Read Book Peter Doig

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Peter Doig PETER DOIG PDF, EPUB, EBOOK Peter Doig,Richard Shiff | 432 pages | 07 Mar 2017 | Rizzoli International Publications | 9780847849796 | English | New York, United States Peter Doig PDF Book Burchfield Influenced on: Lucy Ivanova Wikipedia: en. Fiercely eclectic, his practice shares no central formula, and instead functions as part of a whole that provides insight into his personal history and political ethos. Friedensreich Hundertwasser - The idea was the trees were illuminated by city light or artificial light from afar - I had just read Don Delillo's White Noise that influenced the light in these paintings as well. Peter Doig went from being an artist whose peers were too embarrassed to show alongside him, to possibly the most internationally loved painter of our time. Abidin Dino - Henri Rousseau. For Doig, snow was not simply a souvenir of his childhood, but a conceptual device that could simulate the way our memories may be transformed and distorted over time. Black Palms , Concrete Cabin Peter Doig Two Students , Namespaces Article Talk. Archived from the original on 21 October Peter Doig Lunker Archived from the original on 27 September Many of Doig's paintings are landscapes, somewhat abstract, with a number harking back to the snowy scenes of his childhood in Canada. Lyle Rexer. White Canoe Peter Doig Lucy Ivanova born Cite article. Peter Doig is a contemporary Scottish artist, celebrated as one of the most important representational painters working today. See our Privacy Policy for more information about cookies. Peter Doig review - sun, sea and savagery in a troubled paradise. Blotter Peter Doig Much of the composition is overlaid with a large, floating orb. To start, Doig took a photo of his brother on ice onto which he had pumped water to create more interesting and vivid reflections. Wikipedia article References Doig said: "The tree line is a mixture of what I could see from my working space in my parent's barn and other sketches I made of northern-looking pines and dying trees. The bottom two thirds of the canvas are filled with a snowy, sometimes colorful, landscape. The Art Story. Victoria Miro. From the horizon a stretch of trees grows, glowing alien and coral-like, waving into the air as if in water. The complex, yet whimsical, relationship between form, brushwork, and content in this work is an important moment in contemporary painting. Eyvind Earle - Carol Rhodes — Fondation Beyler. He was sent to a Scottish boarding school from the age of 12 thanks to money left by a great-aunt, but after three years of unhappiness, his parents let him come home. Doig is a meticulous colorist, who often uses uneasy, disquieting color combinations to create simultaneously charming and foreboding landscape paintings. In the early s Doig was involved with a group of architects and artists who operated from the building. Almost Grown Peter Doig Prints and Drawings Rooms 30 artworks by Peter Doig. Peter Doig Writer Saatchi store Now available online School visits Education Programme Saatchi gallery membership Exclusive benefits to members. Doig was invited to return to Trinidad in , to take up an artist's residency with his friend and fellow painter Chris Ofili. The piece also references a number of 21st Century elements, with its echoes of current literature and film combined with the artist's own experience and imagination, as is his signature style. Mimmo Paladino born Retrieved 29 May Galerie Frank Fluegel. Seattle Times. Features Left Right. Beach Cricket , Scottish painter. Almost Grown Peter Doig Craigie Aitchison — Sarah Jackson. Based on the viewpoint of an insect whose perception of the world is found at ground level, Peter Doig created the Grasshopper using three equally spaced bands that command its composition. Doig said: "The tree line is a mixture of what I could see from my working space in my parent's barn and other sketches I made of northern-looking pines and dying trees. Peter Doig review - sun, sea and savagery in a troubled paradise. Please enter a valid email address. Zdzislaw Beksinski - Fiercely eclectic, his practice shares no central formula, and instead functions as part of a whole that provides insight into his personal history and political ethos. Peter Doig 1, results. The title referred to the process of building up color - literally soaking paint into the canvas - but also to the experience of being completely absorbed in a place or landscape. Red House Peter Doig For Doig, snow was not simply a souvenir of his childhood, but a conceptual device that could simulate the way our memories may be transformed and distorted over time. Galerie Maximillian. National Galleries of Scotland. Archived from the original on 21 October Gillian Carnegie born Doig similarly combines seemingly incongruous, disparate reference points in his work often, inserting images from his own lived