Hercules Fanzine No. 47
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Measuring the Impact of Second Life for Educational Purposes
ABCDEFDA DA AAADABDAD John Kirriemuir (editor) www.silversprite.com March 2008 Responses and Second Life meeting transcript AB CCCDEFEDA BEB CCCDBEDDBB Originally funded by the Eduserv Foundation and published by the Virtual World Watch project D!EBA"#EEE FADDE AB!DA "D#$"A A%AB DEABAA& FE%!DA&' A(DA)DE*D*ABDA EAA+ ADD%ADAB,**!AD- F.AD/DDDADE&0DEA1D*AED*F ADDA DE*D*&FADE D DE%ADEDABE ,ADD%%ADB%ADABABDED& ' DDEA!DAED2+(C 3EDAAA 2 $%&'(E&)B F.ADDA1DE,/ADABA,DAD EEDD"DA D%D&FDEA"F "D!DD%DDD+ E%A/A/ ADDAD EEB%ADE%ABBADAD%DA (BA/EBE)&4EDEDEDADAD,ADADAABDFA.D // DEDAB/DBDE&&&& *CB'(E&+E FD.D!DAD,&FAAD.""AB EE,DDDA%E 5DA,",&FDAADE.DE.A EDEADE6E,D DEDD%/&7DA/EDAD,DA,5D%DD EDEAD ABDED&3EADA8DAAAB%D DEDEABAAADED"DDEDD DD& DAD"AADEA ABDB%DEEA,DADAD/%/ DAADABEDABB DEDEDADA EDAE,A ,ABDE AD& 3EDEBEEAD.E/DE.DEDADDDADAA AAB E%D%DE&AADADA .BAB.A%AAD&FD.DD,ADDD DE /A EEED1DE%& AD,D% EAD ADDEABA&9%ABDA.DE% DA%%%/ADDABD EAAD"// 5D%D /.BABDDED(DEBEADA/EAD%/ )&FD.DADD DAAADDA,D ABADBD," DE& +AE,'(E&)B :"DAD-2+) F;DEA";DED ,AAD/DED*DAD"D*&<D,DDE EDD,DABAADAB&:DDEADDD ,,DDEDABADEDDADEADE1DAADE & =DDEDA,/&:DEBEBA,AAEDDBEDDDE!D AD/& :ADEDEBEDAADA&>A.D"A EDDDE DADEBED,D E%/DD/ABDDADAD ED AB *ADDD*ADADE(E/)AAABA%AD&3ED(DE BADB)DED ADDEA",DDEAE /A,AB EADEABEAAE,ABDEADEDEA5DD, AADABAEAABDADEEAAB&FDEDDEEDDDE EDD,DDEA"AB,DADADDAAAABAD& F(A0,"AF)E%ABD DEDEADDD& BF-AE'(E&*E, $,#,BFBFF 'ADE,EADA-3EDA/"/D,AB DADE%/ %,ADADED/AA/"AB DADBA%ADE/DA,5D%+/A/DA BA&3E,,/ E//E%ABD,DEA"ABD!DA+DE A.DA/(F?') FDEA"!DD%D/"/DADDABD+E -
Ove for Thought Pre-K & K
ove for thought Pre - K & K Integrated Physical Activities in the Early Learning Environment M ove for Thought Pre-K & K The Move for Thought Pre-K & K (M4T pre-K & K) was developed mainly for children (3-6 years old) in the preschool environment. However, all activities are developmentally appropriate for children in kindergarten classroom. Iowa Team Nutrition and the Iowa Department of Education would like to thank you for using the M4T pre-K & K program. The M4T pre-K & K program can be used to assist in: meeting physical activity needs, improving physical literacy and fundamental gross motor skills, developing the “whole child”, by practicing physical, cognitive, social, and emotional skills. The kit was developed by Spyridoula Vazou, PhD, Department of Kinesiology, Iowa State University. The activities and supporting files were developed by Dr. Vazou and Jacqueline Krogh, M.S., Department of Human Development & Family Studies, Iowa State University. Music was developed by Elizabeth Stegemöller, PhD, Department of Kinesiology, Iowa State University. Songs were adapted from “You and Me makes We” book by Elizabeth Schwartz. This project was funded by a Team Nutrition grant from the United States Department of Agriculture. Electronic copies of the kit and the music can be found at www.educateiowa.gov, under Team Nutrition. Suggested citation: Vazou, S., Krogh, J., & Stegemöller, E. (2015). Move for Thought Pre-K and K: Integrated physical activities in the early learning environment. Des Moines, IA: Iowa Department of Education. Federal Nondiscrimination Rights Statement In accordance with Federal law and U.S. Department of Agriculture policy, this institution is prohibited from discriminating on the basis of race, color national origin, sex, age, or disability. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Presenting Our 29Th Season
PRESENTING OUR 29TH SEASON DEC 7-8 This December, it’s a Queen City Christmas! From Ruth Lyons to Doris Day to Rosemary Clooney, the tri-state has a rich history of brilliant artists worthy of celebrating. Join us as we pay tribute to our ADVERTISER FACTSHEET hometown heroes! For 29 years the Cincinnati Men’s Chorus has provided a non-confrontational voice to the issues of the GBTLQ+ community. One of the key sources of revenue that allows us to continue this important mission is the sale of APR 4-5 advertising in our Concert Programs. In spring, we’ll hop across the pond for God Save the Queens! The Beatles, Blur, the Spice Girls, Little To celebrate our 29th season of music we bring you THE SEASON OF THE