Course Icons Provide Information At-A-Glance

Total Page:16

File Type:pdf, Size:1020Kb

Course Icons Provide Information At-A-Glance 96 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Sneak Preview Art & Craft of Visit entertainment.uclaextension.edu/sneak-preview Entertainment ENTERTAINMENT for weekly movie information. For more information call (310) 825-9064, email Sneak Preview: Contemporary Films [email protected], or visit and Filmmakers entertainment.uclaextension.edu. STUDIES 804.2 Film & Television 2 CEU Join us for an exclusive preview of new movies before Space is limited; early enrollment is highly their public release. Enjoy provocative commentary and recommended. Visitors are not permitted at 96 Sneak Preview in-depth discussions with invited guests after each some courses. For online course technical 96 Acting screening. Recent films and speakers have included: I’ll requirements, see page 4. See You in My Dreams with director Brett Haley; Jim- 97 Cinematography my’s Hall with actors Barry Ward and Simone Kirby; 98 Development Desert Dancer with director Richard Raymond; Wild Acting Tales with director Damian Szifron; Tangerines with 98 Directing director Zaza Urushadze and producer Ivo Felt; McFar- Acting Techniques: The Fundamentals 100 Post-Production land, USA with director Niki Caro; and Me and Earl X 407.5 Theater 4 units and The Dying Girl with actors Thomas Mann, Olivia In this introduction to acting, participants learn funda- 100 Producing Cooke, and RJ Cyler. Enroll using Reg# 261969 and mental performance techniques and exercises, includ- 101 The Business & Management of Entertainment receive not only your Sneak Preview course, but also ing relaxation, concentration, sense memory, emotional Osher membership, which allows you to register for recall, improvisation, character tasks, and text analysis, 102 The Music Business Osher courses for a fee. Enrollment limited. The Uni- and then apply these techniques by rehearsing and 103 Music Production versity is not responsible for lost or stolen quarterly film performing monologues and 2-character scenes. In- passes; there is a $50 charge per replacement pass. class partner work and weekly assignments are 104 Film Scoring Due to film piracy concerns, no cameras or recording required. Enrollment limited. Internet access required devices are allowed inside the theater. Participants are to retrieve course materials. subject to a security check, promotional photography Reg# 261711CA and audio and video recording. Visitors not permitted. Through Dec 4: $635 / After: $695 Reg# 261967CA Westwood: 202 Extension Lindbrook Center Through Dec 20: $215 / After: $235 Mon 7-10pm, Jan 4-Mar 21 Reg# 261969CA (Includes Osher membership) Westwood: 204AB Extension Lindbrook Center Through Dec 20: $245 / After: $265 ✷✷Sat 10am-5pm, Feb 20, 11 mtgs Beverly Hills: Auditorium Writers Guild Theater, (no mtg 1/18 & 2/15) 135 S. Doheny Dr. No refund after Jan 7. Wed 7-10pm, Jan 20-Mar 23, 10 mtgs Toni Attell, Emmy-nominated actor, comedian, and mime No refund after Jan 13. whose background includes a variety of work in theater, Pete Hammond, five-time Emmy-nominated writer, film, and television. Ms. Attell has opened for Jay Leno, producer, movie critic, film historian. His analysis and Steve Martin, and Robin Williams, and has guest-starred commentary has appeared in publications including The on numerous television dramas and sitcoms. New York Times, Los Angeles Times, USA Today, Enter- Reg# 261713CA tainment Weekly, New York Magazine, OK Magazine, Through Dec 4: $635 / After: $695 NBC Nightly News with Tom Brokaw, the CBC, BBC, Westwood: 214 Extension Lindbrook Center Bravo, E!, AMC, and the KTLA Morning Show. Currently Mon 7-10pm, Jan 4-Mar 21 he is a critic for Movieline.com and is also the Awards Westwood: 204CD Extension Lindbrook Center Columnist for Deadline Hollywood, where he covers the ✷✷Sat 10am-5pm, Feb 20, 12 mtgs Sneak Preview Oscar and Emmy seasons. (no mtg 1/18 & 2/15; 1 mtg to be arranged) No refund after Jan 7. See the most highly anticipated new films prior to public release, Matthew Kohler, actor, producer, and writer. Mr. Kohler has starred in several film and television productions, specially selected for our Sneak Preview audience. including Hart of Dixie, Betty White’s Off Their Rockers, Screenings are moderated by film critic Pete Hammond, and you and Nip/Tuck. are invited to engage in lively Q&A with actors, directors, writers, Acting Workshop: and producers. The Meisner Technique Sneak Preview starts January 20 and presents 10 new films. X 407.45 Film & Television 4 units Through improvisation and scene work, explore basic concepts of the Meisner approach to acting with a Past films and guests have included: focus on creating and living in imaginary circum- Whiplash with director Damien Chazelle and actor Miles Teller stances. Learn to work more independently, improve rehearsal and research skills, and strengthen vocal and Tangerines with director Zaza Urushadze and producer Ivo Felt