Shore Fire Best Calendar 2019 DRAFT
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Celebrating Authors of Color and Their Works of Literature
APPENDIX A: Celebrating Authors of Color and Their Works of Literature 1 Equity in Literacy The celebration of authors of color and their works of literature is an important way to emphasize and pay tribute As students read about and to authors who have, and continue to, provide insight into the learn that people of color are struggles, triumphs, challenges, and successes that are a part an integral and important of daily living for people of color in America. part of the very fiber of our Literature provides a personal and intimate instrument by country, another step toward which to learn about the rich culture of people along with the eradication of racism in their major roles in the world and the history of our country. America can be made. An important factor in developing and supporting a life-long love of reading is ensuring that all children see themselves in literature that reflects their lives and the world’s diversity. As students read about and learn that people of color are an integral and important part of the very fiber of our country, another step toward the eradication of racism in America can be made. The Michigan Department of Education (MDE) is committed to helping educators become aware of and familiar with literature by authors of color and literature that provides an accurate account of the experiences of people of color. Authors of Color – A Living List of Literature MDE’s Authors of Color – A Living List of Literature list will grow and expand as it is updated on an ongoing basis. -
Universidade Federal Do Rio De Janeiro Centro De Filosofia E Ciências Humanas Escola De Comunicação
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS ESCOLA DE COMUNICAÇÃO A ECONOMIA DA EXPERIÊNCIA NO CONTEXTO DOS FESTIVAIS DE MÚSICA Inacio Faulhaber Martins Martinelli Rio de Janeiro/RJ 2013 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS ESCOLA DE COMUNICAÇÃO A ECONOMIA DA EXPERIÊNCIA NO CONTEXTO DOS FESTIVAIS DE MÚSICA Inacio Faulhaber Martins Martinelli Monografia de graduação apresentada à Escola de Comunicação da Universidade Federal do Rio de Janeiro, como requisito parcial para a obtenção do título de Bacharel em Comunicação Social, Habilitação em Publicidade e Propaganda. Orientador: Prof. Dr. Micael Maiolino Herschmann Rio de Janeiro/RJ 2013 MARTINELLI, Inacio Faulhaber Martins. A Economia da Experiência no Contexto dos Festivais de Música/ Inacio Faulhaber Martins Martinelli – Rio de Janeiro; UFRJ/ECO, 2013. xi, 63 f. Monografia (graduação em Comunicação) – Universidade Federal do Rio de Janeiro, Escola de Comunicação, 2013. Orientação: Micael Maiolino Herschmann 1. Festivais de música. 2. Economia da Experiência. 3. Entretenimento. I. HERSCHMANN, Micael Maiolino II. ECO/UFRJ III. Publicidade e Propaganda IV. A Economia da Experiência no Contexto dos Festivais de Música. Dedico essa monografia aos meus pais, Ivan e Leci, por se esforçarem ao máximo para que os seus quatro filhos tivessem uma educação de qualidade. AGRADECIMENTO Gostaria de agradecer, primeiramente, à minha família, pelo apoio incondicional sempre que eu precisei. Meus pais, Ivan e Leci, além de meus três irmãos, Ivan, Isabel e Italo, não sei o que seria de mim sem vocês. Ao professor Micael Herschmann, um “muito obrigado” pela colaboração nesse desgastante processo e por abraçar a minha idéia desde o princípio. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Lollapalooza Chile Consolida Sus Pasos Con Intensa Versión 2018
