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About the San Francisco Symphony
THE SAN FRANCISCO SYMPHONY The San Francisco Symphony, widely considered to be among the most artistically adventurous and innovative arts institutions in the U.S., celebrated its Centennial season in 2011-12. The Orchestra was established by a group of San Francisco citizens, music-lovers, and musicians in the wake of the 1906 earthquake, and played its first concert on December 8, 1911. Almost immediately, the Symphony revitalized the city’s cultural life. The Orchestra has grown in stature and acclaim under a succession of distinguished music directors: American composer Henry Hadley, Alfred Hertz (who had led the American premieres of Parsifal, Salome, and Der Rosenkavalier at the Metropolitan Opera), Basil Cameron, Issay Dobrowen, the legendary Pierre Monteux (who introduced the world to Le Sacre du printemps and Petrushka), Enrique Jordá, Josef Krips, Seiji Ozawa, Edo de Waart, Herbert Blomstedt (now Conductor Laureate), and current Music Director Michael Tilson Thomas (MTT). Led by Tilson Thomas, who begins his nineteenth season as Music Director in 2013-14, the SFS presents more than 220 concerts annually for an audience of nearly 600,000 in its home of Davies Symphony Hall, through its multifaceted education and community programs, and on national and international tours. Since Tilson Thomas assumed his post as the SFS’s eleventh Music Director in September 1995, he and the San Francisco Symphony have formed a musical partnership hailed as one of the most inspiring and successful in the country. His tenure with the Orchestra has been praised for outstanding musicianship, innovative programming, highlighting the works of American composers, and bringing new audiences to classical music. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
iMffi BOSTON SYMPHONY TRA **** ft %?% Levine James | Music Dim "fe Bernard Haitink Cone1 \cvuu Seiji Ozawa Music Diircti « he Clarendon BACK BAY The Way to Live ; 'j v 11 B 1 1 1 1 1 # iilf)I « 1 1 '" ' ; ! i m r m if l Dill H incut ** IE DIC | m ''IS !! 1 iS a . i! W i PIE i w: i«. 1 114 IE fc, IBS OP 1 iir; * ! : jjj E*. aiwi ill yiM " r i. *' ; - '' • J £j L : • ' liur m §ii !! !l Hi v ii I J!! '! iii ni" fill «• «*« il 1191 III I INTRODUCING FIVE STAR LIVINGtm WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FLOOR CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON, MA 617.267.4001 www.theclarendonbackbay.com U t I^^J^ BRELATED DC/\L COMPANIES, UPh REGISTER : U.S. GREEN BUILDING COUNCIL WITH ANTI SILVER CERTIFICATION whic The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, No Fe subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or described. being Void where prohibite agency has judged the merits or value, if any, of this property. This is not an offer where registration is required prior to any offer made. Table of Contents Week 6 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 29 A BRIEF HISTORY OF SYMPHONY HALL 35 THIS WEEK'S PROGRAM 36 THE PROGRAM IN BRIEF Notes on the Program 37 Johannes Brahms 49 Richard Strauss 65 To Read and Hear More.. -
San Francisco Symphony 2019–2020 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / UPDATED OCTOBER 29, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Single tickets for the San Francisco Symphony’s 2019–20 season concerts go on sale MONDAY, July 22 at 8 am at the box office and are available online & by phone at 10am. Single tickets and subscription packages for the San Francisco Symphony’s 2019–20 season will be available at https://www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA IN HONOR OF MICHAEL TILSON THOMAS and JOSHUA ROBISON Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor Susanna Phillips soprano Jennifer Johnson Cano mezzo-soprano Jonathan Tetelman tenor Ryan McKinny bass-baritone San Francisco Symphony Chorus, Ragnar Bohlin director San Francisco Symphony Luke Kritzeck lightning design GLINKA Overture to Ruslan and Ludmila COPLAND “The Dodger” from Old American Songs Gordon GETTY Shenandoah COPLAND “Golden Willow Tree” from Old American Songs BRITTEN Variations and Fugue on a Theme by Purcell, Opus 34 BEETHOVEN IV. Finale: Ode, “To Joy” from Symphony No. 9 in D minor, Opus 125 San Francisco Symphony 2019-20 Season Calendar – Page 2 of 38 ALL SAN FRANCISCO CONCERT, CONDUCTED BY MICHAEL TILSON THOMAS Thursday, -
San Francisco Symphony Michael Tilson Thomas, Music Director
