Peter Freeman, Inc. Paris Rachel Whiteread
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Le Marché De L'art
LE MARCHÉ DE L’ART CONTEMPORAIN 2007/2008 LE RAPPORT ANNUEL ARTPRICE CONTEMPORARY ART MARKET THE ARTPRICE ANNUAL REPORT LE BILAN DES VENTES PUBLIQUES LES 500 ARTISTES ACTUELS LES PLUS COTÉS LE MARCHÉ DU DESIGN FOIRES ET GALERIES D’ART CONTEMPORAIN INTERNATIONALES : UN ÉTAT DES LIEUX INÉDIT LES DERNIÈRES TENDANCES Artprice et la FIAC, en partenariat avec Axa Art, ont le plaisir de vous communiquer le nouveau rapport sur le marché de l’art contemporain 2007/2008. Son in- croyable croissance durant les années 2000-2007 avait été analysée dans sa pré- Thierry Ehrmann cédente édition. Cette an- Président fondateur de Artprice née, alors que l’économie occidentale montre des signes d’essoufflement, le marché de l’art contemporain continue a afficher d’excellents résultats aux enchères, avec en toile de fond la montée en puissance de l’Asie et le Moyen-Orient, désormais acteurs incontournables sur l’avant-scène internationale. Artprice, leader mondial de l’information du marché de l’art, a analysé pour vous les tendances dans plus de 72 pays à partir de 2900 maisons de vente, écouté les galeries et étudié les résultats des artistes phares qui font vibrer les salles des ventes. page 2 Toute la cote de l’art sur Artprice.com • 290 000 catalogues de ventes aux enchères dans notre banque de données avec images en ligne. • 25 millions de résultats d’adjudication, prix et indices pour 405 000 artistes. • Les ventes futures de 2 900 maisons de ventes. • Les signatures et biographies d’artistes. • Estimations d’œuvres d’art. L E A D E R M O N D I A L D E L’ I N F O R M AT I O N S U R L E M A R C H E D E L’A R T Tèl : 04 72 42 17 06. -
Teachers' Notes – 'Michael Landy: Saints Alive'
Michael Landy as St Jerome, 2012. © Michael Landy, courtesy of the Thomas Dane Gallery, London. Photo: The National Gallery, London. London. Photo: The National Gallery, courtesy of the Thomas Dane Gallery, 2012. © Michael Landy, Michael Landy as St Jerome, MICHAEL LANDY SAINTS ALIVE An introduction for teachers and students SAINTS ALIVE This exhibition consists of seven kinetic sculptures that are operated by visitors. The sculptures represent figures and stories of popular saints taken from the history of art. They are made from cast representations of details taken from National Gallery paintings, which have been combined with assemblages of recycled machinery, broken children’s toys and other unwanted junk. In the foyer to the exhibition, a selection of related drawings and collages is displayed. The collages are made from fragments cut out from reproductions of paintings in the collection. THE ROOTSTEIN HOPKINS ASSOCIATE ARTIST SCHEME The National Gallery is a historical collection that ends with work by Cézanne and the Post-Impressionists. At the time of the Gallery’s foundation in 1824, one of the stated aims was that it should provide a resource from which contemporary artists could learn and gain inspiration. Taking its cue from this idea, the Associate Artist Scheme began in 1989 with the appointment of Paula Rego. The essential requirement for the Associate Artist is that he or she makes new work by engaging with, and responding to the collection or some aspect of the collection. The artist is given a studio in the Gallery for a period of around two years. Michael Landy is the ninth artist to be invited to undertake this project. -
Press Release
Press Release Abigail Lane Tomorrows World, Yesterdays Fever (Mental Guests Incorporated) Victoria Miro Gallery, 4 October – 10 November 2001 The exhibition is organized by the Milton Keynes Gallery in collaboration with Film and Video Umbrella The Victoria Miro Gallery presents a major solo exhibition of work by Abigail Lane. Tomorrows World, Yesterdays Fever (Mental Guests Incorporated) extends her preoccupation with the fantastical, the Gothic and the uncanny through a trio of arresting and theatrical installations which are based around film projections. Abigail Lane is well known for her large-scale inkpads, wallpaper made with body prints, wax casts of body fragments and ambiguous installations. In