Di Dante Alighieri

Total Page:16

File Type:pdf, Size:1020Kb

Di Dante Alighieri Per informazioni https://patrimonioculturale.regione.emilia-romagna.it/dante-in-emiliaromagna PatrimonioCulturaleER patrimonioculturaler Piacenza, Biblioteca Passerini-Landi Imola, Biblioteca Comunale Musei Civici di Palazzo Farnese, via Emilia 80 piazza Cittadella 2 10 settembre – 11 dicembre 2021 2 ottobre 2021 - 31 gennaio 2022 LA COMMEDIA NELLA CITTÀ «DI SANTERNO». TESORI DANTESCHI A PIACENZA: TESTIMONIANZE DANTESCHE NELLA BIBLIOTECA IL LANDIANO 190, FRAMMENTI, INCUNABOLI COMUNALE DI IMOLA E CINQUECENTINE Ferrara, Biblioteca Comunale Ariostea Parma, Biblioteca Palatina via delle Scienze 17 strada alla Pilotta 3 2 settembre 2021 - 2 febbraio 2022 15 settembre - 15 dicembre 2021 ESPOSIZIONE DI MANOSCRITTI, ANTICHE EDIZIONI E DANTE E LA COMMEDIA NEI TESORI OPERE ARTISTICHE DEL “VIAGGIO” DANTESCO ALLA VII centenario della morte DELLA BIBLIOTECA PALATINA DI PARMA BIBLIOTECA COMUNALE ARIOSTEA DI FERRARA di Dante Alighieri (1321-2021) Modena, Archivio di Stato Ravenna, Centro Dantesco dei Frati Minori corso Cavour 21 Conventuali 3 settembre 2021 - 25 marzo 2022 via Dante Alighieri 4 DANTE E GLI ESTE. RIFLESSI DELLA COMMEDIA 21 agosto - 6 novembre 2021 FRA MODENA E FERRARA «IN SU ’L LITO DI CHIASSI». TESORI DANTESCHI NELLE BIBLIOTECHE Modena, Biblioteca Estense Universitaria E NEGLI ARCHIVI DI RAVENNA Gallerie Estensi, largo Porta Sant’Agostino 337 17 settembre 2021 - 8 gennaio 2022 Ravenna, Istituzione Biblioteca Classense DANTE ILLUSTRATO NEI SECOLI. TESTIMONIANZE via Alfredo Baccarini 3 FIGURATE 21 agosto - 6 novembre 2021 NELLE RACCOLTE DELLA BIBLIOTECA ESTENSE «IN SU ’L LITO DI CHIASSI». TESORI DANTESCHI UNIVERSITARIA NELLE BIBLIOTECHE E NEGLI ARCHIVI DI RAVENNA Bologna, Archivio di Stato Forlì, Biblioteca Civica “Aurelio Saffi” Scuola di Archivistica, vicolo Spirito Santo 2 Palazzo Romagnoli, via Cesare Albicini 12 25-29 ottobre 2021 18 settembre - 18 dicembre 2021 LA FORTUNA DI DANTE E I SUOI PRIMI CULTORI ALLA SCOPERTA DI DANTE. IL PATRIMONIO NEI DOCUMENTI DELL’ARCHIVIO DI STATO DANTESCO DI BOLOGNA ALLA BIBLIOTECA AURELIO SAFFI DI FORLÌ Bologna, Biblioteca Comunale dell’Archiginnasio Cesena, Biblioteca Malatestiana piazza Galvani 1 piazza Maurizio Bufalini 1 24 marzo - 27 giugno 2021 5 giugno - 30 novembre 2021 «CERCAR LO TUO VOLUME». DOCUMENTI PER DANTE ALIGHIERI: TESTI, COMMENTI, DANTESCHI IN ARCHIGINNASIO IMITAZIONI E DIFESE Bologna, Biblioteca Universitaria Rimini, Biblioteca Civica Gambalunga via Zamboni 33 via A. Gambalunga 27 25 ottobre - 17 dicembre 2021 10 settembre – 13 novembre 2021 SPIEGARE DANTE. TESTIMONIANZE E COMMENTI LE OPERE DI DANTE NELLA STORIA ALLA DIVINA COMMEDIA NELLE RACCOLTE DELLA GAMBALUNGA DELLA BIBLIOTECA UNIVERSITARIA DI BOLOGNA sul fronte: Attilio Runcaldier, Ritratto di Dante (XIX secolo), dettaglio. Ravenna, Istituzione Biblioteca Classense - Museo e Casa Dante L’iniziativa, articolata In collaborazione con Alan Fabbri in un progetto espositivo unitario che coinvolge Sindaco di Ferrara biblioteche e archivi Piacenza, dell’Emilia-Romagna, Biblioteca è promossa da e Passerini-Landi Marco Gulinelli Parma, Assessore alla Cultura, Musei, Biblioteca Palatina Monumenti Storici e Civiltà Ferrarese, Unesco Modena, Archivio di Stato sono lieti di invitare la S. V. con il patrocinio di all’inaugurazione della mostra