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Bbc Earth Celebrates 50 Years of Earth Day with a Special Week of Programming
MEDIA ALERT 2nd April 2020 BBC EARTH CELEBRATES 50 YEARS OF EARTH DAY WITH A SPECIAL WEEK OF PROGRAMMING View Earth Week trailer BBC Earth is celebrating 50 years of Earth Day with Earth Week, a special line-up of programming which looks at the beauty of our planet both up close and from far away and explores our vital role in ensuring its future. Screening each evening at 8.30pm from Monday, April 20, the week kicks off with the premiere of Blue Planet Revisited, exploring the challenges facing the marine eco-system and wildlife in the Great Barrier Reef and the Bahamas. The cameras then move from under the ocean to hundreds of kilometres up in the sky in Earth From Space, capturing natural spectacles on an epic scale and showing viewers the planet’s extraordinary beauty and diversity in astonishing detail. The week will finish with a special Sunday screening of every episode of David Attenborough’s iconic Planet Earth II. Presented by Liz Bonnin, Chris Packham and Steve Backshall, Blue Planet Revisited returns to two key locations featured in Blue Planet II to see how things have changed, talk to the scientists who know our oceans best and give us a snapshot of the health of the ocean. With the breeding season underway, the series focuses on the action following whales and their calves and turtles and their hatchlings together with spectacular footage of shark dives in the Bahamas and the underwater dawn chorus of the Great Barrier Reef, home to 600 different kinds of coral and more than 1500 species of fish. -
DVB TELE-Satellite Receiver Guide
�������������������������������������� EUROPE 5.90€ UAE 25.00D BAHRAIN 2.50D KUWAIT 2.00D KSA 25.00R QATAR 25.00R OMAN 2.50R ��������� ����� �� �������������� TELE SATELLITE ����� ��� INTERNATIONAL ����������������� ������� Amazing Mini DVB-S receiver ������� ��������� ���� New Top Model Receiver with PVR ��������� ���������� ������������ LCD Monitor ������� That Can Receive it All! ����������������������� ���������������������� ����� ������� ������������������������� ��� Jason Lee, ARION’s CEO, ����������������� Shares His Company’s Story ������������������ ������������ ����������������������� ��������������������� Exclusively for TELE-satellite Readers SatcoDX “World of Satellites” SatcoDX’s “World of Satellites” Software contains the technical data from every satellite transmission worldwide ������� �������� SatcoDX Software Activation Code Version 3.10: 8AF68823FGD3B979C3ED5EG99AA482B8 ���������� Valid until the publication of the next issue of TELE-satellite magazine ���� Download SatcoDX Software here: www.TELE-satellite.com/cd/0702/eng Step by Step Guide to Get SatcoDX Soft- the Internet and is allowed to access FTP. ware Running on Your Computer: Note: SatcoDX Software also runs without 1. Download SatcoDX Software Version 3.10 Activation Code, or with an outdated Activi- from the above URL, or install from CD-ROM ation Code. However, the satellite data on TELE SATELLITE INTERNATIONAL Note: if you have already installed Version Main Address: 3.10, you do not need to do it again. Check TELE-satellite International your currently PO Box 1234 installed ver- 85766 Munich-Ufg GERMANY/EUROPA UNION sion by click- ing the HELP Editor-in-Chief: button, then Alexander Wiese ABOUT. The third line tells you the version [email protected] installed on your computer display will be either from last time you per- formed an update, or from the time when Published by: 2. Enter the Activation Code by clicking original software has been compiled. -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
Content Safety Precaution
Content Safety Precaution ....................................................................3 1. Reference .................................................................................................4 1.1 General Features ............................................................................4 1.2 Accessories.....................................................................................5 2. Product Overview ....................................................................................6 2.1 Front Panel.....................................................................................6 2.2 Rear Panel ......................................................................................7 2.3 Remote Control Unit (RCU) ..........................................................8 3. Connection with Other Device...............................................................10 3.1 Connecting to TV.........................................................................10 3.2 Connecting the Antenna...............................................................11 4. Installation..............................................................................................13 4.1 Powering On ................................................................................13 4.2 Antenna Settings ..........................................................................13 4.3 Factory Default ............................................................................19 4.4 USALS Setup...............................................................................20 -
