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Download a Complete Copy of Volume 12, Issue 1 Janus Head Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology and the Arts Copyright © 2011 by Trivium Publications, Pittsburg, PA All rights reserved. Printed in the United States of America Requests for permission to reproduce material from this work should be sent to: Permissions Trivium Publications P.O. Box 1259 Amherst, NY 14226 [email protected] Cover Art: Victor Barbetti ISSN: 1524-2269 0 0 1 2 3 4 5 6 7 8 9 0 0 Janus Head Editor-in-Chief Brent Dean Robbins Associate Editors Sean P. Connolly Amy E. Taylor Editorial Board David Anfam Branka Arsic Richard Bargdill Dusan Bjelic Scott Bortle Thorsten Botz-Bornstein Eric Boynton Daniel Burston William Bywater Scott Churchill Bainard Cowan Christine Cowan Louise Cowen Aurelian Craiutut Helen Douglas David Durst Hulya Durudogan Frank Edler Camelia Elias David Elkins Fred Evans Andrew Felder Harris Friedman Shaun Gallagher Louis Hoffman Don Ihde Alphonso Lingis Robert McInerney Dan Martino Lyle Novinski Alan Pope Brent Potter Jonathan Raskin Robert D. Romanyshyn Kirk Schneider Eva-Maria Simms Michael Sipiora Robert Stolorow Co-Founding Editors Victor Barbetti and Claire Barbetti Office Manager April Robbins Janus Head is a biannual journal published (winter/summer) by Trivium Publica- tions, P. O. Box 1259, Amherst, NY 14226. Visit our website at www.janushead.org. Subscriptions: $20 for one year; $40 for two years; foreign subscriptions, including Canada, add $8 for mailing costs per year; institutional rate $40 per year; $80 for two years; single copy $10. All payments from foreign countries must be made by United States money orders or checks payable in United States currency. Submis- sions: Send manuscripts plus diskette and two (2) copies to: Janus Head, P. O. Box 1259, Amherst, NY 14226. Poetry, if 300 words or less, may be sent to: jhinfo@ janushead.org. Please include full mailing address. ISSN 1524-2269 Table of Contents Volume 12:1 Amy E. Taylor Introduction 5 Robert Gibbons Editorial: “Souling” 6 Rolf von Eckhartsburg Social and Electronic Immortality 9 Amy E. Taylor Body and Technology: Reframing the 22 Humanistic Critique Nathaniel Rivers & Productive Strife: Andy Clark’s Cognitive 39 Jeremy Tirrell Science and Rhetorical Agonism Julie Dunlop 2 Poems 60 Eugene M. DeRobertis St. Thomas Aquinas’s Philosophical- 62 Anthropology as a Viable Underpinning for a Holistic Psychology: A Dialogue with Existential-Phenomenology Richard Hoffman Three Poems 92 Mark Fratoni What Do I Love When I Love My Patient? 95 Toward an Apophatic Derridean Psycho- therapy Jerome Rothenberg Five Poems 106 Michael P. Sipiora Hesse’s Steppenwolf: A Comic-Psychologi- 123 cal Interpretation Liz Bradfield Five Poems 148 Sylvie Gambaudo We Need To Talk About Eva: The Demise 155 of the Phallic Mother Joshua Soffer The Meaning of Feeling: Banishing the 169 Homunculus from Psychology William Heyen Five Poems 198 David D. Dillard-Wright Figurations of the Ecstatic: The Labor of 203 Attention in Aesthetic Experience Cleopatra Kontoulis & Don DeLillo’s The Body Artist: Time, 222 Eliza Kitis Language and Grief William Heyen The Green Bookcase 243 Norman Arthur Fischer Rudyard Kipling’s Stories of Overcoming 259 Existential Angst through Empathy Gregory Phipps Matisse of Montreal 269 Bryne Lewis Allport Postcard 291 John Pauley Faulkner’s Tragic Fiction and the 292 Impossibility of Theodicy Robert Garfield McInerney A Transcontinental Journey Brings 315 Transcendental Understanding: A Review of Existential Psychology East-West Introduction Dear Janus Head readers, It is my pleasure to introduce you to our latest issue. This open issue con- tinues Janus Head’s tradition of bringing together thought from across disciplines, inviting conversation and, perhaps, revealing the indistinctness of boundaries between philosophy, poetry, art, literature, and psychology. Thank you for keeping this conversation going. It is an honor to introduce myself as a new associate editor of the journal. I am a doctoral candidate in Duquesne University’s psychology program and continue the tradition of Duquesne’s involvement with the journal that began with its inception twelve years ago. My own work involves re- vealing the ambiguity of presumed boundaries—in my paper in this issue, boundaries between the human and the technological, and in my current dissertation work, between flesh and artifice. My educational background is interdisciplinary; I attended St. John’s College in Annapolis, MD, where I read across all seven liberal arts the books that shaped the Western world. At Duquesne, inspired by the psychology department’s collective interest in illuminating human experience (including the range and diversity of hu- man experience), I combined psychology with women and gender studies. I dedicate myself to Janus Head out of appreciation for its shared goal of presenting the human as a category with a broad range of interpretations. Janus Head has exciting open and special issues underway right