experience, film, art, and literary histories together in one composition. Movements and Styles: Magic Realism. Briey , Charley's Space On a snow-capped hill sits a large wooden house. Two Students , In he moved with his family to Trinidad, where his father worked with a shipping and trading company, and then in to Canada. Peter Doig Reviews Menez - Blotter Peter Doig Hurvin Anderson. Wikipedia article References By continuing to use our sites and applications, you agree to our use of cookies. The Globe and Mail. Nina Tokhtaman Valetova born Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. Art critic Jonathan Jones said about him: "Amid all the nonsense, impostors, rhetorical bullshit and sheer trash that pass for art in the 21st century, Doig is a jewel of genuine imagination, sincere work and humble creativity. Ways to support us. Milky Way In this mesmerizing canvas, pinpoint stars share a black and blue skyscape featuring a cloudy Milky Way. Peter Doig Echo Lake Victoria Miro. Peter Doig in conversation with Jasper Sharp. His mother had been worried he'd be expelled; he was "an adventurous, free spirit" in her words. As Doig explains: "When you walk through an urban environment, you take the strangeness of the architecture for granted. Galerie Maximillian. From to , he was a trustee of the Tate Gallery. Westermann , Friedrich , Monet and Klimt. He draws inspiration for his figurative work from photographs, newspaper clippings, movie scenes, record album covers and the work of earlier artists like Edvard Munch. Back to Top. Doig was invited to return to Trinidad in , to take up an artist's residency with his friend and fellow painter Chris Ofili. Peter Doig's Biography. Based on the viewpoint of an insect whose perception of the world is found at ground level, Peter Doig created the Grasshopper using three equally spaced bands that command its composition. In , Doig won the first prize at the John Moores exhibition with his painting Blotter. Sarah Jackson. Pelican , Francis Bacon. Blotter In Blotter we see a gloved figure standing on a sheet of frozen ice, watching his own feet as he appears to stamp in puddles, making ripples spread about him. It was critically acclaimed and showed works created in the previous ten years, mostly during his residence in Trinidad. In White Creep, a vast snow-capped mountain juts upward in a way that dwarfs the sky. Record Painter: An interview with Peter Doig. Blotter won the first prize in the John Moores Painting Prize exhibition, representing a turning point in Doig's career, and an appetite for this strange and enticing form of Magical Realism. Abdul Mati Klarwein - I'm an outsider. Zdzislaw Beksinski - Friedensreich Hundertwasser - Peter Doig is a contemporary Scottish artist, celebrated as one of the most important representational painters working today. In he moved with his family to Trinidad, where his father worked with a shipping and trading company, and then in to Canada. Archived from the original on 21 October Peter Doig Read Online Peter Doig Canoe , artsation. Charles E. He draws inspiration for his figurative work from photographs, newspaper clippings, movie scenes, record album covers and the work of earlier artists like Edvard Munch. W magazine. Tate Etc. Francis Bacon. Jetty Peter Doig Spotted a problem? Zaya born Retrieved 20 November Download as PDF Printable version. Doig has lived and worked in Trinidad since Read artistic legacy. Canoe , Lisa Milroy born Views Read Edit View history. Doig is a meticulous colorist, who often uses uneasy, disquieting color combinations to create simultaneously charming and foreboding landscape paintings. Retrieved 12 May The family moved to Toronto where Doig struggled at school. View by appointment. His reflection is visible beneath and he is backed by a snowy bank, and higher up, a darkening forest. Paul Schimmel, chief curator at the Museum of Contemporary Art, Los Angeles said in an interview that the sale made Doig go from being "a hero to other painters to a poster child of the excesses of the market". Record Painter: An interview with Peter Doig. Art critic Jonathan Jones said about him: "Amid all the nonsense, impostors, rhetorical bullshit and sheer trash that pass for art in the 21st century, Doig is a jewel of genuine imagination, sincere work and humble creativity. Features Left Right. In , his friend the painter Chris Ofili invited Doig to an artist residency in Trinidad. Doig was invited to return to Trinidad in , to take up an artist's residency with his friend and fellow painter Chris Ofili. You might like Left Right. The title referred to the process of building up color - literally soaking paint into the canvas - but also to the experience of being completely absorbed in a place or landscape. His paintings are characterized by their equal focus on both landscapes and figures, melding art historical and personal references into painterly abstractions with distinctive compositions.