Lollapalooza Chile consolida sus pasos con intensa versión 2018 Puede que en primera instancia no se parezcan en nada, pero la verdad es que Chicago –la llamativa ciudad del medioeste de Estados Unidos- y Santiago –la pujante capital de Chile- tienen varias cosas en común. Mientras una cuenta con casi 4 millones de habitantes, la otra ya suma más de 5 millones; mientras una es centro de negocios y exhibe grandes áreas de edificios y rascacielos, la otra pelea su espacio entre las ciudades más importantes de América Latina. Sin embargo no es ni la economía ni la demografía la que ahora une a ambas urbes, sino que la música, aunque más precisamente el rock. El destacado festival independiente Lollapalooza, que desde hace casi dos décadas se efectúa en la llamada “Ciudad del viento” en Estados Unidos, eligió a Santiago el año 2011 para realizar por primera vez en su historia una versión fuera de sus fronteras. El evento, que cuenta entre su riquísima historia memorables actuaciones de bandas como Rage Against the Machine, Smashing Pumpkins, Green Day, Incubus y Red Hot Chili Peppers, entre muchas otras, tiene como escenario chileno al Parque O´Higgins, lugar donde la presencia de público siempre ha promediado los 100.000 fanáticos. Lo cierto es que la primera experiencia fuera de Chicago, justo cuando Lollapalooza cumplía veinte años, resultó ser una apuesta positiva en muchos sentidos. El diario estadounidense Chicago Tribune destacó a fines del año 2010 que el Parque O´Higgins y la capital chilena muestran un contorno muy parecido al de Chicago y al Grant Park, espacio en el que se desarrolla la actividad musical desde sus inicios. -
Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Official Sponsor Package
Valid through April 30, 2007 IEG Valuation® Statement 15 MerleFest Official Sponsor - 2007 Contents Description of Property 2 IEG Valuation Service ™ 3 Valuation Methodology 3 Tangible Benefits 4 Notes to Tangible Benefits 5 Intangible Ranking 7 Deal Terms 9 Geographic Reach and Impact 9 Cost/Benefit Ratio 9 Fair Market Value 10 Chart A: Five-Year Attendance History 11 Chart B: Attendees by Gender 11 Chart C: Attendees by Annual Household Income 11 Chart D: Attendees by Age 11 Chart E: 2007 MerleFest Sponsors 12 Chart F: Sponsor Renewal Rate 12 Chart G: Scope of Exclusivity 12 Chart H: Summary of 2007 MerleFest Sponsorship 12 Packages Verification Documents Received 12 Certification 13 © 2006 IEG, Inc. All Rights Reserved. Page 1 of 13 Valid through April 30, 2007 ® IEG Valuation Service IEG Valuation Statement IEG, Inc. 640 North LaSalle, Suite 600 Chicago, Illinois 60610-3777 U.S.A. Tel: 312/944-1727 Fax: 312/944-1897 e-mail: [email protected] Web site: www.sponsorship.com 1 Art Menius MerleFest Sponsorship and National Marketing Coordinator MerleFest Official Sponsor - 2007 P.O. Box 120 Wilkesboro, NC 28697 Tel: 919.542.3997 Fax: 240.250.7229 e-mail: [email protected] Web site: www.merlefest.org Description of Property Established in 1988 to celebrate the music and life of Merle Watson, MerleFest (the 2 "Festival") is a four-day Americana music festival held annually at the Wilkes Community College campus in Wilkesboro, North Carolina. MerleFest offers a generation- and genre- crossing mix of traditional and contemporary roots music, bringing together the best bluegrass, contemporary acoustic, blues, folk, old-time, Cajun, jazz and signer-songwriter artists. -
The Marches Evidence Base for VES 2019
THE MARCHES EVIDENCE BASE APRIL 2019 BLUE SAIL THE MARCHES EVIDENCE BASE APRIL 2019 CONTENTS 1 ABOUT THIS PAPER .................................................................................. 3 2 VOLUME & VALUE ................................................................................... 4 3 THE ACCOMMODATION OFFER ................................................................ 9 4 VISITOR ATTRACTIONS ........................................................................... 15 5 FESTIVALS AND EVENTS ......................................................................... 17 6 CULTURAL OFFER ................................................................................... 22 7 ACTIVITIES ............................................................................................. 