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Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Rajam Krishnan and Indian Feminist Hermeneutics
Rajam Krishnan and Indian Feminist Hermeneutics Rajam Krishnan and Indian Feminist Hermeneutics Translated and Edited by Sarada Thallam Rajam Krishnan and Indian Feminist Hermeneutics Translated and Edited by Sarada Thallam This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Sarada Thallam All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2995-1 ISBN (13): 978-1-4438-2995-3 Rajam Krishnan (1925-2014) TABLE OF CONTENTS Foreword .................................................................................................... ix Rajam Krishnan A Voice Registered ..................................................................................... xi C S Lakshmi Rajam Krishnan and the Indian Feminist Hermeneutical Tradition ........ xvii Acknowledgments ..................................................................................... xli Chapter One ................................................................................................. 1 Primordial Mother Chapter Two ................................................................................................ 5 The Cult of Hospitality Chapter -
The Plurality of Draupadi, Sita and Ahalya
Many Stories, Many Lessons: The Plurality of Draupadi, Sita and Ahalya Benu Verma Assistant Professor, USHSS Guru Gobind Singh Indraprastha University Dwarka, Delhi Abstract: The relationship between life and literature is a dialogic one. Life inspires literature and literature in turn influences life. Various genres in which literature is manifested reflect on the orientation, significance as well as the place of the text in its social environment. Mikhail Bakhtin proposes that genres dictate the reception of a text. Yet the same text could be interpreted differently in different times and contexts and be rewritten to reflect the aspirations of the author and her/his times. The many life stories of the feminine figures from the epics of Ramayana and Mahabharata assert not only the inconclusive nature of myth and the potency of these epics, they also tell us that with changing political and social milieu the authors reinterpret and record anew given stories to contribute to the literature of their times. Draupadi as the epic heroine of Mahabharata has been written about popularly and widely and in each version with a new take on the major milestones of her life like her five husbands and her birth from fire. The motifs of her disrobing and her hair have been employed variedly to tell various stories, sometimes of oppression and at others of liberation, each belonging to a different time and space. Each story reflected the political stance and aspiration of its author and read by readers differently as per their times and contexts. Through an examination of various literary renditions of the feminine figures from the epics, like Draupadi, Sita, and Ahalya, this paper discusses the relationship between life and literature and how changing times call for changing forms of literature. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Womanhood and Spirituality: a Journey Between Transcendence and Tradition
Womanhood and Spirituality: A Journey between Transcendence and Tradition USHA S. NAYAR This article focuses on how women in the past and women in contemporary India have chosen the path of spirituality, and how Indian culture has positioned women vis-a-vis spirituality. It explores female spirituality in a patriarchal para digm through women like Sita, Meera, Savitri and Kannagi, who faced humilia tion and hostility, but who tread the path of single-minded devotion to their principles and thus combined the feminine principle of grace with tenacity, stead fastness of purpose, vision and character. These prototypes inspire and guide the women in India even today and the article illustrates this through contemporary profiles in courage. The article stresses on the fact that in the Hindu pantheon of gods and goddesses, every god has a goddess, and as the form of Ardhanaareeshwara, the fusion of Shiva and Shakti in one body, denotes, male and female principles work together as equal partners in the universe. Other in stances reiterate that in ancient India, women occupied a very important position. While analysing the spirituality of women as a cultural expression, the study un derlines the fact that the Hindu version of the Mother image has manifested itself in the vision of Bharat Mata and underlines the fact that spirituality mediates rela tionships. It heals, provides succour to the emotionally needy, physically abused, and rebuilds fundamental trust in oneself. The modern approach to spirituality, according to this study, defines it as a means of reaching equilibrium or harmony through gender equality. Prof. Usha S. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
