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The Melody Maker Says Turn to Pace 4
THEMELODY MAKERSAYS *awryT. 1967 9d weekly ONT KNOCK THEPOP! 'Destructive practices' harmingpop WAR hes been declaredon pop-The sounds of '66 relightneversurvivetohe- el:~the sounds of '67. Afteralong struggle by Britain's seising peingile to create a popcur twit VASAlax made millions of Plegotes her thetstablisninent. the saw*Ettalilllakarree are busy kick - ANCMthe teeth, ro.ealkid "pirate' commer- esal1,11,10 aredue to be egflpteszed by the Ginernment. DEMISE There is now only one nation- *Wit telesietto neagramrre for pop Waitikw*--stot TV's Too Of The Pipe, wh th feannits ord. success - NO (Wirt artWtS tad precludes new- comers. mud magazines are tfi=rrkilIMPoefillligpromusic *ad its eseements.Columnists who madeMeatregulationswriting skeet pep are wow gleefullypre- &eget its demise- Owee again the hoar. old gibes *bet -twighaired morons'.arebe- tog dieted off by leader writers, HEALTHY COME Quihe apart from these who have yawnfaton teenagemusic. these mire"maTVairMone.rating Indattea- Mom who mid magazines TO THE and wavrapapees. Mart are mans TOM JONES: only Gold Disc of 1966 Warewhineeveryday lifteelibeeda depend en a Insaltter. *Meng eater- . Ayler 5 ANTIBES The artists-amorss- ...and it's all hi andstreggrras- walkers in the record- TV show ing rodliastes.and men- oaf inatmnairat teachers. FESTIVAL Emden midmaostac- popping for Tom shelved nom& f looks as AM these people .1-'0M JONESis almost a recordin1966 and Dodd showassche- thoughlovers sheaddbetakeninto 1certaintotopthe thefirsteverInthe duled. of avant-garde eeeeidayesiee by the Nilforthe Palladium historyofDeccare- On Sunday (8), he opens Jazzwill be dis- WITH sesi-pep %aimwhich TV shot,. on February cords for a British a weekdoubling at the appointed If they IL It will be his fourth are waiting to hallhasweesthe Omer- artist selling in the UK. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Mapping Dublin in James Joyce's
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue e Letterature Europee e Americane Classe LM-37 Tesi di Laurea Mapping Dublin in James Joyce’s ‘Dubliners’. Dublin, a Static and Timeless Environment: a Text Narrative Relatore Laureanda Prof. Francesco Giacobelli Chiara Salvagno n° matr.1034872 / LMLLA Anno Accademico 2012/ 2013 CONTENTS ACKNOWLEDGMENTS..............................................................................................p. iii ABBREVIATIONS.........................................................................................................p. iv INTRODUCTION.....................................................................................................pp. v-xi CHAPTER ONE I. DUBLINERS’ STRUCTURE: LOOKING AT THE MAP.....................................pp. 1-2 I.1. Childhood: ‘The Sisters’, ‘An Encounter’, ‘Araby’.................................pp. 2-6 I.2. Adolescence: ‘Eveline’, ‘After the Race’, ‘Two Gallants’, ‘The Boarding House’...........................................................................................................pp. 6-10 I.3. Maturity: ‘A Little Cloud’, ‘Counterparts’, ‘Clay’, ‘A Painful Case’..pp. 11-17 I.4. Public Life: ‘Ivy Day in the Committee Room’, ‘A Mother’, ‘Grace’..pp.17-19 I.5. ‘The Dead’............................................................................................pp. 19-20 CHAPTER TWO II. MOTIFS....................................................................................................................p. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Southern Peninsula Ukuleles Songbook No. 1
Southern Peninsula Ukuleles Songbook No. 1 P a g e | 1 P a g e | 2 Contents CHORD CHARTS ......................................................................................................................................................... 4 CHORD CHARTS ......................................................................................................................................................... 5 CHORD CHARTS ......................................................................................................................................................... 6 BLUE SKIES................................................................................................................................................................. 7 BUFFALO GALS ......................................................................................................................................................... 8 BYE BYE LOVE ............................................................................................................................................................ 9 DEEP ELLUM BLUES ................................................................................................................................................. 10 DON’T STOP ............................................................................................................................................................ 11 DRUNKEN SAILOR ................................................................................................................................................... -
