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Physical and Moral Survival in Stephen King's Universe
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2012-03-06 Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe Jaime L. Davis Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Davis, Jaime L., "Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe" (2012). Theses and Dissertations. 2979. https://scholarsarchive.byu.edu/etd/2979 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm, Chair Kerry Soper Charlotte Stanford Department of Humanities, Classics, and Comparative Literature Brigham Young University April 2012 Copyright © 2012 Jaime L. Davis All Rights Reserved ABSTRACT Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts The goal of my thesis is to analyze physical and moral survival in three novels from King’s oeuvre. Scholars have attributed survival in King’s universe to factors such as innocence, imaginative capacity, and career choice. Although their arguments are convincing, I believe that physical and moral survival ultimately depends on a character’s knowledge of the dark side of human nature and an understanding of moral agency. -
Analyzing the Movie-Viewing Audience
MEDIA AT THE MOVIES: ANALYZING THE MOVIE-VIEWING AUDIENCE By SEAN MICHAEL MAXFIELD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MASS COMMUNICATION UNIVERSITY OF FLORIDA 2003 This thesis is dedicated to my family, all the survey/questionnaire people who have the courage and patience to ask strangers for help in getting a job done, and to all people who in some way contributed to this thesis, great or small. It is finally done! ACKNOWLEDGMENTS I would like to thank the following people for their help and encouragement, as well as giving of their time and talent, throughout this thesis process. First, I would like to thank my parents and other family members for their time, support, love, and monetary aid, without which I would not even be writing this thesis. I would especially like to thank my parents for their assistance in getting the Orlando theater to help me with the surveys. In the same way, I would like to thank the theaters that allowed me the time and opportunity to get people’s ideas on paper about the movies. Special thanks go to Cinemark Theater in Orlando and Gator Cinemas in Gainesville. They both get ten stars! A special thank-you goes to fellow graduate student Todd Holmes, who got me through the first leg of this thesis when we originally proposed its beginning for our research class. He was there to give this baby life. I would also like to thank my chair, James Babanikos, for taking time to listen to this thesis idea and running with it. -
Construction Monitoring Procedures
Project Name: ____________________________________________________ Subdivision & Site Plan Construction Monitoring Town of Derry Department of Public Works Procedures & Checklist January 2011 14 Manning Street Derry, NH 03038 Phone: (603) 432-6144 Fax: (603) 432-6130 Table of Contents Introduction ……………………………………………….. 3 Pre-Construction Meeting…………………………………. 3 Professional Services – Notification & Fees ……………… 4 Access to work ……………………………………………. 4 Observation of work ………………………………………. 4 Field Changes ……………………………………………… 5 Testing …………………………………………………….. 5 Layout of the work ………………………………………… 5 Construction Checklist …………………………………… 6-7 Construction Monitoring Items…………………………… 8-12 Inspection Report….………………………………………. 13 Signatures………….………………………………………. 14 2 INTRODUCTION The purpose of this booklet is to briefly discuss procedures for observing construction of subdivisions and related activities being performed in the Town of Derry. The procedures are based upon the Town of Derry Zoning Ordinance, Subdivision Regulations, Site Plan Regulations, Utility Construction Specifications and other pertinent Town codes. This booklet briefly outlines the relationship between the Developer, the Developer’s Contractor and Engineer and the Town of Derry. After this booklet has been reviewed by the above parties at the pre-construction meeting, it will be signed by all parties with copies distributed to each entity. PRE-CONSTRUCTION MEETING Once all Planning Board Conditions are met, the Town is to schedule a pre-construction meeting. Present at this meeting will be Inspecting representatives of the Town, the Developer, the Developer’s Contractor and Engineer, as well as any other affected parties. The intent of the pre-construction meeting is as follows: 1. The Developer posts a Letter of Credit or Cash Escrow to the Town. 2. The Town is to outline the respective responsibilities of the Municipality and the Developer. -
