DOCSLIB.ORG

Paha Review Writing and Art from the Hill

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Paha Review Writing and Art from the Hill Paha Review Writing and Art from the Hill Mount Mercy University Cedar Rapids, Iowa 2021 The term paha comes from Dakota Sioux dialect Editors Cal Wright meaning “hill” or “ridge,” and it was first applied in 1891 by Annie Barkalow W.J. McGee to the special hill forms in this region of Iowa… Quinton Gaul Special Thanks Their distribution and alignment parallel to (and very often Jose Clemente near) river valleys strongly suggest that paha are actually Assistant Editor Chris DeVault wind-aligned dunes that accumulated in response to the Andrew Lorig Joseph Hendryx strong, prevailing northwest winds that were scouring the Joe Sheller Art Editors and Ben Thiel Iowan surface during this period of glacial cold. Selection Committee Jean C. Prior Grace Byers Land Forms of Iowa Brianna Ostwinkle We need to recover the ancient sense of homeland as Copy Editors an area defined not by armies and flags…but by nature and Annie Barkalow geography and by the history of human dwelling there, a Sierra Earle habitat shared by other creatures, known intimately, carried Quinton Gaul in the mind as a living presence. Emilio Ramos Scott Russell Sanders Cover Art Mount Mercy University is built on one of the many Keelan France paha in Iowa, most clustered near or southeast of Cedar Untitled Rapids. Pencil Drawing Cover Design Brianna Ostwinkle Faculty Advisors Jose Clemente Mary Vermillion Writing Selection Committee Annie Barkalow Paha was composed in 11 point Iowan Old Style and Sierra Earle printed on Lynx Opaque White 70 lb. text. Quinton Gaul 80 lb Flo Gloss Cover. Andrew Lorig The printer was Welu Printing Company. Emilio Ramos Contents A Letter from the Editors: My Roomie Jessica Purgett 9 Paulo Coelho once said, “Talent is a univer- Anime Jude Zawadi 13 sal gift, but it takes a lot of courage to use it.” Hollywood Boulevard Addison McGuire 14 It was a privilege to bear witness to the literary and ar- tistic talents that reside here on campus. We appreci- Home The Sustainability 19 Scholars ate the authors and artists alike sharing their abilities with us. Although this past year was perhaps a bit wack, Becoming Jennifer Musiol 21 we take pride in sharing their stories, ranging from the Little Pearl Earrings Cal Wright 22 light-hearted and whimsical to the deeply contempla- tive and passionate. We hope you find as much joy Beautiful Mess Carley Beck 27 reading this year’s edition of The Paha Review as we did Almost Twenty Abbie Barr 28 making it! As our incredible faculty advisor—and ab- solute legend—Mary Vermillion likes to say, “Cheers!” Seasons Changing Emilee Bradley 30 Gloomy Day Ayra Nur Jehan 31 Quinton Gaul and Annie Barkalow Aminuddin Leave Nicole G. Carl 32 Superpower Bruce Croy 33 Orangey Abby Estabrook 37 Mad with Desire Q 38 Neptune and the Moon Rachael Conner 39 Woman in Water Grace Byers 40 Hot Chocolate Addison McGuire 41 This Christmas Clare Heinrich 79 Shotgun to a Fearsome Alex Diercks 48 Angel Get a Grip Ayra Nur Jehan 80 Aminuddin The Hunt Abbie Barr 49 Sunsets of Hope Ashlyn Harrington 81 Best Friends Forever Abby Estabrook 53 So I Sew Katy Mitchell 82 Dear Mister Dead Man Anonymous 54 Concrete Jungle Anonymous 85 Cemetery Pinecones Sierra Earle 56 Tales of the Broski in the Q 87 Brink of the Meyer Jennifer Musiol 57 Mirror A Patient Book Alex Diercks 59 Guilty Laughter Goose 92 A Dog’s Love Hannah Tobin 60 Untitled Keelan France 94 Imagination Abby Estabrook 62 The Impact of Wanting a Morgan Hansen 95 Dog Bob Nabil Abugattas 63 Father Knows Best Sheena Maloney 99 The Court Bruce Croy 65 Untitled Grace Byers 103 Today is the Day Rachel Fensterman 67 Darkness Veronica Jons 104 Goalkeeper Grace Byers 70 Caspian Abby Estabrook 107 Soul Ties Abbie Ring 71 Waggle Dance Clare Heinrich 108 Where the Best Memories Hannah Tobin 74 are Made Crow Addison McGuire 110 Pedal Tractor Abbie Barr 77 Your Dirt Road Emilio Ramos 112 The Reaper Ponders Death Joshua Harmon 116 The Man Rachael Conner 117 My Roomie Sewn In Me Sierra Earle 121 Jessica Purgett Contributors 123 My roommate is the Devil. No, literally, he’s the Devil. Lucifer and all that. I know, I didn’t believe him either when he first