VOICES That Heal Virtually Live Program

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Sara Breyfogle, MS, LPMT, MT-BC Hospice Savannah Chad Sonka, Outreach and Education Coordinator VOICExperience and SVF Saturday, May 9 at 5:30pm EST Facebook - Pre-recorded presentation VOICES That Heal is in partnership with Hospice Savannah and the Demere Center for Living Sponsored by Toby Hollenberg VOICES THAT HEAL COMFORTING AND UPLIFTING SONGS Sara Breyfogle is a board certiﬁed music therapist, licensed to practice music therapy in the state of Georgia. Sara holds a masters degree in music therapy from Radford University (2016) and a bachelors degree in music therapy from Appalachian State University (2012). She is also a registered yoga instructor through Yoga Alliance and a Reiki Level II practitioner. She is currently pursuing advanced music therapy practice in the Bonny Method of Guided Imagery and Music. She provides compassionate service to Hospice Savannah patients and bereavement clients using her talents in music therapy, meditative chant, and relaxation techniques. Her goal is to work collaboratively with healthcare professionals as well as the broader community to increase access and awareness to music therapy services. Chad Sonka is an establishing himself as a versatile American baritone. He will be a featured artist with the Simon Estes Young Artist Foundation this spring. Most recently, he performed as the baritone soloist in Vaughan Williams’ Dona Nobis Pacem at Carnegie Hall with Iowa State University and Mahler’s Kindertotenlieder with Oneota Valley Community Orchestra. Previous performing credits: Tosca (Scarpia – cover) with Central City Opera; Gianni Schicchi (Marco) with Savannah Music Festival; Man of La Mancha (Don Quixote) and Carmen (Dancaïro) with Cedar Rapids Opera Theatre; The Mother of Us All (Virgil T.), The Rape of Lucretia (Junius), Faust (Wagner), Elijah (Elijah) with Manhattan School of Music; and Amahl and the Night Visitors (King Melchior) with Nevada Opera. He was the ﬁrst-place winner of the Metropolitan Opera National Council Auditions – Iowa District in 2017. Chad is an active voice teacher and currently serves on voice and opera faculty at Iowa State University. He also serves as the Education and Outreach Coordinator with Savannah VOICE Festival and VOICExperience..

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Spring 2006 Music
Music Today Spring 2006 at Iowa State University The ISU Wind Ensemble conducted by Michael Golemo. ISU alumnus and U.S. Poet Laurette Ted Kooser. ISU sound Omaha bound Third ISU President’s Concert to feature world premiere of alumnus’ poem set to music. he piece isn’t very long, third President’s Concert on Symphony Orchestra are also on only about four minutes. Sunday, March 26. A biennial the program. The Wind T But it’s a composition that event, this year’s President’s Ensemble will premiere an James Rodde, the Louise Moen Concert will be held at the new original fanfare composed by Professor of Music and director Holland Performing Arts Center Jeffrey Prater, professor of music. of choral activities, feels will stay in Omaha, Neb. Simon Estes, the F. Wendell with individuals for a long time. “The President’s Concerts Miller Distinguished Artist-in- “I can see this poem in a have spread interest for the music Residence, will be featured with beautiful new light,” Rodde says. program across campus,” Rodde the Symphony Orchestra and “It’s a well-written, expressive said. “It’s nice to have other Wind Ensemble. composition.” University-wide activities The concert gives students in The piece is a new work by surrounding this event and the three ensembles an René Clausen entitled The Early realize the Department of Music opportunity not only to give a Bird. It is a setting of a poem by is the catalyst that will draw the joint concert but also to perform Ted Kooser, current U.S.