Recommended publications
  • Global Corporate Collections, Aspen and Contemporary Art
    Aspen Insurance Holdings Ltd, London, United Kingdom “Our longstanding interest in art has evolved with our business and we are passionate about supporting artists whose creativity and innovation are an integral part of their work. With the emphasis of our collection on contemporary art, we are proudly now also helping an emerging generation of artists through our online art award at a time when support of the arts by business is vitally important.” Chris O'Kane, Group CEO of Aspen FIONA RAE I Feel Comfortable with my Heart Exhilarated, 2004 Oil and acrylic on canvas 231 x 190 cm 27 Aspen Insurance Holdings Ltd, London, United Kingdom In 2002, Aspen Insurance Holdings Ltd was founded in alongside that of younger, less experienced artists, HOPE GANGLOFF Bermuda. One year later, the fast-moving company, identified for their promise and critical recognition. Lininus, 2010 which operates within the global markets for property Paintings, sculptures and video works by the likes of Acrylic on canvas 152 x 266 cm and casualty insurance (Aspen Insurance), as well as in such established masters of contemporary art as the reinsurance (Aspen Re), already floated on the New American conceptual painter JOHN BALDESSARI, York Stock Exchange. As of 31 December 2013, the the French-American “Grand Dame” of contemporary Year of foundation / 2002 Curator / Fabienne Nicholas and Helen company had roughly 7.4 billion euros in total assets sculpture LOUISE BOURGEOIS, who died in 2010 at Nisbet at Contemporary Art Society and 945 employees in 31 wholly-owned subsidiaries the ripe old age of 98, and the post-Pop portrait Location / London Head office and in and offices across the globe.
    [Show full text]
  • Hernan Bas “Thirty-Six Unknown Poets (Or, Decorative Objects for the Homosexual Home)” Galerie Perrotin, Paris / 8September
    “Unknown poet # 5 (He thought Baudelaire overrated)”, 2012 “Unknown poet # 9 (The bible was his bible)”, 2012 “Unknown poet # 13 (He was obsessed with color)“, 2012 Acrylic, 24K gold leaf and graphite on gold dusted paper Acrylic, 24K gold leaf and graphite on gold dusted paper Acrylic, 24K gold leaf and graphite on gold dusted paper 33 x 28 cm / 13 x 11 inches 33 x 28 cm / 13 x 11 inches 33 x 28 cm / 13 x 11 inches Hernan Bas Hernan Bas “Thirty-six Unknown Poets « Thirty-six Unknown Poets (or, decorative objects for the homosexual home)” (or, decorative objects for the homosexual home) » Galerie Perrotin, Paris / 8 September - 27 October 2012 Galerie Perrotin, Paris / 8 septembre - 27 octobre 2012 Galerie Perrotin, Paris is organising a solo show entitled “Thirty-six Unknown La Galerie Perrotin, Paris organise une exposition personnelle de l’artiste de Poets (or, decorative objects for the homosexual home)” by the Detroit-based Détroit, Hernan Bas, « Thirty-six Unknown Poets (or, decorative objects for the artist, Hernan Bas, from 8th September to 27th October 2012. homosexual home) » du 8 septembre au 27 octobre 2012. His new works presented at the Gallery explore the relationship between Ses nouvelles œuvres présentées à la Galerie explorent la relation entre art et art and décor, celebrating 36 ‘poètes maudits’. For the first time he is using décor, célébrant 36 poètes maudits. Pour la première fois il emploie la feuille d’or gold and silver leaf in his drawings with ‘Klimtian’ accents and is also unveil- et d’argent dans ses dessins aux accents Klimtiens et dévoile aussi des paravents ing Japanese-like screens inspired by Nabis such as Bonnard and Vuillard.