Lindsay Shapero Executive Producer and Writer
Lindsay Shapero Executive Producer and Writer An experienced Executive Producer of factual television, Lindsay now writes drama for television and the cinema. Writer of the Emmy award winning and Bafta nominated drama ENID for the BBC, Brit List selected script TRIGGER for MET Film/BFI and one of 14 writers selected in Broadcast’s Industry Top 100. Film: RED JOAN Feature adaptation of the novel by Jennie Rooney produced by David Parfitt’s Trademark Films/Prescience, UK release date 19 April 2019. Directed by Trevor Nunn, starring Judi Dench, Sophie Cookson and Tom Hughes. CITIZENS OF LONDON Feature re-write of adaptation of non-fiction book by Lynn Olsen for Pathé / Reliance. THE WAR INSIDE Feature adaptation of non fiction book THE CAGE in development with CrossDay Films. UNTITLED Feature biopic set in Brazil and Paris in development with Bedlam Productions. TRIGGER Feature adaptation of the novel by Susan Vaught in development with Met Films. Selected for Brit List. Producer Stewart Le Marechal/BFI Film Fund – script commissioned, Dominic Savage attached as director. STANLEY FALLS Feature film in development with White Ribbon producer Margaret Ménégoz. Volker Schlöndorff to direct – script commissioned. COLD EARTH Feature adaptation of the novel by Sarah Moss for producer Margery Bone’s Bona Fide Films. UNDER THE FROG Feature film screenplay of Tibor Fischer’s award-winning novel commissioned by US Director Steven Shainberg. BITTEN BY A ZEBRA Winner of the first ever Oscar Moore Scriptwriting Prize for original feature film script. Optioned by ColoniaMedia, Germany. Television: AMERICAN PRINCESS International drama series for Endor and Topkapi based on Wall Street Journal bestseller. -
Emerging Competition Dynamics in Regional Pay-Tv Markets
Emerging competition dynamics in regional pay-tv markets Tatenda Zengeni and Genna Robb he recent public outcry in Zimbabwe, Zambia and Ni- rights to broadcast Germany’s Bundesliga football games geria over a decision by Multichoice to increase its across the continent starting in August this year.9 T subscription fees points again to the competition is- sues that characterise the pay-tv market in the continent. Due Similarly, US internet-based content provider Netflix has an- to high prices, subscribers in Zimbabwe have resorted to nounced its entry into South Africa and is expected to start 10 buying decoders and paying their subscription in South Afri- broadcasting in 2016. The entry of Netflix is likely to chal- ca, which is relatively cheaper.1 In Zambia, Multichoice lenge Multichoice which currently holds exclusive rights to (DSTV) subscribers launched a campaign on social media broadcast some top American TV shows which are also calling on subscribers to boycott the new prices.2 The federal screened by Netflix. Although Netflix is entering the market High Court in Lagos Nigeria ordered Multichoice not to effect using an internet-based model, its proven ability to provide the increase in its subscription fees in April 2015 following some of the top content means that consumers are present- two cases submitted against it by subscribers.3 Multichoice is ed with an alternative which is potentially more tailored to the by far the largest provider of pay-tv in the continent. specific needs of customers who prefer to only watch certain programmes and not a bouquet of channels. -
Second Milestone Report
RESEARCH PROJECT IN CONJUNCTION WITH THE INDEPENDENT BLACK FILM-MAKERS’ COLLECTIVE AND THE INDEPENDENT PRODUCERS ORGANISATION FUNDED BY THE NATIONAL FILM AND VIDEO FOUNDATION: MILESTONE TWO REPORT: INDEPENDENT PRODUCTION REQUIREMENTS The Brief : This report contains an in-depth examination of what the independent production requirements are for television: focusing on public and commercial (free to air and subscription) only. The report considers the statutory requirements and the regulatory requirements It considers the enforcement by ICASA of compliance with independent production requirements for television across: free to air broadcasters (public and commercial) as well for satellite subscription broadcasters. And it considers the terms of trade of the broadcasters. Period Reviewed: In 2008, SASFED (the