Mix, Dusty Springfield, Adele, Elton John, George QUEENS! Performing in iconic locations throughout our Queen City. Kicking Michael, Sam Smith, Benjamin Britten: these artists off our concerts will be Queen City Christmas in the beginning of December continue to define the British Invasion! This trip will at The Carnegie in Covington, KY. Secondly as the seasons change our leave you feeling jolly good, without a hint of jetlag! spring concert, God Save the Queens will be held at the historic Walnut Hills High School, Westheimer Auditorium. June = Pride. We are hosting our first ever Big Gay Sing with Dancing Queens at Memorial Hall in Over the Rhine. JUN 20-21 Each of our concert weekends bring a diverse group of over 600 audience members, volunteers and performers into downtown and expose them to the Finally, for our Pride concert, CMC brings you our first companies and brands that support the CMC by advertising in our Concert Big Gay Sing with Dancing Queens! What’s a Big Gay Programs. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Elton John Tumbleweed Connection Mp3, Flac, Wma
Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Tumbleweed Connection Country: Japan Released: 2001 Style: Ballad, Classic Rock MP3 version RAR size: 1542 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 445 Other Formats: WMA MIDI AUD MP4 APE XM ASF Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals -
7Th Circ. Affirms Elton John Win in 'Nikita' Copyright Row
Portfolio Media. Inc. | 860 Broadway, 6th Floor | New York, NY 10003 | www.law360.com Phone: +1 646 783 7100 | Fax: +1 646 783 7161 | [email protected] 7th Circ. Affirms Elton John Win In 'Nikita' Copyright Row By David McAfee Law360, New York (July 17, 2013, 4:21 PM ET) -- The Seventh Circuit on Wednesday shot down a bid by a South African lyricist to revive a copyright suit accusing Elton John of stealing the words to the song "Nikita," holding that the two songs aren't substantially similar as a matter of law. The decision comes after photojournalist and aspiring songwriter Guy Hobbs told the Seventh Circuit in March that an Illinois judge's dismissal relied on a Seventh Circuit decision that contradicted U.S. Supreme Court precedent and effectively eliminated copyright protection. Hobbs argued that Peters v. West, the 2011 Seventh Circuit ruling cited by U.S. District Judge Amy J. St. Eve in her October dismissal, defies Supreme Court precedent establishing copyright protection when an author creates an original work by arranging unprotected elements. But the three-judge appellate panel on Wednesday affirmed Judge St. Eve's decision in favor of John, his writing partner Bernie Taupin and publisher Big Pig Music, saying that Hobbs' song "Natasha" and Elton John's "Nikita" aren’t similar enough to support the copyright infringement claim. "We agree with the district court that 'Natasha' and 'Nikita' simply tell different stories, and are separated by much more than small cosmetic differences," Circuit Judge Daniel A. Manion wrote in the opinion. "We conclude that as a matter of law 'Natasha' and 'Nikita' are not substantially similar because they do not share enough unique features to give rise to a breach of the duty not to copy another's work." Hobbs, a resident of Cape Town, South Africa, brought suit in April 2012, saying he based the lyrics for the unpublished 1982 song "Natasha" on a love affair he had with a Russian waitress while working as a photographer aboard the Russian cruise ship MS Taras Shevchenko. -
New Orleans Celebrates Israel; Views Spielberg Film
THE BEST OF THE ™ Spring | Summer 2015/5775 Inside The Sydney And Walda Bestho Sculpture Garden In City Park (Pictured: Sorel Etrog’s Pulcinella) ANNOUNCING!! THE 1ST ORIGINAL RED BEANS RICE COOK-OFF! & MONDAY, SEPTEMBER 7, 2015 Labor Day 12:00 pm – 4:00 pm Torah Academy 5210 W. ESPLANADE AVENUE METAIRIE SPONSORED BY ™ FULL DETAILS RELEASED THE BEGINNING OF JUNE! TEAM COMPETITION ~ 2 DIVISIONS GREAT FOOD & ENTERTAINMENT! December 2014 Broza highlights community Chanukah event at JCC DECEMBER 19, 2014 BY ARLENE WIEDER The annual community Chanukah event, held at the Uptown Jewish Community Center on Sunday, Dec. 15, featured Israeli-born musician David Broza, an inter- (photo by