these earlier works Lane emphasized the physical marking of the body, often referred to as traces or evidence. In this exhibition Lane turns inward giving form to the illusive and intangible world of the psyche. Coupled with her long-standing fascination with turn-of-the-century phenomena such as séances, freak shows, circus and magic acts, Lane creates a “funhouse-mirror reflection” of the life of the mind. The Figment explores the existence of instinctual urges that lie deep within us. Bathed in a vivid red light, the impish boy-figment beckons us, “Hey, do you hear me…I’m inside you, I’m yours…..I’m here, always here in the dark, I am the dark, your dark… and I want to play….”. A mischievous but not sinister “devil on your shoulder” who taunts and tempts us to join him in his wicked game. The female protagonist of The Inclination is almost the boy-figment’s antithesis. -
Rachel Whiteread
RACHEL WHITEREAD Born in Ilford, Essex in 1963 Lives and works in London, UK Eduction 1985–1987, Slade School of Art, London, England 1982–1985, Brighton Polytechnic, Brighton, England Solo Exhibitions 2017-2018 Rachel Whiteread, Tate Britain, London, England 2017 Place (Village), Victoria and Albert Museum of Childhood, London, England Rachel Whiteread, Galleria Lorcan O’Neill, Rome, Italy 2015 Rachel Whiteread: Looking In, Luhring Augustine, New York, NY Rachel Whiteread: Looking Out, Luhring Augustine Bushwick, Brooklyn, NY 2014 Rachel Whiteread, Gagosian Gallery, Geneva, Switzerland Rachel Whiteread: Study for Room, Museo d’Arte Moderna di Bologna, Bologna, Italy 2013 Rachel Whiteread: Detached, Gagosian Gallery, London, England 2011 Rachel Whiteread: Long Eyes, Luhring Augustine, New York, NY Rachel Whiteread: Looking On, Galleria Lorcan O’Neill Roma, Rome, Italy 2010 Rachel Whiteread: Drawings, Armand Hammer Museum of Art and Culture Center, Los Angeles, CA; Nasher Sculpture Center, Dallas, TX; Tate Britain, London, England* Rachel Whiteread, Gagosian Gallery, London, England Rachel Whiteread, Galerie Nelson-Freeman, Paris, France 2009 Rachel Whiteread, Portland Art Museum, Portland, OR WWW.SAATCHIGALLERY.COM RACHEL WHITEREAD 2008 Rachel Whiteread, Gagosian Gallery, Beverly Hills, CA Rachel Whiteread, Museum of Fine Arts, Boston, MA 2007 Rachel Whiteread August Seeling Prize Exhibition, Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany Rachel Whiteread, Centro de Arte Contemporáneo de Málaga, Málaga, Spain Rachel Whiteread, Galleria -
Venice's Giardini Della Biennale and the Geopolitics of Architecture
FOLKLORIC MODERNISM: VENICE’S GIARDINI DELLA BIENNALE AND THE GEOPOLITICS OF ARCHITECTURE Joel Robinson This paper considers the national pavilions of the Venice Biennale, the largest and longest running exposition of contemporary art. It begins with an investigation of the post-fascist landscape of Venice’s Giardini della Biennale, whose built environment continued to evolve in the decades after 1945 with the construction of several new pavilions. With a view to exploring the architectural infrastructure of an event that has always billed itself as ‘international’, the paper asks how the mapping of national pavilions in this context might have changed to reflect the supposedly post-colonial and democratic aspirations of the West after the Second World War. Homing in on the nations that gained representation here in the 1950s and 60s, it looks at three of the more interesting architectural additions to the gardens: the pavilions for Israel, Canada and Brazil. These raise questions about how national pavilions are mobilised ideologically, and form/provide the basis for a broader exploration of the geopolitical superstructure of the Biennale as an institution. Keywords: pavilion, Venice Biennale, modernism, nationalism, geopolitics, postcolonialist. Joel Robinson, The Open University Joel Robinson is a Research Affiliate in the Department of Art History at the Open University and an Associate Lecturer for the Open University in the East of England. His main interests are modern and contemporary art, architecture and landscape studies. He is the author of Life in Ruins: Architectural Culture and the Question of Death in the Twentieth Century (2007), which stemmed from his doctoral work in art history at the University of Essex, and he is co-editor of a new anthology in art history titled Art and Visual Culture: A Reader (2012). -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Steve Mcqueen in Conversation with Artangel | April 2020