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MU 270/Voice
California State Polytechnic University, Pomona COURSE SYLLABUS MU 270 - Performance Seminar/VOICE –Spring 2014 Time and Location: T 1-1:50 Bldg. 24-191 Instructor/ office: Lynne Nagle; Bldg. 24 – 155 and 133 Office Hours: M 9:30-10:30; T11:00-12:00; T 4:00-5:00; others TBA Phone: (909) 869-3558 e-mail: [email protected] Textbook and Supplies: No textbook is needed; notebook required. Course Objectives: To provide a laboratory recital situation wherein students may perform for each other, as well as for the instructor, for critical review. They will share song literature, musical ideas, production techniques, stylistic approaches, etc., in order to learn from each other as well as from the instructor. Assignments and Examinations:!In-class performances: You will be expected to perform a minimum of 3 times (5 for upper division) during each quarter, each performance taking place on a different day. Songs may be repeated for performance credit, but lower division students must perform at least 3 different songs and upper division at least 4 different songs. Please provide a spoken translation when performing in a foreign language. A brief synopsis of an opera, musical or scene is also appropriate if time allows. ALL PERFORMANCES IN SEMINAR ARE TO BE MEMORIZED except for traditional use of the score for oratorio literature. You are also expected to contribute to the subsequent discussion. Concert Reports: TWO (2) typed reports on choral/vocal concerts, recitals or shows must be submitted by week 10 seminar or sooner. You may use any concert you have attended since the end of the previous quarter.
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Tribute to Sylvia Olden Lee Master Musician and Teacher
06-29 Sylvia Olden Lee_Carnegie Hall Rental 6/15/17 1:13 PM Page 1 ThursdaY EVening, June 29, 2017, at 7:30 Isaac Stern Auditorium / Ronald O. Perelman Stage FOUNDATION FOR THE REVIVAL OF CLASSICAL CULTURE presents Tribute to SYlVia Olden Lee Master Musician and Teacher arr. SYlVia Olden Lee Lord, HoW Come Me Here ELVIRA GREEN, Mezzo-soprano Traditional Spiritual A CitY Called HeaVen SHEILA HARRIS JACKSON, Soprano arr. Hall Johnson Lord, I Don’t Feel No-WaYs Tired SYLVIA OLDEN LEE CENTENNIAL CHORUS* GREGORY HOPKINS , Tenor DIANE SARE, Director Welcoming Remarks Dennis Speed , Schiller Institute NY-NJ SYlVia Speaks Audio recording: PaY Attention to the Words! Traditional Spiritual Go DoWn, Moses PATRICE P. EATON, Mezzo-soprano KEVIN SHORT, Bass-baritone arr. William L. DaWson Soon Ah Will Be Done SYLVIA OLDEN LEE CENTENNIAL CHORUS* DIANE SARE, Director Remarks bY EliZabeth Nash, co-author of The Memoirs of SYlVia Olden Lee, Premier African-American Classical Vocal Coach Remarks bY ElVira Green, student, colleague, and friend of Ms. Lee (program continued) PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 06-29 Sylvia Olden Lee_Carnegie Hall Rental 6/15/17 1:13 PM Page 2 GIUSEPPE VERDI Ritorna Vincitor! from Aïda INDIRA MAHAJAN, Soprano DAVID ANTONY LOFTON, Piano GIUSEPPE VERDI Ella giammai m ’am ò from Don Carlo SIMON ESTES, Bass-baritone DAVID ANTONY LOFTON, Piano GIUSEPPE VERDI Il Grand’Inquisitor! – Nell’ispano suol mai l’eresia dominò duet from Don Carlo SIMON ESTES, Bass-baritone KEVIN SHORT, Bass-baritone DAVID ANTONY LOFTON, Piano GIUSEPPE VERDI Toi qui sus le néant from Don Carlos ROSA D’IMPERIO, Soprano DAVID ANTONY LOFTON, Piano GIUSEPPE VERDI Dio, che nell ’alma infondere duet from Don Carlo EVERETT SUTTLE, Tenor FRANK MATHIS, Baritone DAVID ANTONY LOFTON, Piano GAETANO DONIZETTI Chi mi frena in tal momento? seXtet from Lucia di Lammermoor OSCEOLA DAVIS, Soprano PATRICE P.