List of Approved Typewriting Institutions (Set 1)
DIRECTORATE OF TECHNICAL EDUCATION, CHENNAI-600 025. LIST OF APPROVED TYPEWRITING INSTITUTIONS (SET 1) Extension of Course approved for conducting Sl.No. Institution name and address District Pincode Approval No. Approval Name of the Proprietor Classes given upto Tamilselvi Typewritting Institute, 1 N.V.R Complex main road, T.Pazhur post Ariyalur 612904 40974 1,2,21,22 2019 A.Saranya Udayarpalayam (TK) Sri Lakshmi Typewritting Institutte, 2 3/82, Madavar Street, Mathur Kamarasa Ariyalur 621715 232153 1,2,21,22,11,12 2019 K. Yogalakshmi valli post, Thirumanur Sri Murugan & Lakshmi Typewritting Institute 3 Ariyalur 621704 240203 1,2,21,22 2019 R.Jayanthi S 5A, Perumal koil Street Mageswari Typewritting Institute, 4 Ariyalur 621704 240220 1,2,21,22 2018 V.Sagunthaladevi 45/28 Vilangara street Vetri Typewritting Institute, 5 Ariyalur 621802 240241 1,2,21,22 2019 R.Jothi Busstand Road, Jayankondam Ganesh Typewritting Institute , 6 Ariyalur 621715 240254 1,2,21,22 2019 D.Ganesan West street, Thirumalur Minerva Typewritting Institute, 7 Ariyalur 621704 240262 1,2,21,22 2019 R.M.Rajendiren 5/27, Pattu Noolkara Street, Phavendhar Technical Institute, 8 Ariyalur 621804 240368 1,2,21,22 2018 C.R.Ramachandiran 88 B, jayankondam road, Udayarpalayam Durga Typewritting Institute 9 19/74D1, Alagapaa Nagar, 3rd Cross St, Ariyalur 621704 240370 1,2,21,22 2019 R. Mayavan Ariyalure Adaikala Madha Technical Institute Main road, 10 Ariyalur 621715 240374 1,2,21,22 2018 H. Baby Arokiyamari Elakkurichi, Thirumanur, Ariyalure(TK) Sri Sai Baba Typewriting Institute, 11 7th Block, Door No.500, Mugappair East Chennai 600037 10203 1,2,21,22 2019 Sasikala.S (7/500) 1st Floor Extension of Course approved for conducting Sl.No. -
The Man Who Was a Woman and Other Queer Tales of Hindu Lore
CONTENTS Preface xi Acknowledgments xiii Introduction: Placing Stories in Context 1 Universality of Queer Narratives 1 Differences in Queer Narratives 2 Hindu versus Biblical Paradigm 4 Structured Society Within Fluid Philosophy 5 The Hindu Way of Life 6 Hindu Response to Queer Sexuality 8 Adoption of the Colonial Discourse 10 The Third Sex and Gender in India 10 An Ancient Legacy 12 What About the Women? 13 Representation in Narratives 15 Interpretation of Narratives 16 Structure and Aim of the Book 17 Chapter 1. Women Who Become Men 19 Bhisma: The Son Who Swore Celibacy 21 Avikshita: The Prince Who Believed He Was a Woman 22 Amba's Quest for Manhood 23 Children of the Man with Queer Virility 25 Shikhandini Gets a Male Body 26 The Raja's Daughter Who Became His Son 28 The Girls Who Got Married 29 The Inseparable Girls 31 Man Who Was a Woman 33 The Woman Who Became a Man and Then a Woman 35 Sariputra's Sex Change 38 Malli Who Became Malli-Natha 39 Chapter 2. Pregnant Kings 41 Bhangashvana: The Man Who Was Father and Mother 41 Somavat: The Male Wife 43 Son of a Eunuch 44 The Forest Where Men Became Women 45 The Dawn-God Becomes a Woman 49 Riksharaja's Dip into Womanhood 49 Narada Becomes a Woman 51 Yuvanashva: The Pregnant King 54 Ravana's Pregnancy 56 Shiva Gives Birth to Shukra 57 Kavya Gives Birth to Kacha 58 Birth of Kartikeya 61 Kartikeya Turns Away from Women 63 Chapter 3. Cross-Dressing Tricksters 65 Mohini Tricks Bhasma 66 Mohini Fools the Asuras 68 Mohini Kills Virochana 71 Mohini Enchants the Sages 71 Vishnu Arouses Shiva 72 Death of Adi 73 The Son of Shiva and Vishnu 75 Kali Becomes Krishna 77 Shiva, the Milkmaid 78 Krishna Wears Radha's Clothes 81 Krishna Kills Araka 83 Krishna and Arjuna As Mother and Daughter 84 Ghatotkacha in Women's Clothes 84 Bhima in Women's Clothes 85 Santoshi and Her Brother 86 Krishna Becomes Aravan's Wife 87 Samba's Pregnancy 88 Ravana's Harem 91 Past Lives of the Milkmaids 92 Chapter 4. -
Redemption of Ahalya in Pudumaippittan's