South African Screen Federation) and the Independent Producers’ Organisation (the IPO) together with the SABC, commissioned a report into many of the problems facing independent producers. Unfortunately, the report’s recommendations were never taken up by the incoming new management at the SABC and so the problems identified therein remain unaddressed. Also, since a 12 year period has elapsed since the production of the report, it was felt to be important to bring the learnings and the recommendations up to date. In these milestone reports however, the focus is on the present, that is, for this report the focus is on the local content requirements as they currently are, both in respect of applicable statutes, regulations and licence conditions. Methodology: Research was conducted by way of desk top research and interviews. A number of recommendations regarding amendments that are required to be made to the Electronic Communications Act, 2005 (the ECA), the relevant local content regulations prescribed in terms of the ECA, and in relation to ICASA’s monitoring and enforcement practices are made. -
S1867 16071609 0
Period Domain Station ID Station UDC Per Minute Rate (YYMMYYMM) Television CSTHIT 4Music Non-Primetime (Census) S1867 16071609 £ 0.36 Television CSTHIT 4Music Primetime (Census) S1868 16071609 £ 0.72 Television C4SEV 4seven Non-Primetime F0029 16071608 £ 0.30 Television C4SEV 4seven Primetime F0030 16071608 £ 0.60 Television CS5USA 5 USA Non-Primetime (Census) H0010 16071608 £ 0.28 Television CS5USA 5 USA Primetime (Census) H0011 16071608 £ 0.56 Television CS5LIF 5* Non-Primetime (Census) H0012 16071608 £ 0.34 Television CS5LIF 5* Primetime (Census) H0013 16071608 £ 0.67 Television CSABNN ABN TV Non-Primetime S2013 16071608 £ 7.05 Television 106 alibi Non-Primetime S0373 16071608 £ 2.52 Television 106 alibi Primetime S0374 16071608 £ 5.03 Television CSEAPE Animal Planet EMEA Non-Primetime S1445 16071608 £ 0.10 Television CSEAPE Animal Planet EMEA Primetime S1444 16071608 £ 0.19 Television CSDAHD Animal Planet HD EMEA Non-Primetime S1483 16071608 £ 0.10 Television CSDAHD Animal Planet HD EMEA Primetime S1482 16071608 £ 0.19 Television CSEAPI Animal Planet Italy Non-Primetime S1530 16071608 £ 0.08 Television CSEAPI Animal Planet Italy Primetime S1531 16071608 £ 0.16 Television CSANPL Animal Planet Non-Primetime S0399 16071608 £ 0.54 Television CSDAPP Animal Planet Poland Non-Primetime S1556 16071608 £ 0.11 Television CSDAPP Animal Planet Poland Primetime S1557 16071608 £ 0.22 Television CSANPL Animal Planet Primetime S0400 16071608 £ 1.09 Television CSAPTU Animal Planet Turkey Non-Primetime S1946 16071608 £ 0.08 Television CSAPTU Animal -
Supreme Court of Norway
SUPREME COURT OF NORWAY On 28 November 2018, the Supreme Court gave judgment in HR-2018-2268-A, (case no. 2018/233), civil case, appeal against judgment RiksTV AS (Counsel Andreas Bernt) (Assistant counsel: Rasmus Asbjørnsen) v. TONO SA (Counsel Camilla Vislie) (1) Justice Webster: The case concerns claims for compensation for breach of the Copyright Act. The question is whether RiksTV AS's distribution of TV channels in the terrestrial network constitutes a communication to the public within the meaning of section 2 of the 1961 Copyright Act and section 3 of the 2018 Copyright Act. If that is the case, the performance requires the authors' consent. (2) RiksTV AS – RiksTV – distributes TV channels in the digital terrestrial network. The company is owned by NRK, TV2 and Telenor, and its business activities consist of selling various channel packages to subscribers all over Norway. RiksTV purchases broadcast content/channels from various broadcasters/producers of TV channels. (3) TONO SA – TONO – is a collection society managing the copyrights to musical works on behalf of the right holders. The management comprises the rights of TONO's interest holders – often referred to as members. Furthermore, TONO manages the rights of the members in similar organisations worldwide under reciprocal representation agreements. TONO collects fees for public performance of the music and passes on all revenues to the members. (4) Anyone who wishes to make copyrighted material available to the public must do so with the consent of the author or of a collecting society like TONO. The obtaining of such authorisation is often referred to as "clearance". -
Dstv Business - Stay Ultra R519 Per TV Point
