,' ` ýl ýiIMý ýýýýý ..T----- '189c). CATALOGUE-OF- ThF"lY"EXHIBITION OF. 'r'cir. n. ilA. r+Ann w wýrrý ""'r AýY U r. ' YC1UI U1141ýf-1Pilll: " JALU N DUDL'Y.GALLERY, -PICCADILIY() i ý '1ýýýý .. .. . ý. ý/ý ýýý- ý, ýýs _- '. ý"ý: i.
OPEN FPOOM fF. P'rFMBEkTHr 2"I , TO "At. 71 OF NOVEMBER, J T YI IEI
AUTOTYPELONDON.COMPANY, :i ýýý-ýýýýý. vý
PERMANENT AUTOTYPE REPRODUCTIONS of FAMOUS \CORKS of ART from the PRINCIPAL NATIONAL COLLECTIONS OF EUROPE. The Series embraces almost the whole of the Masterpieces of the Great Artists of the Fifteenth, Sixteenth, and Seventeenth Centuries, and is rich in Examples of the Italian, Flemish, Dutch, German, French, and Spanish Schook of Painting. NUJIFXOL-S F.YAMPLC'S OF MODERN AND CONTEMPORARY ART, includingBl1RNE-JONES, Per- manent Copies of Wcrks by LORD LEICHTON, SIR EuWARI) G. F. WATTS, DANTE GABRIEL RossETTI, FORD MADOX BROWN, FREDERICK SHIELDS, HOLMAN HUNT, ALBERT MOORE, HENRY RYLAND, RUDOLPH LEHMANN, HERBERT SCHMALZ, and many others. SELECTED PICTURES from the PARIS SALONS. A NEW SERIES OF AUTOTYPE REPRODUCTIONS from the NATIONAL GALLERY, LONDON, now in course of publication. Each print ii sold separately. Price, Its. each. At the AUTOTYPE FINE ART GALLERY may he seen numerousexamples of PERMANENT AUTOTYPE COPIES, framed in special Moulding of appropriate design, suitable for the decoration of Hall, Library, Boudoir, &c. NOIV READY. The AUTOTYPE COMPANY'S FINE ART CATALOGUE of 184 page,, and REUSED ILLUSTRATED) SUPPLEMENT, containing 86 Miniature Reproduction. of Selected Autotypes. Price, Post free, ONE Sit I1.1. I Nt:. . IPI-ý-1-6--ý-opl-ý--"ý -, THE AUTOTYPE COMPANY, FINE ART GALLERY, 74, NEW OXFORD STREET, LONDON, W. C. LIST OF THE GENERAL "ý COMMITTEE OF THE vý; ^\r, PHOTOGR NIC N. ýý Lý //P ,S'/ILO ýfý ýý"ý, ý, rý i ,
, \ 1%WMA^'"
A. Alexandre, Bernard Alfieri, 7. Craig Anna Ernest R. Ashton_ . Lionel C. Bennett, 7. S. Bergheim, Shapoor N. Bhedwar . Valentine Blanchard, Rowland Briant, Tom Br!: ht T. AT Brownrigg, Maurice Bucht, Arthur Bartbett A. Buschhek, IV. A. Cadby, Eustacc Calland, H. Hay Cameron, Lyoncl Clark, Francis Cobb, Lewis Cohen, Hector Colard, IValter L. Coils, Reginald W. Craigie, William Crooke, L. David, Henry E. Davis, George Davison, Da Robert Denraclry,
R. Eiekemneyer, Charles Emanuel, y. G.ale, 7okn Pattison Gibson, Karl Greer, Z. C Al. Grove, Hugo Hcnueberg, A. Hildesheimer, Alfred Horsley Hinton, Frederick Ilollyer,
George H. 7,atmcs, Rouille Ladevc`zc, Rev. F. C. Lauthot, , Baron Alfred Liebieg, Thomas Manly, Alfred Alaskell, C. Puyo, H P. Robinson, Ralph Robinson, Baron N. de Rothschild, Lyddell Sawyer, Otto Scharf, Alfred Stitclitz, 7. Strakoseh, Frank M. Sutcliý%, Carl Ulrich, Hans IVatsek, 7. B. B. Wellingtons, H. Van der Weyde, B. Gay Wilkinson, jun., W. Willis. A AD 1 -FR TISF A! F1VT. S.
"The oldest and most perfect brand in the market. " WRATTEN'S
"LONDON"(Registered Trade Mark)
ORDINARY. PLATES. INSTANTANEOUS. DROP-SHUTTER SPECIAL.
From all Dealers, or direct from
WATTEN & WAINWRIGHT5 DRY PLATE MANUFACTURERS, CROYDON, SURREY.
I AI) 1E'RTISEA-1E1bTS. 3 LENSES. WATSON'S"ACE" CAMERAS& RECTILINEARPress Opinions of "Acme" Cameras. British Journal of Photograjhy. -" It folds into a smaller compass, and is lighter and more portable than any pattern we base yet seen. " A mateu rPhotographer. -"A wonderful, a, mpact, and fairy-like instrument, exhibit- in;, several new and important features. Sure to be a favourite with tourist photo- graphers. " I'/mtngrnßhy. -"One of the greatest adsances in camera construction yet reached, away head of anything we have have The Camera. -" Messrs. Watson found, by ingen., i, mplifications, how to make the weight still lighter, and the rigid still more firm. " Enßlrsk Mrchanrc. -" For pFortability and compactness, combined with practical utility, this antes may fair l1 be said to take the lead, and to be deserving of the title ` Acme. E39L =C13E7 a. IST- Ox41 1 Ax5 18jx6j 1ioX8 I 22XIO I 15xI2 1 zSxi6 ---I £ s. d. £ s. d. £s. d. £s. d. £s. d. £s. d. £s. d. "Acme" Camera and 3 double slides 9 13 0 10 Don5 014 0 016 13 6 31 00 31 10 0 Rapid .. Rectilinear Lens with lrisdiaphraým 4004 xo 05006 15 0 815 o il 10 0 t6 00 Solid LeatherTravelling Case, with spring lock 600 ...... 115 0115 02 2 02,003001313 Rotating Turntable in base, and Tripod Stand 2202203302 TO 02 15 0I 330400 ...... 8 17 9 018 7 021 9 025 15 031 2 639 057 10 0 Extra if Camera and Slides are brass bound for India ...... 1 10 01 10 0t 15 02002 10 0300400 Extra if Camera and Slides mounted in aluminium instead of brass, saving about one-third weight .... .3003003 10 040050o6o08o0 Extra if aluminium-mounted Camcraý is also bound in aluminium similar to brass binding ...... 1 to 01 to 01 15 02002 10 u30 O4 00 Any part of tha above may be sold separately. Any of W. & S. 's Lenses may be furnished with a Certificate front Kew Observatory as to its perfection at a cost of to/6. The above Prices are subject to 5 per cent. discount for cash with order. 36 PRIZE MEDALS AWARDED for excellence, including Five at Chicago, 1893 ; Two Gold Medals-Paris I.'nirelsd F. shü, iti, n, 1889; 'I'w., I; t!Id Medals, Kimberley, 1892; The Medals of the Glasgow and Amsterdam Photographic Socictie., 189, Gold Medal, Itudapesth, 1890, &c., &c. A FULLY ILLUSTRATED AND DESCRIPTIVE CATALOGUE of Watson's "Acme" and "Premier" Cameras, Rapid Rectilinear and Wide Angle Lenses and every Accessory, Apparatus, and Material required in Photography, sent post free to any address on application. SOLI. LONDON ADIriaSS, Wý HIGH HOLBORN. WATSONL SONS,P" 313, Fl1LWO0U'S RENTS, W. C., . Rita-q, : o, n, Il, 17, \["r SrReer, \Tb'LUntACSTRAI. IA. ý2 AD VERTISE. IIENTS.
In from half-quarter- all sizes The Focal Plane Eclipse, plate, 31 X 2} to 8j x 6j. with the Thornton-Pickard Focal Plane Shutter, Fitted the New Goerz constructed with 4 Camera, or Zeiss Lenses, Roll within the considerably with All Holders, Changing Backs or reducing size and weight. Dark Slides. sizes'roin 4 : A HALF PLATE (6k x 410 'Measuring complete, Sx6}x i. \Veighing 17 ounces. 1: 'i ntelal tarts of a. wia alloy of Aluminium. DO NOT PURCHASE SIMILAF CAMERAS UNTIL YOU HA'vL SEEN THIS. SHEW'S FEATHERWEIGHT CAMERA. A Hand Camera. A Stand Camera. Wide Angle, and Long Focus. INSTANltV ICRl ClI. D PERFECILV RIGID. NO LOOSE' SCRIAVS. THE FOCAL. PLANE FEATHERWEIGHT. We Me rn 4: fiow 5x4 !o S"S i. are now nuuang a/Cve nG' e , l,. The New Zeiss Convertible Lens with the above forms ac ini fete rnltfit, -i7c an int ! --r Hand or Stand exI o ures ynnt t axle. HEW Co., and 88, NEWMAN STREET, four S87 doors off OXFORD STREET, LONDON. AU YEA' TISEAIENTS. Hannam & Co., MANUFACTURERS OF ThotogravhicjVtounts 4 Avvaratus. e THE CELEBRATED - -- "GAINS BOROUGH" MOUNTS. "KENSINGTON ART" MOUNTS. PASTE ON AND S: IP IN. The Patent "Kensington Art" Album I-'OR UV, ITOUVTEP ! 'RlIV"T. ý,. NEW SLIP IN MOUNTS AND ALBUMS For POCKET KODAK PRINTS EXHIBITION MOUNTS . XMAS MOUNTS, &c., &c. LARGEST AND BEST VARIETY OF ANY HOUSE IN THE TRADE. NEW CATALOGUE Now Ready, Post Free 1.', d. 25,SOHO SQUARE, ATLAS WORKS, London,W. Gainsborough. 6 ERl7SEMENIa. . -Il)! T. & R. Annan & Sons a AutotypeReprodurtions. -a PUBLICATIONS of Reproductions of Obl Masterpieces and Modern Pictures, from the Collection of the Corporation of Glasgow, Scottish National Gallery, Edinburgh, and other collections. Amongst those Painters represented are- CUYP" REYNOLDS. VANDEVELDE. GIORGIONE. RUYSDAEL. GEO. MORLAND. VAN DER GOES. JAN STEEN. MABUSE. VAN GOYEN. TENIERS. F, HALS. GREUZE. TITIAN. RICHD. WILSON. LINNELL. WOUVERMAN. GAINSBORO'. VAN OSTADE. WHISTLER. RAEBURN. RAPHAEL. HOBBEMA. SIR J. WATSON REMBRANDT. COROT. GORDON. ISRAELS. ORCHARDSON. TURNER. &c., &c. Prices 10s. 6d. and 12s. 6d. each. 230, SAUCHIEHALL STREET, GLASGOW. & LOMBARDY VENICEA SERIES OF ORIGINAL O OO PHOTOGRAVURES BY J. CRAIG ANNAN. THE Series consists of Eleven Photogravures, and the number of impressions is limited to 75 Sets of Signed Proofs, which are issued in a Portfolio of 4to, Imperial size. Price I 'i z is. 6d. Orders for Portfolios should be addressedto the publishers, T. & R. ANNAN & SONS9 230, SAUCFIIE1IALL STREET, GLASGOW. AD l'ERTlSh: 11ElYT.S. i The.... o@ wellington PLATINO MATT BROMIDE PAPER. The.... VvJw \ X6 Wellington PRINTING-OUT PAPER The.... Sylvio. wellington NEGATIVE PAPER. WELLINGTON& WARD,Elstree, Herts. J4 '9 yS Y1S11UrS Za STEREOSCOPIC COMPANY'S PHOTOGRAPHIC SäýOri SHOW-ROOMS. WHERE . EVERY FORM v- : AND ý MAKE OF CAN BE SEEN. CAMERA ZLONDUI AGENTS TheLondon 106 & 108, ELSWICK AND Stereoscopic- Cycles. 54, CHEAPSIDE, Company,E. C. AD I 'F_R'I'ISEdIF. N7: 5'. y .. EACH ISSUE .. CONTAINS A I1AONIFICENT n .ý: iý k. ý ý1;. ý. ý`-': L' i, TWogravure . A ILLU V.V. \- STRATED ý 'MONTHLY-MAGAZINE It DEVOTED-TO-THE- ývonttisvtiece INTERESTS-OF- . 11P IIt-\I ARTISTIC&SCIENTIFIC- PHOTOGRAPHY. ":i 50to 100 Photographic Reproductions INCLUDING THE WORKS OF ALFRED STIEGLITZ P. H. EMERSON H. P. ROBINSON J. H. GEAR I ilmM1,12!tw J. CRAIG ANNAN HORSLEY HINTON TNF." PHOTOGRAPHIC"TIMES"PUBLISHI,ý NC,- J. S. BERGHEIM *SYD, SAWYER dSSOCIATIIIV' 60 6c 62 E. nth St., N. V. FREDK. HOLLYER S. M. BHEDWAR EL TED by F. P. CEMB'ALpNE KARL GREGER WALTER E. WoooBURY, F. R. P. S. EUSTACE CALLAND HALL EDWARDS C. PUYO ARTHUR BURCHETT ý AND MANY OTHER ... PROMINENT PHOTOGRAPHERS ARTICLES BY ALL THE BEST WRITERS. Prize Competitions.. Silver and Bronze Medals Awarded. "'lire /'hoh"tra/thit Tigris i, the brightest and best illustrated of any of the photohrai, hic magazines which teach us from across the water, and leaves nothing to he desired in the way of printing and get up. Tiere is mly one English iIIustrateo mon'hly which is of the some price-the /'a//A/a// A/agaciac-and 0" p;'. tl: at t" las Shy illuýet., tcd, the pbot-traphic journal, pictorially, holds its own. " /'hoha rapky, April 3oth, t896. including postage: SUBSCRIPTION,Per Annum, 16/- Six Months, 8/- Three Months, 4/. ThePHOTOGRAPHIC TIMESPublishing Association, 60& 62,E. 11th St., New York, U. S. A. A3 to AD YER TLSEdfEN7 S. THE STUDIO. RECENT PRESS OPINIONS. Of all the various magazines of art THE STUDIO strikes me as having the greatest vitality, and being most in touch with the artistic m3vements of the time. "-R. Le GALLIENNE The Statist. ' THE STODIo, illustrated to an magazine of fine and applied art, is full of really beautiful illustrations, and were it not for the large circulation them agazine must have, we cannot see how it can be supplied for the money-one shilling. "-Trwbrike Welk Gazelle. " One of the finest magazines ever issued in England or America. The latter country is the home of high-class artistic productions, but we doubt if even a New York, Chicago, or Boston house has sent out such an admirable publication. "-Cok4orter Sltrcury. "There is not another an magazine in the world to compare with it in respect of the enterprise, catholicity, and saneness of the many types of art with which it deals so ably and so attractively. " Bi r tswl. " THE STUDIO is a serial that should be in the home of every person possessing aesthetisc tastes.asO ' Bel/tst News Leftfr. " STUDto-TALK is, as usual, brimful of interest to all who would keep topics. So much has been ju, abreast of art already tly said of the many excellencies of this publication that it is only necessary to point out that paper, print, and illustrations are fully up to the customary high standard. " I)undtt -Idrirlrrn'. MONTHLY, ONE SHILLING. . THE OCTOBER NUMBER BEGINS A NEW VOLUME 5, Henrietta Street, Covent Garden, W. C. PLATINOTYPE PRINTING FILO>I Photographers' Own Negatives. TWENTY-SEVEN AWARDS FOR ARTISTIC-PLATINOTYPE WORK, COPYING & ENLARGING, etc. RICHARD KEENE, LIMITED, DERBY. ALL WIDE-AWAKE PHOTOGRAPHERS SHOULD vsa T$M A ar I, (ur permanent in d +iulplc " ral" apparatus rep -lucirit prints ., ny t nie. 'hlte print, an . p. u the bet oollolype repoPHOTO-AUTOCOPYIST dot ,... No glass plate., etpcn, i' prune, olttborato or nth, i plant required. Write for Price List and Specimens,or call and see the processin operation. THM7 iICrTOQOPYXMW QOM1P1`3 Y, 72, LONDON WALL, LONDON, E. C. i1DVFRTISF., IJFN7: S. it A Selection from the Publications of PERCYLUND, HUMPHRIES S, Co., ha ýlh. ll. P. 1<(Wl\>k)V'S 1.. 11'I': ýI' NV'OI: K. The Elements Pictorial Photograph. Demy Svo, of a quarter lud, with 37 pictures in the text, and frontispiece, " Storm Clearing Off" 3s. 6d. net. Dedicated to the Brothers of the Linked Ring. Written to show that there is much more in the Art than the taking of a simple photograph ; that its materials are only second in plasticity to those of the painter and draughtsman, and that if they are more difficult to manage, there are effects to which they are even more adapted than any other means of art. A NEW BOOK BY MR. A. II. WALL. Artistic Landscape Photography. A Series of Chapters on the Practical and Theoretical Principles of Pictorial (: omis), iti, m. llemy 8vo, with numerous illu, trations. 3s. 6d. net. Photography for Artists. BY HECTOR MACLEAN, F.C. S., F. R. P.S. Brief and useful information respecting the many uses of photography in various walks of in the pictorial and allied arts. i5s pages, with ig diagrams and illustrations the text, besides an appendix consisting of i6 pages illustrations. JOHN BURNET'S CLASSICAL ESSAYS. Practical Essays Art. By JOHN BURNET. on 1. Practical Hints on Composition. Contents : Coniposition Angular Composition Competition. Light Shade. Sevt"n full- - -Circular II. Practical Hints on and page plates, with descriptive letterpress, given in this l-:slay. Ill. The Education of the Eye. Contents : Measurement Form Perspective Lines Diminution Angles Circles-Aerial Perspective. This book is highly recommended for all students of artistic photogphy.ra io illustrations, including Examples by Cuyp, Rubens, Putter, Ustade. Claude, Metzu, I'. de Iaer, Vouvermans, Rafaelle, )omimchino, Rembrandt, Gerald I)ouw, Correggio, Michael Angelo, and other eminent masters. Crown ¢to, red cloth, 132 pages, 2s. 6d. net. Cat. /Sihli fie C,vrrf'. * r.'.;, -tit of I'?. r,, nrflu: tlivus po. cl . THECOUNTRY PRESS, BRADFORD ; and 3, AMENCORNER, LONDON, E.C. A4 12 ADVERTISEMENTS. ADVERTISEMENTS. 13 WHY Yov rigov=. a vsa SANDELE111ý111m111m111m111w111m111m111=1111 Because PLATES they are the only means known at the present time of obtaining Perfect Photographs of all subjects. Instantaneous Photographs. Landscapes. Architectural Exteriors. Interiors. Paintings } Coloured Windows With Yellow Screen. Portraiture. No backing is required, and yet there is absolute absence of Halation, with perfect gradation in highest lights and shadows. Al! anxiety as to technical results is entirely removed, and so, by their use, the sole attention may be given to the Artistic Composition of the Photograph. The enormous latitude possible in exposure gives a wonderful scope for Design in the atmospheric rendering of a Landscape. This alone makes the plates the sirrt ýfua iwu of the artistically intentioned photoýraphcr. The stereoscopic and graphic rendering of detail makes an otherwise commonplace subject a study and delight. In development no skill is required. The same solution is used for all exposures, and all exposures may be developed in the same dish, and, unless the exposure is at least 30 times more than normal, for the same time. Ask your Dealer for our Pamphlet, " Practical Considerations on the Manipulation " of a Dry Plate, and our Exposure Guide, with Price List, or write direct to THE SANDELL WORKS Co., LTD., South Norwood, London, S. E. Telegrams : Rail. Station : Managing Director : STRRROGRAdt, LONDON. NORWOODJUNCTION, L. B. S. C. R. J. T. SANDELL. (3 minutes). 14 ADVERTISEMENTS. ESTABLISHED 1830. ROSS & Manufacturers of CelebratedCo1, iiý ROSS' ZEISS and GOERZ rnucuyrupulu Lunbrs. (More variety than any uihcr Lens Manufacturer in the 1Vmld. ) Iý-. _"iii ýA Ar- ti p' -rr`. SUPERIORCAMERAS FOR hjÄ, The Field, the Studio, ý.. Process Work. 1 11 1 &c., &c. fiRc Sc°a'C7R1 t'tY}' ý- -__. ----- HAND CAMERAS CAMLKA \ºý_ti_ý (,,,K. Science,Enlarging, and Ordinarg ProjectionLanterns, New Models, superior to all others, also a NEW ARC LAMP, Etc., Etc. CATALOGUESFaEE. ROSS& CO., ttt, NOWBond St., London, W. ý 15 i Forewords. ...... THERE has beenmuch talk in recent years concerning the position among the arts which pictorial photography is entitled to occupy. The establishment of the Photographic Salon, showing the truer method of using photography as a means of Sraphie expression, was the signal for persistent attacks upon its supposedpretensions. These pretensions were in the minds of those only who built them up. Thrir method consisted in assailing positions which had never been occupied by the men whose aims they sought to vilify. The object of the Photographic Salon is to give to pictorial work in photography a place of its own, and to set a standard of value by which it should be estimated, without reference, of necessity, to the conventions and principles established by other graphic methods. ( i6 ) The Salon claims for tlais work a position cf independen,e, and is no longer satisfied that pictorial photography should bs called the handmaid of the arts; still less that it should be a hanger- on to the skirts of abstruse science in optics, chemistry and mathematics. The examples here exhibited are submitted to the intelligence of the public, with full confidence in its recognition that the pictorial application of photography need not-as it did for so long a time in its previous career-degrade truth to the level of fact, or be incapable of the power of suggestion and of the intellectual expression of nature, instead of the bare registration of the obviously existent. CATALOGUE. The prices in the Catalogue of pictures for sale refer to the pictures framed as they hang. The usual deposit of fifteen per cent. must be paid at the time of purchase; the Picture will then be marked as sold. Information concerning Pictures not priced, which may, however, be for sale, and all further particulars may be ascertained at the desk. Price. ý s. d. ETUDE Ach. Darnis t ...... 2A SOUTHDOWN FLOCK J. Gale 2 12 6 THE WHITE WINDMILL 3 ... Eustace Calland 330 THE MALL Eustaee Calland 2 2 0 4 ...... HUE TISTE ! Gýruzet z00 5 ... AlJrcd 6 LE SOIR RAMI: NE LE SILENCE Hector Colard ON THE HIGHWAY Dr. Hugo Nenneberg 3º00 7 ...... VILLAGE POMERANIA Ilugo Nenneberg 8 IN "". Dr. 400 STORMY WEATHER Hugo Nenneber 0 9 ...... Dr. 44 FISHING BOATS RETURNING Hans Watztk IO ... 220 Au BORD DU NIL /. l Mott 1 10 0 ii ...... ortune A5 ( i8 Puce. s. d. TYROLESE HUNTER 12 ... Heinrich Kühn 300 Es Heinrich 0 0 13 ...... Kühn 3 14 A FINE DAY IN LONDON Hector Colard TREES 0 15 ... Hans Watzek 4 4 16 SUNNY LANDSCAPE Heinrich Kühn 3 0 0 ON THE ELBE 17 ...... Hans Watzek 226 18 RIVEN LANDSCAPE Eustace Falland 220 19 ESSAY IN SANGUINE Maurice Bucquet STUDY HEAD 20 OF ... Lewis Cohen TWILIGHT 21 ...... Heinrich Kühn 400 A HEAD 22 ...... Philipp von Schneller LANDSCAPE FIGURES 23 WITH ... Rouilli Ladez'ýze 100 24 CARAVAN IN THE DESERT: EGYPT ALGIERS To ... J. Fortune Nott i to 0 25 FoUR O'CLOCK Alfred Giruzet 200 26 L'ATTENTE Reni Le Begue MERRY WISE 27 BzTTER BE THAN Walter L. McNay BEATRICE a8 ...... F. Holland Day BOATS (TROUVILLE)... 29 FISHING Paul Bourgeois THE FORGE 3o ...... Maurice Bucquet BEFORE STORM 31 THE ... Maurice Buequel FI. 32 EURS D'ORIENT Rent Le Begue OLD WOMEN Ach. Darnis 33 ...... F. Holland 34 LrºtJwº ... Day ETUDE DE Nu 35 ... Rene Le Begue A PORTRAIT 36 ... W. Howard Hazell CHILD'S HEAD I10 37 ... Eugene Lee Ferguson FAME: 38 A PORTRAIT Clement Hopkins 220 VICTOR CORHOULD 39 Alfred Maskell i 3 0 A DUTCH GIRL... 40 A fired Masker 33 0 PORTRAIT 41 ... A fred Maskell FLEUR PRINTEMPS 42 DE Alfred Maskell o io 6 LANDSCAPE-WINTER 43 Alfred Maskell 2 50 MARY 44 ...... H. A. Hetherington 45 A GOOD SMOKE C. Touranchet 46 THE ANARCHIST F IV. Gauntlett I10 47 ETUDE PLEIN AIR Rene Le Be ue 48 "SURPRISE" Rene Le Begue ... SP-0, URCHINS Edgar G. Lee 0 i5 0 48* ... Bergon 49 THE MODEL Paul PORTRAIT ýMý... 50 \ýQýNiR -""" Alfred Stieglitz 33 0 I3EARDSLEY H. 51 AVBREY ...... H Hay Cameron SUMMER HAZE J. Kidson Taylor 52 ...... ON SHORE, PIN MILL, 53 THE SUFFOLK T. M. Brau'nrigg ...... J. C. L. Knifiht Bruce 54 PORTRAIT \IRS. K. BRUCE GLORIANA T710s. Manly I ?16 55 ...... THE GREY DAWN MORNING Janet Reid 6 56 OF I 11 A6 ( 20 ) Price. S. 4 ;6 VIOLET H. H. Hay Cameron 57 ...... 58 LITTLEHAMPTON HARBOUR Bernara Lintott 220 Miss GASKELL 59 ...... H. N. Hay Cameron PROFESSOR JOWETT 6o ... H. H. Hay Cameron 61 A WINDY MORNING fas. Brauinn 220 62 A COUNTRY SCENE ... Percy S. Tankester i10 63 MY UNCLE JOHN ... H. H. Hay Cameron 64 EVENING SEA BY THE ... Leslie Selby IO 65 EDWARD ALEXANDER ...... Reg,inald W. Craieie 66 A BRIDGE WEY ON THE ... Reginald Gf'. CraikIe i ti 6 67 THE SHEPHERD ...... V. I3racq 100 68 MASTER PAULING H. H. ffar Crna'ran ...... 69 ON KENTISH COMMON 2 20 A ... W. Thomas SOLOMON J. SOLOMON... 70 ... Ralph W. Robinson 71 SUNSET ...... W. T Greathatch T50 72 THE FADING SMILE OF CLOSING DAY ...... Janet Reid iji 6 BOSHAM... F. C. Lamberl 73 ...... I10 SHOWERY WEATHER Geo Lamley 74 . BE'rwExN BRIDCes Tom Bright 74* ... JOLLY FRIAR 75 THE OLD L. Cruwys Richards o io 6 CHnLD's HEAD Susan N)dgson 76 ... HARD WORK 76* ... Tom Bright 77 BRIAN If. HODGSON Susan Hodgson ( 21 ) Price. ý, S. 78 GATHERING MISTS, LATH-KIL TALE ...... C. Rarrow, Keene I1o ON FROZEN 79 THE SALT MARSHES, Harriet, Duchess of IIYERES Sc rnroneta So Miss RAMSAY ...... H. H. Bay Cameron 81 THE CREEK ...... John A. Hodges i 10 o 82 POVERTY I TI ...... A. Burrhelt 6 83 ABOVE MORNING THE MISTS... Fredepick Coop 220 84 THE SPINNING \\'Hý: EL Mrs. Francis Clarke ... S. i50 85 THE CARTOGRAPHIST Airs. S. Francis Cr'arke ...... c5o 86 A. G. PESKETT ...... L. Peskett 87 ST" SPIRITO, FLORENCE, EVENING Harriet, Durhess of Sernnwneta 88 W HERE SHADOWS FALL ASLANT THE DOWNWARD PATH ... F. C. Lambert tro 89 MONK READING F. IV Gaunt/ell ...... 220 A THISTLEBANK IV Dawes 90 ... Ii0 91 RUTH Frank R. Sul-/fj%i, i to 6 92 PORTRAIT T. IV Late EVICTED Alfred II Werner 93 ... 94 EASHING BRIDGE Re, inýr/1 II : C:'raigie iiT6 GRANNI'... F. C. Lambert 95 220 DAWN Alex. bet; hle 96 r AUTUMN MORNING Paul Nrudot 97 TIPILIGHT GRh. Ale. Keigh/ev 98 Y r. ( 22 ) Price. ý 8. !1ý 99 "DAUGHTERS OF THE SOIL" Walter A. Locks AT ROWHEDGE too ... GeorgeDavison 44 0 101 A DECAYED STAITHE ... GeorgeDavison 44 0 IN COOL GREY 102 THE ... George Davison 44 0 103 O'ER THE LEA ...... George Davison 44 0 REFLECTIONS 104 ...... GeorgeDavison 44 0 105 THE OAT HARVEST ... GeorgeDavison 44 0 106 IN OSIER COUNTRY ... GeorgeDavison 44 0 FROM LANDING STAGE 107 A Get,rge Davison 44 0 RAIN, STEAM IRON 108 AND George Davison 44 0 AUDREY... IO9 J. C. Z. Xni, {rht Bruce ILO A LOWLAND HOMESTEAD ... J. H. Gear 22o FLOWERS OF THE FIELD III ... Ale.r. Keighlev 112 AN OLD HULK ... Char'es Job Iio PORTRAIT 113 ...... F Ho/land Day MARSHY MOORLAND 114 ...... Edgar G. Lee u 12 6 BKNEDETTA 115 ... Maurice Ifrimar/ 116 As SINKS THE SUN'S DECLINING RAY Janet Reid ...... o 12 G A MARSH FARN John Henry 117 ...... Anderson ETUDE I: ArEuuR Paul Bergoral 118 DANS ... PORTRAIT Zaida Ben 119 A ...... Y11su/ PLAYMATES J. W. Sadie 12o ...... 121 PASTURE Mawri. 'e 8NCquc1 ...... ( 23 ) Price. £ d. .c. ON BANKS 122 THE Lionel C. Bennett 300 AN ESSEX QUAY 123 Lionel C. Bennett 300 NOVEMBER 200 124 ...... Lionel C. Nennett 125 EVENING 10 LATE ...... Lionel C. Bennett 2 0 126 A LONDON NOCTURNI Paul Martin ... o60 LIGHT 127 AND SHADE IN LEICESTER SQUARE Paul Martin ...... 0 to 0 128 H. MoY THOMAS ... GeorgeHankins 129 A BLIND COFFEE MAKER Ernest R. Ashton i 11 6 A NILE AFTERGLOW Ernest R. Ashton 130 ... 131 ONE OF THE FAITHFUL Ernest R. Ashton 220 132 AN EGYPTIAN PASTORAL Ernest R. Ashton 2 12 6 PYRAMIDS 133 EVENING NEAR THE Ernest R. Ashton 33o TYAG, OR THE RENUNCIATION... Shapoor N. l3hedwar 134 Wsary sits the Yogi-Rai 135 Abigail- 7Ae. Surprise 136 All intent the Palm he reads 137 lb Mystic Sign 138 The Soul's Awwahtuiu8 139 7As World Renounced 140 The Parting 141 Oa As TempleSteps 14Z NIGHT Charles J. Re q IIO ...... PANEL, ROSEBUD IJenry Irving 143 ...... (24) Price. S. d. 143* KELMSCOTT MANOR FROM THE RIVER THAMES Frederick H. Evans ...... 144 PANEL, POPPIES Henry Irving TWIXT LAND SEA 144ý AND Ralph IV. Robinson 44 0 145 BRAMBLES AND BROOM IN HOAR FROST A. Garbichon ...... ioo EBB-TIDE Ralph )45* ... W. Robinson 440 146 DESERTED QUARRY (HOAR FROST AND FOG) A. Barbichon ... ioo FLOODED PASTURES t46* Ralph IV. Robinson i 11 6 SUNSET TEIGN 147 ON THE ... Thomas Perkins iio A PASSING CLOUD 147* ...... Ralph IV. Robinson 220 ARTEMIS 148 ...... t9. o. Langjfew 1 10 0 THE PLAYGROUND TIDES 148* OF THE Ralph LV. Robinson 440 YOUNG DIANA A. B Langfield 149 ...... i50 LANDSCAPE, COAST... 149* NEAR THE Ralph IV Robinson 440 IN CHEQUEIED GLADE A. B. Lang field 150 ... z50 FRESH EBBING WAVE 150* FROM THE Ralph IV Robinson 440 HALLOWE'EN" 151 " J. W. Eadie THE LINGERING BEAM OF DAY Ralph 151* W. Robinson 440 WILLOWS BY THE BROOK J. Milntan 152 ... Brown i10 MILL POND EVENING 152* ; ... Ralph W. Robinson iii6 Miss KATE STEWART Jones 153 ... A. Roberts 550 WALBERSWICK (A GREY DAY) Arthur 153* ... f Golding i10 (z5) Prirc. S. a. 154 THE VILLAGE CHOIR John E. Dumont 154* AFTER-GLOW Karl Gregor 6 ,,. i it THE LONELY SHORE Henry Troth 6 155 ...... o 15 DUTCH CANAL LIFE Mk,, le 156 ...... M. THE WIND-SWEPT SEDGES 157 ... Frances B. Johnston 158 WHEN THE AIR IS FULL OF LIGHT ...... j. Kidsoll Taylor THE MOUTH OF THE RIVER Janet Rcid 6 159 ... I II 16o OCTOBER MORNING Dcsirt', Dc Clercl ...... 161 SUNSHINE AND MIs"r (AUTUAIN MORNING) Ld7cmrd Atkinson I 10 0 ...... THE WEED BURNER dru(rr.: Atkinson To 162 ...... -r, I 0 LAST GLEAMS LIGHT h-a, l Greger 163 OF ... III6 GOWER SHORE Karl Gregrr III6 164 ... MINDING SHEEP henry I'. liobinson 165 ...... 220 06 PHILLIS Ernst Lambert 0 ...... 33 167 A BREEZE OF MORNING MOVES Henry F. Robinson 22 0 THE SILVER SEA henry I'. Robinson 168 ... 22o A GLEAM AFTER E: henry P. Robinson 169 \IN ... 330 HEAD J. II Newbury 16q ...... RETURNING FOLD P. Robinson 170 TO THE . "" henry 330 MILLAIS 171 SIR JOHN EVERETT ... RalAh Ill Robinson 220 PEPITA Frances I3. Johnston 172 ...... ATLANTA Ile, P. Robinson 173 ... uy 220 ( 26 ) Price. £ s. d. 174 THE HARBOUR MOUTH Henry P. Robinson 220 EARLY MORNING 175 Henry P. Robinson 220 CORNFIELDS 176 ... Charles Moss 2 10 0 HAMPSHIRE VILLAGE Rona Karl Greger 6 177 ... i 11 WOODLAND IDYL 178 Karl Greger 22O PEACEFUL PLAINS 179 Karl Gregor [ II 6 i80 A SUFFOLK FARM Karl Gager I 11 6 1 80 ZAANDAM Robert Demach)y 181 THE CLAY CUTTER'S HUT Karl Gregor I II Ö THE POTTER 182 ...... Disiri De Cleral 183 THE WANING OF THE DAY Arthur j. Golding I 10 0 SAND DUNES 2 10 0 184 ... Charles Moss 185 THE HOMESTEAD Charles Moss 2 10 0 WINTER... IIO 186 .. CharlesJob 187 AMONG THE BULLRUSHES J. M. C. c, m,e 017 fi MIGNON... Frances B. Johnston 188 ...... BOATS BARGES 189 EEL AND John A. Hodges 1 10 0 TIDE Bernard Alfieri I Il 6 190 AT Low ...... CALM STORM 191 THE BEFORE THE J. M. C. Grove O 15 0 THE GATES FAIRYLAND 192 OP J. M. C. Grove 0 15 0 MODERN HAGAR 193 A Edward Swingler THE RivER's EDGE 194 Bernard Af/eri i ii 6 TIDAL 195 A RtvItR Leslie Selby I10 Summ Lewis Cohen 195" Dix ...... (z7) Price. S. d. MORNING SPRING DAY... Y96 OF A Otto Scharf I 10 0 EVENING OF A SPRING DAY Otto Scharf 199 ... _50 CERES 198 ...... A. Burehett 330 199 EVENING AT MANTES... Ach. Darnis ON DEBEN 200 THE A. Horsley Hinton I10 EVENING 201 BEFORE THE SABBATH B. Gay Wilkinson 220 202 A JAPANESE EFFECT ...... Henry Troth 0 15 6 SEA MISTS 203 ...... A. Horsley Hinton 0 10 6 204 ON FELDEE SHORE ...... A. Horsley Hinton a 12 6 TIDE BEREFT 205 ... A. Horsley Ilintun 230 206 ]LOITERING DAYLIGHT, S1. uTH- FUL STREAM A. Horsley Hinton 2 12 6 ... REQUIEM A. Horsley Hinton 220 207 ...... LONE TARN Arthur J. Golding 207* AND ...... 1 10 0 SUNSHINE RAIN A. Horsley llinton 208 AND ... 330 A. Horsley Hinton 209 DESERTED SHORE 770 WVOODBRIDGE QUAY A. Horsley Hintan 210 ... 330 REED BEDS A, Horsley Hinton 211 ...... 220 BIRCH BRACKEN TV. Thomas 212 AND ...... 3 3 0 MANCHE 213 BROUILLARD SUR LA Maurice Brfmard PEACE Robert Demachy a14 Henry Van der 215 LARD LEIGHTON Weyde Harold Baker 216 OLIVER BAKER... ". Henry lean 317 DOCTOR NANSEN der Weyde ( 28 ) Price. ý s. d. DEAD WATERS 218 .. Robert Demaciey NOON-MENTONE 219 " Robert Demarhy ... . 220 PORTRAIT DE M1, ° CLO DE MkRODE ...... Maurice Bremara OCTOBER 221 ...... Robert Demachy LILY HANBURY 222 ...... Harold Baker SHE STREAM 223 WANDERED BY THE Walter D. Welford IIo BY THE RIVERS BRINK 224 ... Jeanie Welford o IS 6 THE CLOUDBED WEST 225 OF THE Rev. A. H, Blake o 10 6 A MIDSUMMER NIGHT 226 ... Henry E. Davis III6 EASTWARD SUNSET... 227 AT ... Henry E. Davis I 11 6 228 GOLDEN EVE ... Henry E. Davis 22o WAXWELL 229 ... Henry E. Davis I 11 6 A WOODLAND FARM Henry E. Davis 230 ... I 11 6 SIR E. BURNE JONES 231 ..... Frederick Ilollyer 1 11 6 232 DAFFODILS (DESIGN FOR A FRIEZE) ... .. " ... Carine Cadby 0 15 0 233 ON THE COLNE... Henry E. Davis I10 234 A CAMERA SKETCH Will. A. Cadbv Will. A. Cadby 235 A ROMANY ... .. I1o A THISTLE 236 ...... Carine Cadby 0 15 0 PORTRAIT Charles A L. Emanuel 237 A ...... THE TERRACE, RICHMOND 238 ... Charles H. L. Emanuel io0 C. Iiryo 239 GOODNIGIil ... 240 ( 29 ) Pr i, e. S. d. 240 ALDEBURGH ... Charles H. L. Emanuel o 15 0 241 AV. E. HENLEY ... Frederick Hollyer i 11 6 W. ROTHENSTEIN Frederick Ilollyer 242 ... IIi6 AURORA... 243 ... Thos. Manly 1Ii6 244 POR'I RAIT Percy S. Lankester CLOUDS 245 O'ER THE MARSH Viscount Maitland A 246 BIT OF OLD ENGLAND T. Bulbeck 2 12 6 247 SKELDIORLIE WOODS ...... J. Craig Annan 330 248 THE MARBLE CUTTER ...... J. Craig Annan 330 THE CHURCH Mý A 249 OR THE WORLD... J. Craig Annan 440 250 A LADY IN WHITE J. Craig Annan 440 25 1 THE SHRIrIPF: R.. Maurice Bucfuet vy\ A 252 VENICE Craig Annan 220 ... J. N-ý q ELEANORE Craig Annan 10 253 ... J. 5 0 254 J. GLEESON WHITE Frederick Hollyer 254* NI R. S.... A fred Geruzet MR. S. Alfred G&"ruzet 255 ...... THE HOME. F. i Rev. A. H. Blake 256 u ... II0 SISTERS J. Craig Annan 257 ... Gossip (KATWYK BEACH) Stielitz 258 Alfred, 440 259 ON CAMBRIA'S COAST.. George H. Janus r 10 0 L'ADIEU... George 11 Janus 26o ...... I50 A SUMMER NIGHT (COWES) George H. James 6 261 ... 0 10 t 30 ) Price. S. d. 262 WATCHING FOR THE RETURN... A fred Stieglitz 330 A PORTRAIT Walter Benington 263 ...... 330 ETUDE Nu Maurice Bremard 264 DE ...... OLD HONESTY Hall Edwards 265 ...... I10 AFTER THE STORM J. B. B. If'ellington 266 ...... PRIMAVERA Robert Demaehy 267 ...... MRS. MONTAGUE FORDHAM Harold Baker 268 ... ESSAY IN SANGUINE Robert Demachy 269 ... .,. 271 THE TUILERIES (WINTER TWI- Robert Demachy LIGHT) ...... 272 YOUNG GIRL READING... Robert Demachy 273 STUDY OF REFLECTED LIGHT Robert Demachy 274 PROFILE...... Robert Demachy 275 STUDY OF HEAD A ... Robert Demachy THE STUDENT Robert Demach 276 ... y 277 TAMBOUR WORK C. Puyo I8O 277" A GRAVE AFFAIR C. Puyo 26O A LETTER 18O 278 ... C. Puyo SCOTLAND'S FLOWER James 0 279 ... GeorgeH. 15 0 A WET NIGHT... 780 Allred Stieglits 33 0 781 GEORGS DAvISON 4fred Haskell 282 LANDSCAPE ... John Henry Anderson 283 SUNSHINE AND SHADOW Charles Mass 2 10 0 284 NANCY 2 10 0 ...... J. Craig Annan ( 31 ) 1'rrre. £s. d. 284* MEADOW SWEET Tom Bright 285 LE DP. PART Alfred Maskell 330 PORTRAIT 286 C. Puyo 280 BED TIME 287 C. Puyo r8o 288 FEBRUARY Harold Baker 289 A WHITE BOUQUET C. Puyo 300 290 GAITY ...... C. Puyo 2S0 291 MRS. LANGLEY ...... III Crooke 292 MISS JAMESON ...... IV Crooke 293 A CRITIC ...... N. S. Kai 66o 294 MISS MACFARLANE IV Crooke MRS. LAURIE 295 ...... 1V. Crooke 296 MISSES AULDER Crooke ...... W. 296 A BREEZY DAY ... ToastBright HARD WORK Bright 297 ...... Tom 298 UP AND DOWN THE BUSY STREAM Tom Bright ...... 299 BETWEEN BRIDGES Tom T>ri; ltt 300 HENRY PHIi. LII13 D. Wilki n LVynfield 301 SIR JOHN MILLAIS AS I)\NTE D. MlXin lVynfteýI 302 JOHNPHILLIPS... D. lililkin 1vyltfield 303 N. GALE 1). 1Vilkin lT,5nfteZd A, HO\IF. Anna Dansacrf 304 r ... RAIRIAI. Ilextor Colard 305 [ ...... (32) /Y £s. d. 306 CONTEMPLATION W. SmedleyAston MORNING 307 ...... Charles j. Berg IIo GALATEA 308 ...... CharlesJ. Berg Iio 309 THE OLD LOCK Arthur J. Golding I 10 o 310 11 FLEURY " Paul Bourgeois 311 A TROUBLED SKY Sand. E. Wall IIo 312 AN OLD Fox Robert Pauli 300 EVENING FIELDS 313 IN THE ... Anna Dansaert LIGHT ON THE RYE GRASS 314 ... Rev. A. H. Blake 'I0 STUDY 315 ...... Roher: N. llolarrt Cust 200 LEGEND OF THE WALL 316 ... Iraneis Cobb GIPSIES-HERZOGOVINIA 317 ... John Bushop 440 A STORMY SUNSET Leslie Celhy 318 ...... II0 319 THE HOUSE NEAR THE MARSH ClarenceB. Moore Index to Exhibitors. ALFIERI, BERNARD, 15, Station Parade, Willesden Green ; 190,194 ANDERSON, JOHN HENRY, io6, Shepherd's Bush Road, W. ; 117,282 ANNAN, J. CRAIG, 230, Sauchiehall Street, Glasgow, N. B. ; 247,248,249,250,252 253,257,284 ASHTON, ERNEST R., Camden Park, Tunbridge Wells, Kent ; 129,130,131,132,133 ASTON, \V. SMEDLEY, 7, Newhall Street, Birmingham ; 306 ATKINSON, EDWARD, 23, Wyatt Road, Highbury, N. ; 161,162 BAKER, HAROLD ; 216,222,268,28S BARBICHON, A., 19, rue Saint Pierre, Versailles ; 145,146 BF.,SNE, N. LE, 8;, Rue d'Ilauteville, Paris ; 26,32,35,47,48 BENIN(; TON, WALTER, Bush Hill Park, Middlesex ; 263 BENNETT, LIO\EL CHARLES, II, Fairlawn Park, Chiswick; 122,123,124,125 BERG, CHAS. J., To, West 23rd Street, New York, U. S. A. ; 142,307,30S BERGON, PAUL, 40, Boulevard H:aussnrann, Paris ; 40,118 BHEDWAR, SHAPOOR N, Art Studio, Swiss Lodge, Caniballa Hill, Bombay, India ; 134, 135,136,137,138,139,140,141 BLAKE, REV. A. H., M. A., l`uarley Rectory, Andover ; 225,256.314 BOURGEOIS, PAUL, 8o, Boulevard Malesherbes, Paris ; 29,310 BRACQ, VICTOR, Villa des Falaises, Boulogne-sur-bier, France ; 67 BRI: MAURICE, Boulevard Haussmann, Paris MARD, 41, , 115,213,220,264 BRIGHT, Tom J., 6, Gatestone Road, Central Hill, Upper Norwood ; 74", 76", 284*, 296,297,298,299 BROWN, JAS., 3, Market Street, Newcastle-on-Tyne ; 61 BROWN, J. MII. MAN, Shanklin, Isle of Wight ; 152 BROWNRIG,, T. M. ; 53 BRUCE, J. C. L. KNIGHT; 54,109 MAU BUCQUET, RICE, 12, Rue Paul Baudry, Paris ; 19,30,31,121,251 BULBECK,J., Havant; 246 BURCIIETT, A., 28, Willoughby Road, Hampstead, 82,198 Bt'sIuIY, JOHN, 11, Rumford Street, Liverpool ; 317 CADBY, CARINE, Hunsdon, near Ware, llerts ; 2; 2,235 CADBY, \\11. L. A., Hun-, don, near Ware, herts ; 234,235 CALLAND, EC rACE, c/o Dr. Richardson, Hawthorn Ilouse, Putney, S. W. ; 3,4, IS CAMERON, If. H. HAY, 70, Mortimer Street, Regent Street, W. ; 51,57,59,60,63,68, 80 CLARKE, MRS. S. FRANCIS, 8, Upgate, Louth ; 84,85 IV, ( 34 ) COBB, FRANCIS ; 316 COHEN, LEWIS, 146, Fellowes Road, N. W. ; 20,195* COLARD, HECTOR ; 6,14,305 Coop, FREDERICK ; 83 CRAIGIE, R. W., Camera Club, Charing Cross Road, w. c. ; 65,66,94 CROOKE, W., Io3, Princes Street, Edinburgh, N. B.; 291,292,294,295,296 CUST, ROBERT H. If., The Haven, Burmouth, North Wales ; 315 DANSARRT, ANNA; 304,313 DARNIS, ACIIILLE, 4, Rue Marbeuf, Paris ; 1,33,199 DAVIS, HENRY E., Camera Club, W. C. ; 226,227,228,229,230,233 DAvisoN, GEORGE, Clovelly, Arnison Road, East Molesey, Surrey; 100,101,102, 103,104,105, I06,107, io8 DAWES,W., 145, Chesnut Road, Plumstead, Kent ; 90 DAY, F. HOLLAND, Boston, U. S.A. ; 28,34,113 DE CLERCQ,DESIRI, Grammont, Belgium ; 160,182 DEMACHY, ROBERT, 13, Rue Francais, Ier., Paris ; 180,214,218,219,221,267,269, 271,272,273,274,275,276 DUMONT,JoHN E., 65, Rust Building, Rochester, N. V., U. S. A. ; 154 EADIE, J. W., Burnbank, Airdrie, N. B. 92,120,151 EDWARDS, HALL ; 265 EMANUEL, CHARLES H. L., 145, Gloucester Terrace, Hyde Park, W. 237,238,240 EVANS, FREDERICK H., 19, Buckingham Street, Charing Cross, W. C. 143* FERGusoN, E. LEE, 1338, West Street, Washington, U. S. A. 37 GALE, COLONEL J., 225, Long Lane, Bermondsey, S. E. 2 GAUNTLETT, F. \V., 43, Sprules Road, Brockley, S. E. 46,89 GEAR, JOHN H., F. R. P. S,, 52, Lincoln's Inn Fields, W. C. I I0 G$RUZET, ALF., Rue de St. Reuger, Bruxelles, Belgium. 5,25,254*, 255 GOLDING, A. J., 116, Mercer's Road, Tufnell Park, N. 153*, 183,207*, 309 GREATBATCH, W. T., 3o, Smallbrook Street, Birmingham ; 71 GRFGER, KARL, 17, Gordon Street, Islington. 154, * 163,164,177,179,180,181 GROVE, J. M. C., Castle Grove, Letterkenny, Ireland. 187,191,192 HANKINS, GEO., 199, Evering Road, Upper Clapton, N.E. 128 HAZELL, W. HOWARD, 15, Russell Square, W.C. 36 HENNEBERG, DR. HuGo, iv Schwindegasse, 17 Wien, Austria. 7,8,9 HETHERINGTON, HENRY A., 20, Mortimer Street, W. 44 HINTON, A. HORSLEY, Stoke Cottage, Guildford, Surrey. 200,203,204,205.206,207, 208,209,210,211 HODGES,JOHN A., 34, Fairlawn Grove, Chiswick, w. ; 81,189 IloocsoN, SUSAN,Pasture Wood House, Abinger, Derking; 76 77 (35) IIOLLYER, FREDERICK, 9, Pembroke Square, Kensington, w. ; 231,241,242,254 A HOPKINS, CLEMENT, 3, Welbeck Mansions, Welbeck Street, w. ; 38 TRUING, HENRY, Darwen, Lancs. ; 143,144 JAMES, GEO. H., 61, Bat'ersea Rise, S.W.; 259,260,261,279 Jos, CHAS., Milton House, Lindfield, Sussex ; 112,186 JOHNSTON,FRANCIS BENJAMIN, 1332V, Street, Washington, U. S. A. ; 157,172,188 KAY, N. S., 55, Knowsley Street, Bolton ; 293 KEENE, C. BARROW,All Saints', Derby ; 78 KEIGHLEY, ALEX., Flosh House, Keighley ; 96,98,1 11 KUHN, HEINRICH, Falk Street, 6, Innsbruck; 12,13,16,21 LADEVEZE, R., 17, Quai de la Poissonnerie, Tours, France; 23 LAMBERT, E., 32, Milsom Street, Bath ; 166 LAMBERT, F. C., 6, Ormonde Terrace, N. w. ; 73,88,95 LAMLEY, GEO. ; 74 LANGFIELD, A. B., 82, Fellows Road, N. w. ; 148,149,150 LANKESTER, PERCY S., The Great Hall Studio, Tunbridge Wells, Kent ; 62,244 LEE, E. G., Cullercoats, Newcastle-on-Tyne ; 48*, 114 LINTorr, BERNARD, II, The Carfax, Horsham, Sussex; 58 LocKs, W. A. The Hawthorns, Selsdon Road, Wanstead, Essex ; 99 MAITLAND, VISCOUNT, 2, Belgrave Road, S. W. ; 245 MANLY, THOMAS, 140, Haverstock Hill, N. W. ; 55,243 MARTIN, PAUL, 9, Aliwal Road, Wandsworth, S. W.; 126,127 MASKELL, ALFRED, Royal Societies' Club, 63, St. James' Street, s.w. ; 39,40,41,42, 43,281,285 McNAV, WALTER L., 34, Dancer Road, Fulham, S.W. ; 27 MöGLE, M. ; 156 MOORE, CLARENCE B., 1321, Locust Street, Phil., Pa., U. S. A. ; 319 Moss, CHARLES, Heatherley, Coombe Road, Croydon ; 176,184,185,283 NAUDOT, PAUL, 35, Rue Washington, Paris ; 97 NEWBURY, FRA. H., School of Art, Glasgow ; 169 NOTT, J. FORTUNE, 19, Holland Villas Road, Kensington, w. ; 11,24 PAULI, RoBERr, 23-25, Rue St. Sebastien, Lille (Nord), France; 312 PERKINS, THOMAS, Turnworth, Blandford ; 147 PESKETT, L., St. Helens, Cambridge ; 86 PUYO, C., 73, Avenue Bosquet, Paris ; 239,277,277", 278 286,287,289,290 REID, JANET, Reedwood, Redliill, Surrey; 56,72, Ii6,159,178 RICHARDS, L. CRUwvs, 98, Summer Road, Edgbaston, Birmingham ; 75 ROBERTS, A. JONES, 6, Bury Street, St. James's Street; 153 ROBINSON, R. W., Redhill; 70,141*, 145`, 146*, 147*, 14S", 149*, 150", 151*, 152`, 171 ROBINSON,Hy. P., Winwoad, Tunbridge Wells, Kent ; 165,167,168,169,170,173 174,175 SCHARF, OTTO, Crefeld, Steckendorfstrasse 68 ; 196,197 SCHOELLER. PHILIPP VON, Vienna I., Bauernmarkt 13; 22 SELBY, LESLIE, 8, Minford Gardens, w. ; 64,195,318 SERMONETA, HARRIET, THE DUCHESS OF, 22, Grosvenor Place, sm. ; 79,87 STIEGLIT7 ALFRED, 162, Leonard Street, New York, U. S. A. ; 50,258,262,280 SUTCLIFFE, FRANK M., Whitby, Yorks ; 91 SWINGLER, EDWARD, 21, Westlands Road, Balham, S.W. ; 193 TAYLOR, J. KIDSON, I, Beanfort Villas, Buxton, Derbyshire ; 52,158 THOMAS, W., 3, Herne Place, Herne Hill, s. It. ; 69,212 TorRNACHET, C., 14, Rue Jonlfroy, Paris ; 45 Cheshunt Street, Philadelphia, TROTH, HENRY, 330, U. S. A. ; 155,202 VAN DER \VEYDE, HENRY ; 215,217 WALL, SAMUEL E., 26, Mount View Road, Stroud Green, N. ; 311 \VATZEK, HANS, vi Esteshuzygasse, 15A Wien ; 10,15,17 \VELFORD, MRS. JEANIE, 59-6o, Chancery Lane, w. c. ; 224 WELFORD. WALTER D., 15, Farringdon Avenue, E. C. ; 223 WELLINGTON, J. B. B. ; 266 \VERNaR, ALFRED, 39, Graftcn Street, Dublin ; 93 WILKINSON, B. GAY, 151, Bermondsey Street, S. E. ; 101 WYNFIELD, D. WILKIN; 300,301,302,303 YUSUFZAIDA BEN,, Miss, 251, Fifth Avenue, New York, U. S.A.; 119 ), INDEX TO ADVERTISERS. 6 London Stereoscopic :mean, T. x R., & Sons ...... Co. 8 Autocopyist Company Io Lund, Percy, Humphries, & C,,. II ... Marion S. Autotype Company Second" of Corer. Co.... 7hird rq, r o/ c urn. MUICOIt, ti. 1.... Cadett and Neall 37 41 ...... Photographic ... Culls, Walter L .... 42 " Times" 9 Dailm I. H. Back foot Corer. Ross & Co. er, of ,. 14 Edwards & Co. 40 Sandell Works Co. 13 ...... 3$ Shew & Co. Fallowfieid ...... ,.... 4 Hannam & Co. 5I " Studio. The i0 .. Watson .. I lazell, Watson & Viney 12 & Sons 3 Ilinton & Cu. 39 Wellington Ward ,,. ... Wratten At Wainwright ... 7 Ilollyer. Frederick .. 41 2 Keene, Richard ... 10 Det ralire i'oxs level by Messrs. Sir Henry Doullor 6r Co. Al) VER TLSF.AtF_ NT. S. 37 The Largest Sale in the United Kingdom amongst the Highest-Class Photographers. ,Ct What Mr. THOMAS FALL says : " Your ]'bites are UNIQUE and are specially valued in my "case. Taking many and dogs I do "without so children could not them. " (28th Au; utt, . 8,6. ) The " CADETT " An Unbeaten record Quickest in the LIGHTNINGfor Rapidity. PLATE " World. ,- ENORMOUSLY INCREASING SALE. We are now delivering from New Stock. coca .I c__ c--^c. "nI 6ý X 4:,' dozen, &c. .0 .38 per CADETT& NEALL, ASHTEAD,SURREY. JONATHANFALLOWFIELD, Central OhotograpbicMores, 146,CHARING CROSS ROAD, W. Al)! 'RR TISEMENTS. 39 (TITLE REGISTERED), HINTOKINONEthe jfavourtte IDevetoper,1Rapi'tp %uperacbing Eltt ®tbers. In a trying Climate, HINTOKINONE is always reliable; will keep good for years. 