    [Show full text]
  • 'Trinidad Perspective'
    Major group exhibitions 1967 Torre Abbey, Torquay (Group Exhibition) 2005 “Homage to Bob Marley” National Gallery, 1971 Ikon Gallery, Birmingham, England Kingston, Jamaica ‘Trinidad perspective’ (Three-Man Exhibition) 2006 “The Caribbean in the Age of Modernity: An New Paintings by Rex Dixon 1975 Curwen Gallery, London, England Exhibition of Photo-based works by Caribbean (Group Exhibition) artists and photographers” - co-curated with Patricia Mohammed, National Library, 1977 “Midlands Art Now”, Ikon Gallery, Birmingham Port of Spain, Trinidad and Museum of England (Group Exhibition) Modern Art, Santo Domingo. 1977 “Mid Art 77”, Dudley Art Gallery 2006 “A Suitable Distance: Impressions of Trinidad by (Group Exhibition) five artists” - Rex Dixon, Peter Doig, Chris Ofili, 1981 “Mid-Art 81”, Dudley Art Gallery Kofi Kayiga and Roberta Stoddart: at Soft Box (Group Exhibition) Studios, Trinidad, Curated by Andy Jacobs 1981 “Ikon Gallery Touring Show” - Various Venues in 2002 - 2012 “The Jamaica National Biennial” National Midlands Gallery of Jamaica, Kingston, Jamaica 1982 “Sade 82”, Cork, Ireland, (Group Exhibition) 2008- 2013 Annual Summer Exhibition, Engine Room 1984 Arts Council Gallery, Belfast, N. Ireland Gallery, Belfast, Northern Ireland. (Four-Man Exhibition) 1990 Bay Gallery, Montego Bay, Jamaica (Three Man Exhibition) 1991 Galerie Malraux, Los Angeles, U.S.A. (Group Exhibition) 1992 Marpad Art Gallery, Miami, U.S.A. (Group Exhibition) 1994 “Home & Away - Seven Jamaican Artists” October Gallery, London, England 1994 Second Biennial of Caribbean & Central American Painting, Museum of Modern Art, Santo Domingo, Dominican Republic 1997 Third Biennial of Caribbean & Central American Painting, Museum of Modern Art, Santo Domingo, Dominican Republic 1997 “Black as Colour” National Gallery of Jamaica, “Tomb” Acrylic on paper, 2014 12 x 9 ins Kingston, Jamaica th th 1985 - 2001 “Annual National Art Exhibition” Thursday June 26 to July 17 , 2014 National Gallery of Jamaica James Wray & Co 2003 Grove Gallery, Down Patrick, Northern Ireland 14 – 16 James St.
    [Show full text]
  • Cinematic Visions Painting at the Edge of Reality
    Victoria Miro Cinematic Visions Painting at the Edge of Reality An exhibition in support of the Bottletop Foundation, curated by James Franco, Isaac Julien and Glenn Scott Wright Njideka Akunyili, Jules de Balincourt, Ali Banisadr, Hernan Bas, Joe Bradley, Cecily Brown, Peter Doig, Inka Essenhigh, Eric Fischl, Barnaby Furnas, David Harrison, Secundino Hernández, Nicholas Hlobo, Chantal Joffe, Sandro Kopp, Harmony Korine, Yayoi Kusama, Glenn Ligon, Wangechi Mutu, Alice Neel, Chris Ofili, Celia Paul, Philip Pearlstein, Elaine Reichek, Luc Tuymans, Adriana Varejão, Suling Wang, Lynette Yiadom-Boakye. Exhibition continues until 3 August 2013 Walking List The exhibition extends across both Victoria Miro gallery spaces, which are adjacent to one another. Victoria Miro No. 14 is accessed via the garden terrace of No. 16. Victoria Miro No. 16 Downstairs gallery. Clockwise from entrance. Chris Ofili Peter Doig Ovid-Windfall, 2011-2012 Two Students, 2008 Oil and charcoal on linen Oil on Paper 310 x 200 x 4 cm, 122 1/8 x 78 3/4 x 1 5/8 in 73 x 57.5 cms, 28.76 x 22.66 in Eric Fischl Alice Neel Victoria Falls, 2013 Ian and Mary, 1971 Oil on linen Oil on canvas 208.3 x 172.7 cm, 82 x 68 in 116.8 x 127 cm, 46 x 50 in Chantal Joffe Peter Doig Jessica, 2012 Trinidad & Tobago Film Festival, 2008 Oil on board Oil on paper 305 x 150 cm, 120 x 48 1/8 in 76 x 105.5 cm, 29 7/8 x 41 1/2 in Lynette Yiadom Boakye David Harrison Alive To Be Glad, 2013 Midnight Meet, 2011 Oil on canvas Oil on paper on board 200 x 160 cm, 78 3/4 x 63 in 50.7 x 40.5 x 42.5 cm, 20 x 16 x 16 3/4 in Celia Paul Painter and Model, 2012 Oil on canvas 137.2 x 76.2 cm, 54 x 30 in Victoria Miro No.