movement skills. Enrollment limited. Internet access required to retrieve course materials. The Theory of Everything with Golden Globe-nominated actors Eddie Reg# 262141CA Redmayne and Felicity Jones Through Dec 6: $635 / After: $695 Westwood: 202 Extension Lindbrook Center I’ll See You in My Dreams with director Brett Haley ✷✷Wed 3:30-6:30pm, Jan 6-Mar 23, 12 mtgs For weekly updates, visit . No refund after Jan 11. entertainment.uclaextension.edu/sneak-preview Eric Scott Gould, actor, director, screenwriter, and producer. As an actor, Mr. Gould has performed in more than 50 stage productions in New York City, Los Ange- Course Icons les, and regional theater. On television, he has appeared on shows such as Curb Your Enthusiasm (HBO), Num- b3rs (CBS), The District (CBS), Diagnosis Murder (CBS), Provide Another World (NBC), and recurred on Without A Trace (CBS) for the first four seasons. Information Reg# 261881CA Through Dec 6: $635 / After: $695 At-a-Glance Westwood: 202 Extension Lindbrook Center Wed 7-10pm, Jan 6-Mar 23, 12 mtgs m Online course No refund after Jan 11. Eric Scott Gould, for credits see page 96. & Textbook required M Meets during daytime hours Q&A with (left to right) moderator Pete Hammond, producer Ivo Felt, and director Zaza Urushadze at Sneak Preview. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 97 Improvisation Techniques for the Actor: A Course in Spontaneity Cinematography X 407.78 Theater 4 units Actors gain experiential understanding of improvisational The Craft of the Cinematographer Entertainment Studies acting and develop a strong improvisational perspective X 478.282 Film & Television 4 units essential to scripted work. Through theater games and Learn to apply your knowledge of the principles and improvising scenes, actors develop tools to make them elements of cinematography through the making of Certificates more trusting of their own impulses and more generous several short filmmaking assignments. Lectures and with their fellow actors. They learn to always go for active discussion cover various lighting and shooting tech- Gain the Skills to Take Your Career to the Next Level choices to play at the top of their intelligence and at the niques, such as panoramic/widescreen, the use of color service of the scene. Actors also experience that the best or black and white, the use of composition and depth comedy comes out of listening and responding honestly, of field as artistic tools, the different shot types and not “going for jokes.” Required Text: Truth in Comedy: The concept of screen direction, how to best frame a shot, Manual for Improvisation by Charna Halpern, Del Close, and the best ways to execute these techniques. Simul- Kim Howard Johnson. Enrollment limited. Internet access taneously, various film genres are examined. You are required to retrieve course materials. & asked to test your creativity and understanding of the different cinematography concepts, techniques, and Reg# 261724CA genres presented by completing shooting exercises Through Dec 9: $635 / After: $695 using your own camera outside of class. Student work Westwood: 202 Extension Lindbrook Center is screened and critiqued in class. You must provide ✷✷Sat 10am-1pm, Jan 9-Mar 12 your own video camera, have access to editing equip- ✷✷Sat 10am-5pm, Jan 23 ment and software, and be able to output your assign- ✷✷Sat 10am-5pm, Feb 27, 12 mtgs ments to various media sources. Enrollment limited. No refund after Jan 13. Internet access required to retrieve course materials. Felix Pire, actor, producer, writer, and director, who has appeared in featured roles in such films as 12 Monkeys Reg# 261842CA directed by Terry Gilliam, Phat Girlz, Dear God directed Through Dec 6: $635 / After: $695 by Garry Marshall, and It’s My Party directed by Randal Westwood: 114B Extension Gayley Center, Kleiser. On television, he’s been a series regular on 1145 Gayley Ave. CBS’s Matt Waters, and performed guest-starring roles Wed 7-10pm, Jan 6-Mar 23, 12 mtgs on ABC’s Gideon’s Crossing and NYPD Blue, NBC’s The Dana Shelayne Kroeger, cinematographer who has Rerun Show, and Prison Break on Fox. worked for many years on big budget films in the camera department under the tutelage of such greats as Conrad Acting for the Camera I Hall Sr., Caleb Deschanel, and Emmanuel Lubezki, working X 410.3 Theater 4 units side by side with the likes of Michael Mann, Sam Mendes, Participants learn to get comfortable in front of the Brad Silberling and Terrence Malick. Along the way, she has lens. Exercises begin with on-camera interviews so continued to work on independent features, commercials, that students can view their screen images in play- music videos, and PSAs. Since 2006, Ms. Kroeger has been back. Instruction focuses on understanding technical working steadily as a director of photography on indie films, and emotional adjustments required for working in festival pieces, web series, episodic, and features. front of the camera, in a relaxed and truthful way, and developing intimacy with the camera.
