Jazzweek with Airplay Data Powered by Jazzweek.Com • May 31, 2010 Volume 6, Number 27 • $7.95

Total Page:16

File Type:pdf, Size:1020Kb

Jazzweek with Airplay Data Powered by Jazzweek.Com • May 31, 2010 Volume 6, Number 27 • $7.95 JazzWeek with airplay data powered by jazzweek.com • May 31, 2010 Volume 6, Number 27 • $7.95 Jazz Album No. 1: One For All, Incorrigable Smooth Album No. 1: Sade, Solider of Love (JLP) (Sony) World Music No. 1: Nas & Damian ‘Junior Smooth Single No. 1: Bernie Williams, Gong’ Marley, Distant Relatives (Tuff Gong/The “Ritmo De Otono” (w/ Dave Koz) (Reform/ Island Def Jam) Rock Ridge) JazzWeek Summit 2010: Register now at http://summit.jazzweek.com/ Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays May 31 June 8 June 16 Red Holloway (1927) Bill Watrous (1939) Joe Thomas (1933) Louis Hayes (1937) Julie Tippett (1947) Albert Dailey (1938) June 1 June 9 Tom Harrell (1946) Hal McKusick (1924) Cole Porter (1891) Javon Jackson (1965) Lennie Niehaus (1929) Kenny Barron (1943) June 17 June 2 Mick Goodrick (1945) Tony Scott (1921) Marty Napoleon (1921) June 10 Joe Thomas (1933) Chuck Rainey (1940) June 3 Dicky Wells (1907) Dakota Staton (1931) Gary Thomas (1961) June 20 Ted Curson (1935) Charnett Moffett (1967) Eric Dolphy (1928) Grachan Moncur III (1937) June 11 June 21 Jack Wilkins (1944) Shelly Manne (1920) Jamil Nasser (1932) June 4 Hazel Scott (1920) June 23 Britt Woodman (1920) Bernard Purdie (1939) Milt Hinton (1910) Oliver Nelson (1932) Jamaaladeen Tacuma (1956) Helen Humes (1913) Anthony Braxton (1945) June 12 George Russell (1923) Paquito D’Rivera (1948) Marcus Belgrave (1936) Sahib Shihab (1925) June 5 Chick Corea (1941) Donald Harrison (1960) Pete Jolly (1932) Geri Allen (1957) June 24 Misha Mengleberg (1935) June 13 Cap’n John Handy (1900) Peter Erskine (1954) Doc Cheatham (1905) Cootie Williams (1910) June 6 Frank Strozier (1937) George Gruntz (1932) Jimmie Lunceford (1902) June 14 Frank Lowe (1943) Al Grey (1925) Lucky Thompson (1924) Marvin Smith (1961) Grant Green (1931) June 15 June 25 Monty Alexander (1944) Erroll Garner (1921) Joe Chambers (1942) June 7 Jaki Byard (1922) June 26 Tal Farlow (1921) Tony Oxley (1938) Dave Grusin (1934) Beryl Booker (1922) Reggie Workman (1937) Tina Brooks (1932) Joey Baron (1955) For daily, online access to the data behind the charts, please contact Doug Hall at (610) 578-0800 x120 or [email protected] jazzweek.com • May 31, 2010 JazzWeek 2 airplay data JazzWeek Jazz Album Chart May 31, 2010 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 21 15 1 One For All Incorrigible JLP 183 107 76 5 56 8 2 13 13 2 Nnenna Freelon Homefree Concord 181 126 55 6 55 8 3 18 17 3 Anat Cohen Clarinetwork Live At The Village Vanguard Anzic 178 117 61 9 59 9 4 – – 4 Keith Jarrett & Charlie Haden Jasmine Ecm 177 0 177 1 47 47 5 2 1 1 John Pizzarelli Rockin In Rhythm: A Tribute To Duke Telarc 170 166 4 13 45 1 Ellington 6 16 2 2 Trombone Shorty Backatown Verve Forecast 169 121 48 8 62 2 7 16 29 7 Pharez Whitted Transient Journey Owl Studios 167 121 46 8 62 8 8 21 4 4 John Fedchock Live At The Red Sea Jazz Festival Capri 166 107 59 7 56 2 World Village/Harmonia 9 3 3 1 Catherine Russell Inside This Heart Of Mine Mundi Usa 158 156 2 8 54 5 10 1 9 1 Tom Harrell Roman Nights HighNote 155 207 -52 7 52 3 11 7 – 7 Joe Chambers Horace To Max Savant 152 134 18 3 47 15 11 7 5 1 Tia Fuller Decisive Steps Mack Avenue 152 134 18 12 40 3 13 6 8 1 Rufus Reid Out Front Motema 144 138 6 13 39 0 14 – – 4 Oliver Jones & Hank Jones Pleased To