Chance, Crisis, Aggression, Weirdness and Expense by Amy Sergeant
    Is this London? Chance, Crisis, Aggression, Weirdness and Expense by Amy Sergeant ABSTRACT: The article discusses a number of post-millennial London narratives in print and on screen. Significantly, these use chance as a structural device, contrive chance encounters between disparate characters and/or twists of fate in individual characters' lives. It is concerned with the changing fortunes of different areas of the metropolis by way of economic and cultural capital, migration within and beyond London, immigration and shifts in generic representations of the city. Chance here designates lucky, improbable, arbitrary and coincidental occurrences: modern inflections of a mythologised metropolitan theme. Saggi/Ensayos/Essais/Essays N. 20 – 11/2018 106 KEY WORDS: Fleabag; Daphne; Capital; Brakes; NW; Portobello Time Out, the London listings freebie, in November 2016 volunteered the latest of many variations of the original Monopoly board (Hill 2016: 27-35). This indicated the status of new East End attractions − the 2012 Olympic Stadium sitting between yellow-banded Granary Square and Canary Wharf (beneficiaries of gentrification by capital) displacing the prestige of Piccadilly. Red-banded vibrant locales, such as Silicon Roundabout, Commercial Street and Broadway Market (promoted, not least, by Time Out itself), in place of Fleet Street and the Strand, marked shifts and fragmentations of economic and cultural status since the board's inauguration in 1936.1 Chance cards included a hipster figure announcing “get out of jail free” as a reward for responsibility for the financial crisis and “gentrification!” requiring an extra payment of £100 for every street acquired. “100 likes” for an avo toast Instagram received brand sponsorship and rent paid for a month: £800.
    [Show full text]