Barbara Kaplinsky) nationally-renowned talent who has been hailed as the “Israeli Bruce Springsteen.” JCDS students perform Broza fascinated and amazed the 200-plus audience gathered inside the JCC’s Mintz Auditorium. The entire multi-generational audience enjoyed this incredibly gifted at Pelicans game artist as he masterfully played his guitar, while singing DECEMBER 19, 2014 many of the songs he has popularized for nearly four BY BaRBARA KAPLINSKY OF JCDS decades. Broza’s first comments to the crowd expressed his Members of the Jewish Community Day School (JCDS) excitement on being able to return and perform in New performed “The Star Spangled Banner” on the center court David Broza performs at the JCC on Sun., Dec. 14 at the JCC’s Community Orleans. As he began singing his first set of Israeli songs, Wide Chanukah celebration. (Photo by Arlene Wieder) of the Smoothie King Arena on the first night of Chanukah, the audience sat mesmerized by his unique style of rhyth- Tues., Dec. -
Episode 061: Jonathan 'Sugarfoot' Moffett Special If Using
The MJCast - Episode 061: Jonathan ‘Sugarfoot’ Moffett Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-061-jonathan-sugarfoot-moffett-special/ The MJCast (Q): Hello, and welcome to the MJCast! I am Q, one of your hosts for today, and today we're interviewing one of Michael's most long-standing collaborators—potentially his most long-standing. The MJCast (Jamon): Jonathan 'Sugarfoot' Moffett worked with Michael Jackson and the Jacksons as their tour drummer starting in 1979 with the "Destiny Tour", and continued to work with them later for the "Triumph Tour", the "Victory Tour", Michael's 1988 Grammy Awards performance, the "HIStory World Tour", his "30th Anniversary" shows, and, eventually, "This is It". MJCast (Q): Not only did Jonathan Sugarfoot have the honor of collaborating closely with the Jacksons, but he has also toured with artists such as Madonna, George Michael, Prince, Elton John, and Lionel Richie. MJCast (Jamon): Jonathan, it's an honor to have you here on the MJCast how're you going? Jonathan Moffett: I'm doing pretty good—I've been doing pretty good. A little mistake in there—I'd never toured with Prince. I've worked in a studio [where] Madonna and Prince [were] on the same song "Keep it Together", so I've never toured. I don't want misinformation to get out there, so I've never toured with Prince, although he has asked me about touring with him, which never just came about because he was at a lot of the after parties at the Jackson shows, Elton shows, and cameo shows, and he'd speak to me and give me a combination of performance and he asked me about playing with him, but it just never happened. -
September 1984
MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL -
Ladyslipper Catalog
Ladyslipper Catalog -i. "•:>;;;-•, •iy. ?_.*.-• :':.-:xv«> -»W ' | 1 \ aw/ Resource Guide • Recordings WfiMEl by OCT . 8 1991 Women ll__y_i_iU U L_ . • 1992 Table of Contents Ordering Information 2 Native American 44 Order Blank 3 Jewish 46 About Ladyslipper 4 Calypso 47 Musical Month Club 5 Country 48 Donor Discount Club 5 Folk * Traditional 49 Gift Order Blank 6 Rock 55 Gift Certificates 6 R&B * Rap * Dance 59 Free Gifts 7 Gospel 60 Be A Slipper Supporter 7 Blues 61 Ladyslipper Mailing List 8 Jazz 62 Ladyslippers Top 40 8 Classical 63 Especially Recommended New Titles 9 Spoken 65 Womens Spirituality * New Age 10 Babyslipper Catalog 66 Recovery 22 "Mehn's Music" 70 Women's Music * Feminist Music 23 Videos 72 Comedy 35 Kids'Videos 76 Holiday 35 Songbooks, Posters, Grab-Bag 77 International: African 38 Jewelry, Books 78 Arabic * Middle Eastern 39 Resources 80 Asian 39 Calendars, T-Shirts, Cards 8J Celtic * British Isles 40 Extra Order Blank 85 European 43 Readers' Comments 86 Latin American 43 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 Ordering Info CUSTOMER SERVICE: 919-683-1570 M-F 9-6 FAX: 919-682-5601 Anytime! . PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are CHARGE CARD ORDERS: are processed as prepaid don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati orders, just like checks with your entire order billed schools). Make check or money order payable to cally back-order it unless you include alternatives up front.