ASC Choir Repertoire 2000-2018

Total Page:16

File Type:pdf, Size:1020Kb

ASC Choir Repertoire 2000-2018 Arlington Street Church Selected Choral Repertoire 2000-2018 Composer Anthem Date Adler, Samuel A Song of Hanukkah 12/00 Aguiar, Ernani Salmo 150 10/00, 10/02, 9/07, 2/10, 6/12 Alexander, Elizabeth Do Not Leave Your Cares at the Door 10/10 In the Lonely Midnight 12/12 Into the Silent Darkness 10/12, 10/17 Go Out! 10/09, 5/12, 9/13, 5/14, 5/16 Kindling 4/17 Pages, from Kindling 11/15 Trust the Seeds 6/13, 6/14 Allaway, Ben Freedom Come 9/08, 2/10, 5/16 Bach, Johann Sebastian Easter Oratorio 4/10 Gott, de Herr, ist unser Sonn’ und Shild, BWV 79 (excerpts) 11/00 In Dulci Jubilo 12/05 Jesus, bleibet meine Freude 12/14 Bach, P. D. Q. Missa Hilarious, S. N2O, Credo 11/01 Liebeslieder Polkas, S. 2/4 (selections) 2/03 Baksys, Vytas Oratorio: Groundhog (selections) 2/01 Barber, Samuel Sure on this Shining Night 2/02, 1/08 Barnett, Carol The World Beloved: A Bluegrass Mass 3/16 Barnwell, Ysaye Breaths 10/03, 10/08 Hope 10/12, 1/14, 2/16, 3/17 In Unity 4/03 No Mirrors in My Nana's House 2/04 We Are... 3/03, 1/06 Beaubien, David Out of the Stars 3/10, 3/16 Benjamin, Thomas Sing and Dance 4/08 Bernstein, Leonard The Best of All Possible Worlds 10/09 Make Our Garden Grow 3/02 Billings, William Chester 9/17 I Am the Rose of Sharon 6/03 Arlington Street Church Selected Choral Repertoire 2000-2018 Bloch, Ernst Silent Devotion and Response, from Sacred Service 1/04 Brahms, Johannes How Lovely is Thy Dwelling Place, from Ein Deutsches Requiem 11/08, 3/18 Geistliches Leid (Sacred Song), Op. 30 5/15 Liebeslieder Waltzes, Op. 52, Movements 3-5, 7, 11-15, 17 2/06 The May Night 5/09 O Schone Nacht 10/07 Wondrous Cool, Thou Woodland Quiet 9/11 Brewbaker, Daniel Who Am I? from Out of the Mist, Above the Real 3/17 Bridge, J. Frederick Happy is the Man that Findeth Wisdom 4/05 Britten, Benjamin Concord, from Gloriana 2/12 Deo Gracias, from Ceremony of Carols 12/04 The Evening Primrose, from Five Flower Songs 6/14 Hodie Christus Natus Est, from Ceremony of Carols 12/00 Jubilate Deo Lone Dog. from Friday Afternoons 10/04 A New Year Carol. from Friday Afternoons 12/00 Rejoice in the Lamb 11/14 Song of the Fishermen, from Peter Grimes 3/01 Spring Carol. from Ceremony of Carols 12/04 The Succession of the Four Sweet Months, from Five Flower Songs 5/03 There is No Rose, from Ceremony of Carols 12/03, 12/17 Broad, Elaine A Tent of Peace (1994) 3/04 Brown, Jason Robert Coming Together 4/01 Bruckner, Anton Locus Iste 5/05, 1/10 Brumley, Albert I'll Fly Away (arr. David Glasgow) 10/16 Buckles, Mark David Barátságunkban 6/12 Cybele Laments 12/07, 12/09, 12/13 Of My Children 6/17 Our Great Covenant 2/17, 3/17, 2/18 Sing to the Lord 6/07, 6/13 Your hearts know in silence 3/12 The Seven Principles