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Tenor Richard Leech
Tenor Richard Leech Discography Solo from the heart Telarc International CD-80432 (1 CD) Italian Arias and Neapolitan Songs Works by Cilea, Donizetti, Puccini, Verdi, De Curtis, Di Capua, Leoncavallo, Tosti London Symphony Orchestra John Fiore, cond. Berlioz La Damnation de Faust London/Decca 444 812-2 (2 CDs) with Françoise Pollet, Gilles Cachemaille Orchestre Symphonique de Montréal Charles Dutoit, cond. Hymne des Marseillaises Telarc International 80164 (1 CD) with Silvia McNair Baltimore Symphony Orchestra David Zinman, cond. Donizetti Dom Sébastien Legato Classics LCD 190-2 (2 CDs) with Klara Takacs, Lajos Miller, Sergej Koptchak Opera Orchestra of New York Eve Queler, cond. 2 Gounod Faust EMI Classics CDCC 54228 (3 CDs) CDCC 54358 (1 CD Highlights) with Cheryl Studer, Thomas Hampson, José van Dam Orchestre du Capitole de Toulouse Michel Plasson, cond. Mahler Symphony No. 8 in E-flat (Symphony of a Thousand) SONY Classical S2K 45754 (2 CDs) with Sharon Sweet, Pamela Coburn, Florence Quivar, Brigitte Fassbänder, Siegmund Nimsgern, Simon Estes, Vienna Philharmonic Orchestra Lorin Maazel, cond. Meyerbeer Les Huguenots Erato 2292-45027-2 (4 CDs) with Françoise Pollet, Ghylaine Raphanel, Danielle Borst, Gilles Cachemaille, Boris Martinovic, Nicola Ghiuselev Orchestre Philharmonique de Montpellier Cyril Diedrich, cond. Puccini La Bohème Erato 0630-10699-2 (2 CDs) with Kiri Te Kanawa, Nancy Gustafson, Alan Titus, Gino Quilico, Roberto Scandiuzzi London Symphony Orchestra Kent Nagano, cond. 3 J. Strauss Die Fledermaus (Alfred) Philips 432 157-2 (2 CDs) 438 503-2 (1 CD - Highlights) with Te Kanawa, Gruberova, Fassbänder, Brendel, Bär, Krause Vienna Philharmonic Orchestra André Previn, cond. R.Strauss Der Rosenkavalier (Italian Tenor) EMI Classics CDCC 54259 (3 CDs) with Kiri Te Kanawa, Barbara Hendricks, Anne Sofie von Otter, Kurt Rydl Staatskapelle Dresden Bernard Haitink, cond.
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Delius-Liner-Notes-Koanga.Pdf
SBLX-3808 14 1-.Angel Koanga in America response: Keary's libretto was denigrated through an optical machine, in order to phere. Only the principals and a few first recording by Frank Corsaro and Delius' music highly praised. Yet get opaque darknesses and multiple color supernumeraries, representing the priest of the composer's "American" opera alack, alas, and sad to say, Miss Kemble's schemes. This process enabled us to create and his retinue, were visible during the On March 2, 1884, the ocean liner "fortune of an opera" was not to be, In the surreal, even occultish landscape sur wedding ceremony. Koanga and Palmyra "Gallia" departed Liverpool bound for fact, "Koanga" was not co be again until rounding Koanga's flight from his white scrolled hand in hand between the three America. Two weeks and a stormy crossing its American premiere in 1970, where masters, and the ensuing Voodoo rites. scrimmed areas on stage, their wander DELIUS later, she docked in New York harbor. Keary's gaucheries (revised from a revi As in the later "Village Romeo;· three ings sharply outlined by the imaginative With not a single celebrity aboard, the sion) still proliferated, while Delius, scrims served as projection surfaces - a Miss Porcher's use of side lighting. A few arrival passed unnoticed by the press but Wagner cum spiritual, utterly captivated. front, rear, and middle distance scrim - steps taken by the lovers, and the skies, for a brief item concerning George Payn More than a decade after "Koanga's" ini which could be flown in and out as the waters, the land itself c'.1anged magi KOANGA ter, the "Gallia's" bar-keep.