Modena, Biblioteca Estense Universitaria Esposizione di manoscritti, antiche edizioni Bologna, Archivio di Stato e opere artistiche del “Viaggio” dantesco alla Biblioteca Comunale Ariostea di Ferrara Bologna, Biblioteca Comunale dell’Archiginnasio A cura di Mirna Bonazza e Sandro Bertelli Bologna, Biblioteca Universitaria giovedì 2 settembre 2021 Comitato tecnico-scientifico Maria Elisa Agostino, Imola, Gabriella Albanese, Floriana Biblioteca Comunale ore 17 Amicucci, Roberto Balzani, Giliola Barbero, Massimo Baucia, Stefano Benetti, Sandro Bertelli, Mirna Ferrara, Biblioteca Comunale Ferrara - Palazzo Paradiso Bonazza, Alberto Calciolari, Ariostea Alberto Casadei, Loredana Chines, Marcello Ciccuto, Biblioteca Comunale Ariostea Paola Cirani, Claudia Collina, Patrizia Cremonini, Grazia Ravenna, Sala Ariosto - Sala Carli Maria De Rubeis, Luciano Centro Dantesco dei Frati Fanin, Claudio Leombroni, Minori Conventuali Via delle Scienze, 17 Fabrizio Lollini, Oriana Maroni, Elisabetta Menetti, Silvia Mirri, Giorgia Muratori, Ravenna, Giacomo Nerozzi, Sebastiana Istituzione Biblioteca Nobili, Osvaldo Panaro, Paolo Classense Pontari, Carlo Varotti, Marco Veglia, Simone Verde 2 settembre 2021 - 2 febbraio 2022 Forlì, Comitato di Coordinamento Biblioteca Civica del progetto “Aurelio Saffi” Ferrara - Palazzo Paradiso Gabriella Albanese, Roberto Balzani, Sandro Bertelli, lun-ven 9-19 sab 9-13 Alberto Calciolari, Alberto Casadei, Marcello Ciccuto, Cesena Claudia Collina, Claudio Biblioteca Malatestiana Leombroni, Paolo Pontari, Paolo Tinti Catalogo Rimini, e immagine coordinata Biblioteca Civica Silvana Editoriale Gambalunga.
Recommended publications
  • Ferrara Di Ferrara
    PROVINCIA COMUNE DI FERRARA DI FERRARA Visit Ferraraand its province United Nations Ferrara, City of Educational, Scientific and the Renaissance Cultural Organization and its Po Delta Parco Urbano G. Bassani Via R. Bacchelli A short history 2 Viale Orlando Furioso Living the city 3 A year of events CIMITERO The bicycle, queen of the roads DELLA CERTOSA Shopping and markets Cuisine Via Arianuova Viale Po Corso Ercole I d’Este ITINERARIES IN TOWN 6 CIMITERO EBRAICO THE MEDIAEVAL Parco Corso Porta Po CENTRE Via Ariosto Massari Piazzale C.so B. Rossetti Via Borso Stazione Via d.Corso Vigne Porta Mare ITINERARIES IN TOWN 20 Viale Cavour THE RENAISSANCE ADDITION Corso Ercole I d’Este Via Garibaldi ITINERARIES IN TOWN 32 RENAISSANCE Corso Giovecca RESIDENCES Piazza AND CHURCHES Trento e Trieste V. Mazzini ITINERARIES IN TOWN 40 Parco Darsena di San Paolo Pareschi WHERE THE RIVER Piazza Travaglio ONCE FLOWED Punta della ITINERARIES IN TOWN 46 Giovecca THE WALLS Via Cammello Po di Volano Via XX Settembre Via Bologna Porta VISIT THE PROVINCE 50 San Pietro Useful information 69 Chiesa di San Giorgio READER’S GUIDE Route indications Along with the Pedestrian Roadsigns sited in the Historic Centre, this booklet will guide the visitor through the most important areas of the The “MUSEO DI QUALITÀ“ city. is recognised by the Regional Emilia-Romagna The five themed routes are identified with different colour schemes. “Istituto per i Beni Artistici Culturali e Naturali” Please, check the opening hours and temporary closings on the The starting point for all these routes is the Tourist Information official Museums and Monuments schedule distributed by Office at the Estense Castle.