regularly Arlington Street Church Selected Choral Repertoire 2000-2018 Butler, Myron Up Above My Head 5/04 Buxtehude, Dietrich (attributed) Magnificat 11/11 Byrd, William Agnus Dei, from Mass for 4 Voices 4/17 Ave verum Corpus 1/05 Sing Joyfully 6/15 Caldwell/Ivory Go Where I Send Thee! 6/08, 6/16 Hope for Resolution 12/16 Casals, Pablo Eucaristica 4/01, 10/10 Chesnokov, Pavel Spaseniye sodelal (Salvation is Created) 3/11, 6/14 Choplin, Pepper How Long 2/17 Cohon, Baruch Hanerot Halalu (arr. Blanche Chass) 12/09, 12/15 Conte, David Dance, from Invocation and Dance 3/08 Cooman, Carson Love Came Down at Christmas 12/10 Copland, Aaron At the River (arr. R. Wilding White) 9/01, 9/04 The Promise of Living 6/04, 11/10 Zion's Walls 9/00, 6/10, 11/15 Daley, Eleanor In Remembrance 10/10 Dalton, Catherine I Know a Woman 11/12, 3/15 Dargel, Corey Acendit Deus 4/05 David, John You are the New Day (arr. Peter Knight) 6/08, 1/18 Davies, Peter Maxwell Lullaby for Lucy 5/01 Debussy, Claude Dieu! Qu'il la fait bon regarder 9/14 Dello Joio, Norman Jubilant Song 2/10 Dickau, David If Music Be the Food of Love 2/13 Diers, Ann MacDonald This Day! 5/09 Douglas, Bill Deep Peace (arr. Mark David Buckles) 10/08, 4/10, 6/11, 1/13 Dufay, Guillaume Ave Regina Caelorum 5/13 Duruflé, Maurice Messe Cum Jubilo 1/06 Ubi caritas 10/01 Elgar, Edward As Torrents in Summer 6/05, 10/16 They are at rest 10/05 Exner, Max I Have a Dream 1/16 Arlington Street Church Selected Choral Repertoire 2000-2018 Fauré, Gabriel Benedictus (ca. 1880) 11/02 Cantique de Jean Racine 11/11, 2/15 Kyrie (arr. Arthur Frackenpohl) 1/17 Requiem 3/03, 4/14 Sanctus, from Requiem 1/09, 9/10 Felipe, Miguel The Free Mind (on texts of William Ellery Channing) 11/04 O God, You Have Called Us 10/03 Veni, veni 11/03 Flaherty, Stephen (arr. Jeff Funk) Make Them Hear You, from Ragtime 2/17, 10/17 Foote, Arthur Beloved, Let Us Love One Another 5/11, 10/12, 1/14 Forrest, Dan The Music of Living 3/14, 5/16 The Work of Christmas 12/15 Franck, Cesar Panis angelicus 11/03 Frankenpohl, Arthur Prayer 1/08 Franklin, Cary John Navajo Prayer 10/09 Frazier, David I Need You to Survive 4/17 Friedman, Debbie V'shamru (arr. Jonathan Comisar) 9/09 Mi Shebeirach (arr. Mark David Buckles) 4/08, 3/09, 10/11, 2/15 Gawthrop, Daniel Sing Me to Heaven 4/08, 2/11, 3/13, 4/15, 4/16 Gibbons, Orlando The Silver Swan 10/04 Gjeilo, Ola Ubi Caritas 1/16 Grantham, Donald We Remember Them 9/11, 10/11 Hailstork, Adolphus Look to this Day! 10/7, 4/10, 1/11, 9/14 I Will Sing of Life 2/14 Halley, Paul In Sideribus Domi (At Home in the Stars) 4/15 The Rain is Over and Gone 5/14, 5/15 Ubi Caritas 3/09, 5/10, 5/13, 2/17 Hampton, Keith Praise His Holy Name! 5/09, 5/11, 11/12, 2/18 Hardin, Clif In Wisdom's Lovely, Pleasant Ways 4/11, 4/13 Pass on the Light 10/15, 