Myth and Monstrosity: Teaching Indigenous Films Ken Derry University of Toronto, [email protected]
Journal of Religion & Film Volume 22 Issue 3 Special Issue: 2018 International Conference Article 7 on Religion and Film, Toronto 12-14-2018 Myth and Monstrosity: Teaching Indigenous Films Ken Derry University of Toronto, [email protected] Recommended Citation Derry, Ken (2018) "Myth and Monstrosity: Teaching Indigenous Films," Journal of Religion & Film: Vol. 22 : Iss. 3 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol22/iss3/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Myth and Monstrosity: Teaching Indigenous Films Abstract The asp t few times that I have taught my course on religion and film I have included a number of Indigenous movies. The er sponse from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, revealing their underlying monstrosity. Similarly, Mi’gmaq Jeff aB rnaby’s debut feature Rhymes for Young Ghouls makes cinematic allusions to 1970s horror films in its depiction of the residential school system. In this paper, I will draw on these examples to discuss how examination of the monstrous in Indigenous films can help us to introduce students to the ideological power of myth, specifically in relation to colonialism. -
Pennywise Dreadful the Journal of Stephen King Studies
1 Pennywise Dreadful The Journal of Stephen King Studies ————————————————————————————————— Issue 1/1 November 2017 2 Editors Alan Gregory Dawn Stobbart Digital Production Editor Rachel Fox Advisory Board Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Murphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread Facebook: https://www.facebook.com/pennywisedread/ 3 Contents Foreword …………………………………………………………………………………………………… p. 2 “Stephen King and the Illusion of Childhood,” Lauren Christie …………………………………………………………………………………………………… p. 3 “‘Go then, there are other worlds than these’: A Text-World-Theory Exploration of Intertextuality in Stephen King’s Dark Tower Series,” Lizzie Stewart-Shaw …………………………………………………………………………………………………… p. 16 “Claustrophobic Hotel Rooms and Intermedial Horror in 1408,” Michail Markodimitrakis …………………………………………………………………………………………………… p. 31 “Adapting Stephen King: Text, Context and the Case of Cell (2016),” Simon Brown …………………………………………………………………………………………………… p. 42 Review: “Laura Mee. Devil’s Advocates: The Shining. Leighton Buzzard: Auteur, 2017,” Jill Goad …………………………………………………………………………………………………… p. 58 Review: “Maura Grady & Tony Magistrale. The Shawshank Experience: Tracking the History of the World's Favourite Movie. New York, NY: Palgrave Macmillan, 2016,” Dawn Stobbart …………………………………………………………………………………………………… p. 59 Review: “The Dark Tower, Dir. Nikolaj Arcel. Columbia Pictures, -
DERRY CITY and STRABANE DISTRICT COUNCIL LOCAL DEVELOPMENT PLAN (LDP) 2032 EVIDENCE BASE EVB 11 TRANSPORT & MOVEMENT (Upda
DERRY CITY AND STRABANE DISTRICT COUNCIL LOCAL DEVELOPMENT PLAN (LDP) 2032 EVIDENCE BASE EVB 11 TRANSPORT & MOVEMENT (Updated May 2017) This Document is one in a series, which builds up to form the ‘evidence base’ that informs the preparation of the Local Development Plan (LDP). It comprises initial Workshop Paper(s) on this Planning topic that were presented to Council Members during 2016 / 2017, which have been subject to Member discussion and input, before further discussion at the Planning Committee (LDP) and in turn feeding into the LDP Preferred Options Paper (POP) and then the Plan Strategy (PS) and eventually the Local Policies Plan (LPP) which together form the LDP. Therefore, the afore-mentioned evidence base will be continually updated, to additionally include the latest information, input from public engagement, statutory consultees, stakeholder groups, Sustainability Appraisal and from other Departments within the Council, including Community Planning. The Evidence Base is published as a ‘supporting document’ in accordance with Article 10(a) and 15(a) of the Planning (LDP) Regulations (NI) 2015 Derry City and Strabane District Council LDP Workshop 6 – Paper 2: Transportation and Movement CONTENTS 1) Introduction to Paper 2) Legislation 3) Transportation across the Council District 4) Key Future Transportation Proposals/Initiatives 5) What we need to do: for Evidence Base and Soundness at Independent Examination 6) Implications of Transportation and Movement for our LDP 7) Conclusions and Feedback APPENDICES Appendix 1: Transportation -
The Suburban Uncanny in Late 20Th Century American Horror Sarah N