now. Our next issue will be a special issue with the theme “Corpse.” We have just released a call for papers for our next special issue, a guest-edited volume on feminist phenomenology. In the meantime, two open issues await their release. As always, we welcome your contributions and your feedback. Your voice is integral to the journal’s ongoing success. We hope you enjoy this issue, and again, thank you! Sincerely, Amy E. Taylor Janus Head, 12(1), Copyright © 2011 by Trivium Publications, Pittsburgh, PA All rights reserved. Printed in the United States of America Souling Robert Gibbons Janus Head could possibly be credited with saving a person’s life. Such is the nature of conjecture in language. At the beginning of this issue 1 of Volume 12, the authors Rolf and Elsa von Eckartsberg propose that, “Language can accomplish immortality.” Early on in its existence as a journal devoted to the interdisciplinary endeavors of Literature, Continental Phi- losophy, Phenomenological Psychology, and the Arts, Janus Head’s contents portrayed a myriad of complex subject matter and writing style, which if one were to attempt to read through its labyrinthine paths valued secrets could be garnered. At least that was the case for me more than ten years ago, even before then Poetry Editor, Claire Barbetti, generously published my work in its pages in 2001. Three years later Claire offered me the position she left in order to pursue other avenues in academia. It’s been my honor to solicit work from Robert Bly, Liz Bradfield, Andrei Codrescu, Clayton Eshleman, Richard Hoffman, Fanny Howe, Sidney Goldfarb, and Pattiann Rogers, translations of Cristian Aliaga, Paul Celan, Pablo Neruda, Tomas Tranströmer, and César Vallejo, along with acceptances from less well-known writers of no-less valuable work. The current issue staggered to the finish line. Few literary journals outlive the inevitable inertia of grueling publication demands, deadlines, and commitments. Some of those which have run their course made an impact during their time, and afterward, for readers and writers alike. Think of Black Mountain Review, The Dial, Origin, Sulfur, Yugen, etc. Often these journals depend on a small coterie of diligent, dedicated enthusiasts. As it now stands, Janus Head can credit its survival to the staunch, creative will of Brent Dean Robbins, along with added contributions by Manager, April Robbins, and newly appointed Associate Editors, Sean Connolly and Amy Taylor. I am thankful Brent decided to continue publishing. The decision to go on was probably as difficult as getting a journal of this quality out online and in print biannually. This issue gives us a chance to publish the work of William Heyen, whose book, A Poetics of Hiroshima, as I have written elsewhere, is in my opinion the best book of poetry written in the past decade. At the same time Jerome Rothenberg has given us a large sheaf of brilliant poems representa- tive of his vast historical take on the world. Mr. Rothenberg’s own editorial Janus Head, 12(1), Copyright © 2011 by Trivium Publications, Pittsburgh, PA All rights reserved. Printed in the United States of America Janus Head 7 work has been nothing short of monumental, what with both volumes of Poems for the Millennium, co-edited with Pierre Joris, a veritable encyclopedic analysis of modern/postmodern poetry worldwide. The editors’ annotations add up to some of the most insightful, risk-taking criticism of the genre ever compiled. It’s the most comprehensive anthology of its kind since America a Prophesy, which he edited with George Quasha in 1973. Over forty years ago Mr. Rothenberg showed me what poetry can do as he chanted, played ancient instruments, and read to an astonished audience in Cambridge. As I peruse the current issue I know I will return often to the von Eckartsbergs’ article concerning the “democratization of fame” and narra- tive activity devoted to the service of spiritual immortality. Their article is counterpoint to Michael Siporia’s analysis of Hesse’s Steppenwolf, in which the hero is saved by immortals such as Goethe and Mozart led by the Femi- nine portrayed by Hermine, a character Siporia sees “akin in her spirituality to the prostitutes in Dostoyevsky.” I’m intrigued by Siporia’s point that the spontaneity of the Jazz Club in the novel will offer the Steppenwolf the milieu for possible redemption, reminding me of Barthes’ comment, “… man’s spontaneity is his culture…” There’s a fine mesh going on in the articles Robbins has chosen here between connections and juxtapositions, where the hero of the Hesse novel defaults toward his razor as a Nietzschean alternative, while Kontoulis & Kitis examine the abandonment of language in DeLillo’s The Body Artist, where at the center of the novel a suicide is dealt with by performance art and language reduced to “autistic repetitiveness and involution,” “echolalia,” or a “barely semiotic language.” An experiment in writing close to Marguerite Duras giving silence a voice, the body alone having its say.
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