    [Show full text]
  • Ferraraand Its Province
    Visit and its province Ferrara EN Provincia Comune di Ferrara di Ferrara A SHORT HISTORY INDEX The origins of Ferrara are wrapped in mystery. Its name is 2 ITINERARIES IN TOWN mentioned for the first time in a document dating to 753 A.D., 2 The Renaissance addition issued by the Longobard king Desiderius. In the earliest centu- 14 The Mediaeval centre ries of its life the city had several different rulers, later it gained 28 Renaissance residences and churches enough freedom to become an independent Commune. After 36 Where the river once flowed some years of fierce internal struggles between the Guelph 42 The Walls and the Ghibelline factions, the Este family took control of the city. 46 LIVE THE CITY 46 Events all year round The great cultural season began in 1391, when the University 47 Bicycles was founded, and afterwards culture and magnificence grew 48 Shopping and markets unceasingly. Artists like Leon Battista Alberti, Pisanello, Piero 49 Cuisine della Francesca, Rogier van der Weyden and Tiziano came to Ferrara and the local pictorial school, called “Officina Ferra- 50 VISIT THE PROVINCE rese” produced the masterpieces of Cosmè Tura, Ercole de’ Roberti and Francesco del Cossa. The best musicians of the 69 USEFUL INFORMATION time worked for the Dukes of Ferrara, who also inspired the immortal poetry of Boiardo, Ariosto and Tasso. Niccolò III, the diplomat, Leonello, the intellectual, Borso, the Download the podguides magnificent, Ercole I, the constructor, and Alfonso I, the sol- and discover Ferrara and its province: dier: these are the names of some famous lords of Ferrara, www.ferrarainfo.com/html/audioguide/indexEN.htm still recalled together with those of the family’s princesses: the unlucky Parisina Malatesta, the wise Eleonora d’Aragona, the beautiful and slandered Lucrezia Borgia, Renée of France, the READER’S GUIDE intellectual follower of Calvinism.
    [Show full text]
  • (1840-1880), Volume II, ISBN (Online PDF) 978-88-6453-840-2, © 2019 Reti Medievali E FUP, CC by 4.0 International, Published by Firenze University Press
    33 VOL. II A. Giorgi, S. Moscadelli, G.M. Varanini, S. Vitali G.M. Varanini, VOLUME II ERUDIZIONE CITTADINA E FONTI DOCUMENTARIE Archivi e ricerca storica nell’Ottocento italiano (1840-1880) ERUDIZIONE CITTADINA E FONTI DOCUMENTARIE a cura di Andrea Giorgi, Stefano Moscadelli, Gian Maria Varanini, Stefano Vitali FUP FIRENZE UNIVERSITYPRESS Reti Medievali E-Book 33 Erudizione cittadina e fonti documentarie Archivi e ricerca storica nell’Ottocento italiano (1840-1880) a cura di Andrea Giorgi, Stefano Moscadelli, Gian Maria Varanini, Stefano Vitali volume II Firenze University Press 2019 Una città “lontana” dalle sue fonti: la Biblioteca pubblica e gli archivi di Ferrara nell’Ottocento* di Corinna Mezzetti Il contributo delinea le vicende degli archivi ferraresi, depauperati nei secoli da perdite e trasfe- rimenti di fondi in altre città. La devoluzione di Ferrara al papa nel 1598 segna una cesura nella storia della città e dei suoi archivi: il fondo estense viene trasferito a Modena, lasciando nell’an- tica capitale un vuoto di documenti e di memorie. La biblioteca pubblica, fondata alla metà del Settecento per colmare quel vuoto, si trasforma nel principale istituto di concentrazione cittadino, con un ricco patrimonio di libri e raccolte di documenti. Nell’Ottocento, bibliotecari e archivisti sono tra i protagonisti della storiografia ferrarese, una produzione minore tutta vòlta a rievocare il fasto dei secoli estensi, nell’oblio più completo del periodo delle origini e della dominazione pontificia sulla città. The research outlines the history of the archives of Ferrara, over the centuries impoverished by losses and transfers of fonds to other cities. Ferrara’s devolution to the pope in 1598 marks a break in the history of the city and its archives: the Este archive was transferred to Modena, thereby depriving the ancient capital of its documents and memory.
