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University of Groningen Inequality and Solidarity Fink, Simon; Klein, Lars
University of Groningen Inequality and Solidarity Fink, Simon; Klein, Lars; de Jong, Janny; Waal, van der, Margriet IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2020 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Fink, S., Klein, L., de Jong, J., & Waal, van der, M. (Eds.) (2020). Inequality and Solidarity: Selected Texts Presented at the Euroculture Intensive Programme 2019 . (2020 ed.) Euroculture consortium. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors -
Dutch Townscape at Toronto / the Dutch Cityscape in the 17Th Century and Its Sources. an Exhibition Held at the Amsterdams Histo
Document generated on 09/24/2021 5:26 p.m. RACAR : Revue d'art canadienne Canadian Art Review --> See the erratum for this article Dutch Townscape at Toronto The Dutch Cityscape in the 17th Century and its Sources. An exhibition held at the Amsterdams Historisch Museum, Amsterdam, 17 June–28 August 1977, and the Art Gallery of Ontario, Toronto, 27 September–13 November 1977 Leonard J. Slatkes Volume 5, Number 1, 1978 URI: https://id.erudit.org/iderudit/1077321ar DOI: https://doi.org/10.7202/1077321ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this review Slatkes, L. J. (1978). Review of [Dutch Townscape at Toronto / The Dutch Cityscape in the 17th Century and its Sources. An exhibition held at the Amsterdams Historisch Museum, Amsterdam, 17 June–28 August 1977, and the Art Gallery of Ontario, Toronto, 27 September–13 November 1977]. RACAR : Revue d'art canadienne / Canadian Art Review, 5(1), 54–56. https://doi.org/10.7202/1077321ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1978 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Foreign Chrematonyms in a Globalised Society. a Case Study
111 Iulian Boldea (Coord.) Globalization and National Identity. Studies on the Strategies of Intercultural Dialogue LANGUAGE AND DISCOURSE SECTION FOREIGN CHREMATONYMS IN A GLOBALISED SOCIETY. A CASE STUDY Anamaria Radu and Alexandra Cotoc PhD, ”Babeș-Bolyai” University of Cluj-Napoca Abstract. In the present paper we observe the pragmatic dimensions of the message transmitted through names related to entertainment (restaurants, pubs, music bands etc.) or things in the field of culture and leisure activities. These names represent a new onymic category and they are labeled as chrematonyms. In the era of globalisation, some of them are used in a culture, but originate and/or relate to another. Moreover, they can influence people to react in a particular way, hence they have a pragmatic value. The paper presents the link between chrematonyms and multiculturalism, highlighting the concepts of globalisation and glocalisation. It also pinpoints the difference between chrematonyms and brands. We provide a possible classification for chrematonyms and we carry out a comparative analysis of foreign (mainly English) chrematonyms in Romania, emphasizing the fact that they represent signs of globalisation. We also analyse why foreign chrematonyms have gained an intensive and pervasive meaning in a globalised society. Keywords: chrematonyms, globalisation, glocalisation, culture, pragmatic dimensions 0. Introduction This study provides an overview of the onymic category of chrematonyms and puts forward a practical structural classification for them. We focus on foreign chrematonyms which use English or combinations of English and another language because English functions as a lingua franca at a macro-level, being used and spoken worldwide, and also on other foreign chrematonyms encountered in Romania. -
World-Class Apprenticeship Standards: Report and Recommendations
World-class apprenticeship standards: Report and recommendations Item Type Research Report Authors Mieschbuehler, Ruth; Hooley, Tristram Citation Mieschbuehler, R. and Hooley, T. (2016) 'World-Class Apprenticeship Standards: Report and Recommendations', Derby and London: International Centre for Guidance Studies (iCeGS), University of Derby and Pearson Education UK. Publisher International Centre for Guidance Studies, College of Education, University of Derby Rights An error occurred on the license name.; An error occurred on the license name. Download date 03/10/2021 12:22:52 Item License An error occurred getting the license - uri. Link to Item http://hdl.handle.net/10545/610516 