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Amc Age Policy for Tickets
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Paramount Consent Decree Review Public Comments 2018
COMMENTS OF THE NATIONAL ASSOCIATION OF THEATRE OWNERS U.S. DEPARTMENT OF JUSTICE, ANTITRUST DIVISION REVIEW OF PARAMOUNT CONSENT DECREES October 1, 2018 National Association of Theatre Owners 1705 N Street, N.W. Washington, D.C. 20036 (202) 962-0054 I. INTRODUCTION The National Association of Theatre Owners (“NATO”) respectfully submits the following comments in response to the U.S. Department of Justice Antitrust Division’s (the “Department”) announced intentions to review the Paramount Consent Decrees (the “Decrees”). Individual motion picture theater companies may comment on the five various provisions of the Decrees but NATO’s comment will focus on one seminal provision of the Decrees. Specifically, NATO urges the Department to maintain the prohibition on block booking, as that prohibition undoubtedly continues to support pro-competitive practices. NATO is the largest motion picture exhibition trade organization in the world, representing more than 33,000 movie screens in all 50 states, and additional cinemas in 96 countries worldwide. Our membership includes the largest cinema chains in the world and hundreds of independent theater owners. NATO and its members have a significant interest in preserving an open marketplace in the North American film industry. North America remains the biggest film-going market in the world: It accounts for roughly 30% of global revenue from only 5% of the global population. The strength of the American movie industry depends on the availability of a wide assortment of films catering to the varied tastes of moviegoers. Indeed, both global blockbusters and low- budget independent fare are necessary to the financial vitality and reputation of the American film industry. -
Moviepass: Disruption Through Subscription1
For the exclusive use of J. FITZSIMMONS, 2020. W19504 MOVIEPASS: DISRUPTION THROUGH SUBSCRIPTION1 Ram Subramanian wrote this case solely to provide material for class discussion. The author does not intend to illustrate either effective or ineffective handling of a managerial situation. The author may have disguised certain names and other identifying information to protect confidentiality. This publication may not be transmitted, photocopied, digitized, or otherwise reproduced in any form or by any means without the permission of the copyright holder. Reproduction of this material is not covered under authorization by any reproduction rights organization. To order copies or request permission to reproduce materials, contact Ivey Publishing, Ivey Business School, Western University, London, Ontario, Canada, N6G 0N1; (t) 519.661.3208; (e) [email protected]; www.iveycases.com. Our goal is to publish materials of the highest quality; submit any errata to [email protected]. i1v2e5y5pubs Copyright © 2019, Ivey Business School Foundation Version: 2019-09-13 On August 7, 2018, MoviePass Inc. (MoviePass), the New York City–based movie ticket subscription service, announced that it would restore its popular US$9.952 per month plan, but in a change from the past, subscribers would be restricted to three movies a month instead of having access to an unlimited number of movies. In announcing the new pricing plan, MoviePass’s chief executive officer (CEO), Mitch Lowe, noted that the new plan would reduce MoviePass’s cash burn rate by 60 per cent and help make its path to profitability “more manageable.”3 While the summer of 2018 was the second-best year ever for the movie business, with $4.8 billion in ticket sales,4 MoviePass faced significant challenges in its role as a disruptor. -
Personal Finance Ratios
Personal finance ratios There are seemingly countless ways to measure financial health for both individuals and corporations. In earnings reports, companies use complicated calculations and ratios to inform investors—and the general public—regarding the health of their business. However, the average American can use these principles to assess their own financial health. Personal savingsi Formally known as “average propensity to save,” the personal savings ratio is the amount of income saved for an individual or household. According to the Federal Reserve Bank of St. Louis, the average saving rate was just under 5 percent for Americans in 2016. Historically, the average savings rate in any given year since 1959 has been about 8.5 percent. Debt-to-income As its name would indicate, a debt-to-income (DTI) ratio is the proportion of an individual’s monthly debt payments in relation to his or her gross monthly income. Many lenders use DTI as a primary indicator of worthiness of loans because it gauges the individual’s ability to cover loan payments. Though there is no consistent, unilateral recommended ratio, it is popular convention that a DTI over 40 percent will make it more difficult to secure a loan. Liquidity This ratio is used to determine how an individual is able to make ends meet in the event of an emergency. Liquidity is calculated by taking all liquid assets (such as nonqualified accounts and cash) divided by fixed monthly expenses (like debt payments). It is commonly suggested that an individual should have 3-6 months’ worth of expenses in liquid assets. -
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Case 1:18-Cv-06965-JGK Document 137 Filed 04/29/21 Page 1 of 17