5/17 Händel, George Frideric And the Glory of the Lord, from Messiah 12/08, 12/12 Arlington Street Church Selected Choral Repertoire 2000-2018 Händel, George Frideric Glory to God, from Messiah 12/01, 12/07, 12/09 Hallelujah Chorus, from Messiah 12/07 Ode for Saint Cecilia's Day 11/09 Swell the Full Chorus, from Solomon 11/02 Hatfield, Stephen Ka Hia Manu 4/09 Hasse, Johann Adolph Confitebor Tibi 4/02 Laudate coeli Dominum 3/06 Haydn, Franz Joseph Achieved is the Glorious Work, from Creation 10/01, 10/14 Te Deum 11/15 The Heavens are Telling, from Die Schöpfung 5/06 Healey, Derek The Virgin 12/09 Hogan, Moses Hear My Prayer 3/08, 4/13 Holst, Gustav Choral Hymns from the Rig Veda: I. Battle Hymn 10/02 Choral Hymns from the Rig Veda: II. To The Unknown God 2/03 Choral Hymns from the Rig Veda: III. Funeral Hymn 6/03 Lullay, My Liking 12/16 O Spirit All Embracing (arr. Richard Proulx) 10/15 Personent Hodie 12/01 Turn Back O Man 9/03 Horvit, Michael Even When God is Silent 5/08, 2/11 Houkom, Alf The Rune of Hospitality 11/16 Howells, Hebert Like as the hart desireth the waterbrooks 3/05, 6/09 My Eyes for Beauty Pine 9/00, 9/07, 1/09, 1/10 O, pray for the peace of Jerusalem 11/03 Hurford, Peter Sunny Bank 12/04 Ives, Charles A Christmas Carol 12/03 Circus Band 6/05 Jagoda, Flory Hamisha Asar (arr. Nick Page) 2/04 Janowski, Max Al Cheyt 9/15 Avinu Malkeynu 9/03, 9/04, 9/17 Jeffers, Ron An Irish Blessing 10/00 This We Know 11/00, 5/02, 3/03, 9/07 Arlington Street Church Jeffers, Ron Selected Choral Repertoire 2000-2018 Workin' for the Dawn of Peace 2/09 Johnson, Craig Hella Gitanjali Chants 1/18 Johnston, J. W. & J. R. Lift Every Voice and Sing (arr. John Coates Jr.) 1/01, 1/04 Josquin des Prez Ave Maria 5/10 El Grillo (The Cricket) 10/04 Kodály, Zoltán Veni, Veni Emmanuel 12/05 Kramer, John The Immigrant Experience 12/17 The Opening Doors 3/17 Lange, Kinley Esto Les Digo 5/10, 11/13 Lauridsen, Morton Contre Qui, Rose 6/16 Soneto de la Noche 10/17 Le Jeune, Claude Revecy venir du Printans 5/12, 5/15 Leonatovych, Mykola Carol of the Bells 12/08, 12/17 Lewandowksi, Louis Enosh 9/08, 9/10, 9/12 Halleluyah 10/11 Ma Tovu 10/16 Lully, Jean Baptise A Quiet Place (arr. Roy Ringwald) 9/02, 9/05 Lvovsky, S. V. Hospodi Pomilui 10/02 Martini, G. B. Domine, Ad Adjuvandum Me Festina 11/08, 11/13 Mathias, William Salvator Mundi 12/05 McDermid, J. Aaron Thou, Hidden Love of God 1/17 McFerrin, Bobby The 23rd Psalm 9/08, 5/10, 3/13, 11/14 Mechem, Kirke Blow Ye the Trumpet 3/09, 10/14 Mendelssohn, Felix As the Hart Longs, from Psalm 42 3/05, 3/16 How Lovely are the Messengers 3/03, 4/06, 2/09, 1/11, 9/15, He Watching Over Israel 11/10,11/17 2/18 Verlieh uns Freiden 5/04, 3/08, 5/10, 10/13 Messiaen, Olivier O Sacrum Convivium 4/06, 2/14 Miller, Mark Draw the Circle Wide 1/16 Moore, J.
