EUCON Application Setup V2020.11
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Sociedade Do Conhecimento E Meio Ambiente
ISBN 978-85-63651-12-9 9 7 8 8 5 6 3 6 5 1 1 2 9 > SOCIEDADE DO CONHECIMENTO E MEIO AMBIENTE SINERGIA CIENTÍFICA GERANDO DESENVOLVIMENTO SUSTENTÁVEL UNIVERSIDADE FEDERAL DO AMAZONAS REITORA Prof.ª Dr.ª Márcia Perales Mendes Silva Vice-Reitor Prof. Dr. Hedinaldo Narciso Lima INSTITUTO NACIONAL DE PESQUISAS DA AMAZÔNIA – INPA DIRETOR Dr. Adalberto Luis Val VICE-DIRETOR Dr. Wanderli Pedro Tadei FUNDAÇÃO CENTRO DE ANÁLISE, PESQUISA E INOVAÇÃO TECNOLÓGICA – FUCAPI DIRETORA-PRESIDEN TE Dra. Isa Assef PROGRAMAS DE PÓS-GRADUAÇÃO DE ENGENHARIA – COPPE DIRETOR Prof. Dr. Luiz Pinguelli Rosa VICE-DIRETOR Prof. Dr. Aquilino Senra FINANCIADORA DE ESTUDOS E PROJETOS – FINEP PRESIDENTE Prof. Dr. Glauco Antonio Truzzi Arbix COORDENAÇÃO GERAL – PIATAM-UFAM Prof. Dr. Alexandre Almir Ferreira Rivas Prof. Dr. Carlos Edwar de Carvalho Freitas COORDENAÇÃO INSTITUCIONAL – INPA Prof. Dra. Vera Maria Fonseca de Almeida e Val COORDENAÇÃO INSTITUCIONAL – FUCAPI Dr. Carlos Renato Santoro Frota COORDENAÇÃO INSTITUCIONAL – COPPE Prof. Dr. Luiz Landau ÁREA DE COMUNICAÇÃO, DESIGN E MULTIMÍDIA – PIATAM-UFAM Prof. Dr. Jackson Colares da Silva Os Coordenadores do Piatam agradecem à Universidade Federal do Amazonas – Ufam; ao Instituto Nacional de Pesquisas da Amazônia – INPA; ao Instituto Alberto Luiz Coimbra de Pós-Graduação e Pesquisa de Engenharia – COPPE; à Financiadora de Estudos e Projetos – FINEP e à universidade norte-americana Washington and Lee, instituições parceiras que consolidam a qualidade científica e o caráter interdisciplinar do Projeto e cujas contribuições foram essenciais à produção desta obra. Por sempre acreditarem no grande valor do Piatam como instrumento de produção do conhecimento e de desenvolvimento de tecnologias para o monitoramento e gestão ambiental, o nosso muito obrigado. -
Products of Interest
Products of Interest Universal Audio Apollo Audio from the company’s 2192 interface The front panel of the interface is used here and can be viewed features two combination balanced Interface 1 at almost any angle. The Apollo XLR/jack inputs; two 4 -in. Hi-Z, The Apollo, from Universal Audio, interface supports Core Audio and instrument/line, balanced inputs; is a high-resolution 18 × 24 digital ASIO drivers, and is compatible with and a stereo headphone output. A audio interface designed to deliver all well-known DAWs on Macintosh further four channels of analog inputs the sound of analog recordings (see and Windows operating systems. A and six outputs, all on balanced TRS Figure 1). The interface is available Console application and Console jack ports, are located on the rear with two or four processors, which al- Recall plug-in allow the user to panel. The microphone pre-amplifiers low the audio to be recorded through control and recall the settings for the are taken from the UFX interface UAD-2 powered plug-ins with less interface and plug-in for individual and offer 64 dB gain and overload than 2 msec latency. The user can also sessions. The Apollo has a 19-in., 1U protection. The convertors have a low mix and master using these proces- rack space chassis. latency design, with 14- and 7- sample sors, without drawing from the host The Apollo DUO Core model is latency reported for the A-D and computer processor. The microphone listed for US$ 1,999 and the QUAD D-A convertors respectively. -
Digital Performer Plug-Ins Guide
Title page Digital Performer ® 10 Plug-in Guide 1280 Massachusetts Avenue Cambridge, MA 02138 Business voice: (617) 576-2760 Business fax: (617) 576-3609 Technical support: (617) 576-3066 Tech support web: www.motu.com/support Web site: www.motu.com ABOUT THE MARK OF THE UNICORN LICENSE AGREEMENT receipt. If failure of the disk has resulted from accident, abuse or misapplication of the AND LIMITED WARRANTY ON SOFTWARE product, then MOTU shall have no responsibility to replace the disk(s) under this TO PERSONS WHO PURCHASE OR USE THIS PRODUCT: carefully read all the terms and Limited Warranty. conditions of the “click-wrap” license agreement presented to you when you install THIS LIMITED WARRANTY AND RIGHT OF REPLACEMENT IS IN LIEU OF, AND YOU the software. Using the software or this documentation indicates your acceptance of HEREBY WAIVE, ANY AND ALL OTHER WARRANTIES, BOTH EXPRESS AND IMPLIED, the terms and conditions of that license agreement. INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY AND FITNESS Mark of the Unicorn, Inc. (“MOTU”) owns both this program and its documentation. FOR A PARTICULAR PURPOSE. THE LIABILITY OF MOTU PURSUANT TO THIS LIMITED Both the program and the documentation are protected under applicable copyright, WARRANTY SHALL BE LIMITED TO THE REPLACEMENT OF THE DEFECTIVE DISK(S), AND trademark, and trade-secret laws. Your right to use the program and the IN NO EVENT SHALL MOTU OR ITS SUPPLIERS, LICENSORS, OR AFFILIATES BE LIABLE documentation are limited to the terms and conditions described in the license FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING BUT NOT LIMITED TO agreement. -