    [Show full text]
  • AEJM Conference 2019 Programme Web
    Ferrara | Italy This Conference is kindly supported by the David Berg Foundation Picture on the front cover: © Marco Caselli Nirmal Programme Sunday 17 November 13:30 –15:00 PRE-CONFERENCE TOURS 18:00 – 19:00 CONVERSATIONS I Optional guided tours of the core exhibition Curating 2000 Years of Italian-Jewish History Jews, An Italian Story, the temporary exhibition Ferrara Ebraica and the Discussion of the representation of Italian- multimedia installation Through the Eyes of Jewish history and heritage in the MEIS core Italian Jews at the National Museum of exhibition, with Simonetta Della Seta, Italian Judaism and the Shoah (MEIS). curator Sharon Reichel and exhibition architect Giulia Gallerani. Moderated by Paul Salmona, Director Musée d’Art et d’Histoire 14:30 -15:30 REGISTRATION du Judaïsme, Paris (FR) Organised by MEIS National Museum of 15:30 – 16:00 OPENING CEREMONY Italian Judaism and Shoah Welcome by Dario Disegni, President of MEIS, and Simonetta Della Seta, Director of 19:30 – 21:30 DINNER RECEPTION MEIS Get together at the National Archaeological Museum of Ferrara at Palazzo Costabili and 16:00 – 16:30 PERSPECTIVES & PROSPECTS meet your colleagues! Conference delegates In his opening statement Emile Schrijver, are invited to join a dinner reception. Chair of AEJM and Director at Jewish Cultural Quarter (NL), will address challenges and opportunities of Jewish museums in 21st century Europe. 16:30 – 17:00 COFFEE BREAK 17:00 – 18:00 KEYNOTE SESSION I 2000 Years of Italian-Jewish History The uninterrupted presence of Jews in Italy spans over two millennia. Giulio Busi (IT), Professor and Director of the Institute of Jewish Studies at the Freie Universität of Berlin, will speak about how this presence took shape and develop.
    [Show full text]
  • IO AMO I BENI CULTURALI”: Scheda Di Documentazione
    “IO AMO I BENI CULTURALI”: scheda di documentazione Anagrafe Titolo del progetto: DI FOGLIA IN FOGLIO. Il giardino della Biblioteca Comunale Ariostea a Palazzo Paradiso, fra storia, natura e letteratura. (indicare: titolo ed eventuale sottotitolo) Scuola: Istituto Comprensivo “C.Govoni” di Ferrara, di Ferrara (indicare nome, comune, provincia) Museo/Archivio /Biblioteca: Biblioteca Comunale Ariostea, di Ferrara (indicare: nome, comune, provincia): Altri partner Archivio Storico Comunale di Ferrara; Istituto I.S.N. Copernico-G. Carpeggiani, Comune di Ferrara; Dipartimento di Scienze della vita e delle Biotecnologie-Sezione del Farmaco e Prodotti della salute; I.T.A.S. Istituto Tecnico Agrario Statale F.lli Navarra, Malborghetto di Boara (FE); Orto Botanico dell’Università degli studi di Ferrara (Sistema Museale di Ateneo); Museo Civico di Storia Naturale di Ferrara; Associazione di promozione sociale Il Turco di Ferrara. (per es.: scuole, musei, archivi, biblioteche, associazioni; indicare: nome, comune, provincia): Classi coinvolte: (indicare: numero totale + ordine e grado scolastico) : sei classi della Scuola Primaria G.Leopardi (II A- II B; III A - III B; IV A e IV B, insegnanti G. Fabbri, A.Ravelli, R. Lolli, L.Fantinati, I. Malagrinò, C. Bassi, R.Sorpilli,A. Criscione); tre classi della Scuola Secondaria di I grado T.Tasso, (II A, II B, III C, insegnanti M.Sicari, E. Parmeggiani, M.T.Sacramuzza e L. Graziani); gruppo interclasse dell’Istituto agrario F.lli Navarra, (insegnante M. Passerini);una classe dell’Ist. Tecnico Industriale N.Copernico- G.Carpeggiani, (III G insegnante G. Conoscenti e E. Melloni); un gruppo di studenti del Dipartimento di Scienze della vita e delle Biotecnologie, Sezione di farmaco e prodotti della salute (Insegnante C.