Recommended publications
  • Dumschat Resume
    Dr. Claudia E. Dumschat 122 West 80th Street (B-R) New York, NY 10024-6359 home: (212) 595-3718 cell: (917) 825-7504 [email protected] PROFESSIONAL EXPERIENCE Organist/Choirmaster: The Church of the Transfiguration (1999-present) Conductor of the fully professional Choir of Men and Boys, the oldest such choir in the country, which presents full Mass settings and anthems weekly. Artistic Director and Conductor of The Arnold Schwartz Memorial Concert Series for over ten years. Director of The Transfiguration Camerata, a semi- professional chorus of adults, sings concerts and summer services. (See www.littlechurch.org) Lucy Moses School’s Kaufman Summer Musical Theater Workshop (2016): taught singing to children grades 3, 4, and 5. Co-Artistic Director and Conductor, neXus Arts (1999 to 2010): The mission of neXus Arts is to combine music with other art forms such as dance, poetry, and the visual arts, in order to create a synthesis which transcends the sum of its parts. Music is chosen which expresses something profound about the spiritual condition of humanity, but not to support any particular political or religious agenda. The intention is to provide a new way of experiencing works of the past and present, as well as to commission and perform new works, including music dramas and operas. Children’s Aid Society (2006-2008): directed chorus of Second Graders at P.S. 50 in Manhattan Artistic Director and Conductor, The Friends of Music at Holy Spirit, Houston, 1995–’98: Founded this semi-professional chorus to perform concerts of classical music and music drama at the church for the community at large.
    [Show full text]
  • BENJAMIN BRITTEN a Ceremony of Carols IRELAND | BRIDGE | HOLST
    BENJAMIN BRITTEN A Ceremony of Carols IRELAND | BRIDGE | HOLST Choir of Clare College, Cambridge Graham Ross FRANZ LISZT A Ceremony of Carols BENJAMIN BRITTEN (1913-1976) ANONYMOUS, arr. BENJAMIN BRITTEN 1 | Venite exultemus Domino 4’11 12 | The Holly and the Ivy 3’36 for mixed choir and organ (1961) traditional folksong, arranged for mixed choir a cappella (1957) 2 | Te Deum in C 7’40 for mixed choir and organ (1934) BENJAMIN BRITTEN 3 | Jubilate Deo in C 2’30 13 | Sweet was the song the Virgin sung 2’45 for mixed choir and organ (1961) from Christ’s Nativity for soprano and mixed choir a cappella (1931) 4 | Deus in adjutorium meum intende 4’37 from This Way to the Tomb for mixed choir a cappella (1944-45) A Ceremony of Carols op. 28 (1942, rev. 1943) version for mixed choir and harp arranged by JULIUS HARRISON (1885-1963) 5 | A Hymn to the Virgin 3’23 for solo SATB and mixed choir a cappella (1930, rev. 1934) 14 | 1. Procession 1’18 6 | A Hymn of St Columba 2’01 15 | 2. Wolcum Yole! 1’21 for mixed choir and organ (1962) 16 | 3. There is no rose 2’27 7 | Hymn to St Peter op. 56a 5’57 17 | 4a. That yongë child 1’50 for mixed choir and organ (1955) 18 | 4b. Balulalow 1’18 19 | 5. As dew in Aprille 0’56 JOHN IRELAND (1879-1962) 20 | 6. This little babe 1’24 8 | The Holy Boy 2’50 version for mixed choir a cappella (1941) 21 | 7.