Terror in the Cul-de-sac: The Suburban Uncanny in Late 20th Century American Horror Sarah N. Michelson Submitted in Partial Fulfillment of the Prerequisite for Honors in English April 2018 © 2018 Sarah N. Michelson Table of Contents Introduction page 3 Literature page 19 Film page 52 Further Applications page 72 References page 82 1 Dedicated to Toby and David Michelson for always encouraging me to learn, and to Cameron Michelson, for always watching horror movies with me. 2 Introduction To experience fear is a fundamental part of the human condition, to seek safety, every bit as much. This thesis will be exploring how a manufactured image of American safety and identity in the mid-twentieth century (the 50s and 60s in particular) translated into a new subgenre of horror by the century's end: an unexpected horror of the mundane. By 1990, fear could be found in a suburban kitchen as it could have previously been found in a remote haunted castle. Authors like Stephen King and directors like David Lynch were just a few of the creative forces who made the cul-de-sac a terrifying place to be. This thesis defines this sort of fear as, "the suburban uncanny," a phenomenon wherein creators of horror media exploited suburbia's familiar qualities in order to create a distinctive brand of fear and terror that subverted suburban lifestyles. The suburban uncanny appears quite often in media from the late 20th century— that is, media made by creatives who were born and raised in the newly suburbanized America. This thesis will examine the books IT, Needful Things, and The Stepford Wives; as well as the films Blue Velvet and Poltergeist, in order to explore how and why this phenomenon becomes so manifest in the latter part of the 20th century. -
Stephen King 1947—
King, Stephen 1947— Author: Tony Magistrale Date: 2000 From: American Writers, Supplement 5 Publisher: Charles Scribner's Sons Document Type: Biography; Critical essay Length: 11,425 words About this Person Born: September 21, 1947 in Portland, Maine, United States Nationality: American Occupation: Novelist Other Names: King, Stephen Edwin; Bachman, Richard; King, Steve (American novelist); Swithen, John; Druse, Eleanor Full Text: Stephen King 1947— Introduction IN A CONVERSATION with Stephen King that took place several years ago, I made the mistake of asking him why he continues to live in Bangor, Maine. I reminded him that the year before he had made fifty million dollars; since he could afford to reside anywhere in the world, why Bangor? King took me in with a look that suggested he had just swallowed some particularly offensive species of bug— indeed, that perhaps I myself were a member of that insect species. His response was a sardonic, “Now, just where would you have me live—Monaco?” This little anecode actually reveals a great deal about Stephen King, the man as well as the writer. Since 1974, the publication year of his first novel, Carrie, King has assembled a prodigious canon. By the late 1990s he had averaged more than a book a year for nearly three decades: 35 novels, 7 collections of short stories and novellas, and 10 screenplays. One consistent element that unifies this broad and eclectic landscape is that the majority of this fiction shares a Maine setting. Born in Portland, Maine, on September 21, 1947, Stephen King has spent almost his entire existence in Maine. -
"Reinvented Rituals As Medicine in Contemporary Indigenous Films: Maliglutit, Mahana and Goldstone." Reassembling Democracy: Ritual As Cultural Resource
Derry, Ken. "Reinvented rituals as medicine in contemporary Indigenous films: Maliglutit, Mahana and Goldstone." Reassembling Democracy: Ritual as Cultural Resource. Ed. Graham Harvey, Michael Houseman, Sarah M. Pike and Jone Salomonsen. London,: Bloomsbury Academic, 2021. 193–210. Bloomsbury Collections. Web. 27 Sep. 2021. <http:// dx.doi.org/10.5040/9781350123045.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 27 September 2021, 16:43 UTC. Copyright © Graham Harvey, Michael Houseman, Sarah M. Pike, Jone Salomonsen and contributors 2021. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 Reinvented rituals as medicine in contemporary Indigenous films: Maliglutit, Mahana and Goldstone Ken Derry University of Toronto They were nothing more than people, by themselves. Even paired, any pairing, they would have been nothing more than people by themselves. But all together, they have become the heart and muscles and mind of something perilous and new, something strange and growing and great. Together, all together, they are the instruments of change. Keri Hulme (Māori), The Bone People (1986: 4) Copyright © 1983 by Keri Hulme. Reproduced with permission of Pan MacMillan through PLSclear Introduction The horrifying (and wholly un-democratic) violence of European colonialism has included racism, land theft, rape, child abuse, slavery and genocide. This violence in many ways has been made possible by stories. As Métis scholar Jo-Ann Episkenew (2009) points out, the ‘story of imagined White superiority’ Thank you to the editors of this volume (Graham, Jone, Michael and Sarah) for their help with an early draft of this chapter. -