Mustang Daily, October 2, 1967
uufokhu sun TOLYTECHNIC COLLEGE VOL. XXTX, NO. 4 * SAN LUIS OBISPO, CALIFORNIA MONDAY, OCTOBER 2, 1967 Th is is new Navy recruiting team slates visit Officers from the U. ft. Navy Some students lack $ $ Recruiting Station, Los Angeles, and the U. S. Naval Ail' Station,- I tick of funds. in the major Glenn 8, Dmnke, chancellor o f regard to race, religion or na Los Alumitos, Calif., will he here ' reason given b.v more then ono- the State-Coleges, ixiteiated the tional origin. luilf of students Vhc> are eligible Hoard’s policy it has held sin e T he Trustees, following leng Oct, 2-4. hut {1° not attend the Stulo Cot-, the Board’s founding -that nil thy debate, agreed- to place the They w ill counsel students eon- leges, the tirst-phase report of program's and housing related to issue of collective bargaining on ceimlhg the various officer p o- an extensive student,demogra the State Colleges must he made the October agenda as un action phic' study Ims revealed. m ailuble to all students without item grams in the Navy. A t the pre 1 in profile, it discloses, the sent time, commission* are avail typical State College student able in the fields o f general line, comes from a middle-class, mid aviation, engineering, Supply dle-income environment, lives Corps, Medical Corps,'and other away from home during his col Ketchum praises lege career hut does not reside specialties. The team will also on campus. jcounael women students inter The report, pri pared by the ested iu the WAVES und Nurse StaU’ College staff and present campus C. -
Paisley-Born Artist Finds His Morningtown on Seil
Paisley-born artist finds his Morningtown on Seil Don puts the finishing touches to the signs that Nightbird & Mike Lennie used in their photo shoot. Translator and artist Don McCracken is taking on the role of tour manager for his return to the Highlands and Islands. A Paisley-born artist, travelling from his home in Finland, will carry out a poignant ritual on the Isle of Seil on the completion of a musical tour he is managing. Don McCracken has lived in Helsinki for the past 25 years but his Scottish roots run deep. In March, Don will return to his country of birth with Fenno-Swedish singer/songwriter Anna- Stina Jungerstam (Nightbird) and fellow Scot Mike Lennie for a nine-date tour of the Highlands and Islands (more on this in our leisure section). On April 5, the trio will arrive on Seil for a performance at Tigh an Truish, but, for the 48-year- old artist, the visit will mean much more than a final tour date. ‘My granny Sarah (Sal) McDougall was born at 19 Balvicar, in a slate quarrier’s cottage, in 1901,’ he told us. ‘She was the youngest of 13 children and went to school in Ellenabeich. She moved down to Govanhill in Glasgow as a teenager, and married my grandad Gilbert Watson, but they kept a connection with the house, and by the time I came along in 1971, she owned it as the last surviving child. ‘Sal and Gilbert spent most of the year there and, as a child, I spent the whole length of my summer holidays there. -
Dj Vladi Playlist Christmas Songs 2014
DJ VLADI PLAYLIST CHRISTMAS SONGS 2014 Dean Martin - Let It Snow! Let It Snow! Let It Snow! Judith Durham - White Christmas Al Martino - Silver Bells Jo Stafford - Winter Wonderland Bing Crosby - Have Yourself A Merry Little Christmas Vera Lynn - Away In A Manger Wayne Newton - Hark! The Herald Angels Sing Ella Fitzgerald - God Rest Ye Merry Gentlemen John Farnham - The First Noel Anne Murray - It's Beginning To Look A Lot Like Christmas Dion - Rockin' Around The Christmas Tree Crystal Gayle - I'll Be Home For Christmas Jan & Dean - Frosty The Snowman Les Paul - Jingle Bells The Spinners - The Twelve Days Of Christmas Lou Rawls - Merry Christmas, Baby Carnie & Wendy Wilson - Jingle Bell Rock Ferrante & Teicher - Sleigh Ride Stacie Orrico - O Come, All Ye Faithful Matt Monro - Mary's Boy Chi ld Eternal - Amazing Grace Kenny Rogers - When A Child Is Born Jamelia - Last Christmas Celtic Woman - O Holy Night Sin ad O'Connor - Silent Night Aled Jones - Walking In The Air Shirley Bassey - Ave Maria {Disc 2} Cliff Richard - Mistletoe And Wine Sarah Brightman - I Believe In Father Christmas the bird and the bee - Carol Of The Bells Amy Grant - Grown-Up Christmas List Glen Campbell - Blue Christmas Deniece Williams - Do You Hear What I Hear? Willie Nelson feat. Norah Jones - Baby It's Cold Outside Bobby Goldsboro - Look Around You Andy Williams - Christmas Holiday Barry Blue - Christmas Moon 11.Keith Marshall - Another Christmas Aaron Neville - Christmas Prayer Dianne Reeves - Christmas Time Is Here Bebe & Cece Winans - Joy To The World Faith Evans -
Dubliners and the Joycean Epiphany
DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59). -
Glen Hansard
