Alleviation of Bard's Poverty the College Endowment Raised By
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Maria Sofia Pimentel Biscaia Leituras Dialógicas Do Grotesco: Dialogical
Universidade de Aveiro Departamento de Línguas e Culturas 2005 Maria Sofia Pimentel Leituras Dialógicas do Grotesco: Biscaia Textos Contemporâneos do Excesso Dialogical Readings of the Grotesque: Texts of Contemporary Excess Universidade de Aveiro Departamento de Línguas e Culturas 2005 Maria Sofia Pimentel Leituras Dialógicas do Grotesco: Biscaia Textos Contemporâneos do Excesso Dialogical Readings of the Grotesque: Texts of Contemporary Excess Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Literatura, realizada sob a orientação científica do Doutor Kenneth David Callahan, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro e da Doutora Maria Aline Salgueiro Seabra Ferreira, Professora Associada do Departamento de Línguas e Culturas da Universidade de Aveiro o júri Presidente Prof. Doutor José Carlos da Silva Neves Professor Catedrático da Universidade de Aveiro Prof. Doutor Mário Carlos Fernandes Avelar Professor Associado com Agregação da Universidade Aberta Profª. Doutora Ana Gabriela Vilela Pereira de Macedo Professora Associada da Universidade do Minho Prof. Doutor Anthony David Barker Professor Associado da Universidade de Aveiro Profª. Doutora Maria Aline Salgueiro Seabra Ferreira Professora Associada da Universidade de Aveiro Prof. Doutor Kenneth David Callahan Professor Associado da Universidade de Aveiro Profª. Doutora Adriana Alves de Paula Martins Professora Auxiliar da Universidade Católica Portuguesa - Viseu Agradecimentos A elaboração desta dissertação foi possível graças ao apoio financeiro da FCT e do FSE, no âmbito do III Quadro Comunitário. As condições de acolhimento proporcionadas pelo Departamento de Línguas e Culturas e pelo Centro de Línguas e Culturas foram essenciais para o cumprimento atempado do projecto. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/58049 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Processes of ‘positive multiculturalism’ in practice: an extended case study with Warwick Arts Centre (WAC) Research undertaken as part of Arts and Humanities Research Council’s (AHRC) Collaborative Doctorate Award (CDA) By Rachel King PhD Thesis University of Warwick School of Theatre, Performance and Cultural Policy Studies May 2013 i Table of Contents List of Figures iii Acknowledgements iv Abstract v Chapter 1 Introduction 1 Overall Methodological Framework 27 Conceptual Framework 49 Locating WAC 102 Chapter 2 Case Study A: Creating spaces for collaboration 129 between WAC users Chapter 3 Case Study B: Making connections across 203 Coventry Chapter 4 Case Study C: Devising a performance for 232 WAC’s new Creative Space Conclusion 327 Bibliography 369 Appendix 1 387 Appendix 2 388 Appendix 3 389 Appendix 4 392 Appendix 5 393 Appendix 6 394 Appendix 7 396 Appendix 8 397 ii List of Figures Figure 1: Photograph of Warwick Arts Centre's foyer space. Copyright of WAC, date unknown. ......... 1 Figure 2: Key conceptual framework of overall case study. ................................................................. 18 Figure 3: Extract from Reflective Journal: annotation of original title. ................................................ 20 Figure 4: Final image in Shaun Tan's The Arrival (2007). -
Work Diet, Exercise, Reduced Stress Levels, Adequate Rest
The Magazine of the Greater Valparaiso Chamber of Commerce Volume 4 Issue 3 Summer 2004 Staying Healthy is “Heart”Work Diet, exercise, reduced stress levels, adequate rest . You know the way to a healthy heart. You also know that when special care of your heart and circulatory system is needed, the cardiology physicians and healthcare professionals at NICP, P.C. are the folks to call. We provide quality, affordable, state-of-the-art technology and personal care that have made us the most trusted and respected cardiologists in the area. Offering: • Clinical Evaluations • Consultations • Nuclear Stress Tests • Echocardiogram • 24 Hour Holter Monitor • Arterial and Venous Dopplers • Permanent Pacemaker and Transtelephonic Evaluations Keith Atassi, M.D. • G. David Beiser, M.D. Northwest Indiana Cardiovascular Physicians, P.C. John A. Forchetti, M.D. • Fred J. Harris, M.D. Akram Kholoki, M.D. • Daniel P. Linert, M.D. 2000 Roosevelt Rd. in Valparaiso Hector J. Marchand, M.D. • M. Satya Rao, M.D. 800-727-6337 Michael L. Wheat, M.D. 219-531-9419 contents Cover: Foreground— Bob & Sandy Coolman 5 Inside left to right— Keith & Becky Kirkpatrick, Sweet Home Valparaiso Bill & Rose Ferngren and Jack the Dog. How and Why We Live Where We Live. Feature Stories Special Features Home Mountain to put graphic here. 5 10 14 12-13 Insert Valparaiso is a city of From Broadway shows and edgy, From quiet candlelight to family 2004 Community Half Century Awards neighborhoods, each with its contemporary theater to fun and boisterous sports bars, Improvement Award winners. own identity, its own sense of musicians and bands that Valparaiso offers dining community and its own sense appeal to a wide variety of tastes, experiences to suit every style, of self. -
Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
From Zones of Conflict Comes Music for Peace