Stephen King, Gothic Stereotypes, And
“Sometimes Being a Bitch is All a Woman Has”: Stephen King, Gothic Stereotypes, and the Representation of Women A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Kimberly S. Beal June 2012 © 2012 Kimberly S. Beal. All Rights Reserved. 2 This thesis titled “Sometimes Being a Bitch is All a Woman Has”: Stephen King, Gothic Stereotypes, and the Representation of Women by KIMBERLY S. BEAL has been approved for the Department of English and the College of Arts and Sciences by Joanne Lipson Freed Visiting Assistant Professor of English Howard Dewald Interim Dean, College of Arts and Sciences 3 ABSTRACT BEAL, KIMBERLY S., M.A., June 2012, English “Sometimes Being a Bitch is All a Woman Has”: Stephen King, Gothic Stereotypes, and the Representation of Women Director of Thesis: Joanne Lipson Freed Stephen King has been lauded for his creation of realistic and believable male and child characters. Many critics, however, question his ability to do the same with female characters, pointing out that King recycles the same female stereotypes over and over in his fiction. However, a closer look at his female characters reveals not only that his use of female stereotypes, which correspond to the classic Gothic female stereotypes, is part of a larger overall pattern of the use of Gothic elements, but also that there are five female characters, Annie Wilkes from Misery, Jessie Burlingame from Gerald’s Game, Dolores Claiborne from Dolores Claiborne, Rose Daniels from Rose Madder, and Lisey Landon from Lisey’s Story, who do not fit into these stereotypes. -
Summer Reading List Suggestions Stephen King
Summer Reading List suggestions Stephen King Download 1. The Gunslinger DB029232 Seeking vengeance for the death of his father and the dishonoring of his mother, the gunslinger travels through time to face his evil nemesis. 2. On Writing: A Memoir of the Craft DB050873 King describes his writing technique for aspiring authors. He also discusses defining moments from his childhood. 3. Doctor Sleep DB077471 Years after the events in The Shining, Danny Torrance has gained control over his supernatural abilities and befriends a child whose supernatural powers put her at risk. 4. Joyland DB076799 Heartbroken New Hampshire college student Devin takes a summer job at a North Carolina amusement park, where he is intrigued by tales of different ghosts. 5. Under the Dome DB069804 An invisible dome is covering a town, causing tension to escalate for the isolated residents as they try to survive with dwindling resources. 6. The Journals of Eleanor Druse: My Investigation of the Kingdom Hospital Incident DB058074 After Sally has a near-death experience visiting her hospitalized friend, she investigates a decades- old tragedy and puts to rest one young victim’s spirit. 7. It DB028045 It began in 1958 when seven imperiled children searched in the drains beneath the New England town of Derry for the horror they believed lurked there. Twenty-seven years later those children, now grown, recall their buried memories. Large Print 1. Cujo LT017926 Cujo, a family’s beloved Saint Bernard, follows a rabbit in a cave where he is bit by a rabid bat. The family attempts to conceal the illness until bloody deaths follow one after another. -
The Concept of Fear and Coming of Age in Stephen King's Novel "It"
The Concept of Fear and Coming of Age in Stephen King's Novel "It" Martinović, Nera Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:888304 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni preddiplomski studij engleskog jezika i književnosti i pedagogije ______________________ Nera Martinović Koncept straha i sazrijevanje u romanu Ono Stephena Kinga Završni rad Mentor: doc.dr.sc. Jasna Poljak Rehlicki Osijek, 2018. Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskog jezika i književnosti i pedagogije ______________________ Nera Martinović Koncept straha i sazrijevanje u romanu Ono Stephena Kinga Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc.dr.sc. Jasna Poljak Rehlicki Osijek, 2018. J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Study Programme in English Language