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Carmen Page 1 of 3 Opera Assn
San Francisco War Memorial 1981 Carmen Page 1 of 3 Opera Assn. Opera House This new production of "Carmen" was made possible in part through the generosity of friends of Kurt Herbert Adler as a tribute to the unique contribution he has made to the San Francisco Opera Carmen (in French) Opera in four acts by Georges Bizet Libretto by Henri Meilhac and Ludovic Halévy Based on the novella by Prosper Mérimée Conductor CAST Kurt Herbert Adler Moralès Timothy Noble Production Micaëla Rebecca Cook Jean-Pierre Ponnelle Don José Franco Bonisolli Set Designer Zuniga Kevin Langan Jean-Pierre Ponnelle Carmen Teresa Berganza Costume Designer Manuelita Claudia Siefer Werner Juerke Frasquita Pamela South Lighting Designer Mercédès Susan Quittmeyer Thomas J. Munn Le Dancaïre Jake Gardner Sound Designer Le Remendado David Eisler Roger Gans Lillas Pastia Alan Blumenfeld Chorus Director Escamillo Simon Estes Richard Bradshaw Guide Manoel Felciano Musical Preparation Geoffrey Leland (10/22,30) Philip Highfill James Johnson *Role debut †U.S. opera debut Philip Eisenberg PLACE AND TIME: 19th century; Seville, Spain Prompter Philip Eisenberg Assistants to Mr. Ponnelle Vera Lúcia Calábria Julian Hope Stage Manager Jerry Sherk Saturday, October 10 1981, at 8:00 PM Act I -- A street in Seville Wednesday, October 14 1981, at 8:00 PM Act II -- Lillas Pastia's tavern Sunday, October 18 1981, at 2:00 PM Act III -- In the mountains Thursday, October 22 1981, at 7:30 PM Act IV -- Outside the arena Monday, October 26 1981, at 8:00 PM Friday, October 30 1981, at 8:00 PM Tuesday, November 3 1981, at 8:00 PM San Francisco War Memorial 1981 Carmen Page 2 of 3 Opera Assn.
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04-30-2019 Walkure Eve.Indd
RICHARD WAGNER der ring des nibelungen conductor Die Walküre Philippe Jordan Opera in three acts production Robert Lepage Libretto by the composer associate director Tuesday, April 30, 2019 Neilson Vignola 6:00–11:00 PM set designer Carl Fillion costume designer François St-Aubin lighting designer Etienne Boucher The production of Die Walküre was made video image artist possible by a generous gift from Ann Ziff and Boris Firquet the Ziff Family, in memory of William Ziff revival stage directors The revival of this production is made possible Gina Lapinski J. Knighten Smit by a gift from Ann Ziff general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin In collaboration with Ex Machina 2018–19 SEASON The 541st Metropolitan Opera performance of RICHARD WAGNER’S die walküre conductor Philippe Jordan in order of vocal appearance siegmund waltr aute Stuart Skelton Renée Tatum* sieglinde schwertleite Eva-Maria Westbroek Daryl Freedman hunding ortlinde Günther Groissböck Wendy Bryn Harmer* wotan siegrune Michael Volle Eve Gigliotti brünnhilde grimgerde Christine Goerke* Maya Lahyani frick a rossweisse Jamie Barton Mary Phillips gerhilde Kelly Cae Hogan helmwige Jessica Faselt** Tuesday, April 30, 2019, 6:00–11:00PM Musical Preparation Carol Isaac, Jonathan C. Kelly, Dimitri Dover*, and Marius Stieghorst Assistant Stage Directors Stephen Pickover and Paula Suozzi Stage Band Conductor Gregory Buchalter German Coach Marianne Barrett Prompter Carol Isaac Scenery, properties, and electrical props constructed and painted
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Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
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Koerner Hall 10Th Anniversary Gala: Kathleen Battle Tuesday, October 2, 2018 at 8:00Pm This Is the 862Nd Concert in Koerner Hall
Koerner Hall 10th Anniversary Gala: Kathleen Battle Tuesday, October 2, 2018 at 8:00pm This is the 862nd concert in Koerner Hall Kathleen Battle Soprano Soprano Kathleen Battle’s luminous voice has been called “… without qualification, one of the very few most beautiful in the world” (The Washington Post). Yet beyond the glory of her singing, in a career filled with countless accolades, honours, and major milestones, what has perhaps distinguished her most is her almost magical ability to create an unwavering emotional bond between herself, her music, and her audience. In her youth, this native of Portsmouth, Ohio, the youngest of seven children, sang in church and school, and envisioned a future as a music teacher. Fortunately for audiences around the world, she found other ways to share her love of music – and through her natural gifts, innate intelligence, and hard work, her soaring voice has carried her to the heights of the classical music world. Indeed, throughout a remarkable career that has brought her to the stages of the world’s leading opera houses and major concert halls, critics have never tired of rhapsodizing over her limpid, unmistakable sound. Since her student years, Kathleen Battle has collaborated with colleagues who rank among the world’s most talented musicians. She has been a favourite soloist with the world’s leading orchestras and esteemed conductors such as Herbert von Karajan, Sir Georg Solti, Riccardo Muti, James Levine, Claudio Abbado, Lorin Maazel, Seiji Ozawa, Leonard Slatkin, and Sir Neville Marriner. Her partnerships with soprano Jessye Norman, tenors Luciano Pavarotti and Plácido Domingo, violinist Itzhak Perlman, trumpeter Wynton Marsalis, guitarist Christopher Parkening, flautists Jean-Pierre Rampal and Hubert Laws, and the late saxophonist Grover Washington, Jr., to name but a few, are documented on numerous recordings and video discs.
