Bob Dylan Highway 61 Revisited Mp3, Flac, Wma

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Bob Dylan Highway 61 Revisited mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Highway 61 Revisited Country: US Released: 1965 Style: Folk Rock, Blues Rock MP3 version RAR size: 1922 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1794 mb Rating: 4.8 Votes: 795 Other Formats: MPC AA WAV FLAC DTS RA ASF Tracklist Hide Credits Like A Rolling Stone 1 5:59 Producer – Tom Wilson 2 Tombstone Blues 5:53 3 It Takes A Lot To Laugh, It Takes A Train To Cry 3:25 4 From A Buick 6 3:06 5 Ballad Of A Thin Man 5:48 6 Queen Jane Approximately 4:57 7 Highway 61 Revisited 3:15 8 Just Like Tom Thumb's Blues 5:08 9 Desolation Row 11:18 Companies, etc. Copyright (c) – Sony Music Entertainment Inc. Distributed By – Sony Music Manufactured By – DADC Austria Credits Bass – Harvey Goldstein, Russ Savakus Drums – Bobby Gregg Guitar – Charlie McCoy, Michael Bloomfield* Guitar, Harmonica, Piano, Sounds [Police Car] – Bob Dylan Organ, Piano – Alan Kooper* Photography By [Cover] – Daniel Kramer Piano – Frank Owens Piano, Organ – Paul Griffin Producer – Bob Johnston (tracks: 2 to 9) Written-By, Liner Notes – Bob Dylan Notes © 1967 Sony Music Entertainment Inc. Red CD tray version with a 16-page booklet, of which 8 pages are the Mid-Price catalogue dated 1991. Barcode and Other Identifiers Barcode: 5 099746 095321 Matrix / Runout (Mirrored): CDCBS-460953 12 MANUFACTURED BY DADC AUSTRIA Label Code: LC 0162 Rights Society: BIEM / STEMRA Other: CB 701 Other (Backcover): CDM Other: 01-460953-10 Matrix / Runout (Variant 2): CDCBS-460953 12 C8 MANUFACTURED BY DADC AUSTRIA Other versions Category Artist Title (Format) Label Category Country Year Bob Highway 61 Revisited CL 2389 Columbia CL 2389 US 1965 Dylan (LP, Album, Mono) 62572, CBS Bob Highway 61 Revisited 62572, CBS CBS, CBS Italy Unknown 62572 Dylan (LP, Album, RE) 62572 Bob Highway 61 Revisited PC 279 CBS PC 279 US 1979 Dylan (Cass, Album, RE) Bob Highway 61 Revisited SRCS 9074 Sony Records SRCS 9074 Japan 1996 Dylan (CD, Album, RE) Highway 61 Revisited Bob Columbia, LP 5071 (LP, Album, Mono, RE, LP 5071 US 2001 Dylan Sundazed RM, RP) Related Music albums to Highway 61 Revisited by Bob Dylan Mike Bloomfield, Al Kooper, Stephen Stills - Super Session Bob Dylan - Hammersmith Grand Finale Bob Dylan - Queen Jane Approximately / One Of Us Must Know Bob Dylan - New Morning Bob Dylan - Mr. Tambourine Man (Vol.4) Bob Dylan - The Cutting Edge: The Bootleg Series Vol. 12 Bob Dylan - Bob Dylan's 50th Anniversary Collection: 1965 Bob Dylan - The Bootleg Series Volumes 1-3 [Rare & Unreleased] 1961-1991 Sampler Bob Dylan - Real Live Mike Bloomfield / Al Kooper / Stephen Stills - Super Session.

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Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966.
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