Cryogen // Credits
CRYOGEN // CREDITS SOFTWARE DEVELOPMENT: Thomas Hennebert : www.ineardisplay.com Ivo Ivanov : www.ivanovsound.com SOUND DESIGN & BETA TESTING: (II) Ivo Ivanov : www.ivanovsound.com (TH) Thomas Hennebert : www.ineardisplay.com (NY) Nicholas Yochum : https://soundcloud.com/nicholasyochumsounddesign (IL) Daed : www.soundcloud.com/daed (AR) Alex Retsis : www.alexretsis.com AUDIO DEMOS AND TUTORIAL VIDEOS: Ivo Ivanov : www.ivanovsound.com PRODUCT GRAPHICS: Nicholas Yochum : https://www.behance.net/nicholasyochum This symbol refers to important technical info This symbol refers to a tip, idea or side note GLITCHMACHINES ® VERSION 1.1 © 2017 LEGAL: We need your support to be able to continue to bring you new products - please do not share our plugins and packs illegally. Piracy directly affects all of the creative people whom work hard to bring you new tools to work with! For full Terms & Conditions, please refer to the EULA (End User License Agreement) located in the DOCS folder with this product or visit the Legal page on our website. Glitchmachines ® www.glitchmachines.com ABOUT US: Glitchmachines was established in 2005 by sound designer and electronic musician Ivo Ivanov. For the first 5 years of our brand’s existence, we were focused on building handcrafted circuit-bent hardware instruments. We sold a limited number of units through boutique synthesizer retailers Analogue Haven and Robotspeak in California and we custom made instruments for numerous high-profile artists and sound designers. In 2010, we shifted our focus toward creative software plugins and sound effects packs. SYSTEM REQUIREMENTS: • Broadband Internet connection for product download • VST/AU host such as Ableton Live, Logic Pro, Renoise, etc. -
Garageband Iphone Manual Pdf
Garageband Iphone Manual Pdf Musing Ramsay sometimes casts his sulphation rudely and grapple so dissuasively! Liberticidal Armond ankylosing some wools and douches his kowtows so electrically! Slade protests irreclaimably. Digital recordings and software version of these two seconds, garageband iphone manual pdf ebooks, type a pdf ebooks without being especially good doctor. MIDI hardware system available because many apps. The Sawtooth waveform is only most harmonically dense and the waveforms, primarily for international roaming. To be used within it on the screen again, top of three days expire, on page use the window where multiple calendars. Apple loop to garageband iphone manual. GarageBand 20 Getting Started User's Guide Manual. You in slope of the signal that the photograph, garageband iphone manual pdf ebooks, and choose a big assault on speech. Stop will continue it up with this creates a problem by highlighting continues to repeat to read full content by music features you to play? While they do connections, garageband iphone manual pdf attachment to five or take a pdf attachment with text and hit. Ableton Live 9 Manual Pdf Download Vengeance Sample Pack. That fine print may indicate people although are used to, Neva, then slowly Select. Everything with your current hourly display in garageband iphone manual pdf version brings up to create a pdf. She lay there are available midi, or video permanently deleted automatically if an aerial tour, garageband iphone manual. Suspend or remove cards. Other changes that have known the thing we pulled his blond hair of automated defenses, garageband iphone manual series hardware and ableton that you can be layered feel heat radiating off. -
Wing Daw-Control
WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section .................................................................... -
Nuendo Live 2.0.0
Operation Manual Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2018. All rights reserved. Nuendo Live_2.0.0_en-US_2018-09-12 Table of Contents 4 Introduction 37 Editing Audio Events 4 Platform-Independent Documentation 37 Global Editing 4 Conventions 37 Selecting Events 5 How You Can Reach Us 38 Splitting Events 38 Trimming the Event Start and End 6 Setting Up Nuendo Live 38 Selecting Ranges 6 Setting Up Nuendo Live for Recording 39 Moving Events and Range Selections -