Case 1:18-cv-06965-JGK Document 137 Filed 04/29/21 Page 1 of 17 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK Case No. 1:18-CV-06965-JGK IN RE HELIOS AND MATHESON ANALYTICS, INC. SECURITIES CLASS ACTION LITIGATION REPLY MEMORANDUM OF LAW IN FURTHER SUPPORT OF (1) LEAD PLAINTIFF’S MOTION FOR FINAL APPROVAL OF CLASS ACTION SETTLEMENT AND PLAN OF ALLOCATION AND FINAL CERTIFICATION OF SETTLEMENT CLASS, AND (2) LEAD COUNSEL’S MOTION FOR AN AWARD OF ATTORNEYS’ FEES, REIMBURSEMENT OF EXPENSES, AND INCENTIVE AWARDS TO LEAD PLAINTIFF Dated: April 29, 2021 LEVI & KORSINSKY, LLP Shannon L. Hopkins (SH-1887) [email protected] Gregory M. Potrepka (GP-1275) [email protected] Andrew W. Rocco (admitted Pro Hac Vice) [email protected] 1111 Summer Street, Suite 403 Stamford, CT 06905 Telephone: (203) 992-4523 Facsimile: (212) 363-7171 Counsel for Lead Plaintiff and Lead Counsel for the Class Case 1:18-cv-06965-JGK Document 137 Filed 04/29/21 Page 2 of 17 TABLE OF CONTENTS PRELIMINARY STATEMENT .................................................................................................... 2 ARGUMENT .................................................................................................................................. 3 I. The Court-Approved Notice Program Has Been Completed and Satisfies Rule 23 and Due Process ......................................................................................................................... 3 II. The Reaction of the Settlement Class Strongly Supports Final Approval of the Settlement and Plan of Allocation ........................................................................................................ 4 III. The Reaction of the Settlement Class Strongly Supports Approval of the Fee Motion ..... 9 CONCLUSION ............................................................................................................................. 10 ii Case 1:18-cv-06965-JGK Document 137 Filed 04/29/21 Page 3 of 17 TABLE OF AUTHORITIES Cases Guevoura Fund Ltd. v. Sillerman, 2019 WL 6889901 (S.D.N.Y. -
Film-Ed 1: Grades K-2 Pre-Visit Viewing Guide
FILM-ED 1: GRADES K-2 PRE-VISIT VIEWING GUIDE Make the most of your visit In advance of your Field Trip to the New York International Children’s Film Festival, please utilize this pre-visit guide which aims to prepare your class for the screening. The screening consists of an hour long program of eleven short films from seven different countries. The films vary in length, story, theme, and style. In the post-screening discussion, facilitated on site, the group will dig deeper into the films to find connections and contrasts. With a focus on media literacy, the buzzwords and discussion questions in this guide will encourage your students to think critically about film and form their own opinions or interpretations. Remind your students that films, just like the stories found in books, have similar narrative components, such as: THEME, SETTINGS, CHARACTERS, and so on. Many of these concepts will be familiar to your students, however, this program aims to have students apply these concepts to film. After your visit, our Post-Visit Discussion Guide will facilitate follow-up conversations with students in the classroom. See the Post-Visit Guide for alignment with NY State Learning Standards. buzz words Literacy Terms Film Terms ANIMATION A movie made from a series of drawings, computer CHARACTER graphics, or photos of objects that seem to be in motion A person, animal, or object who plays a part in the because of small changes in each frame. story’s action and/or has feelings. CONFLICT DIALOGUE The problem the CHARACTERS encounter in a story. -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
Metroplex Movie Theater
1 / 2 Metroplex Movie Theater The Metropolitan Theatre of Fine Arts, aka The Metroplex Theatre, is a performing arts center located in a restored 1920's theatre located in the heart of Atlanta, .... DISPUTING AGENCIES: Schenectady Metroplex Development Authority and the ... 12-screen movie theater, "Diamond Cinema", in the southwest corner of State .... Sort By Zipcode: No shows running for the Language(s) selected in selected Theatre(s) .... "(Metroplex) would have the ability to borrow more money for more ... Proctors underwent a massive expansion, a first-run movie theater was .... Proctors underwent a massive expansion, a first-run movie theater was built and restaurants and other businesses sprang up around the area.. Movie theater with good food, good beer and good film, all at the same place! SODA Bar. 1325 S Lamar St, Dallas, TX 75215. Retro-industrial hotel roof bar with .... Cinema City Langham Place is a brand new cinema located in the heart of Hong ... Atmos which give you full 360 immersive and excited new movie experience.. February 2, 1985 Pavilion Theatre, Brighton, ENG. February 3 ... November 24, 1987 Metroplex, Atlanta, GA (supported by Opal & Roger Miller). November 27 ... A New Look at Classic Movie Theaters Ross Melnick, Andreas Fuchs ... the concession stand at the Krikorian Metroplex in Vista, California, is clad in wood and .... Website: bashnorthfortworth.com; Address: Dallas-Fort Worth Metroplex, TX 76006 ... Find Nearby: ATMs, Hotels, Night Clubs, Parkings, Movie Theaters .... containing information on theatre mechanics, cinema chains, architects, THS members, vaudeville circuits, among other topics ... Paris Movie/Paris Cinema AR-Paris-Paris Movie/Paris Cinema. -
The River Oaks Theater: Saved from the Wrecking Ball?