CAL PERFORMANCES PRESENTS PROGRAM Tuesday, May 1, 2012, 8pm Zellerbach Hall San Francisco Symphony Michael Tilson Thomas, music director Jane Glover, conductor Bach Brandenburg Concerto No. 6 in B-flat major, bwv 1051 [Allegro] PROGRAM Adagio ma non tanto Allegro Jonathan Vinocour viola I Yun Jie Liu viola II George Frideric Handel (1685–1759) Water Music Suite No. 3 in G major, Barbara Bogatin viola da gamba I hwv 350 (1717) Marie Dalby Szuts viola da gamba II [Sarabande] or [Menuet] Rigaudons I and II Menuets I and II [Bourrées I and II] Handel Music for the Royal Fireworks, hwv 351 (1749) Overture Bourrée La Paix Johann Sebastian Bach (1685–1750) Brandenburg Concerto No. 3 in G major, La Réjouissance bwv 1048 Menuet I [Allegro] Menuet II Adagio Allegro Bach Brandenburg Concerto No. 2 in F major, bwv 1047 [Allegro] Andante Allegro assai Cal Performances’ 2011–2012 season is sponsored by Wells Fargo. Nadya Tichman violin Robin McKee flute Jonathan Fischer oboe John Thiessen trumpet INTERMISSION 28 CAL PERFORMANCES CAL PERFORMANCES 29 PROGRAM NOTES PROGRAM NOTES George Frideric Handel (1685–1759) Johann Sebastian Bach (1685–1750) Brandenburg Concerto No. 3 “for three presumably means a recorder when he just says Water Music Suite No. 3 in G major, hwv 350 Brandenburg Concerto No. 3 in G major, violins, three violas and three violoncelli, with flauto; however, as in most modern-instrument (1717) bwv 1048 bass for the harpsichord” (all the instrumenta- performances in large halls, the part will here be Brandenburg Concerto No. 2 in F major, tions are transcribed from Bach’s autograph) has translated to regular flute). -
Regional Oral History Office the Bancroft Library University of California Berkeley, California PART I
Regional Oral History Office University of California The Bancroft Library Berkeley. California - California Jewish Community Oral History Series Ludwig Altman A WELL-TEMPERED MUSICIAN'S UNFINISHED JOURNEY THROUGH LIFE with an Introduction by Dr. Robert Kirschner Interviews Conducted by Eleanor K. Glaser and Caroline Crawford in 1988 Copyright @ 1990 by The Regents of the University of California and the Trustees of the Judah L. Wgnes Mus~u~I Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed intelviewe~inspontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity,, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between The Regents of the University of California, the Trustees of the Judah L. Hagnes Museum, and Ludwig Altman dated December 9, 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley and the Judah L. -
Understanding the Causes and Effects of Regional Orchestra Bankruptcies in the San Francisco Bay Area
UNIVERSITY OF CALIFORNIA Santa Barbara Breakdown on the Freeway Philharmonic: Understanding the Causes and EFFects oF Regional Orchestra Bankruptcies in the San Francisco Bay Area A dissertation submitted in partial satisFaction oF the requirements for the degree Doctor oF Philosophy in Music by Alicia Garden Mastromonaco Committee in charge: ProFessor Derek Katz, Chair ProFessor SteFanie Tcharos ProFessor Martha Sprigge December 2020 The dissertation oF Alicia Garden Mastromonaco is approved. _____________________________________________ Martha Sprigge _____________________________________________ SteFanie Tcharos _____________________________________________ Derek Katz, Committee Chair December 2020 Breakdown on the Freeway Philharmonic: Understanding the Causes and EFFects oF Regional Orchestra Bankruptcies in the San Francisco Bay Area Copyright © 2020 by Alicia Garden Mastromonaco iii DEDICATION I dedicate this dissertation to my Friends and colleagues in the Bay Area orchestral world, the Freeway Philharmonic musicians. I hope that this project might help us keep our beloved musical spaces for a long time to come. iv ACKNOWLEDGEMENTS I must first acknowledge my advisor Derek, without whose mentorship this project likely would not have existed. He encouraged me to write about small regional orchestras in the Bay Area and saw the kernel oF what this project would become even beFore I did. His consistent support and endless knowledge on closely related topics shaped nearly every page oF this dissertation. I am also grateFul to SteFanie Tcharos and Martha Sprigge, who have inspired me in their rigorous approach in writing, and who have shaped this dissertation in many ways. This project was borne out oF my own experiences as a musician in the Bay Area orchestral world over the last fourteen years. -
Concerts for Kids
Concerts for Kids Study Guide 2014-15 San Francisco Symphony Davies Symphony Hall study guide cover 1415_study guide 1415 9/29/14 11:41 AM Page 2 Children’s Concerts – “Play Me A Story!” Donato Cabrera, conductor January 26, 27, 28, & 30 (10:00am and 11:30am) Rossini/Overture to The Thieving Magpie (excerpt) Prokofiev/Excerpts from Peter and the Wolf Rimsky-Korsakov/Flight of the Bumblebee Respighi/The Hen Bizet/The Doll and The Ball from Children’s Games Ravel/Conversations of Beauty and the Beast from Mother Goose Prokofiev/The Procession to the Zoo from Peter and the Wolf Youth Concerts – “Music Talks!” Edwin Outwater, conductor December 3 (11:30am) December 4 & 5 (10:00am and 11:30am) Mussorgsky/The Hut on Fowl’s Legs from Pictures at an Exhibition Strauss/Till Eulenspiegel’s Merry Pranks (excerpt) Tchaikovsky/Odette and the Prince from Swan Lake Kvistad/Gending Bali for Percussion Grieg/In the Hall of the Mountain King from Peer Gynt Britten/Storm from