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Centre D'art Santa Mònica, Barcelona) Dedicated to Pere Formiguera (Barcelona, 1952
224 CATALAN REVIEW Finally, l would like to note the exhibition Cmnos (Centre d'Art Santa Mònica, Barcelona) dedicated to Pere Formiguera (Barcelona, 1952). This exhibition focused on photographs taken by him of some thirty diHerent people at different stages during their life showing how they changed du ring a period of ten years (from 1991-2000). Those selected were of two adults and two children who are shown growing older through some 600 photographs. Valencia also oHered exhibitions of great interest. Above all, l would like to highlight the retrospective Ramon Goya, el pintor de las ciutats (IVAM, Valencia), and the avant-garde artist Antonio Ballester (Valencia, 19IO) (IVAM). l should not forget to mention two other exhibicions also at the IVAM: Pierre Alechinsky, the Belgian expressionist and founder member of the group Cobra, and the other, Roy Lichtenstein. In contrast, in Perpignan (Palau de Congressos Georges Pompidou), there was an important retrospective Aristides Maillol, whose sculptures were on show offering examples from all his periods, themes, formats and techniques used by this sculptor. ANNA BUTÍ (Translated by Roland Pearson) MUSIC In the area of symphonic and instrumental concerts, the prestigious Lorin Maazel conducted the London Philharmonic Orchestra in mid-July (1999) as part of the summer season of the Festival de Peralada. Moving on to the Fall season, at the end of October the Barcelona and National Catalonian Symphony Orchestra, conducted by Franz-Paul Decker with guest violinist Catherine Cho, interpreted a fairly surprising pro gram dedicated to Sir Edward EIgar (the emblematÏc representative of English Romantic Music) in the Auditori.
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Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
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Wendy Wintersteen, President of Iowa State University of Science and Technology
THE INSTALLATION CELEBRATION OF IOWA STATE ’ S SIXTEENTH PRESIDENT WENDY WINTERSTEEN I BELIEVE IN THE FUTURE OF IOWA STATE UNIVERSITY – IN THE POTENTIAL OF OUR STUDENTS , THE EXCELLENCE OF OUR RESEARCHERS , THE TRANSFORMATIVE POWER OF OUR EDUCATORS , AND THE STRATEGIC COMMITMENT AND DEDICATION OF OUR STAFF . TOGETHER , WE WILL BUILD UPON OUR GREAT HISTORIC LAND - GRANT FOUNDATION AND MAKE IOWA , OUR NATION , AND THIS WORLD A BETTER PLACE FOR FUTURE GENERATIONS . - PRESIDENT WENDY WINTERSTEEN - THE INSTALLATION CELEBRATION OF IOWA STATE ’ S SIXTEENTH PRESIDENT WENDY WINTERSTEEN PRESIDENT WENDY WINTERSTEEN DR . WENDY WINTERSTEEN BECAME THE 1 6 TH PRESIDENT OF Iowa State University on Nov. 20, 2017, after a nationwide search and a unanimous vote of the Board of Regents, State of Iowa. The first woman to hold the university’s highest office, Dr. Wintersteen has served Iowa State for nearly 40 years in several capacities. After working in eastern and central Iowa as one of the first female ISU Extension associates in integrated pest management, Dr. Wintersteen completed her doctorate in entomology at Iowa State. Rising through the ranks to become a professor of entomology (with a brief stint at the U.S. Dept. of Agriculture in Washington, D.C.), she assumed a number of administrative roles in extension and the College of Agriculture and Life Sciences (CALS). Most recently, Dr. Wintersteen served for 11 years as the endowed dean of the College of Agriculture and Life Sciences and director of the Iowa Agriculture and Home Economics Experiment Station. During her tenure, CALS rapidly increased enrollment to become the third largest college of agriculture in the nation, research grants increased markedly, awards for teaching excellence grew, and the college achieved a 98 percent placement rate for its graduates.
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