DStv Business - Stay Ultra R519 Per TV Point General Entertainment Sport Religion 101 - M-Net (HD) 200 - SuperSport Blitz (HD) 331 - One Gospel 103 - 1Magic (HD) 201 - SuperSport 1 (HD) 340 - Dumisa 108 - Sundance TV (HD) 202 - SuperSport 2 (HD) 341 - Faith (prev TBN) 115 - M-Net City (HD) 203 - SuperSport 3 (HD) 342 - DayStar 119 - BBC First (HD) 204 - SuperSport 4 (HD) 343 - TBN Africa (prev Rhema) 120 - BBC Brit (HD) 205 - SuperSport 5 (HD) 347 - iTV 121 - Discovery Channel (HD) 206 - SuperSport 6 (HD) 390 - Emmanuel TV 122 - Comedy Central 207 - SuperSport 7 (HD) 123 - iTV Choice (HD) 208 - SuperSport 8 (HD) News & Commerce 124 - E! Entertainment (HD) 209 - SuperSport 9 (HD) 400 - BBC World News 125 - FOX (HD) 210 - SuperSport 10 (HD) 401 - CNN International (HD) 131 - Lifetime 211 - SuperSport 11 (HD) 402 - Sky News 132 - CBS Reality 212 - SuperSport 12 (HD) 403 - eNews Channel Africa 135 - TLC Entertainment (HD) 235 - SuperSport Maximo (HD) 404 - SABC News 136 - Discovery Family (HD) 240 - Ginx (HD) 406 - Al Jazeera 144 - kykNET (HD) 407 - Russia Today 161 - Mzansi Magic (HD) Free-To-Air Channels 409 - CGTN News 166 - Zee World 191 - SABC 1 (HD) 410 - CNBC Africa 901 - M-Net Plus 1 (HD) 192 - SABC 2 (HD) 411 - Bloomberg 193 - SABC 3 (HD) Movies 194 - eTV (HD) Specialist Channels 104 - M-Net Movies Premiere (HD) 431 - BVN (Dutch) 105 - M-Net Movies Smile (HD) Community Channels 435 - RTPi (Portuguese) 106 - M-Net Movies Action+ (HD) 251 - Soweto TV 437 - TV5 Monde Afrique 109 - M-Net Movies Pop Up (HD) 260 - Bay TV (French) 111 - -
Are Pay-Tv and OTT in the Same Relevant Market in South Africa?*
Occasional Note February 2019 Are pay-tv and OTT in the same relevant market in South Africa?* Elize Rich This research note is aimed at answering the question of substitutability between pay-television services (e.g. Multichoice’s DStv) and over-the-top services (OTT), (e.g. Netflix), in a South African context. This question is especially relevant, against the background of the planned listing of Multichoice on the Jo- hannesburg Stock Exchange during the first quarter of 2019, and the ongoing inquiry into subscription broadcasting services by the sector regulator, ICASA. The nub of the issue is the question whether pay-television and OTT services fall in the same relevant anti-trust market. The answer to this question will determine who has market power and whether ex-ante regulation of such market power is justified. These are important issues as policy interventions should not stifle the rapid technological developments that are characteristic of this sector. This occasional note considers these issues from an economic perspective. We highlight the fact that relative to markets with high levels of OTT penetration (e.g. the United States and Canada), South Africa has low levels of internet penetration, slow internet speeds and comparatively high data prices, all of which limit the potential substitution of pay-TV with OTT services. This requires original thinking and ap- plication of economic principles about relevant markets, in this country-specific context. About ECONEX ECONEX is an economics consultancy that offers in-depth economic analysis, covering competition economics, inter- national trade, strategic analysis and regulatory work. The company was co-founded by Prof Nicola Theron and Prof Rachel Jafta during 2005. -
A Comparative Study of the Digital Switchover Process in Nigeria and New Zealand
A COMPARATIVE STUDY OF THE DIGITAL SWITCHOVER PROCESS IN NIGERIA AND NEW ZEALAND. BY ABIKANLU, OLORUNFEMI ENI. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN MEDIA AND COMMUNICATION. UNIVERSITY OF CANTERBURY 2018 DEDICATION I dedicate this thesis to the God that makes all things possible. Also, to my awesome and loving Wife and Daughter, Marissa and Enïola. i | P a g e ACKNOWLEDGEMENT I heartily acknowledge the support, unrelentless commitment and dedication of my supervisors, Dr. Zita Joyce and Dr. Babak Bahador who both ensured that these thesis meets an international level of academic research. I value their advice and contributions to the thesis and without their highly critical reviews and feedback, the thesis will be nothing than a complete recycle of existing knowledge. I also appreciate the valuable contributions of my Examiners, Professor Jock Given of the Swinburne University of Technology, Australia and Assistant Professor Gregory Taylor of the University of Calgary, Canada. The feedback and report of the Examination provided the much needed critical evaluation of my research to improve my research findings. I also appreciate Associate Professor Donald Matheson for chairing my oral examination. I also appreciate the University of Canterbury for providing me with various opportunities to acquire valuable skills in my course of research, academic learning support, teaching and administrative works. Particularly, I appreciate Professor Linda Jean Kenix, who gave me an opportunity as a research assistant during the course of my research. I value this rare opportunity as it was my first major exposure to academic research and an opportunity to understand the academia beyond my research topic.