Recommended publications
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Russell Simmons Russell Simmons Has Been the Leader in Bringing The
    Russell Simmons Russell Simmons has been the leader in bringing the powerful influence of hip-hop culture to every facet of business and media since its inception in the late 1970s through current day, in which its integration into mainstream American Culture means an entirely new, post-racial, progressive America. Simmons' businesses have always been rooted in giving a powerful voice to emerging creative and social movements, and integrating them into the American psyche. His business successes have spanned music, film, television, fashion, the jewelry industry, video games, online and financial services; his activism has encompassed all of the areas touched by his businesses, including poverty, education and ignorance. From producing and/or managing such early hip-hop artists as Kurtis Blow, Run DMC, Will Smith and the Beastie Boys to signing seminal luminaries like Jay Z, LL Cool J and Ludacris to his iconic record label, Def Jam Recordings, Simmons’ groundbreaking vision and the cultural revolution became the international phenomenon now known as hip-hop. Following his departure from Def Jam, in 1999, Russell created a fashion empire in Phat Farm, which begat Baby Phat and Run Athletics, and put the definitive stake in the ground for urban streetwear, to which others followed including: Roc-A-Wear, Sean John, Derion, Enyce, Ecko and many others. His film and television production company with partner Stan Lathan, Simmons Lathan Media Group, created the wildly successful HBO series, “Def Comedy Jam “ (8 million DVDS sold), “Russell Simmons Presents Def Poetry,” and “HBO Presents Brave New Voices,” the Hollywood box office success “The Nutty Professor,” the Tony Award-winning stage production “Russell Simmons Presents Def Poetry Jam on Broadway,” the international hit on MTV “Run’s House,” and most recently the successful first season of “Running Russell Simmons.” In 2003, Simmons co-founded Unirush Financial Services with consumer debt investor David Rosenberg.
    [Show full text]
  • From Page to Stage (Or Movie Or Song) Shakespeare’S Plays Were Meant to Be Performed (Heard) Rather Than Read
    From Page to Stage (or Movie or Song) Shakespeare’s plays were meant to be performed (heard) rather than read. Shakespeare is daunting! We suggest that students read one scene, break down the scene and then view the scene from a filmed version. Make sure to preview the filmed versions and check ratings for age appropriateness. Examples: Richard III: Richard III staring and directed by Laurence Olivier, 1955; Richard III with Ian McKellan, 1995; Looking for Richard with Al Pacino, 1996. Hamlet: Hamlet with Laurence Olivier, 1948; Hamlet with Mel Gibson, 1990; Rosencranz and Guildenstern are Dead by Tom Stoppard, 1996; Hamlet with Kenneth Branagh, 1996. Macbeth: Throne of Blood by Akira Kurosawa, 1957; Macbeth by Roman Polanski, 1973. Romeo and Juliet: West Side Story, 1961; Romeo and Juliet by Franco Zeffirelli, 1968; Romeo + Juliet by Baz Lurman, 1968; Shakespeare in Love, 1999. A Midsummer Night’s Dream: A Midsummer Night’s Dream by Peter Hall,1968; A Midsummer Night’s Dream by Michael Hoffman with Kevin Kline and Michelle Pfeiffer, 1999 Likewise, Hip Hop is meant to be heard rather than read. Most Hip Hop songs tell a story. Ask students to bring in their favorite Hip Hop songs with accompanying lyrics. Distribute the lyrics to the class and talk about the story. Then listen to the selection with music and discuss how the music contributes to the artistry of the piece. (Note: You may want to specify that students bring radio versions of songs and pre-screen for content and language.) Love I start to think, and then I sink Tryin to find
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]
  • Edinburgh Press Release