    [Show full text]
  • Britten's Choral Music
    SLUG Benjamin Britten at Crag House c.1949: the seeming inevitability of his response to words is one of his hallmarks 22 CHOIR & ORGAN MARCH/APRIL 2013 www.choirandorgan.com C&O - March April - FEATURES - Reed Britten - Tweeked.indd 22 20/02/2013 18:10:43 BRITTEN’S CHORAL MUSIC Sacred and profane Whether writing a cappella church music or a major symphonic choral work, Benjamin Britten responded to texts with depth of insight. In the composer’s centenary year, Philip Reed argues that there is much still to discover in his choral canon he seeming inevitability of nal setting for eight-part chorus in a faux Britten’s response to words is one medieval style. It was first performed in Tof the hallmarks of his output. 1931 by the Lowestoft Choral Society Indeed, so idiomatic are his settings that (in which the composer’s mother sang), it remains difficult, when reading a text he along with his unaccompanied carol, The has set, for one’s mind’s ear not to conjure Sycamore Tree, a setting of a text related to up Britten’s music. This remains as true of the more familiar carol I saw three ships, his wide-ranging choral music as it does of which Britten did not publish (in a revised his numerous song-cycles and operas. But version) until 1967. whereas in his operas and orchestral song- Christmastide remained a favourite cycles Britten was something of a pioneer, season for Britten, one to which he repeat- establishing a national tradition for opera edly responded in his compositions.
    [Show full text]
  • Benjamin Britten's Liturgical Music and Its Place in the Anglican
    Benjamin Britten’s liturgical music and its place in the Anglican Church Music Tradition By Timothy Miller Submitted for the degree of Doctor of Philosophy Department of Music and Sound Recording School of Arts, Communication and Humanities University of Surrey August 2012 ©Timothy Miller 2012 ProQuest Number: 10074906 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10074906 Published by ProQuest LLO (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This study presents a detailed analysis of the liturgical music of Benjamin Britten (1913- 1976). In addition to several pieces Britten wrote for the Anglican liturgy and one for the Roman Catholic Church, a number of other works, not originally composed for liturgical purpose, but which fonction well in a liturgical setting, are included, providing a substantial repertory which has hitherto received little critical commentary. Although not occupying a place of central importance in the composer’s musical output, it is argued that a detailed examination of this liturgical music is important to form a fuller understanding of Britten’s creative character; it casts additional light on the composer’s technical procedures (in particular his imaginative exploitation of tonal structure which embraced modality, free-tonality and twelve-tone ideas) and explores further Britten’s commitment to the idea of a composer serving society.
    [Show full text]
  • Bristol Choral Society
    BRISTOL CHORAL SOCIETY. Updated MUSIC FOR SALE. November 2020 COMPOSER WORK Quantity PRICE per copy Hire Bach St Matthews Passion 1 £1.50 St John Passion 1 £4.00 Jesus Priceless treasure 1 £1.50 B Minor Mass 5 £4.00. £2.00 & £1.00 Magnificat 1 £3.00 Come Redeemer 1 50p Christmas Oratorio 3 £5.00. £1.00. 50p Cantata 152. Walk the heavenly way (in Englsh) 1 50p Cantata 28 O Praise the Lord. (In English) 1 50p Cantata 1. How brightly shines. (In English) 1 50p Cantatas: ,21, 34x 2,, 80,82 1 of each 75p, & 30p Motet “Lobet den Herrn” ( legal copies) 59 hire Motet “Lobet den Hern” 4 £1.00 & 50p Komm Jesu Komm. (Legal downloads) 36 Hire Motet. “sing ye to the Lord” 3 £1.50, Motet “ The spirit also helpeth us” 1 50p St Lukes Passion (In English) 1 50p Bednell David O praise God in his holiness 20 new £3.75 Hire “ “ “ 1 £1.50 Beethoven An die Freude (choral scores) 5 50p “ “ (Full Score) 1 £2.00 Choral Fantasia 7 50p Hire Mass in D 2 £2.00 & 75p Choral Symphony (Last movement) 1 £1.00 Meeresstille 1 25p Berger Brazilian Psalm 1 £1.00 Berlioz Te Deum 16 £2.50 hire Requiem 4 £2.00 & £1.50 Bernstein Chichester Psalms 3 £2.00 & £1.50 Choral selection from West side story 1 £1.50 Bliss Pastoral 1 £1.50 Morning Heroes 1 £1.50 Boulanger Old Buddhist Prayer 1 25p Psalm 129 1 25p Brahms Schicksalslied 8 £2.00 hire A German Requiem in German & English 1 £3.00 A German requiem in English 2 £1.50 & £1.00 A German Requiem in German 1 £1.00 Wie lieblich sind (from German requiem) ( legal copies) 80 hire Liebeslieder 2 £2.00 & £1.50 Song of Destiny 3 50p Britten Spring Symphony (choral scores) 9 £1.00 hire Spring Symphony (vocal scores) 2 50p St Nicholas 2 £2.00 Rejoice in the lamb 3 £2.50 & £1.00 AMDG 1 £2..50 Cantata Academica/Carmen Basiliense 1 £2.00 War Requiem 2 £5.50 & £1.50 Festival Te Deum 1 £1.00 Bruckner Te Deum 8 £2.00 & £1.00 hire Mass in E minor 11 £3.00 .£2.00 & £1.00.