    [Show full text]
  • Welcome-To-Ferrara.Pdf
    Visit the City- Ferrara Date: dal 22 al 26 Maggio 201 7 Sede: Via Monsignor Maverna,4 - Ferrara W.R.I.T.E: Work, Research and Innovation for the Tomorrow's Entrepreneurs KA2 : Strategic Partnerships for youth N. Progetto 2015 - 1 - IT03 - K A205 - 005764 Applicant Organization IFOR- Istituto diFormazione Orientamento e Ricerca s.a.s di Selva Verzica Maria & C - Matera Italy Partner CFI - Consorzio Ferrara Innovazione-Ferrara Italy EDUcentrum o.s.– Dobřichovice Czech Republic EILD - European Institute for Local Development – ThessalonikiGreece PEDAL Consulting – Martin Slovakia NGO MY WORLD ASSOCIATION– H armanli Bulgaria Durata Progetto : 24 Mesi Welcome to Ferrara, city of the Renaissance, UNESCO World Heritage Consorzio Ferrara Innovazione is glad to host you in one of the symbols of Italian Medieval and Renaissance history. You have five days to looking around and falling in love with estense’s city. Here's what you can not really miss!! Ferrara's most famous image is certainly that of its grand Renaissance, the age of splendour of the Estense court, which has left indelible signs everywhere: in the colossal Addizione Erculea project, in the impressive pictorial cycles belonging to the Quattrocento and Cinquecento and in the Last Judgement by Bastianino. From 1995 on, UNESCO has included the historical centre of Ferrara in the list of World Cultural Heritage as a wonderful example of a town planned in the Renaissance and still keeping its historical centre intact. The town planning criteria expressed in Ferrara had a deep influence on the progress of town planning in the following centuries. Discover the Area Estense Castle Opening: 9.30-17.30.
    [Show full text]
  • C:\Users\Zdravko\Documents\Music in Art Volumes\42 Venice Cini\01 Macioce C Pix.Wpd
    Music in Art XLII/1–2 (2017) THEATRE AS THE REPRESENTATIVE SCENE OF THE POWER OF COURT: THE FIFTEENTH- AND SIXTEENTH-CENTURY ITALIAN EXEMPLA STEFANIA MACIOCE Università degli Studi di Roma “La Sapienza” Starting from the second half of the fifteenth century, theatrical performance experiences a privileged moment in Ferrara when the Este family entrusted the humanist Pellegrino Prisciani with a cultural enter- prise aiming at recuperating classical texts and playwriting: the presentation of the Menaechmi by Plautus as well as other plays, marks the beginning of a coherent route.1 Festivals converge into theatrical represen- tations full of references to mythology and the use of musical interludes is born to sumptuously enrich the staging. The first aspect to underline is that the theatrical representation transfers itself from the public square to the reserved space of the court which, in this way, celebrates its dominant role from a cultural and political point of view. The fundamental theme of these stagings, according to the Renaissance demand, is a continuity with the ancient world and the myth of Rome, and the House d’Este makes itself the guarantor of this continuity, in particular from Borso d’Este to Ercole I; the authority of the classical world further consolidates the image of the court and of its power on the territory. In Ferrara of the 1400s the idea of the antiquity is operative, not only in the scribal practice of translation and adaptation of classical texts, but also as a hotbed of spectacular imagery. The experience
    [Show full text]
  • State Barges, Embroideries and Power in Renaissance Ferrara
    Splendour displayed: state barges, embroideries and power in Renaissance Ferrara A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 Beatrice Mezzogori School of Arts, Languages and Cultures Vol I of II Table of Contents Volume I List of Manuscript Sources (Appendix A) 4 List of Primary Printed Sources (Appendix B) 5 List of Charts and Tables 6 List of Illustrations 7 Abstract 16 Declaration 17 Copyright statement 17 Transcription, Currency and Presentation Norms 18 Acknowledgements 20 Foreword 22 1. Introduction 25 2. The cultural importance of having a bucintoro 40 Introduction 40 The Venetian Bucintoro, a model to outclass 42 Like a modern emperor: the discovery of Nemi ships 47 Courtly bucintori and Estense ambitions 53 Commissioning, maintaining and exploiting the Bucintoro 60 Dressed for the bucintori 65 3. Inside the Estense Bucintoro: the Hall of State 70 Introduction 70 The politics of bucintori 71 The coats of arms and devices of the Estense private stateroom 79 Brothers and rulers: Estense devices between Leonello, Borso and Ercole85 The embroidered stateroom of Borso: an interpretation 90 Colours for the duchy 104 4. The organizational structure for a splendid work: embroidering and painting Borso’s Bucintoro 110 Introduction 110 The painters of Borso’s Bucintoro and their activities 112 The patterns for the embroideries: pounced or etched? 118 The professional embroiderers of Borso’s Bucintoro 127 Embroiderers’ companions and workrooms 135 The circulation of embroideries in northern Italian courts 140 Talented amateurs: the embroideress 144 Female teams’ works for Borso 150 5.
    [Show full text]
  • A Look at Renaissance Ferrara Charles M. Rosenberg
    Nexus Esecutivo 19-01-2004 9:18 Seite 43 Charles M. In the Footsteps of the Prince: Rosenberg A Look at Renaissance Ferrara The history of Ferrara and its princes has left a clear and readable imprint on the city’s streets, palaces and churches. Written in their stones is the memory of what has gone before. Ferrara was the site of the Nexus 2000 conference on architecture and mathematics, 4-7 June 2000. Introduction As you approach Ferrara by train or car, traveling north from Bologna or south from Venice, you pass through vast fields of grain and vegetables, vineyards and fruit orchards. The landscape is remarkably flat but also richly productive and fertile. In the late spring you’ll be treated to fields of anemones and blizzards of cherry, pear, and apple blossoms. In the summer, you’ll see verdant vineyards and seas of crimson poppies and wildflowers lining the tracks and roadside. But if your visit to the city happens to be in the winter or very early spring and you arrive at twilight, you may see the landscape slowly dissolve before your eyes, as the countryside is gradually swallowed up in a dense, embracing fog. The journey to Ferrara takes you into the heartland of the broad flat alluvial plain of the Po river valley, the Val Padana. This snaking torrent, with its dozens of major and minor tributaries, saturates the soil from the rice fields of Lombardy to the farms of Emilia-Romagna, condemning the cities along its banks to winter nights of almost perpetual fog.
    [Show full text]
  • Medieval Glassworks in the City of Ferrara (North Eastern Italy): the Case Study of Piazza Municipale
    heritage Article Medieval Glassworks in the City of Ferrara (North Eastern Italy): The Case Study of Piazza Municipale Elena Marrocchino 1,* , Chiara Telloli 2 , Sara Caraccio 1, Chiara Guarnieri 3 and Carmela Vaccaro 1 1 Department of Physics and Earth Sciences, University of Ferrara, Via Saragat 1, 44121 Ferrara, Italy; [email protected] (S.C.); [email protected] (C.V.) 2 Energy and Sustainable Economic Development Fusion and Technology for Nuclear Safety and Security Department Nuclear Safety, Security and Sustainability Division (ENEA), Italian National Agency for New Technologies, Via Martiri di Monte Sole 4, 40129 Bologna, Italy; [email protected] 3 Archaeological Heritage Office, Superintendence SABAP Bologna, Modena, Reggio Emilia, Ferrara Via Belle Arti 52, 40126 Bologna, Italy; [email protected] * Correspondence: [email protected]; Tel.: +393393807477 Received: 27 June 2020; Accepted: 15 July 2020; Published: 17 July 2020 Abstract: Compositional and structural characterization was carried out on transparent glass fragments found in a brick rubbish pit discovered in basal floor of the ducal palace of Ferrara, during the excavation of Piazza Municipale. This study aims to identify raw materials and glass-working techniques through X-Ray Fluorescence (XRF) quantitative chemical analyses and semi-quantitative Scanning Electron Microscopy (SEM) observations. The studied fragments were produced using siliceous-lime sands with natron as flux, and allowed us to better understand the production technologies in a historical period of great innovation for European glass art. The numerous findings of glass fragments discovered in brick underground cellars built for the specific purpose of household rubbish of wealthy complexes in Ferrara testify a consolidated system of separate discharge of solid waste into underground containers, which were closed and sealed once filled.
    [Show full text]
  • Culture and Self-Representation in the Este Court: Ercole
    CULTURE AND SELF-REPRESENTATION IN THE ESTE COURT: ERCOLE STROZZI’S FUNERAL ELEGY OF ELEONORA OF ARAGON, A TEXT, TRANSLATION, AND COMMENTARY Dean Marcel Cassella, B.A., B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2010 APPROVED: Laura Stern, Major Professor Guy Chet, Committee Member Christopher Fuhrmann, Committee Member Craig Kallendorf, Committee Member Steven Forde, Committee Member Richard McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Robert B. Toulouse School of Graduate Studies Cassella, Dean Marcel. Culture and self-representation in the Este court: Ercole Strozzi’s funeral elegy of Eleonora of Aragon, a text, translation, and commentary. Doctor of Philosophy (History), December 2010, 206 pp., references, 138 titles. This dissertation presents a previously unedited text by one of the most distinguished— yet neglected—Latin writers of the Italian Renaissance, Ercole Strozzi (1471–1508), a poet and administrator in the court of Ferrara. Under the Este Dukes, Ferrara became a major center of literary and artistic patronage. The Latin literary output of the court, however, has received insufficient scholarly scrutiny. The text is a verse funeral elegy of Eleonora of Aragon (1450–1493), the first Duchess of Ferrara. Eleonora was a remarkable woman whose talents and indefatigable efforts on behalf of her husband, her children, and her state, won her accolades both at home and abroad. She also served as a prototype for the remarkable careers of her two daughters, Isabella d’Este, and Beatrice d’Este, who are celebrated for their erudition and patronage of arts and letters.
    [Show full text]
  • "Mente Teatrale: Andrea Calmo and the Victory of the Performance Text in Cinquecento Commedia"
    Spring 1994 37 "Mente teatrale: Andrea Calmo and the Victory of the Performance Text in Cinquecento commedia" Paul C. Castagno The theatrical contributions of Andrea Calmo mark a crossroads in the development of cinquecento Italian comedy toward the gradual diminution of textual values in favor of the mise-en-scene.1 As a precursor to the actor-centered commedia dell'arte, Calmo innovated procedures that increased the range of performance choices for the actor, while placing new emphasis upon each component of the performance text. Unlike Calmo's predecessors and contemporaries, who considered the text as object to be of primary concern in performance, Calmo focused upon the subjective response of the spectator (audience reaction). In this sense, Calmo's aesthetic was similar to the spectator-orientated Mannerist painters of the cinquecento, whose frescoes of gestural frenzy and furious action mirrored the restive spirit of the times. Proceeding by trial and error, Calmo developed a way of thinking which considered the performance as an entire system, capable of adjusting itself to changing conditions. Calmo's pragmatic yet imaginative approach, deviated from the established litany of prescribed renaissance conventions, thus seeding the notion of mente teatrale (theatrical mind).2 Eventually, the resultant move from the tradition of humanae letterae to the mente teatrale culminated in the Golden Age of the commedia deIV arte, a period between 1575-1625, during which the itinerant compagnie achieved great success throughout the courts and cities of Europe. While many theatre historians consider the commedia dell'arte's commercial success and international appeal as giving birth to the modern professional theatre, it was Calmo who intitiated the thinking, functional response that made this phenomenon possible.3 Calmo realized the mente teatrale as a spatial metaphor which anticipated a priori the actualization of the performance text in space and time.
    [Show full text]