    [Show full text]
  • Alex Katz Timothy Taylor, London January 15 – 22 February, 2020 Opening Reception: Tuesday 14 January, 6 – 8 Pm
    Alex Katz Timothy Taylor, London January 15 – 22 February, 2020 Opening Reception: Tuesday 14 January, 6 – 8 pm Alex Katz, Ada, 2019. Timothy Taylor is pleased to present an exhibition of recent paintings by American artist Alex Katz (b. 1927). Illustrating the immense power of a craft honed for over seventy years, Katz’s tenth exhibition with the gallery represents a historic return to his most significant themes in the form of impressionistic natural landscapes and masterly depictions of his wife and lifelong muse, Ada Del Moro Katz. After graduating from the Cooper Union in 1949, Katz spent almost ten years searching for a subject and style uniquely his own, resisting the stigma against figuration in the era of Abstract Expressionism. In 1957, he began to paint what he called ‘specific’ portraits, close-up paintings of recognisable people, blending the scale of the New York School with the social realism of Eduard Manet, the bright flatness of Matisse with the saturated color and dramatically cropped faces of American cinema. The catalyst for his new style was his first encounter with his future wife, Ada, the research biologist who would become the subject of his most celebrated paintings. Katz’s images of Ada have definitively entered the canon of twentieth-century art, and she was the subject of the 2006 exhibition Alex Katz Paints Ada at the Jewish Museum, New York. Katz has compared Ada’s irresistible allure to Picasso’s depiction of his muse and lover Dora Maar over the course of their nine-year affair. But unlike Picasso’s tragic representations of his weeping lover, the elusiveness of Ada’s unyielding gaze continues to fascinate the artist half a century later.
    [Show full text]
  • The Conversation Between Painting and Photography in the 21 Century
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wits Institutional Repository on DSPACE The Conversation Between Painting and Photography in the 21st Century: An analysis of selected paintings by Peter Doig (1959-) and Luc Tuymans (1958-) Kate Yvonne Margot Lewis A dissertation submitted to the Faculty of Humanities and Social Sciences, University of Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Masters of Arts in Fine Art by Dissertation. Johannesburg, 2013 Page 1 of 94 Declaration: I, Kate Yvonne Margot Lewis, declare that this dissertation is my own unaided work. It is submitted for the degree of Master of Arts in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. _____________________ Kate Lewis ______ day of _______________, 2013 Page 2 of 94 Abstract In this research I explore the relationship between painting and photography, focusing on the natures of both mediums and how they are questioned when creating a painting from a photographic source. I have selected works by contemporary painters Peter Doig and Luc Tuymans for analysis, examining the ways in which their images force us to question the assumed ‘truth value’ attached to photographic images. I also explore the potential for both painting and photography as mediums to portray the internal or the imagined, as well as painting’s link to the concepts of artifice and construction throughout history, especially when compared to photography. In this research I examine the early development of photography, as well as the development of ‘photographic’ or perspectival language in painting, both separate from and in relation to advancements in photographic technologies in the late nineteenth and early twentieth century.