told me. I mean, isn’t the Devil supposed to have like red skin and a pudgy belly? No, this guy is tall, fit, and attractive. I mean, I’d tap him if I swung that way. He’s a really cool dude, actually. He always does his dishes, cleans his beard shavings out of the sink, and he never brings his work home with him. I feel kinda bad for the dude, though. I mean, even though he doesn’t really talk about his work, I still know what he does, ya know? He has to torture people all day. I see what it does to him, so I always have a cold brewski waiting for him when he gets home. I think it helps. Tonight I’m actually making some spaghetti and meatballs for him, too. When he opens the door of our apartment, I grab the beer from the fridge and crack it open. He doesn’t take it when I offer. All he says is, “Chad, you need to come with me.” “Nah, dude, I’ve got spaghetti and meatballs ready for us on the stove. Come on, before it gets cold.” “No, you need to come with me. Right now.” There’s no humor in his voice. “Aw, come on D,” I reply, “What do you mean I need to go with you?” He couldn’t possibly mean... “Chad, don’t make this harder than it needs to be.” 9 “No, dude, no. Are you saying... You’re not saying we’re going down there, right?” I can hear my voice rising in pan- “Okay, okay. I was a dick, so what? I’m only twen- ic. He doesn’t respond, just looks at me ... waiting. ty-five. I can change. You can’t make me go now! Just...just give me some time? Can I at least have a year or two? Dude, “I’m a good person. I deserve to be going up, right? What I was going to propose to Kelly next week! You can’t take the hell did I ever do to deserve going down there?” that away from me.” His face remains cold and distant. I’ve never seen him “She wouldn’t say yes even if you got the opportunity. like this before. It’s really creeping me the fuck out. “I’m not She doesn’t actually love you.” even dead yet, bro,” I plead. His words shoot into me like shards of glass. “What the “Look, Chad. You’re my friend, right? I’m trying to help hell do you know? We’ve been together for two years. Of you out here. Either you come with me right now or you’re course she loves me.” going to be hit by a car on your bike to work in the morning.” “Have you forgotten that I’m literally the Devil? I’m an “Is that a threat?” I don’t know whether to vomit or omniscient being. I know everything. Now, are you going to punch him in the face. come with me or not?” “No. It’s fate. If you choose to stay on Earth, you’re go- “I—but ” ing to die. And you’re going to suffer. Your time is up,” he shrugs. “It is what it is. If you go with me now, it’s not going “I promise I won’t go too hard on you. You’re my to hurt. Trust me, it’s going to be a lot worse if you wait.” friend.” He smiles, offering his hand. “Nah, dude. No. What the hell? Why am I not going up? “How bad would it hurt if I waited?” What the fuck did I do? I mean, I know in fifth grade I made fun of that chick because her nose was too big...and in high “Pretty bad. Internal bleeding tends to put humans in a school I dumped crickets into all the air ducts...But man I lot of agony.” can’t be going to Hell for that!” No, no, no. “Are you fucking with me right now? Tell He doesn’t hesitate before he starts listing out my life’s me you’re fucking with me.” events. “You shoplifted $5,000 worth of merchandise in a three-year span from Walmart. You had sex with your mar- “Do you want to say goodbye to Kelly first?” ried neighbor when you were twenty. And then you lied about it when her husband confronted you. Their marriage He’s not going to let me out of this. This is real. “Yeah, crumbled and you didn’t even care. Have you talked to her if you don’t mind.” I take his outstretched hand and imme- since the night you screwed her? Remember that party you diately we’re transported to her apartment door. went to in college? Remember how you got that girl so drunk and then you—” “I’ll wait here. And remember, if you try to run, I’ll find 10 11 you.” He winks at me while I knock on the door. “Chad?” Kelly says after opening the door. “What are you doing here?” Anime “Um... ” I guess I should have prepared something. “Kel- ly... I have to go away.” Go away? Jesus Christ that was the Jude Zawadi lamest possible thing I could have said.