29 2 BLUE SAIL THE MARCHES EVIDENCE BASE APRIL 2019 1 ABOUT THIS PAPER This paper sets out the key data and information used to inform the Visitor Economy Strategy. It looks at the information provided to us by the client group and additional desk research undertaken by Blue Sail. This paper is a snapshot in time. The Marches needs to separately establish and maintain a base of core data and information to benchmark performance. Where data collected by different local authorities uses different methodologies and/or relates to different years, we’ve looked at third party sources, e.g. Visit Britain, to enable us to provide a Marches-wide picture, to compare like with like and to illustrate how the Marches compares. 3 BLUE SAIL THE MARCHES EVIDENCE -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
GRAMMY Salute to Music Legends ™ Comes to THIRTEEN’S Great Performances Friday, October 14 at 9 P.M
Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Neda Azarfar, The Recording Academy 310-392-3777 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS GRAMMY Salute to Music Legends ™ Comes to THIRTEEN’s Great Performances Friday, October 14 at 9 p.m. on PBS Ruth Brown, Celia Cruz, Earth, Wind & Fire, Herbie Hancock, Jefferson Airplane, Linda Ronstadt, Run-DMC, and John Cage Among Distinguished Honorees Live performances by Ry Cooder, Lila Downs, Earth, Wind & Fire, Andy Garcia and The CineSon All Stars, Herbie Hancock, Jefferson Airplane, Kris Kristofferson, Lucrecia, Martina McBride, Magnolia Sisters, JD Souther, and more In collaboration with The Recording Academy, Great Performances presents "GRAMMY Salute To Music Legends ™," a special all-star concert offering a primetime spotlight for The 2 Academy's 2016 Special Merit Awards recipients. The celebration and tribute concert features rare performances by honorees and never-before-seen renditions by those they've inspired. The celebration, recorded at Dolby Theatre in Los Angeles, will air Friday, October 14 from 9-11:30 p.m. on PBS. (Check local listings.) Previously held during GRAMMY ® Week, this is the first time The Recording Academy has celebrated the Special Merit Awards with a stand- alone event and musical tribute. This year's Lifetime Achievement Award honorees are Ruth Brown, Celia Cruz, Earth, Wind & Fire, Herbie Hancock, Jefferson Airplane, Linda Ronstadt , and Run- DMC . John Cage, Fred Foster , and Chris Strachwitz are Trustees Award honorees; and EMT and Dr. -
The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album. -
Can Milwaukee Festivals Compete?
Arts and Entertainment Summer 2010 _________________ Donna the Buffalo’s Tara Nevins, left, and Woody Platt of Steep Canyon Rangers, both have played in Milwaukee, but are local festivals too big to showcase quality? Photos by Geoff Davidian Smaller venues offer sober, cleaner, family-friendly chance to see popular acts By GEOFF DAVIDIAN ILKESBORO, North Carolina – It was Sunday morning and Dan Fedoryka looked every bit a Baptist preacher in his white suit as he stepped out of the Church Bus, walked a hundred or so yards over a worn path and mounted the raised platform where he would perform a ritual that has become familiar in this Appalachian community. The sun was shining and it was already in the 80s when the 30-year-old former student at a Ukrainian seminary slipped off his jacket, folded it and placed it neatly on the back of a chair, rolled up his sleeves and turned to the energetic congregation. Then Fedoryka strapped on his guitar and jumped over some speakers to join his brother Alexander, childhood friend Josef Crosby and Mike Ounallah as the band Scythian jumped right into its third performance in two days at MerleFest, the annual gathering in Wilkesboro, NC, to worship and be baptized in quintessential American music. MerleFest began 22 years ago as a celebration of traditional American folk and bluegrass music but after more than two decades, it has opened its arms to a broader slice of regional and national talent. The event, dedicated to the memory of Eddy Merle Watson and to raise money for the Wilkes Community College, was held this year from April 28 to May 1 on the college campus.