From zones of conflict comes music for peace. What is Fambul Tok? Around a crackling bonfire in a remote village, the war finally ended. Seven years since the last bullet was fired, a decade of fighting in The artists on this album have added their voices to a high-energy, Sierra Leone found resolution as people stood and spoke. Some had urgent call for forgiveness and deep dialogue. They exemplify the perpetrated terrible crimes against former friends. Some had faced creative spirit that survives conflict, even war. From edgy DJs and horrible losses: loved ones murdered, limbs severed. But as they soulful singer-songwriters, from hard-hitting reggae outfits to told their stories, admitted their wrongs, forgave, danced, and sang transnational pop explorers, they have seen conflict and now sow together, true reconciliation began. This is the story of “Fambul Tok” peace. They believe in the power of ordinary people - entire com- (Krio for “family talk”), and it is a story the world needs to hear. munities ravaged by war - to work together to forge a lasting peace. They believe in Fambul Tok. Fambul Tok originated in the realization that peace can’t be imposed from the outside, or the top down. Nor does it need to be. The com- munity led and owned peacebuilding in Sierra Leone is teaching us that communities have within them the resources they need for their own healing. Join the fambul at WAN FAMBUL O N E FA M I LY FAMBULTOK.COM many voices ... Wi Na Wan Fambul BajaH + DRY EYE Crew The groundbreaking featuring Rosaline Strasser-King (LadY P) and Angie 4:59 grassroots peacebuilding of Nasle Man AbjeeZ 5:33 the people of Sierra Leone Say God Idan RaicHel Project has also been documented featuring VieuX Farka Toure 4:59 in the award-winning film Ba Kae Vusi MAHlasela 5:05 Fambul Tok, and in its Guttersnipe BHI BHiman 6:52 companion book, Fambul Shim El Yasmine 5:10 Tok. -
Songs of Sinatra Steve Tyrell
Songs of Sinatra Steve Tyrell I never met Frank Sinatra, but I wish I had. Frank created a genre of musical expression that has remained timeless and everlasting, and unlike the disposable pop culture of today will live forever as long as it has a chance to be heard. Frank Sinatra and his music have no expiration date; they are always cool and current. He sang the great songs and expressed the words in a way that makes the listener understand the intentions of the songwriter. I only met the Sinatra family after I started to make my standards albums. I received a very complimentary message after my second album "Standard Time" from Frank Sinatra, Jr. He told me how much he liked my first two albums and encouraged me to continue doing what I was doing. He complimented my vocal approach, my arrangements and the musicians I chose to use on those albums, many of whom he knew personally and had worked with his father. Nancy Sinatra had also gone way out of her way to encourage me and compliment my standards albums. We have become great friends and have often played the same venues around the country as I have also done with Frank, Jr. Tina was the next family member to encourage me, and we have become very good friends. She comes to my performances and has always referred to my albums and performances "as me keeping their music alive." Imagine, me keeping Frank's music alive: quite an encouraging statement, but that's what Tina, Frank and Nancy have told me ever since I started making my standards albums. -
Download and Upload and If You Have a Low Data Rate, You Can't Do Any of Those Things, No Matter How Smart Or Motivated You Are
Produced by VRMB. Sponsored by Track Hospitality Software. Ep. 1: The Wake-up Call 2 Ep. 2: Journey into Advocacy 23 Ep. 3: Go Together 39 Ep. 4: The Big Day 57 Ep. 5: Money 75 Ep. 6: We Need to Talk 89 Ep. 7: Telling Your Story 109 Ep. 8: When It All Goes Wrong 122 Ep. 9: Big Ideas 143 Ep. 10: Where Do We Go From Here 161 Ep. 1: The Wake-up Call Eric Bay (ANP) Things got out of hand and city council members ran on platforms that said we want to rein this in and stop this. Unfortunately, what they did was take several draconian measures and backward steps in eliminating about 70% of all of the formerly licensed and legal properties in New Orleans. Megan McCrea (NASTRA) The city was basically trying to pass a ban on short term rentals. And even those of us who were in operation would have to stop. Phil Minardi (Expedia) Right now in the US, we have over 4200 municipalities, I would say, decent guests is that at least half of them at this point, have either had the conversation about regulations or are currently having them right now. Paige Teel (NEVRP) We are trying to figure out exactly how we want to be defined, which has always been something that's been hard for us because we've we're not gonna say flown under the radar, but we've also not been regulated. So there's kind of a two edged sword to that, especially now due to the Coronavirus. -
Two Kinds of Trouble
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Two Kinds Of Trouble Rebecca Minnich CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/507 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Two Kinds Of Trouble A Novel by Rebecca Minnich March 16th, 2011 Submitted in partial fulfillment of the requirement of the requirements for a degree of Master of Fine Arts of the City College of New York 1 Table of Contents Two Kinds Of Trouble……………………………………………………….1-419 2 August, 10, 1977 – Madison, Wisconsin Chapter One “Does he have to move out? Can’t you make up? Are you sure? Did you try?” These are the questions Patty asked her mother. “Sweetie, yes. And I don’t expect you to understand. It’s just the way it has to be,” said Gloria. Her voice was cracking, her glasses fogging behind the wet dish towel in her hand, wrapped around red knuckles, rubbing a plate dry. “It’s all our fault,” said Patty’s brother, David, who was leaning over the back of a chair with his head in his hands like he was on a soap opera. “If we hadn’t been such rotten kids, this wouldn’t have happened.” Patty looked at David to see if he was serious. God, he was. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
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Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant.