Faith and Society Files: Encountering Hindus
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shiva-Vishnu Temple
MARCH & APRIL 2003 Vol.16 No.2 PLEASE NOTE THE SCHEDULES DIRECTIONS Weekdays: 9 am to 12 noon From Freeway 580 in Livermore: and 6 pm to 8 pm Exit North Vasco Road, left on Scenic Ave, Weekends & Holidays: 9 am to 8 pm Left on Arrowhead Avenue NEWS FROM THE HINDU COMMUNITY AND CULTURAL CENTER, LIVERMORE VISIT OUR WEB SITE AT http://www.livermoretemple.org SHIVA-VISHNU TEMPLE TELEPHONE (925) 449-6255 FAX (925) 455-0404 OM NAMAH SHIVAYA OM NAMO NARAYA N AYA Message from the Chairman & the Pre s i d e n t Dear Devotees and well wishers, We are honored and privileged to serve as the Chairman and the President of HCCC for the year 2003. To g e t h e r, we are grateful to the outgoing Chairman and President, Sri. Ramarao Yendluri and Sri. Vishnu Vardhan Reddy respectively, who served with distinction and integrity and whose team accomplished a great deal in construction, fund-raising, human services, religious, cultural and other activities. We appreciate the services of the outgoing members of the Executive Committee, Suresh Upadhyayula, Jamal Sarma, Peraiah Sudanagunta and Milind Korde (nominated), and the Board of Directors Raman Rao, Amrit Duneja and Ramarao Yendluri for their indi- vidual contributions and successful completion of their elected terms. A special mention and recognition is due to Smt. Subadra Subramanian for her valuable service to HCCC. She has decided to resign from the Board for personal and family reasons and the newly elected Board has nominated Sri. Lingagoud Memula to serve for one year. -
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
List of Festival Celebrations at Durga Temple for the Year 2020
LIST OF FESTIVAL CELEBRATIONS AT DURGA TEMPLE FOR THE YEAR 2020 1. New Year Mata Jagran Wednesday, January 1st 2. Vaikunth Ekadeshi Puja Monday, January 6th 3. Lohri – Bonfire Celebration Monday, January 13th 4. Makar Sankranti Monday, January 14th 5. Vasant Panchami (Saraswati Puja) Wednesday, January 29th 6. Maha Shivaratri Utsav Friday, February 21st 7. Holika Dahan Monday, March 9th 8. Holi Mela To Be determined Tuesday, March 24th – 9. Vasant Navaratri Mahotsav Thursday, April 2nd 10. Durgashtami- Durga Hawan Wednesday, April 1st 11. Shri Ram Navami Thursday, April 2nd Shri Ramcharit Manas Akhand Paath 12. Saturday, April 4th Begins Shri Ramcharit Manas Akhand Paath 13. Sunday, April 5th Bhog Shri Hanuman Jayanti 14. Tuesday, April. 7th Samoohik Sundar Kand Paath 15. Baisakhi – Solar New Year Monday, April 13th 16. Akshaya Triteeya Saturday, April 25th 17. Guru Purnima Saturday, July 4th 18. Raksha Bandhan Monday, August 3rd 19. Shri Krishna Janmashtmi Tuesday, August 11th 20. Haritalika Teej Friday, August 21st Shri Ganesh Chaturthi 21. Saturday, August 22nd (Annual homam) 22. Labor Day – Annual Saraswati Puja Monday, September 7th Sharad Navaratri Utsav Saturday, October 17th – 23. Garba Dance (in hall downstairs) Saturday Oct 24th 24. Durga Ashtami Hawan Friday, October 23rd 25. Vijaya Dashami - Dussehra Sunday, October 25th 26. Dussehra Mela To be determined 27. Sharad Purnima Saturday, October 31st 28. Karva Chauth Puja Wednesday, November 4th 29. Dhan Teras Thursday, November 12th 30. Deepavali Saturday, November 14th 31. Annakoot (Goverdhan Puja) Sunday, November 15th 32. Tulsi Vivah Wednesday, November 25th Kartik Purnima - Kartik Deepam - 33. TBD Shata Rudrbhishak 34. Geeta Jayanti Friday, December 25th 35. -
The Lion : Mount of Goddess Durga
Orissa Review * October - 2004 The Lion : Mount of Goddess Durga Pradeep Kumar Gan Shaktism, the cult of Mother Goddess and vast mass of Indian population, Goddess Durga Shakti, the female divinity in Indian religion gradually became the supreme object of 5 symbolises form, energy or manifestation of adoration among the followers of Shaktism. the human spirit in all its rich and exuberant Studies on various aspects of her character in variety. Shakti, in scientific terms energy or our mythology, religion, etc., grew in bulk and power, is the one without which no leaf can her visual representation is well depicted in stir in the world, no work can be done without our art and sculpture. It is interesting to note 1 it. The Goddess has been worshipped in India that the very origin of her such incarnation (as from prehistoric times, for strong evidence of Durga) is mainly due to her celestial mount a cult of the mother has been unearthed at the (vehicle or vahana) lion. This lion is usually pre-vedic civilization of the Indus valley. assorted with her in our literature, art sculpture, 2 According to John Marshall Shakti Cult in etc. But it is unfortunate that in our earlier works India was originated out of the Mother Goddess the lion could not get his rightful place as he and was closely associated with the cult of deserved. Siva. Saivism and Shaktism were the official In the Hindu Pantheon all the deities are religions of the Indus people who practised associated in mythology and art with an animal various facets of Tantra. -
Narasimha, the Supreme Lord of the Middle: the Avatāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice Lavanya Vemsani [email protected]
International Journal of Indic Religions Volume 1 | Issue 1 Article 5 10-29-2017 Narasimha, the Supreme Lord of the Middle: The Avatāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice Lavanya Vemsani [email protected] Follow this and additional works at: https://digitalcommons.shawnee.edu/indicreligions Part of the Buddhist Studies Commons, Hindu Studies Commons, History of Religions of Eastern Origins Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Vemsani, Lavanya (2017) "Narasimha, the Supreme Lord of the Middle: The vA atāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice," International Journal of Indic Religions: Vol. 1 : Iss. 1 , Article 5. Available at: https://digitalcommons.shawnee.edu/indicreligions/vol1/iss1/5 This Research Article is brought to you for free and open access by Digital Commons @ Shawnee State University. It has been accepted for inclusion in International Journal of Indic Religions by an authorized editor of Digital Commons @ Shawnee State University. For more information, please contact [email protected]. Vemsani: Narasimha, the Supreme Lord of the Middle ISBN 2471-8947 International Journal of Indic Religions Narasimha, the Supreme Lord of the Middle: The Avatāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice Lavanya Vemsani Ph.D. Shawnee State University [email protected] Avatāra is a theologically significant term associated with Vishnu, due to his role as protector and maintainer of balance between evil and good in the universe. Hence, each avatāra of Vishnu indicates a divinely inspired cosmic role of Vishnu. However, the incarnation of Narasimha is significant, because this incarnation is a dual representation of the God Vishnu within the creation. -
Gates of the Lord: the Tradition of Krishna Paintings
FOR IMMEDIATE RELEASE JULY 29, 2015 MEDIA CONTACTS: Amanda Hicks Nina Litoff (312) 443-7297 (312) 443-3363 [email protected] [email protected] GATES OF THE LORD: THE TRADITION OF KRISHNA PAINTINGS AT THE ART INSTITUTE TO OFFER RARE GLIMPSE INTO ONE OF THE WORLD’S MOST INTIMATE AND PRIVATE RELIGIOUS TRADITIONS More than 100 Artworks from India and the United States Come Together in Chicago for a Groundbreaking Exhibition of Unique Indian Visual Culture CHICAGO—The Art Institute is proud to announce the opening of the highly anticipated special exhibition, Gates of the Lord: The Tradition of Krishna Paintings, on September 13, 2015 in Regenstein Hall where it will remain on view to audiences through January 3, 2016. Join the Art Institute of Chicago this fall to experience a stunning installation of more than 100 objects including pichvais—intricately painted cloth hangings—celebrating Shrinathji, a form of the Hindu god Krishna. This first of its kind large-scale exploration at any American museum of the art and aesthetics of the Pushtimarg sect of Hinduism, Gates of the Lord comprises a magnificent assembly of drawings, pichvais, paintings, and historic photographs. Madhuvanti Ghose, the Alsdorf Associate Curator of Indian, Southeast Asian, Himalayan and Islamic Art, highlights the special context for this exhibition saying, “This is a chance to showcase this very special artistic tradition to our audiences in the United States. Nathdwara and its artists are renowned for having preserved painting traditions in an unbroken legacy for more than four centuries. The exhibition provides us with an opportunity to celebrate these living traditional artists who have gone unrecognized for too long.” The extraordinary Lead Sponsorship of Nita and Mukesh Ambani and the Reliance Foundation and the generosity Anita and Prabhakant Sinha made it possible to borrow these artistic treasures from two prestigious and rarely exhibited private collections from India, the Amit Ambalal Collection (Ahmedabad, India) and the TAPI Collection (Surat, India). -
Hinduism and Hindu Philosophy