    Impressive AUGUST 2007 EDINBURGH FESTIVAL – THEATRE NEWS NATASHA WOOD Title of Show: ‘Natasha Wood: Rolling With Laughter’ Venue: Pleasance Dome - Joker Time: 6.15pm Dates: 4th – 27th August (except 6th, 7th, 13th, 14th, 20th & 21st) Previews: 1st, 2nd & 3rd August Introducing Natasha Wood, who has been in a wheelchair since birth due to the incurable genetic disease Spinal Muscular Atrophy. Absolutely nothing confines this witty and wildly charismatic 30 something gal from Nottingham, “What I lack in movement, I make up for vocally!” This one woman play, inspired by her hilarious email diaries home to friends and family, was written by Natasha, alongside Beverly Sanders, and is totally autobiographical. From her fairytale marriage, quirky parents, siblings and glamorous job as a TV production manager for the BBC, the play takes you through a few tears but more importantly a lot of laughter. Her story is empowering, humorous, one–of-a-kind take on life, love, lingerie & sex – with a little disability thrown in. Natasha plays all the roles including herself. Just returned from Los Angeles, she has just premiered ‘Rolling with Laughter’ in Hollywood to critical acclaim with a flurry of media coverage including an appearance on Fox News. Many celebrities attended her show including Valerie Harper (Rhoda), Anne Rutherford (Gone with the Wind) and some of the cast of The West Wing. She has attended many A list parties and premieres and met a host of stars including her dream man Leonardo Di Caprio, her hero Stephen Fry, Dustin Hoffman and Clint
    [Show full text]
  • What Every Producer's Attorney Should Know Jacqui Gold Grunfeld
    Hastings Communications and Entertainment Law Journal Volume 14 | Number 4 Article 1 1-1-1992 Docudramas: The Legality of Producing Fact- Based Dramas - What Every Producer's Attorney Should Know Jacqui Gold Grunfeld Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jacqui Gold Grunfeld, Docudramas: The Legality of Producing Fact-Based Dramas - What Every Producer's Attorney Should Know, 14 Hastings Comm. & Ent. L.J. 483 (1992). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol14/iss4/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Docudramas: The Legality of Producing Fact-Based Dramas-What Every Producer's Attorney Should Know by JACQUI GOLD GRUNFELD* Table of Contents I. Introduction .............................................. 485 A. Docudrama: A Popular Form of Entertainment ....... 485 B. Producing Docudramas ............................... 487 II. Potential Liabilities When Rights Are Not Secured ......... 488 A . Introduction ......................................... 488 B. Defamation Law: Libel ..............................
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Michael A
    Finding Aid to The HistoryMakers ® Video Oral History with Michael A. Schultz Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Schultz, Michael, 1938- Title: The HistoryMakers® Video Oral History Interview with Michael A. Schultz, Dates: October 5, 2004 Bulk Dates: 2004 Physical 7 Betacame SP videocasettes (3:15:08). Description: Abstract: Film director Michael A. Schultz (1938 - ) directed the feature films Cooley High, Car Wash, and Krush Groove, as well as the television shows Chicago Hope and Ally McBeal. Schultz was interviewed by The HistoryMakers® on October 5, 2004, in Santa Monica, California. This collection is comprised of the original video footage of the interview. Identification: A2004_193 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Film director Michael Schultz was born on November 10, 1938, in Milwaukee, Wisconsin. After graduating from high school in 1957, Schultz attended the University of Wisconsin, where he spent a great deal of time watching foreign films. After dropping out of school, Schultz returned to Milwaukee where he worked in a steel mill from 1960 to 1961, eventually returning to school, studying at Marquette, and graduating in 1964. After graduation, Schultz attended Princeton University, where he was given the opportunity to direct his first play, Waiting for Godot, in 1966. Schultz's work brought him to the attention of the Negro Ensemble Company; he joined the group in 1968. The following year, Schultz staged a production of To Be Young, Gifted and Black, which launched his success; he re-staged the play for television two years later.