    [Show full text]
  • Download Booklet
    CORO The Sixteen Edition CORO The Sixteen Edition Other Sixteen Edition recordings available on Coro Fen and Meadow Blest Cecilia A Ceremony of Carols Britten Choral Works III Britten Choral Works I cor16006 Britten Choral Works II cor16034 Hymn to the Virgin A Ceremony of Carols Hymn to St Cecilia A Boy was Born Rejoice in the Lamb A Shepherd's Carol Te Deum in C The Sycamore Tree Jubilate Deo Sweet was the Song Festival Te Deum Missa Brevis in D C HORAL D ANCES FROM 'G LORIANA ' Ikon of Light Barber Agnus Dei F IVE F LOWER S ONGS John Tavener cor16015 An American Collection cor16031 S ACRED AND P ROFANE The Lamb Samuel Barber Two Hymns to the Leonard Bernstein Mother of God Aaron Copland Today the Virgin Irving Fine Ian Partridge The Tyger Steve Reich The Sixteen Page 1 Eonia Del Tredici THE VOICES OF HARRY CHRISTOPHERS To find out more about The Sixteen, concerts, tours, and to buy CDs, visit www.thesixteen.com cor16038 In December 1977, as a member of the choir of Fen and Meadow Lady Barnard was composed in 1943 for a Westminster Abbey, I sang at Britten’s memorial friend, Richard Wood, who was in a prison Benjamin Britten camp in Germany, for him and his fellow service; at that time, I was also a member of English prisoners to perform there. The score was Music Theatre, successor to English Opera Group ritten's opera Gloriana celebrated sent out page by page by microfilm letter. and the brainchild of conductor Steuart Bedford Queen Elizabeth II's coronation The Wedding Anthem, Amo Ergo Sum, and producer Colin Graham but with the blessing Bby depicting scenes from the life composed for the marriage of Marion Stein and support of Britten.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music PAULEY, JOHN-BEDE How to cite: PAULEY, JOHN-BEDE (2013) Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9499/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ABSTRACT Benjamin Britten, Herbert Howells, and Silence as the Ineffable in English Cathedral Music John-Bede Pauley Silence’s expressive potential came to the fore in twentieth-century arts and letters as never before. Its role in Christian theology and spirituality has a much longer history, but by the beginning of the twentieth century, its expressive potential had not been significantly recognized in liturgical choral music. This study examined the relationship between twentieth-century musical silence and the expression of silence as the ineffable in Anglican choral music (referred to as English cathedral music or ECM) of the middle of the twentieth century.