    [Show full text]
  • PRESS RELEASE Victoria Miro FORCES in NATURE Curated by Hilton Als
    PRESS RELEASE Victoria Miro FORCES IN NATURE Curated by Hilton Als Njideka Akunyili Crosby, Verne Dawson, Peter Doig, NS Harsha, Alice Neel, Chris Ofili, Celia Paul, Tal R, Sarah Sze, Kara Walker and Francesca Woodman Exhibition 13 October – 14 November 2015 Victoria Miro, 16 Wharf Road, London N1 7RW Celia Paul, St Brigid’s Vision, 2014-15 Victoria Miro is delighted to present Forces in Nature, curated by the celebrated US critic and author Hilton Als. The exhibition explores the idea of man in nature and includes works by Njideka Akunyili Crosby, Verne Dawson, Peter Doig, NS Harsha, Alice Neel, Chris Ofili, Celia Paul, Tal R, Sarah Sze, Kara Walker, and Francesca Woodman. In his introduction to the catalogue, Als writes about the exhibition's premise: 'In her great poem about the sea, A Grave (1916- 18), the American poet Marianne Moore wrote: "It is human nature to stand in the middle of a thing/but you cannot stand in the middle of this." For centuries creators ranging from Casper David Friedrich to the artists in this show have sought to represent man's interesting, vexed, and insoluble relationship to the natural world. Forces in Nature celebrates and questions the male form or its absence in paintings, photographs, drawings, and installation. Does nature mean more to us when seen against the background of the human form? Or do we understand a landscape or seascape more acutely when the form is absent? Do women artists want to "stand in the middle of a thing" as defiantly as male artists? And how much of our understanding of nature is, by now, filtered through the experience of the modern world, with its focus on representation or documentation as opposed to directly "felt" experience? Forces in Nature is not only a celebration of these questions but an examination of them.' Forces in Nature, an illustrated catalogue with texts by Hilton Als, accompanies the exhibition.
    [Show full text]
  • Eccentric Figuration: the Painting in NY Group by Jennifer Samet
    WE ARE SEVEN ARTISTS (SOMETIMES MORE) WHO LIVE AND PAINT IN NEW YORK. Painting in New York May 19th – 29th 2011 Jason Eisner Mariangela Fremura Joren Lindholm Tyler Loftis Ben Pritchard Chris Protas Dov Talpaz Jason Williamson curators: Lori Bookstein, Lauren Bakoian essay: Jennifer Samet catalogue design: Dorit Talpaz printing: A.R. Printing, Israel www.paintinginny.com Eccentric Figuration: The Painting in NY Group by jennifer samet In 1978, Marcia Tucker defined “Bad Painting” for a group exhibition she curated at the New Museum of fourteen artists. She wrote: The freedom with which these artists mix classical and popular art-historical sources, kitsch and traditional images, archetypal and personal fantasies, constitutes a rejection of the concept of progress per se. Bypassing the idea of progress implies an extraordinary freedom to do and to be whatever you want. In part, this is one of the most appealing aspects of "bad" painting - that the ideas of good and bad are flexible and subject to both the immediate and the larger context in which the work is seen. Tucker also stressed that Bad Painting was “an ironic title for ‘good painting.’” Her definition applies to many in the Painting in NY group, who, over the years, have allowed themselves to freely draw from a range of sources and styles from Renaissance art to comic book imagery, and to use non-naturalistic scale, space, and anatomical form, even though they were steeped in a studio, drawing-based education. This is done, primarily, in the service of emotional resonance. The Painting in NY group - seven artists who exhibit together, and who all come, originally, from somewhere other than New York - met at the New York Studio School in the 1990s.