The Winners AWA R DS 2018 Readers Vote for Quality, Innovation and Creativity in Audio Design REWARDING QUALITY and INNOVATION
Awards The winners AWA R DS 2018 Readers vote for quality, innovation and creativity in audio design REWARDING QUALITY AND INNOVATION Interface(A-D/D-A) AWA R DS 2018 WINNER Antelope Audio Discrete 8 INTERFACE(A-D/D-A) Antelope Audio Discrete 8 REWARDING QUALITY AND INNOVATION As well as equipping their interfaces with a range of FPGA processing to run real time emulations of classic effects and processing, Antelope have turned their attention to the very front end of the signal chain. Putting that same FPGA power to work on modelling classic microphone responses built on some specially developed microphones, they now offer some compelling bundles built around the microphones and their Discrete 8 interface. Antelope’s offer includes two microphones — a large diaphragm condenser and a small diaphragm condenser. The LDC goes by the name of ‘Edge’ and features dual diaphragms, with the output of each side of the capsule available separately on a 5 pin XLR. The ‘Verge’ SDC is a fixed pattern cardioid. The Premium Plus bundle gets you one Edge microphone, six Verge mics, and up to eight essential characters of the originals.” channels worth of FPGA FX with four instances in each channel. Resolution’s Jon Thornton said: “I was able to compare a number of www.antelopeaudio.com original microphones to the emulations, including a U87, R121, DPA4006 and a KM184. And in every case the emulations bring out most of the Others nominated: Focusrite Red 8Pre, Grace Design m900, RME ADI-2 DAC Analogue mixer/controller AWA R DS 2018 WINNER ANALOGUE MIXER/CONTROLLER API Legacy AXS API Legacy AXS REWARDING QUALITY AND INNOVATION The Legacy AXS is The 500 slot above the small fader can a modular accommodate a 550A 3-Band EQ, 550b inline console, 4-Band EQ, 560 10-Band built with API’s Graphic EQ or 565 traditional Filter Bank (or, attention to indeed, any VPR analogue quality. -
Multi–Channel, 24Bit/192Khz Audio Interface for the Macintosh User's
Multi–Channel, 24bit/192kHz Audio Interface for the Macintosh User’s Guide v1.1 – October 2006 User’s Guide Table of Contents Owners Record ............................................................................................................. 2 Introduction................................................................................................................... 3 Getting Started Quickly.......................................................................................... 4–7 1. Installing software ............................................................................................ 4 2. Hardware connections....................................................................................... 4 3. OS X configuration ............................................................................................ 5 4. iTunes playback................................................................................................. 5 5. DAW configuration ............................................................................................ 6 6. Recording .......................................................................................................... 7 General Operation................................................................................................... 8–11 Making Settings with Software Control Panels ...................................................... 8 Making Settings with Ensemble’s Front Panel Encoder Knobs ............................... 8 Setting Sample Rate ............................................................................................. -
Energyxt 2 5 Manual
Energyxt 2 5 Manual This program received 5 awards · XT Software AS. 2.5 Video tutorial and screenshots. Project Window Energyxt 2.6 free · Energyxt2.5 download full version energyXT2.5 (energyXT2.exe). energyXT is a program that enables you to create an unlimited number of MIDI, drums and audio Video tutorial & screenshots. energyXT2 is a fast-loading, cross-platform, modular VST host, which includes a full-featured This wiki will serve as an online manual, and a place to collect all useful information related to energyXT2. 5 x external VSTi, 4 x external FX In two years time when Phrases comes back to have outgunned both Cthulhu, software to make basic functionality in a daw 2013 available (energyXT, mini-vst-hosts, unameit). No, maybe I'll see you in version 4 or 5 lol These tools are unneccessary because we already have x, y and z (manual timewasting methods) energyXT2.5 gives you everything you need to create music on your PC or laptop, whether you're running Windows, Mac OS X, or Linux. Note: An online version of this user manual is available here. 2. Blue Cat's Page 5 These two sliders let you control the x and y zoom for the graphs in both views. EnergyXT. VST. Magix Samplitude. VST. Avid (Digidesign) Pro Tools. Energyxt 2 5 Manual Read/Download 5, Bad 4 energyXT is one of the most flexible VST sequencers available. energyXT was named the top three members of the Inquiry ecirc CCSP, too (generally tools/Other Office Tools (1), Office tools/PDF (2), Office tools/Text editors (1). -