Essays on Indian Philosophy UNIVE'aSITY OF HAWAII Uf,FU:{ Essays on Indian Philosophy SHRI KRISHNA SAKSENA UNIVERSITY OF HAWAII PRESS HONOLULU 1970 Library of Congress Catalog Card Number 78·114209 Standard Book Number 87022-726-2 Copyright © 1970 by University of Hawaii Press All Rights Reserved Printed in the United States of America Contents The Story of Indian Philosophy 3 Basic Tenets of Indian Philosophy 18 Testimony in Indian Philosophy 24 Hinduism 37 Hinduism and Hindu Philosophy 51 The Jain Religion 54 Some Riddles in the Behavior of Gods and Sages in the Epics and the Puranas 64 Autobiography of a Yogi 71 Jainism 73 Svapramanatva and Svapraka!;>atva: An Inconsistency in Kumarila's Philosophy 77 The Nature of Buddhi according to Sankhya-Yoga 82 The Individual in Social Thought and Practice in India 88 Professor Zaehner and the Comparison of Religions 102 A Comparison between the Eastern and Western Portraits of Man in Our Time 117 Acknowledgments The author wishes to make the following acknowledgments for permission to reprint previously published essays: "The Story of Indian Philosophy," in A History of Philosophical Systems. edited by Vergilius Ferm. New York:The Philosophical Library, 1950. "Basic Tenets of Indian Philosophy," previously published as "Are There Any Basic Tenets of Indian Philosophy?" in The Philosophical Quarterly. "Testimony in Indian Philosophy," previously published as "Authority in Indian Philosophy," in Ph ilosophyEast and West. vo!.l,no. 3 (October 1951). "Hinduism," in Studium Generale. no. 10 (1962). "The Jain Religion," previously published as "Jainism," in Religion in the Twentieth Century. edited by Vergilius Ferm. -
ESSENCE of VAMANA PURANA Composed, Condensed And
ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama -
Vedapatasaalas in Andhra Pradesh
Vedapatasaalas in Andhra Pradesh Dr. K. Varalakshmi Deputy Director, Sanskri Academy, Osmania University, Hyderabad Andhra Pradesh 1. Sri Sita Rama VedaSamskrutha VidyaPeethamu Charitable Trust. Regn.No.:25/01-02/dit (E). Jagadevapur, Medak Disrict, Andhra Pradesh, India Pin : 502281 Phone : 91-40-27538908 or 91-9989699311 Email : admin [at] vedabhoomi.org Email does not work Krishna Yajurvedam and rest belong to Krishna Yajurveda Smartham Telugu and Sanskrit Publications Sanskrit Vyakaranam and Sanskrit Kavyas Audio downlodable CDs of AudioTextBooks at http://www.vedabhoomi.org/SanskritChanting.html Sri Adi Sankara's Bhasyopeta of Isavasya, Katha and Taittiriya Upanishad, Bhattoji Dikshita's Siddhanta Kaumudi and Sanskrit MahaKavyas like Megha Sandesham, Kumara Sambhavam, Kiratarjuneeyam and Raghu Vamsham Support students and Pathashala so such audio renderings can be provided free of cost Scrollable photo gallery http://www.vedabhoomi.org Veda Patashaala Visi by Ani and Divya 2.Hari Hara Veda Vidya Peetham Sri Satyanarayana Swamy Devasthanam VEDA (Vedic Education and Devotional Academy) Hari Hara Veda Vidya Peetham (Vedic Educational Society) Regn. No. 7064/2001 H. No. 6-146, Sreenagar 3rd Line, Kothagudem . 507 101 Khammam District Andhra Pradesh, India Ph. No: +1-91-8744-243640 A branch in Milpitas, California, US Audio files site http://siliconvalleytemple.net 3.Vedabhavan, Secunderabad Sankara Bhaktha Sabha Trust (Regd) VEDA BHAVAN, 58 and 59 Road no 1, Chandragiri Colony ( west) Neredmet Secunderabad- 500 058 Tel nos 040- 2722 7669 and 2722 9775 Email ghanapati [at] gmail.com Website http://www.vedabhavan.org (under construction) The number of students in the veda Patashala are approx 100. Video. 4.Sarvaraya Educational Trust, Kapileswarpuram Zamindra.s House Gandhinagar, Kakinada-533004, Andhra Pradesh (Supported by MSRVVP) Video clip Information on Vedapathashala sponsored by Sri Shirdi Sai Baba Temple in North America in 1991. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
Understanding the Architecture of Hindu Temples: a Philosophical Interpretation A
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:13, No:12, 2019 Understanding the Architecture of Hindu Temples: A Philosophical Interpretation A. Bandyopadhyay the Upanishads and the Puranas, where the concept of soul Abstract—Vedic philosophy is one of the oldest existing (Atman) was evolved. The souls are a reflection of the philosophies of the world. Started around 6500 BC, in Western Supreme God and hence, in Hinduism there is no concept of Indian subcontinent, the Indus valley Civilizations developed a ‘anti-God’. The divine play (Lila) is the play in which Brahma theology which, gradually developed into a well-established transforms Himself into the world. Lila is a rhythmic play philosophy of beliefs, popularly known as ‘Hindu religion’. In Vedic theology, the abstract concept of God was formulated mostly by close which goes on in endless cycles, the One becoming many and observation of the dynamicity and the recurrence of natural and many becoming One [2, p.220]. “…If we think that the shapes universal phenomena. Through the ages, the philosophy of this and structures, things and events, around us are realities of theology went through various discursions, debates, and questionings nature, instead of realizing that they are concepts of our and the abstract concept of God was, in time, formalized into more measuring and categorizing mind” [2. p.100], then we are in representational forms by the means of various signs and symbols. the midst of the illusions (Maya) of the universe. The soul Often, these symbols were used in more subtle ways in the construction of “sacred” sculptures and structures.