Television & Film Director Writer Producers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alexandra Caulfield - Costume Designer
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co. -
John Collins Production Designer
John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management -
Michelle Heaney Editor
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] MICHELLE HEANEY EDITOR CREDITS INCLUDE: THE REUNION Director Bill Eagles Thriller Drama Series Producer Sydney Gallonde Episodes 2, 4 & 6 (Remote editing) Production Co. MGM International TV Prods / Make It Happen Studio / France Télévisions STAY CLOSE Director Lindy Heymann 8 x 1hr Contemporary Drama Producer Juliet Charlesworth Episodes 5 & 6 Exec. Producers Nicola Shindler, Harlan Coben, Richard Fee, Danny Brocklehurst Production Co. Red Production Company / Netflix TRACES Director Rebecca Gatward 2 x 1hr Crime Mystery Thriller Drama Producer Juliet Charlesworth (Additional Editor) Exec. Producers Nicola Shindler, Michaela Fereday, Liam Keelan Philippa Collie Cousins, Val McDermid Production Co. Red Production Company / ALIBI BAFTA Nomination Best Drama Series THE WORST WITCH Director Dermot Boyd 4 x ½hr Children’s Drama Series Producer Kim Crowther Exec. Producer Sue Knott Production Co. CBBC / Netflix / ZDF Enterprises THE STRANGER Director Daniel O’Hara 3 x 1hr Mystery Crime Drama Producer Madonna Baptiste (1st Assistant Editor) Exec. Producers Nicola Shindler, Harlan Coben, Danny Brocklehurst, Richard Fee Editor Steve Singleton Production Co. Red Production Company / Netflix BRASSIC Directors Daniel O'Hara, Jon Wright 6 x 1hr Comedy Series Producer Juliet Charlesworth (1st Assistant Editor/ Assembly Editor) Exec. Producers David Livingston, Joe Gilgun, Danny Brocklehurst, Jon Montague Editors Annie Kocur, Rachel Hoult Production Co. SKY / Calamity Films THE ROOK Director Kari Skogland 3 x 1hr Fantasy Thriller Drama Series Producer Steve Clark-Hall (1st Assistant Editor) Exec. Producer Stephen Garrett Editor Oral Ottey Production Co. -
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister Sarah E. Maier and Rachel M. Friars (University of New Brunswick, Saint John, New Brunswick, Canada & Queen’s University, Kingston, Ontario, Canada) Abstract: Anne Lister (1791–1840) was a multihyphenate landowner-gentry-traveller-autodidact- queer-lesbian, a compulsive journal writer who lived through the late-Romantic and well into the Victorian ages. While her journals have proven to be an iconographic artefact for queer and lesbian history, our interest here is in the public adaptations of Lister’s intentionally private writings for twenty-first-century audiences as found in the film The Secret Diaries of Miss Anne Lister (2010) and the television series Gentleman Jack (2019–). Our discussion queries what it means to portray lived queer experience of the nineteenth century, how multimedia translate and transcribe Lister’s works onto screen, as well as how questions of legibility, visibility and ethics inevitably emerge in these processes. Keywords: adaptation, encryption, Gentleman Jack, journals, lesbianism, Anne Lister, queer history, queer visibility, The Secret Diaries of Miss Anne Lister, transcription. ***** Lister ought to tell her own story before anyone interpreted it for her. Hers is, after all, the truly authentic voice of the nineteenth century woman caught up in a dilemma not of her own making. She ought to be allowed to tell it as it was, from her own point of view. (Whitbread 1992: xii) The recent appearance of a woman given the nickname ‘Gentleman Jack’ in a show focused on a queer woman depicts a subject who writes her life into encrypted journals. -
International Bestselling Author Harlan Coben Launches Indie with Red Production Company
INTERNATIONAL BESTSELLING AUTHOR HARLAN COBEN LAUNCHES INDIE WITH RED PRODUCTION COMPANY NEW U.S.-BASED PRODUCTION COMPANY DEVELOPING DRAMA SIX YEARS NEW YORK, March 8, 2016: Award-winning and number one international bestselling author Harlan Coben is launching his own independent production company, in partnership with one of the UK’s most successful producers, RED Production Company. Coben will be joint CEO alongside RED founder Nicola Shindler with STUDIOCANAL handling international distribution of the original content. Final Twist Productions, which will be based in the U.S., will develop contemporary, thrilling drama for American broadcast networks. The new company is already in development on a major returning drama series, Six Years, adapted from Coben’s bestselling novel of the same name. The ambitious series tells the story of Jake, a college professor who six years earlier watched the love of his life, Natalie, marry another man. But, when Natalie’s husband is murdered and Jake goes to find her, he discovers that the grieving widow is not Nathalie at all, but a woman he's never seen before. As Jake seeks to uncover the truth and find his lost love, his search takes him on a dark and unforeseeable journey that puts his very life at risk. “Nicola and I had such a terrific experience creating The Five for Sky One. I couldn’t be prouder of what we’ve made,” said Harlan Coben. “Final Twist Productions will take our American-British teamwork to the next level by bringing Nicola’s daring new outlook and producing style to the USA.” “It has been a privilege to work with Harlan on developing, producing and delivering his first original screenplay,” added Nicola Shindler. -
Maria Kyriacou
MINUTES SEASON 8 1 3 THE EUROPEAN SERIES SUMMIT JULY FONTAINEBLEAU - FRANCE 2019 CREATION EDITORIAL TAKES POWER! This mantra, also a pillar of Série Series’ identity, steered Throughout the three days, we shone a light on people the exciting 8th edition which brought together 700 whose outlook and commitment we particularly European creators and decision-makers. connected with. Conversations and insight are the DNA of Série Series and this year we are proud to have During the three days, we invited attendees to question facilitated particularly rich conversations; to name but the idea of power. Both in front and behind the camera, one, Sally Wainwright’s masterclass where she spoke of power plays are omnipresent and yet are rarely her experience and her vision with a fellow heavyweight deciphered. Within an industry that is booming, areas in British television, Jed Mercurio. Throughout these of power multiply and collide. But deep down, what is Minutes, we hope to convey the essence of these at the heart of power today: is it the talent, the money, conversations, putting them into context and making the audience? Who is at the helm of series production: them available to all. the creators, the funders, the viewers? In these Minutes, through our speakers’ analyses and stories, we hope to For the first time, this year, we have also wanted to o er you some food for thought, if not an answer. broaden our horizons and o er a “white paper” as an opening to the reports, focusing on the theme of Creators, producers, broadcasters: this edition’s power, through the points of view that were expressed 120 speakers flew the flag for daring and innovative throughout the 8 editions and the changes that Série 3 European creativity and are aware of the need for the Series has welcomed. -
No Offence the Aims of This Factsheet Are to Demonstrate the Way the Theoretical Abbot Has a Long Relationship with Channel 4
Media Studies www.curriculum-press.co.uk Number 184 Applying the Theoretical Framework: No Offence The aims of this Factsheet are to demonstrate the way the theoretical Abbot has a long relationship with Channel 4. Channel 4 are a framework can be applied to the television CSP, No Offence including commercial broadcaster but they also receive some government the industrial context of No Offence and the way the programme uses funding. To receive the public money, Channel 4 has to ensure media language: that (amongst other things) its programming is innovative, offers • To position the programme as part of a genre. alternative points of view and reflects the cultural diversity of the country. • To create narrative. Channel 4 buys programming from production companies and, when • To construct representations. doing so, will consider how the programme will help support its • To appeal to audiences. remit. Programmes which fit into Channel 4’s brand identity are No Offence is one of the options available for the study of television more likely to be bought by the broadcaster. products for AQA’s AS and A Level qualifications. Having a distinctive production background and being a ‘Channel • For AS Media Studies, it is a targeted CSP and should be 4 programme’ adds to the branding of No Offence itself and helps studied considering Audience and Industry ideas. audiences know what to expect from the programme. With no other • For A Level Media Studies, it is an in-depth CSP and information about the show, audiences would assume it would have should be studied considering all areas of the framework an irreverent approach to storytelling and may provide representations – Media Language, Representation, Audience and and storylines that are unconventional. -
Scott & Bailey 2 Wylie Interviews
Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within -
John Simm ~ 47 Screen Credits and More
John Simm ~ 47 Screen Credits and more The eldest of three children, actor and musician John Ronald Simm was born on 10 July 1970 in Leeds, West Yorkshire and grew up in Nelson, Lancashire. He attended Edge End High School, Nelson followed by Blackpool Drama College at 16 and The Drama Centre, London at 19. He lives in North London with his wife, actress Kate Magowan and their children Ryan, born on 13 August 2001 and Molly, born on 9 February 2007. Simm won the Best Actor award at the Valencia Film Festival for his film debut in Boston Kickout (1995) and has been twice BAFTA nominated (to date) for Life On Mars (2006) and Exile (2011). He supports Man U, is "a Beatles nut" and owns seven guitars. John Simm quotes I think I can be closed in. I can close this outer shell, cut myself off and be quite cold. I can cut other people off if I need to. I don't think I'm angry, though. Maybe my wife would disagree. I love Manchester. I always have, ever since I was a kid, and I go back as much as I can. Manchester's my spiritual home. I've been in London for 22 years now but Manchester's the only other place ... in the country that I could live. You never undertake a project because you think other people will like it - because that way lies madness - but rather because you believe in it. Twitter has restored my faith in humanity. I thought I'd hate it, but while there are lots of knobheads, there are even more lovely people. -
Class and Gender Identify in the Film Transpositions of Emily Brontë's
Seijo Richart 1 Appendix II: Transpositions of Wuthering Heights to other Media 1. Television 1.1. TV - films 1948 Wuthering Heights. Adapt. John Davidson (from his stage play). BBC TV. 1948 Wuthering Heights. Kraft Television Theatre, NBC (USA). TV broadcast of a performance of Rudolph Carter’s theatre transposition. Only the first half of the novel. 1950 “Wuthering Heights”. Westinghouse's Studio One. Perf. Charlton Heston. USA. 1953 Wuthering Heights. Perf. Richard Todd and Yvonne Mitchell. BBC TV (UK). Script by Nigel Kneale, based on Rudolph Carter’s theatre transposition. 1958 Wuthering Heights. Perf. Richard Burton and Rosemary Harris. UK 1962 Wuthering Heights. Perf. Keith Mitchell and Claire Bloom. BBC TV (UK). Script by Nigel Kneale, based on Rudolph Carter’s theatre transposition. 1998 Wuthering Heights. Dir. David Skynner. Perf. Robert Kavanah, Orla Brady. Script by Neil McKay. London Weekend Television. 2003 Wuthering Heights. Dir. Suri Kirshnamma. Writ. Max Enscoe. Perf. Erika Christensen, Mike Vogel. MTV Films. 1.2. TV Series 1956 Cime tempestose. Dir. Mario Landi. Italy. 1963. Cumbres Borrascosas. Dir & Prod. Daniel Camino. Perú. 1964 Cumbres Borrascosas. Dir. Manuel Calvo. Prod. Ernesto Alonso (Eduardo/ Edgar in Abismos). Forty-five episodes. México. 1967 Wuthering Heights. Dir. Peter Sasdy. Adapt. Hugh Leonard. Perf. Ian McShane, Angela Scoular. Four parts serial. BBC TV (UK). 1967 O Morro dos Ventos Uivantes. Adap. Lauro César Muniz. TV Excelsior (Brasil). 1968 Les Hauts de Hurlevent. Dir. Jean-Paul Carrère. France. Two parts. Early 1970s A serialised version in the Egyptian television. 1973 Vendaval. Adapt. Ody Fraga. Perf. Joana Fomm. TV Record (Brasil). 1976 Cumbres Borrascosas. -
Motion Pictures
IAIN COOKE AWARDS & NOMINATIONS GUILD OF MUSIC SUPERVISORS AMY AWARD NOMINATION Best Music Supervision - Documentary GUILD OF MUSIC SUPERVISORS OASIS: SUPERSONIC AWARD Best Music Supervision - Documentary MOTION PICTURES THE BIRD CATCHER Lisa G. Black, Leon Clarance, prods. Garnet Girl Ross Clarke, dir. THE TIME OF THEIR LIVES Sarah Sulick, Azim Bolkiah, prods. Bright Pictures Roger Goldby, dir. COLLIDE Rory Aitken, Ben Pugh, Joel Silver, prods. 42 Films Eran Creevy, dir. OASIS: SUPERSONIC James Gay-Rees, Fiona Neilson, Simon Halfon, prods. Mint Pictures / On The Corner Mat Whitecross, dir. A HUNDRED STREETS Pippa Cross, Idris Elba, Ros Hubbard, prods. CrossDay Films Jim O’Hanlon, dir. BRAHMAN NAMAN Steve Barron, prod. Riley Productions Q, dir. AMY James Gay-Rees, prod. On the Corner Asif Kapadia, dir. DESERT DANCER Pippa Cross, prod. CrossDay Films Richard Raymond, dir. SECOND COMING Polly Leys, Kate Norrish, prods. Hillbilly Productions Debbie Tucker Green, dir. HELLO CARTER Fiona Neilson, prod. Revolution Films Anthony Wilcox, dir. SYRUP Cameron Lamb, prod. Aram Rappaport, dir. SPIKE ISLAND Fiona Nielson, Esther Douglas, prods. Fiesta Productions Matt Whitecross, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 IAIN COOKE TELEVISION WATERSHIP DOWN (mini-series) Rory Aitken, Cecil Kramer, prods. 42 Films / Netflix Noam Murro, dir. FREE REIN Vicki Lutas, Anna McCleery, creators Lime Pictures / Netflix RELLIK (series) Chris Clough, prod. BBC / New Pictures Sam Miller, dir. THE HALCYON (series) Andy Harries, Sharon Hughff, exec prods. Left Bank Pictures Chris Croucher, prod. DOCTOR FOSTER 2 (series) Kate Crowther, prod. Drama Republic Jeremy Lovering, dir. COLD FEET (series) Kenton Allen, Mike Bullen, exec prods. -
Steve Toussaint
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] STEVE TOUSSAINT HEIGHT: 6’3” HAIR: Black EYES: Brown ACCENTS: Native Birmingham, London, American, West Indian. SKILLS: Clean Driving Licence THEATRE FATHER COMES HOME FROM THE WARS ‘Hero’ Dir. Jo Bonney [Royal Court] A DOLL’S HOUSE ‘Dr Rank’ Dir. Carrie Cracknell [Young Vic Theatre, Duke of York’s Theatre & BAM, NYC] THE RIOTS ‘Stafford Scott’ Dir. Nicolas Kent [Tricycle Theatre] MACBETH ‘Banquo’ Dir. Michael Boyd and THE MERCHANT OF VENICE ‘Salerio’ Dir. Rupert Goold [Royal Shakespeare Company] TWELFTH NIGHT ‘Orsino’ Dir. Paulette Randall [Nottingham Playhouse] RUINED ‘Commander Osembenga’ Dir. Indhu Rubasingham [Almeida Theatre] HAPGOOD ‘Wates’ Dir. Rachael Kavanaugh [Birmingham Rep & West Yorkshire Playhouse] FLIGHT 5065: THE TRADUCERS ‘Bob Geldof’ Dir. Stephen Keyworth [London Eye] FIX UP ‘Kwesi’ Dir. Angus Jackson [Royal National Theatre] URBAN AFRO-SAXONS ‘Dennis’ Dir. Paulette Randall [Talawa Theatre] 20,000 LEAGUES UNDER THE SEA ‘Ned’ Dir. Kerry Michael [Theatre Royal, Stratford East] A SERVANT TO TWO MASTERS ‘Florindo’ Dir. Tim Supple [Ambassadors/RSC No. 1 Tour] TO KILL A MOCKINGBIRD ‘Tom Robinson’ Dir. Marion Wyatt [Everyman Palace, Cork] AMEN CORNER ‘Luke’ Dir. Paulette Randall [Bristol Old Vic] THE NO BOYS CRICKET CLUB ‘Michael’ Dir. Indhu Rubasingham [Theatre Royal Stratford East] SKIN ‘Jean Marc’ Dir. Olivia Fuchs [Oval House] SOMEONE WHO’LL WATCH OVER ME ‘Adam’ Dir. Robin LeFevre [Vaudeville Theatre] THE LAST CARNIVAL ‘Brown’ Dir. John Adams [Birmingham Rep] VIVA DETROIT ‘Sonny’ Dir. Malcolm Fredericks [Black Theatre Co-op] SEX & POWER ‘Morton’ Dir. Eric Jarvis [Oval House] OTHELLO Title Role Dir.