    [Show full text]
  • Choirs Aotearoa Nz Music Library
    CHOIRS AOTEAROA NZ MUSIC LIBRARY COMPOSER TITLE VOICE PART AITKEN, James Charm SATB ALFVEN, Hugo Glädjens blomster SATB ALFVEN, Hugo Och jungfrau hon går i ringen SATB ALFVEN, Hugo Vallvisa (arr.) SATB Anon Alleluya: A nywe werk 15th C British carol Anon Hodie Christus natus est Unison chant Anon Nowel: Owt of your slepe aryse 15th C British carol Anon Ther is no rose of swych vertu 13th C unison antiphon AUCOTT, Clive It was the Lovely Moon SSAATTBB with Soprano and Tenor Solos BACH, J. Ludwig Zwei Motetten SSATTB (Movement 1) SSAATTBB(MM2) BACH, J.S. Der Geist Hilft Unsrer Schachheit Auf SSAATTBB - Double Choir BACH, J.S. Furchte Dich Nicht SSAATTBB -Double Choir BACH, J.S. Jesu, Meine Freude SSATB BACH, J.S. Lobet den Herrn - BWV 230 SATB BACH, J.S. So Nun Der Geist SSATB BACH, J.S. Weihnachts Oratorium SATB + SATB Solos BALDWIN, Andrew Cantate Domino SATB BALDWIN, Andrew God Defend New Zealand SATB BALDWIN, Andrew Haec dies SATB BALDWIN, Andrew Jubilate Deo SATB BÁRDOS, Lajos Libera Me SSATB BÁRDOS, Lajos Popule Meus SSAATTBB BARJA, Angel Lua Lua SATB BARON, Y. Sharkiya SATB BATES, Mason Observor in the Magellanic Cloug SATB BECKER, Pepe Cancer II: T'amo mia vita SSAATTBB BECKER, Pepe Many Waters SATB BECKER, Pepe Wind and Rain SSAATTBB + SSAA Solos and Drums BENNETT, Richard Rodney Choral Collection SATB BIEBL, Franz Ave Maria TTBB + TTB solos BODY, Jack Carol to St.Stephen SSSSAAAATTTTBBBB + SATB semichorus BODY, Jack Five Lullabies SATB, TB, SA, TB and SAT BODY, Jack Jibrail SATB with gong BODY, Jack Vox Populi SATB BONATO, Giovanni
    [Show full text]
  • 1 This Chronology Includes All of the Core Repertoire Appearing in Each
    New Model Music Curriculum Appendix 2 – Chronology: Repertoire in Context This chronology includes all of the Core Repertoire appearing in each Key Stage and Year as well as additional repertoire appropriate to learning based on the Model Music Curriculum. It is presented in chronological order of the year in which the piece or song was written and grouped by era in order to help pupils develop their knowledge of different musical periods and styles. Traditional Folk and World music can be used to enhance and deliver aspects of the Model Music Curriculum. They are especially useful in developing aural awareness, and to help pupils appreciate and understand music from different traditions. Items in bold indicate Foundation Listening repertoire that appears within the Model Music Curriculum. The suggested curriculum year is given as a guideline for its use. Early Period Year Composer Title of Piece Curriculum Source Year 1000 Anon Orientis Partibus 8 Orientis partibus - YouTube Medieval mystery play 1130 Hildegard Hortus Deliciarum 7 Hildegard von Bingen - Hortus Deliciarum - YouTube 1140 Hildegard O Euchari 4 ABRSM Classical 100 1200 Anon Ductias 1 & 2 7 Ductia #1 from the 13th century for two voices - YouTube Ductia #2 from the 13th century for two voices - YouTube 1225 Anon Miri it is while 7 Mediaeval English Folk Song - Miri It Is While Sumer Ilast sumer ilast - YouTube 1250 Anon Sumer is Icumen In 7 Sumer is Icumen in (The Hilliard Ensemble) - YouTube Renaissance Period Year Composer Title of Piece Curriculum Source Year 1551 Susato
    [Show full text]
  • Reflections on and Around Britten's War Requiem at Yale Mervyn
    Reflections on and around Britten’s War Requiem at Yale Mervyn Cooke Adapted from the Tangeman Lecture delivered April 28, 2007 On 28 April 2007 a magnificent performance of Benjamin Britten’s War Requiem was given in Woolsey Hall, New Haven, by the Philharmonia Orchestra of Yale under the conductor Shinik Hahm, with Sara Jakubiak, James Taylor, and Detlef Roth the soprano, tenor, and baritone soloists, the Yale Schola Cantorum, Yale Camerata, Yale Glee Club, Trinity Church Boys’ and Girls’ Choirs, and Elm City Girls’ Choir; the performance had been given by the same forces at Boston’s Symphony Hall on the previous day. Before the Yale concert it was my privilege to offer some thoughts on Britten’s work in the shape of the Yale Institute of Sacred Music’s annual Tangeman Lecture. Our discussion focused not only on Britten’s economical and highly communicative musical idiom, but also on the various levels of irony presented by this multi-layered and thought-provoking score, which brings together – often in direct and disquieting collisions – vernacular settings of anti-war texts by the First World War poet Wilfred Owen (1893-1918), delivered in English by solo tenor and baritone voices with chamber-orchestral accompaniment, and the Latin Missa pro defunctis, declaimed by an operatic soprano soloist, large choir, and full orchestra; these together provide a more conventional backdrop sometimes reminiscent of the operatic style of Giuseppe Verdi. Britten’s work had been commissioned in the late 1950s to mark the consecration of the modern cathedral built at Coventry (in the British county of Warwickshire), the city’s old cathedral having been destroyed by German bombing in November 1940; his score was first performed in the new building, designed by the architect Basil Spence and poignantly erected alongside the ruins of the medieval building it replaced, on 30 May 1962.