preservation The River Oaks Theater: Saved from the Wrecking Ball? The stunning auditorium of the River Oaks Theater features “Land” and “Sea” reliefs flanking the screen. The “Sea” detail is shown at left. Photo courtesy of Preservation Houston. By Ramona L. Hopkins or over seventy years the River Oaks Theater has operated at 2009 West Gray in FHouston’s affluent River Oaks community. Although the theater has changed over the years, it remains an integral part of Houston, the city’s culture and history, and of the movie industry in the second half of the twentieth century. The River Oaks Theater was the tenth Interstate Theater to open in a seven-year period and one of the last Art Deco buildings constructed in the city. Other historic theaters have been closed and demolished. Like them, the River Oaks Theater has also found its existence threatened. Ever since a group of women fought to save President George Washington’s home in the mid-nineteenth century, groups have fought to preserve homes, churches, parks, and commercial buildings. In the 1960s and 1970s, organizations formed to protect the old movie theaters that were a central feature of most cities and towns. Communications professor Janna Jones argues, “Old movie theaters produce powerful feelings of nostalgia.”1 The building itself, for many, serves as a real connection with the past. Everybody has memories of going to the theater with family and friends, the food they ate, the sights and sounds, and the film’s ability to transport them into another world. “To see a unit etched in our cultural memory reduced to rubble is a disturbing experience, one that severs tangible connections to our individual and collective heri- tage,” architect Joseph M. -
Early Et Al. V. Sinemia Inc
Case 1:18-cv-01774-UNA Document 1 Filed 11/09/18 Page 1 of 31 PageID #: 1 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE PAUL EARLY and JONATHAN GOLLNER, CASE NO. individually and on behalf of all others similarly situated, CLASS ACTION Plaintiffs, JURY TRIAL DEMANDED v. SINEMIA INC., Defendant. PLAINTIFFS' CLASS ACTION COMPLAINT Plaintiffs Paul Early and Jonathan Gollner (hereinafter "Plaintiffs"), on behalf of themselves and proposed classes of all others who are similarly situated, submit this Class Action Complaint (the "Complaint") against Defendant Sinemia Inc. (hereinafter "Sinemia" or "Defendant"), and upon information and belief and investigation of counsel, state as follows: NATURE OF THE CASE 1. This is a consumer class action lawsuit against Sinemia, Inc. Sinemia offers subscription-based movie ticket plans whereby consumers can pay for a monthly or yearly plan that allows them to see a certain number of movies per month. Sinemia, however, has essentially become a bait-and-switch scheme: it lures consumers in by convincing them to purchase a purportedly cheaper movie subscription, and then adds undisclosed fees that make such purchases no bargain at all. Sinemia fleeces consumers with an undisclosed, unexpected, and not-bargained-for processing fee each time a plan subscriber goes to the movies using Sinemia' s service. Case 1:18-cv-01774-UNA Document 1 Filed 11/09/18 Page 2 of 31 PageID #: 2 2. Like many industries, the movie theater ticket business is changing with the proliferation of websites and smartphone apps. Starting most notably with MoviePass, consumers now have the option of paying for subscription services that allow them to see either an unlimited or a specific number of movies per month at just about any theater they want. -
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