Peter Grimes Stravinsky/Finale from The Firebird San Francisco Symphony children’s concerts are permanently endowed in honor of Mrs. Walter A. Haas. Additional support is provided by the Mimi and Peter Haas Fund, the James C. Hormel & Michael P. NguyenConcerts for Kids Endowment Fund, Tony Trousset & Erin Kelley, and Mrs. Milton Wilson, together with a gift from Mrs. Reuben W. Hills. We are also grateful to the many individual donors who help make this program possible. San Francisco Symphony music education programs receive generous support from the Hewlett Foundation Fund for Education, the William Randolph Hearst Endowment Fund, the Agnes Albert Youth Music Education Fund, the William and Gretchen Kimball Education Fund, the Sandy and Paul Otellini Education Endowment Fund, The Steinberg Family Education Endowed Fund, the Jon and Linda Gruber Education Fund, the Hurlbut-Johnson Fund, and the Howard Skinner Fund. -
Election 2020 Page 3
AUGUSTOCTOBER 2019 2020 ELECTION 2020 PAGE 3 We’ve Got You Covered This Election PAGE 3 Maestro Michael Tilson Thomas Talks AboutAncient Two Mysteries New Shows, A Heartwarming Music, CookingRevealed and on More New Season of PAGE 7 Secrets of the Dead Call the Midwife PAGE XX PAGE X CONTENTS 2 3 4 5 6 7 VIRTUAL EVENTS + NEWS + NOTES RADIO SCHEDULE RADIO SPECIALS + PASSPORT TV HIGHLIGHTS + PERKS PODCASTS LISTINGS Our virtual events What’s happening Your guide to What's new and Watch more with Your guide come to you. at KQED? radio shows. recommended. KQED Passport. to broadcast television. Changes in On KQED Distribution Thank you to members who responded to our message about the change in print distribution published in our September issue. Changes will take effect with the November issue. We appreciate your input and will do our best to accommodate your request. We intend to provide those who responded with an update by mid-October. Any questions about the publication should be directed to [email protected]. If you won’t be receiving On KQED in print, please remember that the magazine remains available to all members — with added online-only features — at kqed.org/onkqed. You'll find clickable links; a separate, downloadable radio schedule and listing of television programs and repeat times. VIRTUAL EVENTS Ballots & Brews Tuesdays in October at 6:00pm En Español, Thursday, October 6, at 6:00pm Want to get informed before voting on the 2020 ballot? Join KQED for a live online series that will educate, entertain and inspire civic participation. -
Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio By AKIHIRO TANIGUCHI A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2003 Copyright ©2003 Akihiro Taniguchi All Rights Reserved The members of the Committee approve the dissertation of Akihiro Taniguchi defended on 15 May 2003. ______________________________ Charles E. Brewer Professor Directing Dissertation ______________________________ Jane Piper Clendinning Outside Committee Member ______________________________ Denise Von Glahn Committee Member ______________________________ Michael B. Bakan Committee Member Approved: ________________________________________________________ Jon Piersol, Dean, School of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables ........................................................................................................................ v List of Music Examples........................................................................................................ -
Journal50-1.Pdf
January 1976 Number 5o Itditor Chris topher Rerlwoo<l Editoria-l Address 4 Tabor Crove, London SW19 lrliB Telephone 01-946 5952 Cover .f-l-lustration F Delius by Dawn Redwood (af ter l(app) Desigmed bg Lucie Martin Printed b9 The Copy Centre Ltd, London rssN-0306-0373 ftrtryttas$orierlt /ournu/ The Delius Societv President Eric Fenby OBE, Hon RAI'I Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM l"leredith Davies I'fA, B llus, FRCM, Hon RAM Chaitnte,n RB Meadows Esq 5 Westbourne House, Mount Park Road, Harrow, Middlesex Treasutet GH Parfitt Esq . 31 Lynwood Grove, Orpington, Kent BR6 OBD Secretarg JK White Esq 16 Slade Close, Walderslade, Chatham, Kent Membership of The Delius Society Fu1l Membership f.3.OO per year Students f,1.50 Library Subscription (Journal only) 82.00 per year Content s Edi torial Flecker, Dean and Delius: The History of tHassant Part I Dawn Redwood Delius at the Proms Stephen LTogd News from America tA Village Romeo and Julietr 1975 Book Review tFrederick Deliusr sir Thonas Beecham News from the Midlands Peter Thotp For Sale Correspondence Forthcoming Events (c)The Delius Society L976 Published quarterly, in January, April, July and October Additional copies of this issue 4Op eactr, inclusive of postage Material for inclusion in the next issue should reach Ehe Editor by 29 Irebruary 1976 Edi tori a1 O So far this season the Delius Society has held two meetings in London. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre