The West Indian . Dec 20, 2014 . Page 28 P just want a physical rela- physical a want just and again meet they Now dleae filth.adulterated un- become, has cinema you?’. should why objection, an have don’t I If tionship. I wife. your leave asking to you not am ‘I voice, her of top the at screams Sonia away. walks and es refus- Raj animal.’ an are you me ‘show ear, his in whispering Raj to undress begins She all. at nia So- bother not married. does This happily is Raj but friendship the kindle re- to wants She Raj. of boss the becomes Sonia it. to opposed was and Raj abortion Sonia an wanted when broke up they But lovers. once were Kumar) (Akshay Raj and Chopra) (Priyanka Sonia 2004. in released was ‘Objection’ Hollywood’s the traaz’, a remake of new low. a to ing sink- in Bollywood resulted have images sexual and lines story weak eminently songs, forgettable with copy, the of make re- the and copy The years. few a after that remakes then and audience Indian the for ries sto- the converts Hollywood, spends from copying millions today votion. Bollywood ues of love and de- val- enduring the of messages left epics the and ily fam- the and hood woman- idealized Bollywood days those In industry. the in records set (1975) Ma’ San- toshi ‘Jai movie last his and movies 100 over in starred He Mahipal. was cinema Indian the in stars case. the always not living rooms. But this was many in intelligence the assaulted garish have depictions and mindless its where abroad, even and to India, of infl part every nearly uence its spread has industry fi lm Indian do well to start with Bollywood. with start to do well BollywoodSeriousMakeover!a Needs This This is what the Indian The movie ‘Ai- fi the super-of rst One the times recent In promised to clean up India. He will He will up India. clean to promised has Modi Minister Narendra rime COMMENTARY pened in May 1913 and and 1913 May in pened before before he became a victim a fi fty-minute black and and black fi fty-minute a was Harischandra’ ‘Raja hap- It India. in movie fi the rst released that ke Phal- was It mediocrity. his into descent this in at grave turning be must rubbish.wood utter is Bolly- in fare current the of most Ramayana, the in Sita of womanhood, ideal glorifi once the cinema ed Indian the that considers one When vulgarity. their of because rating ‘R’ an need movies Bollywood many that is scenes? fact sad The raunchy or ing would be no skimpy cloth- there that knowledge the in comforted together ie a current Bollywood mov- Can a family sit and watch this teaching our children? and Phalke went on to to fi silent 95 on lms over make went Phalke and guru his Vishwamitra. his family to keep his word to and kingdom his up gave Harischandra movie Cinema in Bombay. In the Coronation the at was shown that offering white Dada Saheb Phalke Phalke Saheb Dada is lessons moral What The movie was a hit hit a was movie The By DR. DHANPAULDR. NARINE behind roses anymore. roses anymore. behind e oiae fr n Os- an for nominated be and Jehanara Kajjan. Kajjan. fi on- the rst Incidentally, Jehanara Nissar and Master were ers sing- The songs. 71 cord re- a and storytelling its for both hit a was which Sabha’ ‘Indra movie the directed Madan J.J. following year the In sound. with movie Indian fi the rst became Ara’ ‘Alam 1931 In era. sound the of as actors are not hiding hiding not are actors as common is days these ing Roy.Kiss- Rani Himanshu and Devika with 1933 in ‘Karma’ place movie the took in kiss screen more infl uential movies movies infl uential more and greatest the of some that time this during was It cinema. Indian golden in age the represented 1960 to 1940 period the argued that been has It es. made in regional languag- are that hundreds the ing exclud- year, fi a lms 200 than more making was try time the Indian fi lm indus- that by but 1944 in us left of the greatest storytellers storytellers greatest the of car. to on went India Mother others. and India, Chori, Chori Mother Shaheed, Devdas, Bawra, Baiju Pyassa, Awaara, ed Anari, includ- They made. were Dada Saheb Phalke Phalke Saheb Dada During this period one one period this During between between the various class- gulf the showed It Nagar. was mobbed wherever wherever mobbed he there was visit a on and Russia popu- communist in lar especially were movie-making.ence infl would clan u- Kapoor the which from studio a up set had ther, Prithviraj, fa- Kapoor’s Raj others. and Jahan, Pankaj Noor Mullick, Saigal, K.L Burman and S.D of teacher music the Dey, K.C were ghazals, and others. There songs, devo- romantic to tionals from right. range own They their in sics movies have become clas- the in songs the of Many music. the been has ema cin- Indian the of features Festival. Film Cannes the at recognition won ie mov- this and India in es Neecha directed Chetan Anand 1946 In award. fi this receive to Indian rst the was and cinema dian In- the to contribution his for Oscar honorary an ed award- most was Ray famous. the perhaps ‘Chessplayers’ were the and ‘Charulata’ which of ies mov-36 Ray make to on went and awards eleven won Panchali’ ‘Pather ie mov-Ray’s 1955 In Ray. Satyajit was He emerged. a Kpo’ fi lms Kapoor’s Raj endearing the of One Aamir Aamir The movie. latest his advertise nakedto goes Khan this: to come has cinema Indian jump routine is all too fa- too all is routine jump ble.’ Mallika Sherawat in in Sherawat ble.’ Mallika some of the top stars be- stars and top the of low some new a to sunk Khanna. Rajesh than crowds more whether pulled Bachchan Amitabh and better was which to as debates less Kalyananji end- were There Anandji. or ,Ravi en Burman, Shanker Jaikash- R.D directors music the to Asha or Lata Mukesh, Rafi singers , from or Aradha- na, Dosti, Anand, take their pick from Waqt, can One songs. and ac- tors movies, memorable the of some saw seventies and sixties The went. he aries of what is permissi- is what of aries audience redefi have bound- the ned worldly a more of emergence television, the and and print in bodies semi-clad of ation consumerism, prolifer- the globalization ‘ cation, publi- one to According boundaries. is new pushing industry the relevant stay to and forgettable is music the of Most miliar. are not enough we have have we enough not are ‘kissing of India.’Queen the as dubbed now is she and scenes it explic- sexually with der’ ‘Mur- and ‘Khwahish’ in audiences stunned 2003 By 1987 Bollywood Bollywood 1987 By If lewdness and nudity nudity and lewdness If performances. and over the top top the over and scenes explicit dialogue, poor dress, ‘modern’ more corporated in- also makes re- These there. material copy to began and wood Holly- to turned stories. Directors tine needed good rou- dance and song The original ideas. of out run had lywood Bol- that fi is rst The reasons. of number a to due is The deterioration lacked melody.’ songs the and job rush ‘rush mov- a were ies the stated Asha that Parekh while Bollywood’ n o i t a in r o i r e t e ‘tremendous d was a there said that Kumar ip the industry. Dil- of critical came day the skip and and skip the day to- and ditional tra- seldom are The dances dances The bad ones include Zanjeer, include ones bad with skimpy outfi ts and and outfi ts skimpy routine with dance and song the rock boat. to want not does he and lywood Bol- from support ceived re- he campaign election the During likely. appear Bollywood? up This does not clean Modi Minister Prime Will scandal another. after one is there as writers gossip for fodder become have stars the of Holly- lives in personal The wood. same the do could she if see the to waters testing was she that explained Aishwarya her. suing India viewers some in with furor a caused scene kissing Roshan. Hrithik This with a in was Rai Aishwarya 2 Dhoom In viewers. to out sends it that messages sionable impres- highly the for ity to responsibil- some has assume it Bollywood of reach the of because that says into writer One question. Bollywood of the role brought have in India women against tacks movie. hit a make to still is Sen all.’ it with Ms. away gets and them kills even with men, sleeps lies, cheats, ‘ women, which play in roles to likes She ative. neg- being enjoys she that says Sen Sushmita ac- tress outdone be to not if As Khushi. and Jaan, rao Um- Karz, Sholay, Shiva, really the of few A fore. be- made it that movies making is It itself. from rules. Who will restore restore decency? will trash Who and rules. talks money where everything for cuse ex- an is there Bollywood In script.’ ‘strong the of because it did he that said He naked. going fi by ‘PK’ lm latest his advertise ‘Lagaan’ to necessary it found us has gave Khan who Aamir worse. probably get will and tinue con- will lines story inane Bollywood is copying copying is which in Bollywood situation the are solely those of the writer and do do and writer the of those solely are not necessarily represent the views the views represent necessarily not The views expressed in this column column this in expressed views The Dr.Dhanpaul Narine In the meantime the the meantime the In at- sexual recent The of theof THE WEST INDIAN. WEST THE