Meet You Justin Time 127 23 104 29 52 1 15 44 – 15 Andreas Oberg Six String Evolution Resonance 125 62 63 3 49 29 16 – – 16 Ray Vega & Thomas Marriott East-West Trumpet Summit Origin 120 45 75 2 41 17 17 20 11 9 Claudio Roditi Simpatico Resonance 113 108 5 14 26 1 18 4 10 2 Dee Dee Bridgewater Eleanora Fagan (1915-1959): To Billie With Emarcy/DDB 111 145 -34 11 28 1 Love From Dee Dee 19 12 16 12 Dave Holland Pathways Dare2 110 128 -18 9 49 0 20 10 12 10 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 109 131 -22 7 40 0 21 26 17 12 Ken Peplowski Noir Blue Capri 103 94 9 12 22 0 21 24 26 12 Ehud Asherie Modern Life Posi-Tone 103 102 1 9 27 1 21 10 5 2 Mike LeDonne The Groover Savant 103 131 -28 13 34 0 24 – – 24 Dr. Lonnie Smith Spiral Palmetto 102 19 83 2 44 31 25 55 – 25 Arturo Sandoval Time For Love Concord 100 54 46 3 40 15 26 14 27 14 Jacky Terrasson Push Concord Jazz 96 125 -29 5 48 2 27 36 41 3 Joe Locke For The Love Of You E1 Entertainment 95 71 24 18 34 0 28 15 14 8 Chris Tedesco Living The Dream Angel City 93 124 -31 10 28 0 29 25 58 25 Wallace Roney If Only For One Night HighNote 92 96 -4 3 36 10 Preservation: An Album To Benefit Preserva- 29 30 19 10 Preservation Hall Jazz Band tion Hall & The Preservation Hall Music Preservation Hall 92 90 2 15 20 0 Outreach Program 31 19 25 19 Avery Sharpe Trio Avery Sharpe Trio Live JKNM 91 115 -24 6 35 3 31 5 7 5 Brad Mehldau Highway Rider Nonesuch 91 142 -51 9 32 0 33 37 38 29 Brandon Wright Boiling Point Posi-Tone 89 69 20 5 28 2 34 26 20 12 Christian Scott Yesterday You Said Tomorrow Concord Jazz 83 94 -11 11 35 0 34 23 21 21 Hot Club Of Detroit It’s About That Time Mack Avenue 83 106 -23 6 31 3 36 29 22 12 Sheryl Bailey A New Promise MCG Jazz 80 93 -13 15 20 0 37 40 33 31 Bobby McFerrin VOCAbuLarieS Emarcy 73 68 5 7 37 4 37 33 30 22 Jazz At Lincoln Center Orchestra Portrait In Seven Shades: Ted Nash Jazz At Lincoln Center 73 79 -6 8 29 0 39 31 37 1 Ahmad Jamal A Quiet Time Dreyfus Jazz 70 82 -12 18 28 0 40 54 49 40 Royce Campbell Trio All Standards And A Blues Philology 68 55 13 9 26 0 41 26 47 26 Carrie Wicks I’ll Get Around To It OA2 66 94 -28 4 34 3 42 44 – 14 Paul Meyers Quartet Paul Meyers Quartet Featuring Frank Wess Miles High 65 62 3 15 28 0 43 49 32 32 Rhoda Scott Beyond The Sea Doodlin 64 57 7 7 25 1 44 – – 44 Marian Petrescu Thrivin Live At The Jazz Standard Resonance 63 44 19 2 30 14 44 58 42 2 Hadley Caliman Straight Ahead Origin 63 49 14 18 27 0 46 – – 46 Corey Christiansen Outlaw Tractor Origin 62 39 23 2 30 12 47 46 44 41 Colorado Conservatory For The Jazz Arts Fourteen Channels Tapestry 61 60 1 10 9 0 48 – 46 42 El Movimiento The Movement Nueva Nota 60 48 12 9 18 2 49 43 43 40 Organissimo Alive & Kickin’ Big O 59 65 -6 8 22 0 50 46 36 4 Don Braden & Mark Rapp The Strayhorn Project Premium Music Solutions 57 60 -3 20 19 0 Most Added (first airplay detection) Increased Airplay Chartbound Keith Jarrett & Charlie Haden Jasmine (Ecm) +47 Keith Jarrett & Charlie Haden Jasmine (Ecm) +177 Kenia Kenia Celebrates Dorival Caymmi (Mooka) Dr. Lonnie Smith Spiral (Palmetto) +31 Oliver Jones & Hank Jones Pleased To Meet You José James & Jef Neve For All We Know (Verve Forecast) Beegie Adair Into Somethin’ (Adair) Andreas Oberg Six String Evolution (Resonance) +29 (Justin Time) +104 GrafittiGrafitti (Borrowed Time) Azar Lawrence Mystic Journey (Furthermore) +20 Dr. Lonnie Smith Spiral (Palmetto) +83 Frank Kimbrough Rumors (Palmetto) Roberto Occhipinti Bend In The River (Alma) +18 One For All Incorrigible (JLP) +76 Roberto Occhipinti Bend In The River (Alma) Ray Vega & Thomas Marriott East-West Trumpet Summit Ray Vega & Thomas Marriott East-West Trumpet Summit Dan Pratt Toe The Line (Posi-Tone) (Origin) +17 (Origin) +75 Ron Gill & John Stein Turn Up The Quiet (Whaling City Sound) Michael Treni Turnaround (Bell Productions) Andreas Oberg Six String Evolution (Resonance) +63 Azar Lawrence Mystic Journey (Furthermore) jazzweek.com • May 31, 2010 All monitored airplay data is owned by Mediaguide, Inc. ©2010 Mediaguide, Inc. JazzWeek 3 airplay data JazzWeek Smooth Album Chart May 31, 2010 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 1 1 Sade Soldier Of Love Sony 155 155 0 23 9 0 2 2 2 2 Bernie Williams Moving Forward Reform/Rock Ridge 137 140 -3 61 10 0 3 3 3 1 Jackiem Joyner Lil’ Man Soul Artistry/Mack Avenue 128 110 18 64 10 0 4 4 3 3 Rick Braun All It Takes Artistry/Mack Avenue 117 108 9 52 8 0 4 6 8 3 Darren Rahn Talk Of The Town NuGroove 117 102 15 67 7 0 6 4 5 1 Peter White Good Day Peak 101 108 -7 41 9 0 7 7 6 6 Spencer Day Vagabond Concord Jazz 91 89 2 28 8 0 8 8 9 8 The Sax Pack The Pack Is Back Shanachie 82 85 -3 34 7 0 9 9 7 2 Richard Elliot Rock Steady Artistry/Mack Avenue 80 80 0 65 8 0 10 22 22 1 Jessy J True Love Peak 79 63 16 45 7 0 11 10 17 8 Michael Buble Crazy Love 143/Reprise 77 77 0 31 7 0 11 23 28 11 Brian Bromberg It Is What It Is Mack Avenue 77 58 19 28 5 0 13 11 9 9 Chris Standring Blue Bolero Ulimate Vibe 72 75 -3 17 8 0 14 15 15 3 Jesse Cook The Rumba Foundation Koch 71 69 2 34 7 0 15 19 21 14 Brian Culbertson Live From The Inside Verve 70 66 4 31 8 0 15 13 17 1 Boney James Send One Your Love Concord 70 71 -1 70 8 0 17 18 11 2 Paul Taylor Burnin’ Peak 66 68 -2 44 7 0 18 20 19 18 David Sanborn Only Everything Decca 65 65 0 16 6 0 19 12 14 9 Paul Brown & Marc Antoine Foreign Xchange Concord 64 72 -8 60 7 0 20 15 12 3 Euge Groove Sunday Morning Shanachie 63 69 -6 32 7 0 21 15 15 1 Norah Jones The Fall Blue Note 58 69 -11 28 7 0 22 21 23 17 The Rippingtons Modern Art Concord/Peak 57 64 -7 63 8 0 23 26 26 23 David Benoit Earthglow Peak 54 51 3 9 8 0 23 25 25 2 Walter Beasley Free Your Mind Heads Up 54 54 0 67 5 0 25 29 24 1 Eric Darius Goin’ All Out Blue Note 52 48 4 101 5 0 26 24 33 24 Mindi Abair In Hi-Fi Stereo Concord 49 55 -6 9 6 0 27 13 13 1 George Benson Songs & Stories Monster/Concord 46 71 -25 43 7 0 28 27 19 2
Recommended publications
  • Bobby Hutcherson, Vibraphonist with Coloristic Range of Sound, Dies at 75
    Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun... http://www.nytimes.com/2016/08/17/arts/music/bobby-hutchers... http://nyti.ms/2bdO8F9 MUSIC Bobby Hutcherson, Vibraphonist With Coloristic Range of Sound, Dies at 75 By NATE CHINEN AUG. 16, 2016 Bobby Hutcherson, one of the most admired and accomplished vibraphonists in jazz, died on Monday at his home in Montara, Calif. He was 75. Marshall Lamm, a spokesman for Mr. Hutcherson’s family, confirmed the death, saying Mr. Hutcherson had long been treated for emphysema. Mr. Hutcherson’s career took flight in the early 1960s, as jazz was slipping free of the complex harmonic and rhythmic designs of bebop. He was fluent in that language, but he was also one of the first to adapt his instrument to a freer postbop language, often playing chords with a pair of mallets in each hand. He released more than 40 albums and appeared on many more, including some regarded as classics, like “Out to Lunch,” by the alto saxophonist, flutist and bass clarinetist Eric Dolphy, and “Mode for Joe,” by the tenor saxophonist Joe Henderson. Both of those albums were a byproduct of Mr. Hutcherson’s close affiliation with Blue Note Records, from 1963 to 1977. He was part of a wave of young artists who defined the label’s forays into experimentalism, including the pianist Andrew Hill and the alto saxophonist Jackie McLean. But he also worked with hard-bop stalwarts like the tenor saxophonist Dexter Gordon, and he later delved into jazz-funk and Afro-Latin grooves. Mr. Hutcherson had a clear, ringing sound, but his style was luminescent and 1 of 4 8/17/16, 2:43 PM Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun..
    [Show full text]
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • Dave Burrell, Pianist Composer Arranger Recordings As Leader from 1966 to Present Compiled by Monika Larsson
    Dave Burrell, Pianist Composer Arranger Recordings as Leader From 1966 to present Compiled by Monika Larsson. All Rights Reserved (2017) Please Note: Duplication of this document is not permitted without authorization. HIGH Dave Burrell, leader, piano Norris Jones, bass Bobby Kapp, drums, side 1 and 2: b Sunny Murray, drums, side 2: a Pharoah Sanders, tambourine, side . Recording dates: February 6, 1968 and September 6, 1968, New York City, New York. Produced By: Alan Douglas. Douglas, USA #SD798, 1968-LP Side 1:West Side Story (L. Bernstein) 19:35 Side 2: a. East Side Colors (D. Burrell) 15:15 b. Margy Pargy (D. Burrell 2:58 HIGH TWO Dave Burrell, leader, arranger, piano Norris Jones, bass Sunny Murray, drums, side 1 Bobby Kapp, drums side 2. Recording Dates: February 6 and September 9, 1968, New York City, New York. Produced By: Alan Douglas. Additional production: Michael Cuscuna. Trio Freedom, Japan #PA6077 1969-LP. Side: 1: East Side Colors (D. Burrell) 15:15 Side: 2: Theme Stream Medley (D.Burrell) 15:23 a.Dave Blue b.Bittersweet Reminiscence c.Bobby and Si d.Margie Pargie (A.M. Rag) e.Oozi Oozi f.Inside Ouch Re-issues: High Two - Freedom, Japan TKCB-70327 CD Lions Abroad - Black Lion, UK Vol. 2: Piano Trios. # BLCD 7621-2 2-1996CD HIGH WON HIGH TWO Dave Burrell, leader, arranger, piano Sirone (Norris Jones) bass Bobby Kapp, drums, side 1, 2 and 4 Sunny Murray, drums, side 3 Pharoah Sanders, tambourine, side 1, 2, 4. Recording dates: February 6, 1968 and September 6, 1968, New York City, New York.
    [Show full text]
  • Benny Golson (* 25
    JAMU 20150408-2 – Benny Golson (* 25. 1. 1929) 6 Along Came Betty 581030 6:08 9 Blues March 581030 6:13 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Van Gelder Studio, Hackensack, New Jersey, October 30, 1958. LP Blue Note BST 84003 „Moanin’“ / CD Blue Note 7243 4 95324 2 7. 3 I Remember Clifford (1957) (138) 581122 5:36 10 Blues March 581122 5:46 1 Whisper Not (1956) (297) 581122 7:11 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Live at the Olympia, Paris, November 22 / December 17, 1958. LP Fontana 680 202 and EP Fontana 460 642 / CD Gitanes 832 659-2. 4 I Remember Clifford 600206 3:10 11 Blues March 600206 5:17 13 Killer Joe (1959) (628) 600206 4:58 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Curtis Fuller-tb; Benny Golson-ts; McCoy Tyner-p; Addison Farmer-b; Lex Humphries-dr. New York City, February 6, 9 and 10, 1960. LP Argo 664 „Meet the Jazztet“ / CD Mosaic MD7-225. 2 Whisper Not 620302 5:20 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr. New York City, March 2, 1962. LP Mercury SR 60698 „Here and Now“ / CD Mosaic MD7-225. 7 Along Came Betty 620621 5:29 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr.
    [Show full text]
  • Seven Lee Morgan Lessons Seven Lee Morgan Lessons
    SEVEN LEE MORGAN LESSONS One of Philadelphia’s most talented offerings would have been 75 years old come July 10 th , 2013. The lessons we can learn from his work and his life have been deemed immeasurable. As the Philadelphia Clef Club Of Jazz and Performing Arts prepares to celebrate his having been part of our family, we thought the following might give Lee some new talking points as a sage at this age. Lee Morgan Lesson 1 : WHY LIMIT YOURSELF ??? “Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. Morgan also knew how to play the alto saxophone ”. Lee Morgan Lesson 2 ::: DON’T JUST HANG AROUND OTHER MUSICIANS; MAKE IT YOUR BUSINESS TO TOURTOUR,, RECORD, INSPIRE & MATURE WITH THEM. “His primary stylistic influence was Clifford Brown , who gave the teenager a few lessons before he joined the Dizzy Gillespie Big Band at 18, He began recording for Blue Note Records in 1956, Lee also recorded for a variety of labels, including Blue Note, Vee-Jay, Roulette, Jazzland and Trip eventually recording 25 albums as a leader for the company with more than 250 musicians ”, A SERIOUSLY SMALL SAMPLING of this list includes: Hank Mobley John Coltrane Art Blakey Benny Golson Wayne Shorter Bobby Timmons Jymie Merritt Billy Hart Grachan Moncur III Freddie Hubbard Wynton Kelly Paul Chambers Grant Green Herbie Hancock Reggie Workman Billy Higgins John Gilmore Stanley Turrentine Jackie McLean Ron Carter Joe Henderson McCoy Tyner Lonnie Liston-Smith Elvin Jones Jack Wilson Reuben Wilson Larry Young Clifford Jordan Andrew Hill Billy Harper Bennie Maupin Marold Mabern Mickey Rokey Freddie Waits Oscar Peterson Lee Morgan Lesson 333: NO MATTMATTERER HOW GREAT THE INFLUENCEINFLUENCE,, DON’T LET THEM INFLUENCE YOU WITH DANGEROUS, SSTUPIDTUPID HABITS LIKE DRUGSDRUGS.DRUGS ..
    [Show full text]
  • Herbie Hancock 1 Jive Hoot (Bob Brookmeyer)
    MUNI 20150420 – Herbie Hancock 1 Jive Hoot (Bob Brookmeyer) 4:43 From album BOB BROOKMEYER AND FRIENDS (Columbia CS 9037 / 468413) Bob Brookmeyer-vtb; Stan Getz-ts; Gary Burton-vib; Herbie Hancock-p; Ron Carter- b; Elvin Jones-dr. New York City, May 1964. Herbie Hancock: THE COMPLETE BLUE NOTE SIXTIES SESSIONS (all compositions by Herbie Hancock) Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey (all sessions) Three Wishes 5:10 Donald Byrd-tp; Wayne Shorter-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. December 11, 1961. From album Donald Byrd: FREE FORM (Blue Note 95961) Watermelon Man 7:08 Freddie Hubbard-tp; Dexter Gordon-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. May 28, 1962. From album TAKIN’ OFF (Blue Note 84109 / 46506) Yams 7:56 Jackie McLean-as; Donald Byrd-tp; Herbie Hancock-p; Butch Warren-b; Tony Williams-dr. February 11, 1963. Jackie McLean: VERTIGO (Blue Note LT-1085) Blind Man, Blind Man 8:16 Donald Byrd-tp; Grachan Moncur III-tb; Hank Mobley-ts; Grant Green-g; Herbie Hancock-p; Chuck Israels-b; Tony Williams-dr. March 19, 1963. MY POINT OF VIEW (Blue Note 84126 / 84126-2) Mimosa 6:34 Herbie Hancock-p; Paul Chambers-b; Willie Bobo-dr, timb; Oswaldo „Chihuahua“ Martinez-bongos, finger cymbals. August 30, 1963. INVENTIONS AND DIMENSIONS (Blue Note 84147 / -2) One Finger Snap 7:16 Freddie Hubbard-co; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. June 17, 1964. EMPYREAN ISLES (Blue Note 84175 / -2) Maiden Voyage 7:55 Dolphin Dance 9:16 Freddie Hubbard-tp; George Coleman-ts; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr.