World-Class Apprenticeship Standards Report and Recommendations Ruth Mieschbuehler Tristram Hooley I believe there is much we can learn“ from apprenticeship systems around the world, even if there is never a perfect ‘off- the-shelf ’ option that you can lift from one country and then apply in another. At Pearson, we welcome this new analysis of different systems, just as we have welcomed the contribution of international experts to our qualification redevelopment in recent years. “ ROD BRISTOW PRESIDENT, PEarSON UK ii! ! ! ! Published!by!the!International!Centre!for!Guidance!Studies,!College!of!Education,! University!of!Derby!and!Pearson!UK.!Commissioned!by!Pearson!UK. ! ! ISBN:!978'1'910755'04'4! ! Citation!information:!Mieschbuehler,!R.!and!Hooley,!T.!(2016)!World&Class* Apprenticeship*Standards:*Report*and*Recommendations,!Derby!and!London:! International!Centre!for!Guidance!Studies!(iCeGS),!University!of!Derby!and! -
European Vehicle Market Statistics: Pocketbook 2016/2017
EUROPEAN VEHICLE MARKET STATISTICS Pocketbook 2016/17 European Vehicle Market Statistics 2016/17 Statistics Market Vehicle European International Council on Clean Transportation Europe Neue Promenade 6 10178 Berlin +49 (30) 847129-102 [email protected] www.theicct.org ICCT Table of Contents 1 Introduction 2 2 Number of Vehicles 14 3 Fuel Consumption & CO2 26 4 Technologies 42 5 Key Technical Parameters 52 6 Other Emissions & On-road 68 Annex Remarks on Data Sources 72 List of Figures and Tables 74 References 78 Abbreviations 80 Tables 81 An electronic version of this Pocketbook including more detailed statistical data is available online: http://eupocketbook.theicct.org EUROPEAN VEHICLE MARKET STATISTICS 2016/17 1 INTRODUCTION Market share EU-28 Registrations (million) in 2015 (in %) Fig. 1-1 16 100 Passenger cars: 90 14 Registrations by Others The 2016/17 edition of European Vehicle Market SUV/ 80 vehicle segment Of-Road 12 Statistics ofers a statistical portrait of passenger car, Van Sport 70 light commercial and heavy-duty vehicle fleets in Luxury 10 Upper 60 the European Union (EU) from 2001 to 2015. Medium Medium As in previous editions, the emphasis is on vehicle 8 50 techno logies, fuel consumption, and emissions of Lower 40 greenhouse gases and other air pollutants. 6 Medium The following pages give a concise overview 30 4 of data in subsequent chapters and also summarize 20 Small the latest regulatory developments in the EU. 2 10 More comprehensive tables are included in the annex, Mini 0 0 along with information on sources. 01 10 07 02 03 04 05 06 09 008 2011 2012 2013 2014 2015 20 20 20 20 20 20 20 20 2 20 Number of vehicles Data source: ACEA; data until 2007 is for EU-25 only After declining for several years, new passenger car registrations in the EU increased to about 13.7 million in 2015. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Amsterdam Trade Bank Nv Annual Report 2015
General Information AMSTERDAM TRADE BANK NV ANNUAL REPORT 2015 1 General Information GENERAL INFORMATION REPORT OF THE SUPERVISORY BOARD REPORT OF THE EXECUTIVE BOARD CORPORATE GOVERNANCE FINANCIAL STATEMENTS 2015 CONSOLIDATED FINANCIAL STATEMENTS 2015 Consolidated statement of financial position at 31 December 2015 Consolidated statement of income for 2015 Consolidated statement of changes in equity Consolidated statement of cash flows for 2015 NOTES TO THE CONSOLIDATED FINANCIAL STATEMENTS 2015 Summary of significant accounting principles and policies Risk management Notes to the consolidated statement of financial position Notes to the consolidated statement of income Appropriation of result COMPANY FINANCIAL STATEMENTS 2015 Company statement of financial position at 31 December 2015 Company statement of income for 2015 Notes to the company financial statements 2015 OTHER INFORMATION Subsequent events Independent auditor’s report Statutory regulation on Appropriation of result Glossary 2 General Information Profile and strategy Amsterdam Trade Bank NV (ATB) is an independent financial institution founded in 1994 that obtained its banking license in the same year. Since 2001 ATB forms part of the Alfa Group through its parent Alfa-Bank Russia, currently the largest private bank in the Russian Federation. ATB is a bank which specializes in financing international trade and associated assets. Typically it focuses on owner-managed companies which are active in the cross-border logistics and supply chains, with an emphasis on commodity traders and transport asset owners, including shipping companies. Given its ownership and history, ATB enjoys a natural competitive advantage when providing services for cross-border flows with the countries of the Commonwealth of Independent States, but ATB is active globally and the growing number of our clients are today located in Western Europe and other countries of the OECD. -
NPO-Fonds Presentatie Cijfers 2018
CIJFERS 2018 Gebaseerd op 1 jaar feitelijke gegevens NPO-fonds (met uitzondering van de diverse talentontwikkelingstrajecten) !1 ALGEMEEN 2018 !2 Hoeveel aanvragen zijn er in totaal bij het NPO-fonds ingediend en toegekend? 2018 !3 TOTAAL INGEDIENDE AANVRAGEN Ontwikkeling Productie Totaal 160 153 140 120 100 89 81 80 72 60 47 40 42 40 30 24 15 20 10 9 0 Video drama Video documentaire Audio Totaal 2018 !4 TOTAAL TOEGEKENDE AANVRAGEN Ontwikkeling Productie Totaal 100 91 90 80 70 56 60 51 50 40 40 28 28 30 22 17 20 13 7 10 5 6 0 Video drama Video documentaire Audio Totaal 2018 !5 TOTAAL SLAGINGS% Ontwikkeling Productie Totaal 100% 80% 67% 67% 63% 63% 60% 59% 60% 57% 55% 54% 50% 52% 47% 40% 20% 0% Video drama Video documentaire Audio Totaal 2018 !6 Hoe is de verhouding tussen indieningen en toekenningen per omroep? 2018 !7 TOTAAL INGEDIEND PER OMROEP Ontwikkeling Productie Totaal 40 34 34 35 30 25 26 25 19 18 20 15 16 16 15 13 15 12 11 9 9 10 7 8 5 4 4 4 5 1 0 1 0 EO MAX NTR VPRO HUMAN BNNVARA AVROTROS KRO-NCRV 2018 !8 TOTAAL TOEGEKEND PER OMROEP Ontwikkeling Productie Totaal 25 20 19 20 18 18 15 13 9 10 10 9 9 10 7 8 7 5 6 5 3 3 5 2 1 0 0 0 0 EO MAX NTR VPRO HUMAN BNNVARA AVROTROS KRO-NCRV 2018 !9 2018 59% 52% 63% 69% Gemiddeld 60% 82% VPRO 80% 78% 81% NTR Totaal 0% 0% MAX 53% 50% Productie 56% !10 54% KRO-NCRV 50% OMROEP 56% HUMAN 56% Ontwikkeling 53% EO 60% 38% 75% TOTAAL SLAGINGS% PER 0% 50% BNNVARA 20% 71% AVROTROS 0% 20% 10% 90% 80% 70% 60% 50% 40% 30% Hoeveel geld is er in totaal toegekend? 2018 !11 2018 € 15.978.099 € 8.927.107 € 7.251.100 -
Elections and Organised Crime
Seventh Framework Programme for Research and Technological Development of the European Union EU Grant Agreement number: 290529 Project acronym: ANTICORRP Project title: Anti-Corruption Policies Revisited Work Package: WP9 Organized crime and impact on vulnerable groups Title of deliverable: D9.2 Policy papers with recommendations. Organised crime and Political Corruption: Salvatore Sberna and Alberto Vannucci Corruption and trafficking in women: Nadya Stoynova, Atanas Rusev, Maria Yordanova Due date of deliverable: 30 April, 2016 Actual submission date: 29 April, 2016 Organization name of lead beneficiary for this deliverable: Scuola Normale Superiore Project co-funded by the European Commission within the Seventh Framework Programme Dissemination Level PU Public X PP Restricted to other programme participants (including the Commission Services) RE Restricted to a group specified by the consortium (including the Commission Services) Co Confidential, only for members of the consortium (including the Commission Services) The information and views set out in this publication are those of the author(s) only and do not reflect any collective opinion of the ANTICORRP consortium, nor do they reflect the official opinion of the European Commission. Neither the European Commission nor any person acting on behalf of the European Commission is responsible for the use which might be made of the following information. Seventh Framework Programme for Research and Technological Development of the European Union EU Grant Agreement number: 290529 Project -
Jarin Van Oort
Curriculum Vitae - Jarin van Oort Persoonlijke gegevens: Volledige naam en titel: ing. Jasper Christiaan (Jarin) van Oort Adres: Smidsgilde 21, 3994 BG Houten Telefoonnummer: 06-16408076 E-mail: [email protected] LinkedIn profiel: linkedin.com/in/jarin Geboortedatum: 26 november 1976 Professionele werkervaring: 2011 – heden: Leading Projects (Houten) Zelfstandig Projectmanager in ICT / Multimedia • 18 jaar achtergrond in Telecom/Broadcasting (HTS Telematica, KPN, Imtech, EO, Solcon, NPO, AVROTROS, BVN TV, KRO-NCRV, e.a.) en Universiteit Leiden • Ervaren in specialistische ICT-projecten: Streaming Video, IPTV, Multimedia, Telecom en Infrastructuur, 24/7 realtime omgevingen Recente opdrachtgevers: § KRO-NCRV (National Broadcaster) 2017 Sr. Projectmanager&Consultant Vernieuwing externe netwerk-infrastructuur KRO-NCRV (firewalls, glasvezel- infrastructuur TV / Radio / Data); Verbeteronderzoek Videomontage-workflow; Coaching teamleiders (Agile, projectleiding); Sparring partner t.b.v. ICT-manager Marktoriëntaties (Ericsson, NEP, KPN, etc.), Programma van Eisen, Aanbesteding, Implementatie § Universiteit Leiden 2014-2016 Sr. Projectmanager&Consultant Aanbesteding en implementatie Cloud Video Platform t.b.v. 30.000 users; Integratie in Blackboard (SSO); Publieke portal (video.leidenuniv.nl); SAML-integratie campus Identity Management; Migratie video content; Opstart supportorganisatie Programma van Eisen; Aanbesteding; Pilots; Leveranciersmanagement; Stuurgroep; Supportproces § AVROTROS (National Broadcaster) 2015 Consultant Onderzoek -
Jaarverslag Vereniging Kro-Ncrv
JAARVERSLAG 2020 VERENIGING KRO-NCRV 1 Jaarverslag 2020 Inhoudsopgave Verslag van het bestuur bij de jaarrekening 2020 5 Verslag van de Raad van Toezicht 35 Jaarrekening 2020 43 Balans per 31 december 2020 44 Exploitatierekening over 2020 46 Kasstroomoverzicht over 2020 4 7 Algemene toelichting op de jaarrekening 52 Toelichting op de balans per 31 december 2020 60 Toelichting op de exploitatierekening over 2020 69 Nadere toelichtingen - Model IV - Exploitatierekening 2020 per kostendrager 82 - Model VI - Nevenactiviteiten per cluster 84 - Model VII - Sponsorbijdragen en bijdragen van derden 86 - Model VIII - Bartering 90 - Model IX - Verantwoording kosten per platform en per domein 9 1 Overige gegevens 91 Controleverklaring 92 2 Jaarverslag 2020 Jaarverslag 2020 3 1 VERSLAG VAN HET BESTUUR BIJ DE JAARREKENING 2020 The PassionJaarverslag 2020 1.1. Inleiding: het jaar 2020 en grote (sport)evenementen doorgeschoven naar van Gehandicaptenzaken, een initiatief van KRO- 3D-audiotechnieken waardoor de insectenwereld Het programma BinnensteBuiten waarin KRO-NCRV 2021. Dit bood enerzijds mogelijkheden om extra NCRV, een akkoord gekomen tussen grote belan- op unieke wijze tot leven komt en door middel van op tv, online, met (3D)podcasts en zelfs met een programma’s te maken. Anderzijds heeft dit er ook genverenigingen en de politiek om meer inclusieve Augmented Reality de insecten levensgroot in huis eigen (online) festival actief oproept om de wereld toe geleid dat er weinig ruimte was om de voorge- speeltuinen te bouwen en hebben de vragen aan kunnen worden geprojecteerd. Maar ook met het en de natuur om ons heen te ontdekken en om nomen extra investeringen in nieuw media-aanbod de Minister geresulteerd in een gebarentolk bij de You-Tube-kanaal Spot On waarbij interactie en de duurzamer te leven, is een aansprekend voorbeeld te doen en ook voor andere nieuwe initiatieven die persconferenties over de coronacrisis. -
Yelena Myshko (Kyiv, 1985) Is a Multidisciplinary Artist Based in Zutphen, the Netherlands
YELENA MYSHKO ////////// Ambiguous agent of change... ////////// [email protected] ////////// yelenamyshko.com Born in Kyiv, Ukraine Based in Zutphen, the Netherlands Yelena Myshko (Kyiv, 1985) is a multidisciplinary artist based in Zutphen, the Netherlands. She is exploring the social and visual phenomena of the current Zeitgeist. With both theoretical and soma immersive research methodologies she tries to find and extrapolate existential tension points within her socio-cultural environment from which she creates art and theory. AWARDS & GRANTS 2019 Kunstschouw Award, shortlisted, material prize awarded Walter Koschatzky Art-Award, nominated 2018 BLOOOM Award by Warsteiner, nominated 2017 Hendrik Muller Fonds, awarded ArtEZ Profileringsfonds, awarded 2009 HKU Jan van Scorel Fonds, awarded SOLO EXHIBITIONS 2012 Gen Y Folk: anthropology of digital culture, ROAM, Utrecht, the Netherlands (curated by Kim de Haas from Els & Nel) 2010 One Hour Art: second hour, Centraal Museum, Utrecht, the Netherlands (juried by Jos Houweling) GROUP EXHIBITIONS 2021 V International Biennial of Nude “Marko Krstov Gregović”, Public Institution Museums and galleries of Budva, Budva and Petrovac, Montenegro (curated by Dragan Mijač Brile and Milijana Istijanovic) AUSTRAL from the Virtual Realm, AUSTRAL Performance Art Festival, Buenos Aires, Argentina (curated by Hector Canonge) 2020 Wild Wild Æst, Æther Haga, the Hague, the Netherlands (curated by Marie Civikov and Voin de Voin) 2019 NULLLLL, Evenementenhal De Prodentfabriek, Amersfoort, the Netherlands