Press Release 29 April 2020 STEVE MCQUEEN IN CONVERSATION WITH ARTANGEL Monday 4 May, 7pm BST / 8pm CEST / 2pm EST ArtanGel.orG.uk Oscar-winning filmmaker and Turner Prize winning artist Steve McQueen will be joined by Artangel Co-Director James Lingwood on Monday 4 May for a live online conversation to discuss the artist’s work with Artangel spanning two decades. Steve McQueen first collaborated with Artangel on Caribs’ Leap / Western Deep, an immersive cinematic installation which premiered at Documenta X and in an underground space in London in 2002. In 2016, McQueen installed a new sculpture, Weight, in a cell in Reading Prison as part of Artangel’s acclaimed project, Inside. Most recently McQueen collaborated with Artangel, Tate and A New Direction for the epic project Year 3, resulting in one of the most ambitious visual portraits of citizenship ever undertaken in one of the world’s largest and most diverse cities. Viewers can join the event live from 7pm BST on Monday 4 May via the Artangel website and are encouraged to post questions following the conversation using the hashtag #ArtangelIsOpen on Twitter or Facebook. A link to join the event will be available on the Artangel website from 18.45 on 4 May. The conversation is part of a new programme of digital content initiated by Artangel to open up and encourage creativity during lockdown. The programme will revisit Artangel’s archive, exploring projects that are particularly pertinent today. Artangel’s work with Steve McQueen has allowed an exploration into themes of solitude and grief, collective representation and identity, to develop new work by the artist. -
Gillian Wearing 28 March – 17 June 2012, Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9)
Gillian Wearing 28 March – 17 June 2012, Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9) The Whitechapel Gallery presents the first major international survey of Turner Prize-winning British artist Gillian Wearing’s photographs and films which explore the public and private lives of ordinary people. Fascinated by how people present themselves in front of the camera in fly- on-the-wall documentaries and reality TV, Gillian Wearing explores ideas of personal identity through often masking her subjects and using theatre’s staging techniques. This major exhibition surveys Wearing’s work from the early photographs Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say (1992–3) to her latest video Bully (2010) and also includes several new photographs made specially for the Whitechapel Gallery exhibition. Visitors to the exhibition enter a film set-style installation showcasing photographs and films in ‘front and back stage’ areas. Highlights include a striking photograph of the artist posing as her younger self, Self-Portrait at 17 Years Old (2003), Dancing in Peckham (1994), a film which blurs the boundaries between public space and private expression as Wearing dances in the middle of a shopping mall, and the UK premiere of recent film Bully (2010). New photographic works shown for the first time include two portraits of Wearing as artists August Sander and Claude Cahun as part of her ongoing series of iconic photographers, as well as still lives of flowers, looking back to th the rich symbolism of the great age of 17 century Dutch painting. -
Must-See Exhibitions to Welcome You Back to London's Galleries Tabish Khan 27 April 2021