    [Show full text]
  • The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
    THE “SECOND QUINTET”: MILES DAVIS, THE JAZZ AVANT-GARDE, AND CHANGE, 1959-68 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kwami Taín Coleman August 2014 © 2014 by Kwami T Coleman. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/vw492fh1838 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. MichaelE Veal, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Heather Hadlock I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Charles Kronengold Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format.
    [Show full text]
  • Lee Morgan Chronology 1956–1972 by Jeffery S
    Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
    [Show full text]
  • Exit Here for Jazz…
    Volume 43 • Issue 11 December 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Pianist Marc Cary, center, is flanked by members of his Harlem Sessions All-Stars during their performance at the Exit 0 Jazz Festival in Cape May on Nov. 7. Photo by Mitchell Seidel. Exit Here For Jazz… Now in its 4th year, Exit 0, the new iteration of a twice-yearly Cape May jazz festival, expands its soul and R&B offerings (and its audience) while still serving up plenty of outstanding straight-ahead and trad jazz. Jersey Jazz’s Mitchell Seidel offers an inside view in words and pictures beginning on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 In The Mailbag. .4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 USPS Statement of Ownership ........47 NJJS/Pee Wee T-shirts. 48 nce again, the holiday season is upon us! For are selected by the Music Committee, but it has New/Renewed Members ............48 Othe New Jersey Jazz Society, that means become a tradition that the President selects the storIes (among other things) it’s time for the annual group to perform at the annual meeting. For this Exit 0 Jazz Festival ..............cover meeting, at which the officers report on the state of year’s meeting, I have picked the DIVA Jazz Trio, Big Band in the Sky ..................8 the society and leadership is elected for the coming consisting of Sherrie Maricle on drums, Tomoko Talking Jazz: Ted Nash ..............12 year.
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • November 30, 2009 Volume 6, Number 2 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • November 30, 2009 Volume 6, Number 2 • $7.95 Jazz Album No. 1: Jeff Hamilton Trio Smooth Album No. 1: Jessy J True Love Symbiosis (Capri) (Peak) World Music No. 1: Various Artists Daptone Smooth Single No. 1: Jessy J “Tropical Gold (Daptone) Rain” (Peak) Jazz Album Chart .................... 3 Jazz Radio Currents .................. 8 Smooth Jazz Album Chart ............. 4 Jazz Radio Panel ................... 11 Smooth Singles Chart ................. 5 Key Non-Monitored Jazz Stations . 12 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Jazz Add Dates ...................... 7 Smooth Jazz Station Panel............ 14 Jazz Birthdays November 30 December 9 December 14 Jack Sheldon (1931) Bob Scobey (1916) Budd Johnson (1910) Johnny Dyani (1945) Donald Byrd (1932) Ted Buckner (1913) December 1 Jimmy Owens (1943) Clark Terry (1920) Jimmy Lyons (1933) December 10 Cecil Payne (1922) Jaco Pastorius (1951) Ray Nance (1913) Phineas Newborn (1931) Jerome Cooper (1946) December 2 Bob Cranshaw (1932) Dan Barrett (1955) Charlie Ventura (1916) Franco Ambrosetti (1941) Wynton Kelly (1931) Dianne Schuur (1953) December 15 Ole Amund Gjersvik (1963) Stan Kenton (1911) December 3 Billy Butler (1925) Sylvia Syms (1919) December 11 Gene Quill (1927) Herbie Nichols (1919) McCoy Tyner (1938) Barry Harris (1929) Webster Young (1932) December 12 Curtis Fuller (1934) Eddie Barefield (1909) December 4 Dannie Richmond (1935) Frank Sinatra (1915) Russell Jacquet (1917) Eddie Palmieri (1936) Jim Hall (1930) Bob Dorough (1923) December 16 Dennis Charles (1933) Dodo Marmarosa (1925) Andy Razaf (1895) Andy LaVerne (1947) Joe Williams (1928) Toshiko Akiyoshi (1929) Turk Murphy (1915) December 5 Grover Washington, Jr.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]