SUBSCRIBER CD - SEE PAGE 9 around for a GLEN HANSARD while as footage can be found on the internet of the singer DIDN’T HE RAMBLE performing it at Sydney Opera House as part of his last ANTI-/WARNER MUSIC visit. Is there actually such as place as McCormack’s Wall? indie folk “No,” Hansard responds, “but the song is about the place in Ireland’s Glen Hansard, known for his work with The Ireland where John McCormack, the great Irish tenor, was Frames, The Swell Season and the movie Once, has just born. One night I was with a very dear friend who is also a recorded his second solo album, Didn’t He Ramble. musician and, on a night out, we accidentally got drunk. It’s essentially a sparse and quite reflective acoustic “We’d been to a few places but we ended up where John offering with only one song, ‘Lonely Deserter’, getting the McCormack was born which is now a derelict old house pulse racing in terms of tempo. with a stable. So we broke in and sat there with a bottle Didn’t He Ramble, which may have taken its name from of wine which we’d stolen from the dressing room of a the Jellyroll Morton song, opens with ‘Grace Beneath friend’s band earlier in the night and toasted and saluted The Pines’, which begins with a slow Irish drone before John McCormack. Hansard’s vocals come to the fore on the heartfelt tale. “And then we went down to the grave of Wolfe Tone, the “Wedding Ring’ gives a nod to Dylan’s laconic version of Irish revolutionary from the 1798 Irish Rebellion, and raised ‘Corrina Corrina’, while first single, the Celtic soul-driven a glass to him but, somehow, during the course of the ‘Winning Streak’, is such that it would be a good vehicle for night, my friend and I got kind of romantic. -
Dubliners by James Joyce
Prestwick House SampleTeaching Unit™ Chapter-by-Chapter Study Guide Dubliners by James Joyce • Learning objectives • Study Guide with short-answer questions • Background information • Vocabulary in context • Multiple-choice test • Essay questions • Literary terms A Tale of Two Cities CHARLES DICKENS Click here to learn more REORDER NO . XXXXXX about this Teaching Unit! Click here to find more Classroom Resources for this title! More from Prestwick House Literature Grammar and Writing Vocabulary Reading Literary Touchstone Classics College and Career Readiness: Writing Vocabulary Power Plus Reading Informational Texts Literature Teaching Units Grammar for Writing Vocabulary from Latin and Greek Roots Reading Literature Chapter-by-Chapter Study Guide Dubliners by James Joyce • Learning objectives • Study Guide with short-answer questions • Background information • Vocabulary in context • Multiple-choice test • Essay questions • Literary terms P.O. Box 658, Clayton, DE 19938 www.prestwickhouse.com 800.932.4593 ISBN: 978-1-58049-285-0 Copyright ©2017 by Prestwick House Inc. All rights reserved. No portion may be reproduced without permission in writing from the publisher. Item No: 300292 Dubliners TEACHING UNIT Dubliners Objectives By the end of this Unit, the student will be able to: 1. define vocabulary words from the stories. 2. discuss the author’s writing style; point out examples in the story of how his tone, diction, subtle comments, and objectivity support the themes in the story. 3. point out the extent to which the following overall themes are present in each of the stories: • Many of the characters experience a form of paralysis that results in an inability to change their lives • The Dubliners of this era succumb to temptations which contribute to a morally decaying society. -
SINGING SYLLABUS Qualification Specifications for Graded Exams 2018–2022
BRITTEN GERSHWIN POULENC SINGING FAURÉ SYLLABUS QUILTER THIMAN Qualification specifications for graded exams 2018–2022 MENKEN PURCELL SKEMPTON BOULANGER MENDELSSOHN BERNSTEIN CRAWLEY SCHUBERT SONDHEIM WARLOCK ROREM DRING BART ROE KEEP UP TO DATE Please check trinitycollege.com/singing to make sure you are using the current version of the syllabus and for the latest information about our Singing exams. DIGITAL ASSESSMENT: DIGITAL GRADES AND DIPLOMAS To provide even more choice and flexibility in how Trinity’s regulated qualifications can be achieved, digital assessment is available for all our classical, jazz and Rock & Pop graded exams, as well as for ATCL and LTCL music performance diplomas. This enables candidates to record their exam at a place and time of their choice and then submit the video recording via our online platform to be assessed by our expert examiners. The exams have the same academic rigour as our face-to-face exams, and candidates gain full recognition for their achievements, with the same certificate and UCAS points awarded as for the face-to-face exams. Find out more at trinitycollege.com/dgd SINGING SYLLABUS Qualification specifications for graded exams 2018–2022 Charity number England & Wales: 1014792 Charity number Scotland: SC049143 Patron: HRH The Duke of Kent KG trinitycollege.com Copyright © 2017 Trinity College London Published by Trinity College London Online edition, June 2021 1 Header Left Contents 3 / Welcome 4 / Introduction to Trinity’s graded music exams 7 / Learning outcomes and assessment criteria 8 / About the exam 10 / Exam guidance: Songs 12 / Exam guidance: Technical work 13 / Exam guidance: Supporting tests 19 / Exam guidance: Marking 24 / Initial 27 / Grade 1 31 / Grade 2 35 / Grade 3 40 / Grade 4 45 / Grade 5 51 / Grade 6 60 / Grade 7 68 / Grade 8 78 / Policies 79 / Publishers 80 / Trinity publications 80 / Join us online… Trinity accepts entries for its exams on the condition that candidates conform to the requirements of the appropriate syllabus.