Load more

Recommended publications
  • Danielle Ofri
    ingular S Intimacies BECOMING A DOCTOR AT BELLEVUE Danielle Ofri BEACON PRESS BOSTON Beacon Press Boston, Massachusetts www.beacon.org Beacon Press bo oks are published under the auspices of the Unitarian Universalist Association of Congregations. © 2003 by Danielle Ofri All rights reserved Printed in the United States of America 12 11 10 9 8 7 6 5 4 3 2 1 Excerpt from “Desert Places” from The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright 1936 by Robert Frost, © 1964 by Lesley Frost Ballantine, © 1969 by Henry Holt and Company. Reprinted by permission of Henry Holt and Company, LLC. Excerpt from “Gaudeamus Igitur” by John Stone, reprinted from Renaming the Streets, Louisiana State Univ. Press, 1985. Used with the permission of the author. This book is printed on acid-free paper that meets the uncoated paper ANSI/NISO specifications for permanence as revised in 1992. The names and many distinguishing characteristics of patients mentioned in this work have been changed to protect their identities. Text design by Anne Chalmers Composition by Wilsted & Taylor Publishing Services Library of Congress Cataloging-in-Publication Data Ofri, Danielle. Singular intimacies : becoming a doctor at Bellevue / Danielle Ofri. p.;cm. isbn 978-0-8070-7251-6 (paperback : alk. paper) 1. Ofri, Danielle. 2.Women physicians—United States—Biography. 3.Physicians—United States—Biography. 4.Women physicians—Training of. 5.Medical history taking—Anecdotes. i.Title. [dnlm: 1.Bellevue Hospital. 2. Clinical Clerkship—Personal Narratives. 3.Medical History Taking—Personal Narratives. 4.Preceptorship—Personal Narratives. wb 290 033t 2002] r692.035 2002 610′.92—dc21 [B] 2002012461 Not for distribution.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • 311 Creatures
    311 Creatures (For A While) 10 Years After I'd Love To Change The World 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10cc I'm Not In Love 10cc The Things We Do For Love 112 Come See Me 112 Cupid 112 It's Over Now 112 Only You 112 Peaches & Cream 112Super Cat Na Na Na 1910 Fruitgum Co. 1 2 3 Red Light 1910 Fruitgum Co. Simon Says 20 Fingers Short Dick Man 2Pac California Love 2Pac Changes 2Pac Dear Mama 2Pac How Do You Want It 2Pau Heart And Soul 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down Duck And Run 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down The Road I'm On 3 Doors Down When I'm Gone 3 Of Hearts Arizon Rain 311 All Mixed Up 311 Amber 311 Down 311 I'll Be Here Awhile 311 You Wouldn't Believe 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Rockin' Into The Night 38 Special Second Chance 38 Special Wild Eyed Southern Boys 3LW I Do 3LW No More Baby 3LW Playas Gon' Play 3rd Strike Redemption 3rd Stroke No Light 4 Non Blondes What's Up 4 PM Sukiyaki 4 Runner Cain's Blood 4 Runner Ripples 4Him Basics Of Life 5 Stairsteps Ooh Child 50 cent pimp 50 Cent In Da Club 50 Cent Wanksta 5th Dimension Aquarius 5th Dimension Last Night I Didn't Get To Sleep At All 5th Dimension One Less Bell To Answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up And Away 5th Dimension Wedding Bell Blues 69 Boyz Tootie Roll 702 Get It Together 702 Steelo 702 Where My
    [Show full text]
  • "I Was the One Percenter": Manny Diaz and the Beginnings of a Black-Puerto Rican Coalition Ande Diaz Roger Williams University, [email protected]
    Roger Williams University DOCS@RWU Office of Intercultural Center Staff ubP lications Office of Intercultural Center 1-1-2007 "I Was the One Percenter": Manny Diaz and the Beginnings of a Black-Puerto Rican Coalition Ande Diaz Roger Williams University, [email protected] Sonia S. Lee Follow this and additional works at: http://docs.rwu.edu/intercultural_staff_pub Part of the Community Engagement Commons, and the Education Commons Recommended Citation Diaz, Ande and Lee, Sonia S., ""I Was the One Percenter": Manny Diaz and the Beginnings of a Black-Puerto Rican Coalition" (2007). Office ofn I tercultural Center Staff Publications. Paper 3. http://docs.rwu.edu/intercultural_staff_pub/3 This Article is brought to you for free and open access by the Office of Intercultural Center at DOCS@RWU. It has been accepted for inclusion in Office of Intercultural Center Staff ubP lications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. < en 0-0 r-:!;! C:z S:cu mN NO .......C') 0 z - c: s: a::I 93 w I Lee and Viaz S3 The rest of the ci ty had va ri ous re sponses to such an interracial demon­ "I Was the One Percenter": stration of grievance. "When East Harlem turued out for the integrati on Manny Diaz and the Beginnings boyeou, it was the first time in the community'S history, or the city's, that Puerto Ricans joined with Negroes in protest and pursuit of a w mmo n l of a Black-Puerto Rican Coalition goal," proudly claimed Patricia Cayo Sexton, a social worker in cast Harlem .
    [Show full text]
  • Specious Poisons?: Reputation, Gender, and Democratic Politics (Under the Direction of Susan Bickford.)
    SPECIOUS POISONS?: REPUTATION, GENDER, AND DEMOCRATIC POLITICS Erin N. Taylor A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Political Science. Chapel Hill 2006 Approved by Advisor: Susan Bickford Reader: Michael Lienesch Reader: John McGowan Reader: Jeff Spinner-Halev Reader: Marco Steenbergen ABSTRACT ERIN N. TAYLOR: Specious Poisons?: Reputation, Gender, and Democratic Politics (Under the direction of Susan Bickford.) Suggesting that reputation and gossip have been largely ignored by contemporary political theorists, I argue that both reputation and the gossip that helps to constitute it are important aspects of our communal and political lives. I begin with the work of Jean-Jacques Rousseau as representative of a larger early modern discourse that identified the desire for reputation as one that is central to human beings. Arguing that this desire for reputation simultaneously poses great dangers and great power for political communities, Rousseau’s vision urges careful attention to political arrangements as a way of harnessing the positive effects of the desire for reputation. In my second chapter, I move to a focus on the relationship between reputation and gender, interrogating the necessity that women maintain spotless sexual reputations (a central feature to Rousseau’s political schema) in light of both Mary Wollstonecraft’s critique of Rousseau as well as my examination of the fate of Rousseau’s heroines. Turning to the work of Harriet Taylor and John Stuart Mill, I contend that their arguments about the stifling effects of reputational politics for individual liberty point to a nuanced understanding of the differential effects of reputation for individuals in various echelons of society.
    [Show full text]
  • 17 22 @Annieareyouokay Because We Each Have a Place That Makes
    17 22 View conversation Jahar @J_tsar · 16 Jul 2012 @AnnieAreYouOkay because we each have a place that makes us who we are, why live by what was instead of what is annie. 18 39 View conversation Jahar retweeted #Muslim @hash_Muslim · 16 Jul 2012 #Ramadan picks us up from our slackness, re­charge our faith, and give us a push towards our Creator. 142 49 Jahar @J_tsar · 16 Jul 2012 @therealAbdul_ for the blind and the lazy 1 4 Jahar retweeted Stewie Griffin @itStewieGriffin · 13 Jul 2012 In a Grammar class : Teacher:­ "HE does not like girls" What is 'He' in this sentence. ?? . Student :­ Gay. !! 62 20 Jahar retweeted Stewie Griffin @itStewieGriffin · 16 Jul 2012 You take "the" out of psychotherapist 71 33 Jahar @J_tsar · 16 Jul 2012 just gotta get away from reality and dream a little 81 109 Jahar @J_tsar · 16 Jul 2012 bed time is the best time 71 87 Jahar @J_tsar · 15 Jul 2012 whats all the fucking fussin for because im grubbing more? 10 26 Jahar @J_tsar · 15 Jul 2012 breaking bad tonight #bestshow 19 26 Jahar retweeted Words @funnyortruth · 15 Jul 2012 You're probably naked under all those clothes. You slut. 928 269 Jahar @J_tsar · 15 Jul 2012 too waved to even fall asleep #thespins 9 23 9 23 Jahar @J_tsar · 15 Jul 2012 so much hate i need a ak 82 88 Jahar retweeted Kat @KizzMcDutchie · 15 Jul 2012 Just saw a fat topless homeless woman bang out another fat white homeless woman in central sq lmfaooo 1 3 Jahar @J_tsar · 14 Jul 2012 byyyyyyyyyyaaaaaaaaaaahh 18 25 Jahar retweeted Alan Garner @AlanHungover · 14 Jul 2012 Oh look, it's raining outside.
    [Show full text]
  • ELVIS PRESLEY BIOGRAPHY and Life in Pictures Compiled by Theresea Hughes
    ELVIS PRESLEY FOREVER ELVIS PRESLEY FOREVER ELVIS PRESLEY FOREVER ELVIS PRESLEY BIOGRAPHY and life in pictures compiled by Theresea Hughes. Sample of site contents of http://elvis-presley-forever.com released in e-book format for your entertainment. All rights reserved. (r.r.p. $27.75) distributed free of charge – not to be sold. 1 Chapter 1 – Elvis Presley Childhood & Family Background Chapter 2 – Elvis’s Early Fame Chapter 3 – Becoming the King of Rock & Roll Chapter 4 – Elvis Presley Band Members http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-band-members.html Chapter 5 – Elvis Presley Girlfriends & Loves http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-girlfriends.html Chapter 6 – Elvis Presley Memphis Mafia http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-memphis-mafia.html Chapter 7 – Elvis Presley Spirit lives on… http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-spirit.html Chapter 8 – Elvis Presley Diary – Calendar of his life milestones http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-diary.html Chapter 9 – Elvis Presley Music & Directory of songs & Lyrics http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-music.html Chapter 10 – Elvis Presley Movies directory & lists http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-movies.html Chapter 11 – Elvis Presley Pictures & Posters http://elvis-presley-forever.com/elvis-presley-pictures-poster-shop.html Elvis Presley Famous Quotes by
    [Show full text]
  • Aerosmithaerosmith 03/2012 BATERA CENTER-SBO/SP
    PARTITURA PARA BATERIA DE: Por: TÇwxÜáÉÇ VÄx|àÉÇ eÉwÜ|zâxá CRYIN’ --AerosmithAerosmith 03/2012 BATERA CENTER-SBO/SP. A banda AEROSMITH A banda foi formada em 1970, Boston, Massachusetts, EUA. Através dos anos, a banda emplacou diversos sucessos e ganhou inúmeros prêmios musicais, além de conseguirem alcançar as marcas de multi-platina em vários álbuns. Após 41 anos, a banda continua na estrada em turnês ao redor do mundo e gravando novos discos, sendo a banda norte- americana que mais vendeu discos na história do rock, com mais de 150 milhões de A E R O S M I T H álbuns vendidos. A banda foi incluída no Hall da fama do Rock and Roll, e está inclusa na lista dos 100 maiores artistas de todos os tempos da Rolling Stone e do VH1, detêm o recorde do maior número de álbuns com certificações de ouro e multi-platina, ganharam 4 Grammy Awards, e 10 MTV Vídeo Music Awards. Discografia: Aerosmith (1973), Get Your Wings (1974), Toys in the Attic (1975), Rocks (1976), Draw the Line (1977), Night in the Ruts (1979), Rock in a Hard Place (1982), Done with Mirrors (1985), Permanent Vacation (1987), Pump (1989), Get a Grip (1993), Nine Lives (1997), Just Push Play (2001), Honkin’on Bobo (2004). AAmúsicamúsica CRYIN’ A canção foi a faixa de maior sucesso do disco “Get a Grip” de 1993, o décimo primeiro álbum de estúdio da banda Aerosmith. IntegrantesIntegrantes:: Steven Tyler (voz, gaita, percussão, teclado, flauta), Joe Perry (voz apoio, guitarra, percussão), Brad Whitford (guitarra), Tom Hamilton (baixo), Joey Kramer (bateria).
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • I'm Gonna Keep Growin'
    always bugged off of that like he always [imi­ tated] two people. I liked the way he freaked that. So on "Gimme The Loot" I really wanted to make people think that it was a different person [rhyming with me]. I just wanted to make a hot joint that sounded like two nig­ gas-a big nigga and a Iii ' nigga. And I know it worked because niggas asked me like, "Yo , who did you do 'Gimme The Loot' wit'?" So I be like, "Yeah, well, my job is done." I just got it from Slick though. And Redman did it too, but he didn't change his voice. What is the illest line that you ever heard? Damn ... I heard some crazy shit, dog. I would have to pick somethin' from my shit, though. 'Cause I know I done said some of the most illest rhymes, you know what I'm sayin'? But mad niggas said different shit, though. I like that shit [Keith] Murray said [on "Sychosymatic"]: "Yo E, this might be my last album son/'Cause niggas tryin' to play us like crumbs/Nobodys/ I'm a fuck around and murder everybody." I love that line. There's shit that G Rap done said. And Meth [on "Protect Ya Neck"]: "The smoke from the lyrical blunt make me ugh." Shit like that. I look for shit like that in rhymes. Niggas can just come up with that one Iii' piece. Like XXL: You've got the number-one spot on me chang in' the song, we just edited it.
    [Show full text]
  • 50 Years in Rock History
    HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control.
    [Show full text]
  • NVS 1-1 A-Williamson
    “The Dead Man Touch’d Me From the Past”: Reading as Mourning, Mourning as Reading in A. S. Byatt’s ‘The Conjugial Angel’ Andrew Williamson (The University of Queensland, Australia) Abstract: At the centre of nearly every A. S. Byatt novel is another text, often Victorian in origin, the presence of which stresses her demand for an engagement with, and a reconsideration of, past works within contemporary literature. In conversing with the dead in this way, Byatt, in her own, consciously experimental, work, illustrates what she has elsewhere called “the curiously symbiotic relationship between old realism and new experiment.” This symbiotic relationship demands further exploration within Possession (1990) and Angels and Insects (1992), as these works resurrect the Victorian period. This paper examines the recurring motif of the séance in each novel, a motif that, I argue, metaphorically correlates spiritualism and the acts of reading and writing. Byatt’s literary resurrection creates a space in which received ideas about Victorian literature can be reconsidered and rethought to give them a new critical life. In a wider sense, Byatt is examining precisely what it means for a writer and their work to exist in the shadow of the ‘afterlife’ of prior texts. Keywords: A. S. Byatt, ‘The Conjugial Angel’, mourning, neo-Victorian novel, Possession , reading, séance, spiritualism, symbiosis. ***** Nature herself occasionally quarters an inconvenient parasite on an animal towards whom she has otherwise no ill-will. What then? We admire her care for the parasite. (George Eliot 1979: 77) Towards the end of A. S. Byatt’s Possession (1990), a group of academics is gathered around an unread letter recently exhumed from the grave of a pre-eminent Victorian poet, the fictional Randolph Henry Ash.
    [Show full text]