Londonist Must-See Exhibitions To Welcome You Back To London's Galleries Tabish Khan 27 April 2021 Must-See Exhibitions To Welcome You Back To London's Galleries Welcome to our pick of the best exhibitions to see right now in London's galleries. Due to social distancing, advance booking is required for many of these. Lucy Sparrow: Bourdon Street Chemist at Lyndsey Ingram, Mayfair. Until 8 May, free. Image: Courtesy of Lucy Emms/Lyndsey Ingram/sewyoursoul National Felt Service: The Queen of Felt is back, and this time Lucy Sparrow has created an entire pharmacy. Pop in and buy soft, cuddly versions of Lemsip, Xanax, and de rigueur antiseptic wipes. The attention to detail is superb — and will bring a smile to any visitor's face. We prescribe this as the perfect antidote to the year we've just had. Rebecca Manson: Dry Agonies of a Baffled Lust at Josh Lilley, Fitzrovia. Until 22 May, free. Image: Courtesy Josh Lilley. Leaf At First Sight: It's as if an explosion of leaves caught up in the wind has been frozen in time. These ceramic sculptures by Rebecca Manson are so lifelike, I hold my breath as I take a closer look — lest my exhalation disturbs it. Other leaves wrap around a rake, while sunflowers sprout in these spectacularly crafted works, whose level of detail is leaf mind-blowing. Sensing the Unseen: Step into Gossaert's 'Adoration' at The National Gallery, Room 1. 17 May - 13 June, free. Image: The National Gallery, London Step Into A Painting: Ever stood in front of a painting and wished you could step inside? The National Gallery invites us to do just that, with Jan Gossaert's The Adoration of the Kings. -
Listed Exhibitions (PDF)
G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England. -
A FUND for the FUTURE Francis Alÿs Stephan Balkenhol Matthew
ARTISTS FOR ARTANGEL Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno Ryan Gander Robert Gober Nan Goldin Douglas Gordon Antony Gormley Richard Hamilton Susan Hiller Roger Hiorns Andy Holden Roni Horn Cristina Iglesias Ilya and Emilia Kabakov Mike Kelley + Laurie Anderson / Kim Gordon / Cameron Jamie / Cary Loren / Paul McCarthy / John Miller / Tony Oursler / Raymond Pettibon / Jim Shaw / Marnie Weber Michael Landy Charles LeDray Christian Marclay Steve McQueen Juan Muñoz Paul Pfeiffer Susan Philipsz Daniel Silver A FUND FOR THE FUTURE Taryn Simon 7-28 JUNE 2018 Wolfgang Tillmans Richard Wentworth Rachel Whiteread Juan Muñoz, Untitled, ca. 2000 (detail) Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno ADVISORY GROUP Ryan Gander Hannah Barry Robert Gober Erica Bolton Nan Goldin Ivor Braka Douglas Gordon Stephanie Camu Antony Gormley Angela Choon Richard Hamilton Sadie Coles Susan Hiller Thomas Dane Roger Hiorns Marie Donnelly Andy Holden Ayelet Elstein Roni Horn Gérard Faggionato LIVE AUCTION 28 JUNE 2018 Cristina Iglesias Stephen Friedman CONDUCTED BY ALEX BRANCZIK OF SOTHEBY’S Ilya and Emilia Kabakov Marianne Holtermann AT BANQUETING HOUSE, WHITEHALL, LONDON Mike Kelley + Rebecca King Lassman Laurie Anderson / Kim Gordon / Prue O'Day Cameron Jamie / Cary Loren / Victoria Siddall ONLINE -
Alison Wilding
!"#$%&n '(h)b&#% Alison Wilding Born 1948 in Blackburn, United Kingdom Currently lives and works in London Education 1970–73 Royal College of Art, London 1967–70 Ravensbourne College of Art and Design, Bromley, Kent 1966–67 Nottingham College of Art, Nottingham !" L#xin$%on &%'##% London ()* +,-, ./ %#l +!! (+).+0+ //0!112! 1++.3++0 f24x +!! (+).+0+ //0!112! 1+.)3+0) info342'5%#564'7%#n5678h79b#'%.68om www.42'5%#64'7%#n5678h79b#'%.68om !"#$%&n '(h)b&#% Selected solo exhibitions 2013 Alison Wilding, Tate Britain, London, UK Alison Wilding: Deep Water, Whitworth Art Gallery, Manchester, UK 2012 Alison Wilding: Drawing, ‘Drone 1–10’, Karsten Schubert, London, UK 2011 Alison Wilding: How the Land Lies, New Art Centre, Roche Court Sculpture Park, Salisbury, UK Alison Wilding: Art School Drawings from the 1960s and 1970s, Karsten Schubert, London, UK 2010 Alison Wilding: All Cats Are Grey…, Karsten Schubert, London, UK 2008 Alison Wilding: Tracking, Karsten Schubert, London, UK 2006 Alison Wilding, North House Gallery, Manningtree, UK Alison Wilding: Interruptions, Rupert Wace Ancient Art, London, UK 2005 Alison Wilding: New Drawings, The Drawing Gallery, London, UK Alison Wilding: Sculpture, Betty Cuningham Gallery, New York, NY, US Alison Wilding: Vanish and Detail, Fred, London, UK 2003 Alison Wilding: Migrant, Peter Pears Gallery and Snape Maltings, Aldeburgh, UK 2002 Alison Wilding: Template Drawings, Karsten Schubert, London, UK 2000 Alison Wilding: Contract, The Henry Moore Foundation Studio, Halifax, UK Alison Wilding: New Work, New