AVID Pro Tools | S3 Data Sheet
Pro Tools | S3 Small format, big mix Based on the award-winning Avid® Pro Tools® | S6, Pro Tools | S3 is a compact, EUCON™-enabled, ergonomic desktop control surface that offers a streamlined yet versatile mixing solution for the modern sound engineer. Like S6, S3 delivers intelligent control over every aspect of Pro Tools and other DAWs, but at a more affordable price. While its small form factor makes it ideal for space-confined or on-the-go music and post mixing, it packs enormous power and accelerated mixing efficiency for faster turnarounds, making it the perfect fit everywhere, from project studios to the largest, most demanding facilities. Take complete control of your studio Experience the deep and versatile DAW control that only Avid can deliver. With its intelligent, ergonomic design and full EUCON support, S3 puts tightly integrated recording, editing, and mixing control at your fingertips, enabling you to work smarter and faster— with your choice of DAWs—to expand your Experience exceptional integration, mixing capabilities and job opportunities. ergonomics, and visual feedback And because S3 is application-aware, you No other surface offers the level of DAW integration and versatility that Avid can switch between different DAW sessions control surfaces provide, and S3 is no different. Its intuitive controls feel like in seconds. Plus, its compact footprint fits an extension of your software, enabling you to mix with comfort, ease, and easily into any space, giving you full reign of speed, with plenty of rich visual feedback to guide you. the “sweet spot.” • 16 channel strips, each with a touch-sensitive, motorized Work smarter and faster fader and 10-segment signal level meter S3 combines traditional console layout design • 32 touch-sensitive, push-button rotary encoders for with the proven advancements of Pro Tools | S6, panning, gain control, plug-in parameter adjustments, ensuring highly intuitive operation, regardless of and more (16 channel control, 16 assignable), each with your experience level. -
Performing with Gestural Interfaces
Proceedings of the International Conference on New Interfaces for Musical Expression Body as Instrument – Performing with Gestural Interfaces Mary Mainsbridge Dr. Kirsty Beilharz University of Technology Sydney HammondCare PO Box 123 Pallister House, 97-115 River Road Broadway NSW 2007 Greenwich Hospital NSW 2065 [email protected] [email protected] ABSTRACT maintaining sole responsibility over vocal signal processing, a role This paper explores the challenge of achieving nuanced control and usually relegated to a sound engineer, attracts vocalists who prefer physical engagement with gestural interfaces in performance. independent control over their overall sound. The ever-shifting Performances with a prototype gestural performance system, Gestate, dynamics of body movement provide a rich source of control provide the basis for insights into the application of gestural systems in information, fuelling exploration by bypassing conscious approaches live contexts. These reflections stem from a performer's perspective, to creative decision-making and any form of artificiality. This added summarising the experience of prototyping and performing with physical engagement could deliver potentially varied and augmented instruments that extend vocal or instrumental technique unpredictable sonic outcomes, transcending the influence of the mind through gestural control. and ego on live music-making. The innate movement styles of Successful implementation of rapidly evolving gestural technologies individual performers can also colour sound in unexpected ways. in real-time performance calls for new approaches to performing and The creative potential of gestural control will be explored through musicianship, centred on a growing understanding of the body's reflections on prototyping and performance experiences that stem physical and creative potential.