IOSR Journal of Humanities and Social Science (IOSR-JHSS) e-ISSN : 2279-0837, p-ISSN : 2279-0845 PP 21-23 www.iosrjournals.org Redemption of Ahalya in Pudumaippittan’s “Akalikai” and “Sabavimochanam” C. Arulmugil, Ph. D. Research Scholar of English, Kanchi Mamunivar Centre for PG Studies , Puducherry Pudumaippittan, a radical writer and thinker whose pen name is C. Viruthachalam, was one of the most dominant and innovative writers of the Tamil language. Community satire, progressive thinking and honest criticism are the hallmarks of his works. The Government of Tamilnadu has nationalized the works of Pudumaippittan in the year 2002. He is primarily known for his short stories and he is the first to use a vernacular of Tamil other than Chennai and Tanjore. Most of his characters spoke the Tirunelveli dialect. His writings are the mixture of idiomatic and classical words. Though Pudumaippittan’s active writing was less than fifteen years in which he produced nearly 100 short stories. His writing gave him a reputation as a maverick. To portray his ideas he used various characters, both common and uncommon. Common like husbands and wives, rickshaw pullers, villagers, marginalizes peoples, saints, revolutionaries and uncommon-God, ghosts, devas and so on. The well known Tamil writer D. Jayakanthan said, “Pudumaippittan carried over the legacy of poet Subramania Bharathi and will be remembered for generations to come for the profundity of his writing”. Ahalya is a mythical personality from the Ramayana. She is also one among the Panchakanyas, the other kanyas are Tara, Sita and Mandodri from the Ramayana; Draupathi from the Mahabharatha. -
Dravidian Canvas in Sanga Tamil
DRAVIDIAN CANVAS IN SANGA TAMIL Prof. Dr. Kannabiran Ravishankar (KRS) (Professeur adjoint - Littératures comparée (tamoul), Université de Paris, France) Abstract: Tamil Pride, Theism & Atheism, Feminism and Rational Inquiry - are all traced to their roots Sanga Tamil is a rich compendium of in Sanga Tamil, in this paper. After all,human classical literature in the Tamil language. journey is a continuous evolution of the human Though Tamil civilization has evolved from faculties, be it sangam age or scientific age. In sangam age to scientific age over the past this journey, we shed off our weaknesses and 3000+ years, it has always been a best build upon our strengths towards the cause of practice in the academic field, to benchmark the society. and learn from Sanga Tamil, on the various faculties of humanity that we are discussing, Keywords: debating and enhancing today. Verily, it has been a journey, that has captivated the thought Dravidian, Tamil, Classical Literature, Sanga of the modern academician, anthropologist, Tamil, Social Justice, Self-Respect, Feminism, historian and reformer – all alike. Theism, Apatheism, Caste, Brahminism, Superstition, Rationality, Education, Philanthropy, Whereas, the Dravidian Movement has its Nature, Native Tamils. roots in the early 19th century which ushered in Tamil renaissance&social justice in the Tamil Introduction: landscape. It too has evolved over the past 100+ years on various issues facing the society. Sanga Tamil (also pronounced as changa thamizh or caṅka tamiḻ, and written innative This paper,enquires into the social canvas alphabet as r§f¤jÄœ) is truly a Cross-Roads of of the sangam era, and relatesthem to the Culture. -
RAMAYANA Retold by C
RAMAYANA retold by C. Rajagopalachari (Edited by Jay Mazo, American Gita Society) Contents 1. The Conception 39. A Second Father Dies 2. Sage Viswamitra 40. Left Eyelids Throb 3. Trisanku 41. He Sees Her Jewels 4. Rama Leaves Home 42. Sugriva's Doubts Cleared 5. Rama Slays The Monsters 43. The Slaying Of Vali 6. Sita 44. Tara's Grief 7. Bhagiratha And The Story Of 45. Anger And Reconciliation Ganga 46. The Search Begins 8. Ahalya 47. Son Of Vayu 9. Rama Wins Sita's Hand 48. The Search In Lanka 10. Parasurama's Discomfiture 49. Sita In The Asoka Park 11. Festive Preparations 50. Ravana's Solicitation 12. Manthara's Evil Counsel 51. First Among The Astute 13. Kaikeyi Succumbs 52. Sita Comforted 14. Wife Or Demon? 53. Sita And Hanuman 15. Behold A Wonder! 54. Inviting Battle 16. Storm And Calm 55. The Terrible Envoy 17. Sita's Resolve 56. Hanuman Bound 18. To The Forest 57. Lanka In Flames 19. Alone By Themselves 58. A Carnival 20. Chitrakuta 59. The Tidings Conveyed 21. A Mother's Grief 60. The Army Moves Forward 22. Idle Sport And Terrible Result 61. Anxiety In Lanka 23. Last Moments 62. Ravana Calls A Council Again 24. Bharata Arrives 63. Vibhishana 25. Intrigue wasted 64. The Vanara's Doubt 26. Bharata Suspected 65. Doctrine Of Surrender And Grace 27. The Brothers Meet 66. The Great Causeway 28. Bharata Becomes Rama's Deputy 67. The Battle Begins 29. Viradha's End 68. Sita's Joy 30. Ten Years Pass 69. Serpent Darts 31.