THE KING's SINGERS Simple Gifts
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528.0mm x 291.0mm COLOURS CYAN MAGENTA YELLOW BLACK Also AVAILABLE FRom the king’s singers on Signumclassics Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 simple gifts THE INSIDE STORY In discussion with Philip Lawson 1. She’s Always a Woman Billy Joel arr. Philip Lawson [3.21] 2. You Can Close Your Eyes James Taylor arr. Philip Lawson [3.41] What was so enjoyable about making the first full a second vocal part for it. That part was then 3. Greensleeves Trad. English arr. Bob Chilcott [3.01] light album in 10 years? actually the first thing to be recorded. When we got to the end of the day all we had was a load of 4. The Gift to be Simple Trad. American arr. Bob Chilcott [2.07] Many things, but recording at Status Quo founder oohs, aahs and hums which didn’t amount to very 5. Swing Low, Sweet Chariot Trad. Spiritual arr. Peter Knight [3.00] Francis Rossi’s house gave the whole thing a lift. much. But the following day we sang the top chorus, 6. Helplessly Hoping Stephen Stills, arr. Philip Lawson [2.32] He would occasionally come in to pick up a guitar and having those second choir supporting parts in our or ask David to help with his crossword, and he headphones as we sang the text was very inspiring. 7. Deep River Trad. Spiritual arr. Philip Lawson [4.01] was always amazed by what we were up to! By the end of the day we put the whole thing 8. Black is the Color Trad. American/Scottish arr. Bob Chilcott [2.18] Musically speaking it was fun creating something together and the studio buzzed with excitement. 9. I Love my Love Trad. English arr. Philip Lawson [3.42] that cannot be put together outside of a studio. The album is called Simple Gifts, which suggests 10. The Water is Wide Trad. English arr. Philip Lawson [2.44] You’ve talked in the past about going to a studio a kind of spiritual/folk element. What is the concept 11. When She Loved Me Randy Newman arr. Philip Lawson [3.15] and creating something from scratch that hadn’t of the album - that is to say how does a James 12. Valparaiso Sting arr. Philip Lawson [3.48] been written or rehearsed before you got there. The Taylor ballad fit with spirituals and folk songs like 13. The Turtle Dove Trad. English arr. Philip Lawson [3.21] Spirit Voices album has tracks on it like that, for Black is the Color of my True Love’s Hair? example. This time around the arrangements were 14. April Come She Will Paul Simon arr. Philip Lawson [2.13] basically all finished, but did some things change We spent a long time trying to decide whether we 15. Steal Away Trad. Spiritual arr. Bob Chilcott [2.54] once you got there? should record a pure folk or a pure pop album, and 16. You are the New Day John David arr. Peter Knight [2.38] then gradually the idea dawned that there was Yes, a little. For example You Can Close Your Eyes something that combined the elements of both, Total Timings [48.46] by James Taylor started life as an arrangement and that is melody. A good ballad is really very very much like the original song. But having much like a folk song, in that it has a strong finished the first version we thought this beautiful melody. We simply chose songs that had beautiful THE KING’S SINGERS song needed a bigger treatment, and during the tunes, whether they were written by King Henry the last week of recording we hit upon the idea of making Eighth or Sting! We approached it believing there www.signumrecords.com www.kingssingers.com - 3 - is no point at which folk songs end and ballads ...and I’m sure people listening will be able to sing engineer Gregg Jackman, who worked with us on quickly, because albums like this need a lot of begin. A good example of that is Valparaiso, a song along immediately. So both those pieces you just Good Vibrations and Spirit Voices - and he did an studio time. The only limits we really had were none of us knew until Emily Crocker from Hal Leonard mentioned are basically transcriptions, and the excellent job on both of those too. He seems with Gregg’s schedule and ours. When it came to emailed to say she would like an arrangement of better for it for the reasons you have just described. instinctively to know what sound is right for which it we were able to work in a relaxed way and if we it. She sent an audio file and we were amazed, song. You can be in the booth singing your bit on produced a 3-minute piece of music at the end of because Sting has composed an original melody Deliberately so, yes. a track and thinking ‘I’m not feeling so good this the day, we were happy! But we got slicker as we which could have come from many years ago. morning, I hope this doesn’t take too long’, then he went along, and began to expect to finish two You’ve said that recording in a studio allows you calls you into the control room and he’s somehow tracks a day, which was important because we It’s a fine concept, but melody suggests lots of solos. to do things you can’t do anywhere else. But are brought the sound to life! We co-produced this had a tour to the USA looming, and we also needed Is Simple Gifts an album of solos sung to backing? there any draw-backs to it? album with him, and Robin and I really got into to finish so that the disc could be released in time that side of it. It’s hard to describe the quality of for our 40th anniversary concerts in May 2008. No, but it could easily have been, after what we have The studio experience is a two-edged sword, because the sound. It isn’t a reverb. This album has a just talked about. A track like Helplessly Hoping, you have all this technology at your disposal, yet newish kind of sound. If you listen to Good Turning to the arrangements: how many of your though, is the kind of song where the accompaniment you don’t have the benefit of acoustics to give Vibrations and compare it with this album, the arrangements feature on this album? is part of what makes the song successful, and to natural warmth to the sound. group sounds much more upfront on Simple Gifts. move away from that would be a mistake. Its strength Ten. is the 3-part melody from Crosby, Stills and Nash. You mean it’s difficult to sing in that environment? How long did it take to record the album? To try and extract what you think is the tune from And how many of those are new for this album? there and arrange it would be weak, so our version is We were in Status Quo’s drum room, pretty close We started recording with odd days in October and down as this strong 3-part thread. Then there’s April up to the microphone, which made it difficult to November 2007, and finished with 10 days in January Specifically for the album are Valparaiso, April Come She Will written by Paul Simon, and beautifully sing because every little sound was picked up. Mouth 2008. Obviously a day in the studio is not like a Come She Will, When She Loved Me, and You Can Close sung by Art Garfunkel, especially on their live Central clicks, pops, breaths, you name it... It was a bit day in a normal acoustic recording session. In the Your Eyes. The latter I discovered by accident. The Park album. That’s another example where the song like singing in a cupboard! What came out in the last week of recording we were putting in twelve first of 2 flights on a US concert day (Feb 6th, 2007) is really not just about a melody, exquisite though end belies the fact that the space was so small. hour days. It takes a lot longer than you might was late and caused us to miss our connection. it is. The other big element is the accompanying think to set up the tracks and to get everything in Paul suggested we hire cars and drive from riff, which is a ‘melody’ all of its own. Thinking of it How important is the producer/engineer in the the right place. And once the singing is finished, Washington DC to State College Pennsylvania. in those terms made the arrangement so much studio environment? there is mixing to be done. Gregg does a lot of this Half way along the 4-hour journey we stopped at a easier to write. Certainly the expectation from the as he goes along. We are lucky that Signum, our Starbucks in the middle of nowhere to get coffee listener would be to have the riff start the piece... Well, we were really helped by our expert sound record label, doesn’t pressurise us to work too and change drivers, and I noticed a new Carly - 4 - - 5 - Simon disc for sale called Into White which had I had already done a Disney song from the original arrangements.