    [Show full text]
  • Raport 32/22.07.2021
    REP 32/22.07.2021 PRODUCATORI STRAINI IDENTIFICATI T I 2021 Difuzari Production Country t Production Year t Channel t Title t Description t Producer t Grand Total LUNETISTUL 2/SNIPER: REL... FILM AFRIKA WORLDWIDE 1 LUNETISTUL 2/SNIPER: RELOADED AXN LUNETISTUL 2/SNIPER: RELOADED Total 1 2011 AFRICA DE SUD LUNETISTUL 2/SNIPER: RELOADED Total 1 AXN Total 1 2011 Total 1 AFRICA DE SUD Total 1 THE SQUARE COMPACT COLLECTIONS LTD 2 THE SQUARE TV1000 THE SQUARE Total 2 2008 THE SQUARE Total 2 TV1000 Total 2 2008 Total 2 AUSTRALIA INSULA DIN VIS 2/RETURN ... FINTAGE AUDIOVISUAL RIGHTS B.V. 3 INSULA DIN VIS 2/RETURN TO NIM'S ISLAND Antena 1 INSULA DIN VIS 2/RETURN TO NIM'S ISLAND Total 3 2013 INSULA DIN VIS 2/RETURN TO NIM'S ISLAND Total 3 Antena 1 Total 3 2013 Total 3 AUSTRALIA Total 5 CAPTIVI FARA SCAPARE/BAIT CASTLE ROCK ENTERTAINMENT 3 CAPTIVI FARA SCAPARE/BAIT AMC CAPTIVI FARA SCAPARE/BAIT Total 3 2012 AUSTRALIA-SINGAPORE CAPTIVI FARA SCAPARE/BAIT Total 3 AMC Total 3 2012 Total 3 AUSTRALIA-SINGAPORE Total 3 THE LION KING (II): SIMBA'... WALT DISNEY ANIMATION AUSTRALIA 3 THE LION KING (II): SIMBA'S PRIDE Disney THE LION KING (II): SIMBA'S PRIDE Total 3 THE LION KING (II): SIMBA'S PRIDE Total 3 Disney Total 3 1998 CE VRAJI MAI FAC FETELE/P... DINOVI PICTURES 1 CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Film Cafe 1 <Prefilter is Empty> 1 Of 137 REP 32/22.07.2021 PRODUCATORI STRAINI IDENTIFICATI T I 2021 CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Film Cafe CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Total 1 CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Total 1 Film Cafe Total 1 1998 Total 4 PLANETA ROSIE/RED PLANET WARNER BROS.
    [Show full text]
  • Fall Course Listing Here
    FALL QUARTER 2021 COURSE OFFERINGS September 20–December 12 1 Visit the UCLA Extension’s UCLA Extension Course Delivery Website Options For additional course and certificate information, visit m Online uclaextension.edu. Course content is delivered through an online learning platform where you can engage with your instructor and classmates. There are no C Search required live meetings, but assignments are due regularly. Use the entire course number, title, Reg#, or keyword from the course listing to search for individual courses. Refer to the next column for g Hybrid Course a sample course number (A) and Reg# (D). Certificates and Courses are taught online and feature a blend of regularly scheduled Specializations can also be searched by title or keyword. class meetings held in real-time via Zoom and additional course con- tent that can be accessed any time through an online learning C Browse platform. Choose “Courses” from the main menu to browse all offerings. A Remote Instruction C View Schedule & Location Courses are taught online in real-time with regularly scheduled class From your selected course page, click “View Course Options” to see meetings held via Zoom. Course materials can be accessed any time offered sections and date, time, and location information. Click “See through an online learning platform. Details” for additional information about the course offering. Note: For additional information visit When Online, Remote Instruction, and/or Hybrid sections are available, uclaextension.edu/student-resources. click the individual tabs for the schedule and instructor information. v Classroom C Enroll Online Courses are taught in-person with regularly scheduled class meetings.
    [Show full text]
  • DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television
    DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television (Part 2). Hearing before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce. House of Representatives, One Hundred Third Congress, Second Session (June 10, 1994). INSTITUTION Congress of the U.S., Washington, DC. House Subcommittee on Telecommunications and Finance. REPORT NO ISBN-0-16-045897-8 PUB DATE Jun 94 NOTE 140p.; Serial No. 103-121. Reproducibility varies widely. AVAILABLE FROMU.S. Government Printing Office, Superintendent of Documents, Congressional Sales Office, Washington DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Educational Media; *Educational Television; Elementary Secondary Education; *Federal Legislation; Hearings; Television Commercials IDENTIFIERS Congress 103rd ABSTRACT The topic of this hearing was the Children's Television Act of 1990. This act was designed to increase the choices for children and to give parents and families the possibility of finding educational programming to supplement other children's programs. The Act has two major provisions. First, it established time limits on the amount of advertising that could be shown during children's programs. The second requires broadcasters to serve the educational and informational needs of the child audience including programming specifically designed to meet these needs. This hearing focused on whether this law has changed the landscape for children in the almost four year it has been in effect. Testimony was presented by:(1) Rosanne K. Bacon, Executive Committee member, National Education Association; (2) David V. B. Britt, President, Children's Television Workshop;(3) Linda Cochran, Vice President, WSYT-TV, Syracuse, New York;(4) Margaret Loesch, President, Fox Children's Network;(5) Linda Mancuso, Vice President, Saturday Morning and Family Programs, NBC;(6) Kathryn C.
    [Show full text]
  • Writing, Journalism & Literature
    140 Writing, Journalism & Literature Enroll at uclaextension.edu or call (800) 825-9971 WRITING, Journalism Certificates The Skills to Succeed in Today’s Multimedia Market With numerous media outlets delivering a constant stream of news and information, JOURNALISM journalism has become one of the fastest-growing professions. Successful journalists and media professionals must master tech-savvy storytelling to create blogs, viral videos, and broadcast coverage with ease. Certificate Concentrations Our certificates are a practical alternative • General Journalism to traditional journalism schools, offering & LITERATURE • Media Studies (also available for quality instruction to students who wish International students) to study while they work part time. Writing Internship opportunities are also available • to eligible certificate students. For More Information JOURNALISM WRITING FOR YOUNG READERS [email protected] | (310) 825‑7093 | uclaextension.edu/journalism 140 Journalism 146 Writing Picture Books Reg# 354909 Journalism Fee: $415 146 Writing for Kids and mm WRITERS’ PROGRAM For more information about Journalism Certificates Online Middle Grade Readers email [email protected] or call July 10-August 21 (310) 825-7093. Enrollment limited to 25 students. No refund after CREATIVE WRITING 146 Writing for Young Adults July 14. c & JOURN X 432 Darragh Worland, MA, New York University, vice presi- 141 Basics of Writing POETRY Reporting and Writing I dent, Digital Media, The News Literacy Project 3.0 units 142 Special Topics for All 147 Poetry Both experienced journalists and novices gain skills in JOURN X 490 this course, which focuses on the foundation of writing Master Class in Narrative Journalism: Writers SCREENWRITING a good publishable news story, feature, or profile.
    [Show full text]
  • Extraordinary Encounters: an Encyclopedia of Extraterrestrials and Otherworldly Beings
    EXTRAORDINARY ENCOUNTERS EXTRAORDINARY ENCOUNTERS An Encyclopedia of Extraterrestrials and Otherworldly Beings Jerome Clark B Santa Barbara, California Denver, Colorado Oxford, England Copyright © 2000 by Jerome Clark All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Clark, Jerome. Extraordinary encounters : an encyclopedia of extraterrestrials and otherworldly beings / Jerome Clark. p. cm. Includes bibliographical references and index. ISBN 1-57607-249-5 (hardcover : alk. paper)—ISBN 1-57607-379-3 (e-book) 1. Human-alien encounters—Encyclopedias. I. Title. BF2050.C57 2000 001.942'03—dc21 00-011350 CIP 0605040302010010987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper I. Manufactured in the United States of America. To Dakota Dave Hull and John Sherman, for the many years of friendship, laughs, and—always—good music Contents Introduction, xi EXTRAORDINARY ENCOUNTERS: AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDLY BEINGS A, 1 Angel of the Dark, 22 Abductions by UFOs, 1 Angelucci, Orfeo (1912–1993), 22 Abraham, 7 Anoah, 23 Abram, 7 Anthon, 24 Adama, 7 Antron, 24 Adamski, George (1891–1965), 8 Anunnaki, 24 Aenstrians, 10 Apol, Mr., 25
    [Show full text]