90 Degrees in the Shade, and 40 Degrees below Zero. EUROPE. -From ALFRED T. COOK, Surveyor, Worthing: -" I found your HINTOKINONE most satisfactory in Finland during degrees below Zero F. " the severe winter of 1892-93, the thermometer registering 4o ASIA. feel by -From Colonel E. MOCKLER, H. R. M. Consul-General, Bagdad : -" I shall obliged you sending me another 28/6 case of your HINTOKINONE Developer. I have found it to be an excellent developer, and " AFRICA, well under control. be W. V. TANNER, Esq Vice-Consulate, 0pobo HINTOKINONE appears to -From , : -" is a most satisfactory developer for hot it is the temperature frequently climates, as as goo9 as ever, although over go decrees F. " AM ERICA. E. R. ANSON, Esi., nloranhanna, British Guiana: Please send me another doze -From -" it for " n ounce ' tiles of HINTOKINONE. It keeps admirably here, and I always use my negatives. Wales AI. FREO HAY, Esq., Boonanoomana Mulwala, New South "AtISTRALASIA. -From it. " ease send me another three large bottles of HINTOKINONE. I am very much pleased with HI1tTOKINONE is sold only in 5-ounce and 10-ounce square glass' stoppered Bottles. The 5-ounce make 50 ounces (2; pints) of Developer, Rice size will 2 3, or, if packing and inland is included, 3/-; the 10-ounce size will postage inland make 100 ounces (5 pints) of Developer. Price 4/3, or, if packing and postage is included, 5/3. For in Zinc-lined Boxes, containing l dozen exportation, each bottles, 28/8 for the 5-ounce size, 54, '- for the 10-ounce size. lidl direclious for use are enclosed , evlh er, ry bo/Iir. Sole J'rop, ieiors at: a Jfauuladurrr I/) bEb. lIE_VTS. 40 . '77ST. EDWARDS'SXL TRADE MARK Isochromatic`Snap-Shot PLATESaNDFILMS. Absolutelythe QuickestPlates and Films male. UNEQUALLEDQUALITY. _ `/_`.. TRUE RENDERINGOF COLOURVALUES. E. BARUCII I: r.. AKER, E i., Ti: nil, mnith Studi,, Worthing, writing fm May 13th, 1895, say, : - "I think them the finest Plates that have come under my notice ; they are very fast, and particularly adapted for Hand-Camera work. " rt: r irr other Plates and Filius, ani may he obtained of all Daie' ý, B. J. EDWARDS & CO., THE GROVE, HACKNEY, LONDON. AD PER TLSE. IIENTS. 41 Uniteb Artists Picture, frame Lstablished 35 Years. IIISanufactorp. THE LEADING HOUSE FOR SPECIALITIES, NEW DESIGNS, and Artistic Treatment in Mounting and Framing Photographs. ANY DESIGN TO ORDER AT ORDINARY MODERATE COST. H. I. MURCOTT HANOVERHOUSE, 6, ENDELLSTREET, LONG ACRE, W. C. REGILDING. Restorer of Oil Paintings. PERMANENT PHOTOGRAPHS OF THE WORKS OF Sir EdwardBurne-Jones, Bart., G. F. Watts, R.A., DanteGabriel Rossetti, Holbein,Drawings WindsorCastle (6y hi,, dýeruisrion of /er atMajesty the Queen), Harry Bates,A. R. A., Homer, and others. Albert Mooreand other Artists. CAN L'ß OBTAI\I3D OF FREDERICK HOLLYER, 9, PEMBROKESQUARE, KENSINGTON. Illustrated Catalo;, ue jvst free Twelve Stamps. B 42 AD VERTISE: lIEN7: S'. hopper-PlatePhoto-Etching, Engraving,Printing & Steel-Facing. L. COLLS wishes to draw the attention of Photographers, Artists, Publishers, Authors, etc., to his W ALTERprocesses for the Reproduction of Photographs from Nature, Pictures, Engravings, Drawings, Woodcuts, &c. The advantages which he claims for his Plates over the ordinary process of Photogravure are : greater richness of quality, truer rendering of values, increased durability, and lower cost. The Illustrations in many of the most important works published, and in course of publication, have been reproduced by his Processes. The greatest care is given in the Printing of Plates, and is under the personal supervision of Mr. COLLS, and as all the work is executed on the premises, the utmost despatch is guaranteed. Prize Medals awarded at International Exhibitions: Crystal Palace, 189o ; Edinburgh, 1891 ; Crystal Palace, 1891 ; Calcutta, 1891 ; Brussels, 1891 ; Photographic Society of Great Britain, 1891 ; Leeds, 1891 ; Diploma, Brussels, 1891 ; Holland, 1892; Calcutta, 189, etc. Estimates and further information may be obtained on application at the Studio, personally or by letter. Preparingfor Publication. A Selection from the Photographs now being exhibited at the Photographic Salon. Price to Subscribers, Japanese proofs (50 copies only) £3 3o India (100 ) £2 20 Prints Plate Paper It of on ...... Iio Gallery. A copyof last ,ear's publication may be seen at the The Studio, Castelnau Gardens, Barnes, S. W. 111KK:.*15 .i Su.,-s. 1'riutxrs in lhdiuary tu iirr Majesty, St. Martin's Lane. MARIONA PAPER FOR ARTISTIC EFFECTS. MATT (Fine Grain) and Glossy Surface. Gros Grain, specially suitable for Large Portraits. Marion's InstantaneousPlates & Films for Snap Shot Work, for use on dull days, and also specially suitable for the Röntgen Rays. Marion's Landscape Work. AcademyPlates for Marion'sRadial Hand Camera. Improved Natters, shortly ready. Will take either 12 plates or 24 cut films. Marion'sRadiant View-Finder. Giving A brilliant image in any light. 7/6 each. RöntgenRays. Our complete Apparatus of Best ENGLISH make. 421 158. Od. arion's Publications.We have a very large selection of these, including over 50 of Downey's Art Studies. Photogravures. Graany II LR. ft l he PrInceu of W., k " ýý and the Baby, h ý'v Romeo and Juliet, Z adc, E-dei ra , Atalanta. " r, h. FullParticulars free on application. NewIllustrated Catalogue 1/-, postfree. MARION& CO., 22 & 23,SOHO SQUARE, LONDON, W. Al) ý hýR T/sF.. BI r. 1V: 5. DALLMEYER'S HIGH CLASS lhotograpbic; Lenses. THß DALLMEYER-BERGHEIM(SoftFocus) Cuid. - to P HIII_'. H: op; r ýawnc. o( liýlui. ez[+n. ion, - výlent cnrres- With With Poci. vandlnK Waterhouls Iris hJtk f, 6. Diaphragms. DiaphraKwf. In. In. ý s. d. 6 s. d. ao fixed to fixed Ioo650 25 t" 40 15 10 a91; 1 8 to 0 to 00 ( [5 t0 55 14 to ý0 to 10 0 12 00 No, I. ' se on Plates up to G, by 4@. No. 2. 's. No. 3.10 by 8 and upwards. sti. aiture. Unites adaptability of 1 fucal lei. great depth of focus. The saIm , trument wi! 1 g., e images (ruin cabinet to life-size. PATENTTELEPrt, LENSESAND ATTACHMENTS. .. HIC Special LENSES for the STUDIO: Series B j/3 Aj, Series D f/ Patent PORTRAIT and UR OUP LENS. TELESCOPES. FIELD GLASSES. OPERA GLASSES. MICROSCOPES. QUALITY. STYLE. FINISH. WORKMANSHIP. l',, u. eras u. IkLle for all climates. Constructed to stand the extremes of heat and dampness. C. AT. ALnGUI": ti FREE. H. DALLMEYER, Ltd., NEWMAN STREET, J. 2s, W STREET, LO N DO N,