    [Show full text]
  • Kimmel Center Organ Concert
    Mendelssohn Club of Philadelphia Alan Harler, Artistic Director John French, Associate Conductor The Kimmel Center Organ Series Program Festival Te Deum ........................................................................................................ Benjamin Britten Erin Swanson, soprano Jubilate Deo .................................................................................................................. Benjamin Britten Messe Solennelle ................................................................................................................... Louis Vierne Kyrie Gloria Sanctus Benedictus Agnus Dei Ashley Elisabeth Alden, soprano Jennifer Beatty, alto AJ Walker, tenor Ryan Tibbetts, bass Intermission Four Motets ......................................................................................................................... MarCel Dupré O Salutaris Tantum Ergo Ave Maria Laudate Jennifer Beatty, alto Psalm 90 ................................................................................................................................... Charles Ives Erin Swanson, soprano Joshua Hartman, tenor Laudes Organi .................................................................................................................... Zoltán Kodály Alan Harler, ConduCtor MiChael Stairs, organ Mendelssohn Club Chorus Program Notes This evening’s ConCert is a Celebration of musiC for voiCe and organ. It features works by two legendary virtuoso organists (Louis Vierne and Marcel Dupré) and two Composers known best for
    [Show full text]
  • Choral Music
    WORCESTER MUSIC LIBRARY : CHORAL MUSIC NOTE The choral pieces are presented in Composer order. There are many collections, and these are presented under 'Various'. Collections of Carols and other seasonal items are presented under 'Xmas'. Composer Title Abba arr. Marsh Mamma Mia! And Other Abba Hits Arnold The John Clare Cantata Bach J.S. Cantata 142 Bach J.S. Christ lay in Death's Dark Prison Bach J.S. Christmas Oratorio HB Bach J.S. Christmas Oratorio SB Bach J.S. Christmas Oratorio SB Bach J.S. Coffee Cantata Bach J.S. Come, Jesus, Come (Komm, Jesu, Komm) Breitkopf Bach J.S. Come, Jesus, Come (Komm, Jesu, Komm) Novello Bach J.S. Hold in Affection Jesus Christ Bach J.S. Mass in B Minor Bach J.S. Motetten (Motets) Bach J.S. Praise the Lord all ye nations Bach J.S. Sleepers Wake Bach J.S. St John's Passion Bach J.S. St Matthew Passion Bart Oliver! Beach Boys ed Lojeski Best of thre Beach Boys Beatles With a Little Help From My Friends Beatles ed Lojeski The Beatles in Revue Beethoven Choral Sympathy Beethoven Mass in C Beethoven Mass in D Beethoven The Choral Fantasia Bennett All the King's men Bennett Woman of Samaria Berkeley All the King's men Berkeley Or Shall We Die? Berlioz Messe Solennelle Berlioz Requiem Berlioz The Childhood of Christ Berloiz Requiem ed Schirner Bernstein Chichester Psalms (in three movements) Bernstein Vocal selection from West Side Story Bernstein West Side Selection Bernstein West Side Story Bizet Te Deum Blake The Song of St.
    [Show full text]