Masculinities on the Wall: An Approach to Mural Representations of the Carnation Revolution in Lisbon Margarida Rendeiro CHAM — Centre for the Humanities Faculty of Social and Human Sciences Universidade NOVA de Lisboa Avenida de Berna, 26-C 1069-061 Lisbon, Portugal e-mail:
[email protected] Abstract: In 2014, several Portuguese muralists painted murals about the Carnation Revolution in order to celebrate its 40th anniversary. The initiative aimed at reviving the memory of the murals and graffiti painted in Portugal during the 1970s. These murals represent the memory of struggles in which the figure of the hero lends substance to the narrativity of the popular revolution that overthrew the New State dictatorship in 1974. This article argues that when analyzing those murals, they show that the memory of the Revolution generated a discursiveness represented by hegemonic masculinity, which also conforms to the gendered discourse of the neoliberal agenda. Feminism and negritude were hardly ever empowered as alternative forms of masculinity for representing the revolutionaries and were relegated to (quasi-)invisibility. The figures represented in those male- authored murals located in the center of Lisbon convey hegemonic masculinity and most have already been washed off. Those representing negritude and feminism, as alternative forms of masculinity, emerge - though not exclusively - in the urban periphery. In the periphery, they resist time and convey an interventive discourse of memory of resistance, showing what the prevailing memory discursiveness has not considered central in the Revolution. Keywords: Carnation Revolution; Murals; Masculinity; Memory; Identity; Resistance Introduction On 25th April 1997, the monument Evocação do 25 de Abril de 1974 was inaugurated on an esplanade marked by four large pillars atop the slope in Eduardo VII Park, Lisbon.