    [Show full text]
  • Annotated Bibliography Shan Thomas - VAST 410 - 2014
    Annotated Bibliography Shan Thomas - VAST 410 - 2014 I’ll start with an excerpt from the song “As It Seems” by 22 year old artist/ songwriter Lily Kershaw... beautiful stuff! “Cause this life is as Fragile as a dream, and Nothing’s ever really As it seems...” I am interested in capturing mood, eliciting emotion, exploring the edge of realism, and the fragility of our perceptions. Veering towards a dreamlike magical world, introducing uncertainty, questioning our assumptions about reality, what we assume and take for granted. In my work i explore transitions, edges, dusk, dawn, subliminal moments. I saw this painting at the Kunstmuseum in Basel, and found it captivating. It is large, gestural, and full of emotion. The contrasting expressions of the lovers - he, who is about to lose her, she who sleeps peacefully, (having already moved on in her heart), are compelling and poignant. Bride of the Wind (1914) Oskar Kokoschka Annotated Bibliography Shan Thomas - VAST 410 - 2014 I am drawn to the German Expressionists - especially the Blaue Rieters - not so interested in Kandinsky’s subsequent controlled and more self conscious work as he strived to create the “first abstract painting”. There is an exuberence and emotion in the paintings of this group, to say nothing of the gorgeous colour field. I also am drawn to the incorporation of animals in my work, and especially appreciate the horses. Franz Marc The Large Blue Horses 1911 German Expressionism/Blaue Reiter Annotated Bibliography Shan Thomas - VAST 410 - 2014 August Macke Lady in a Green Jacket 1913 Blaue Rieter Annotated Bibliography Shan Thomas - VAST 410 - 2014 Wassily Kandinsky Winterlandschaft 1909 Annotated Bibliography Shan Thomas - VAST 410 - 2014 Franz Marc - Cheval dans un paysage - 1910 - 85x112 cm 14 / 21 < > [Diaporama] Annotated Bibliography Shan Thomas - VAST 410 - 2014 A more contemporary artist who works at the edge of representation and abstraction is Anselm Kiefer.
    [Show full text]
  • 13.10.18 → 15.04.19 Press
    PRESS KIT PAINTING THE NIGHT centrepompidou-metz.fr #peindrelanuit > 13.10.18 15.04.19 2018 Paris, / ADAGP Jochen Littkemann 2018. Photo: DACS/Artimage Doig. All Rights Reserved, , 1989-90 © Peter Milky Way Peter Doig, Peter PAINTING THE NIGHT SUMMARY 1. INTRODUCTION .......................................................................................................................................... 5 2. EXHIBITION LAYOUT .............................................................................................................................. 6 3. FIVE QUESTIONS TO THE CURATOR OF THE EXHIBITION .......................................... 18 4. LIST OF EXHIBITED ARTISTS ......................................................................................................... 20 5. THE CATALOGUE ..................................................................................................................................... 21 6. ASSOCIATED PROGRAMME ............................................................................................................ 23 7. THE PARTNERS ........................................................................................................................................ 29 8. PRESS IMAGES ....................................................................................................................................... 35 3 PAINTING THE NIGHT 1. INTRODUCTION PAINTING THE NIGHT From 13 October 2018 to 15 April 2019 GALERIES 2 & 3 The topic of night has infiltrated current debates With
    [Show full text]
  • Peter Doig April 12 – June 16, 2019
    Press information Peter Doig April 12 – June 16, 2019 Peter Doig, 2019 © The Artist, courtesy Michael Werner Gallery, New York and London / Bildrecht Wien, 2019 Press conference: Thursday, April 11, 2019, 10 a.m. Exhibition talk: Thursday, April 11, 2019, 7 p.m. Peter Doig in conversation with Matthew Higgs Opening: Thursday, April 11, 2019,7 p.m. Peter Doig paints representational pictures as though they were abstractions. His spellbinding compositions combine planar forms and a palette that is as bold as it is nuanced with vivid painterly gestures. Many of his works show landscapes—the reflective surface of a pond, shadowy figures trudging through snow, the dense foliage of a tropical forest. Suffused with a sense of dreamy unreality, the scenes often evoke a mood of elegiac melancholy. With a keen eye for the faintly unsettling quality that looms just beneath the surface of his landscapes, Doig insistently probes man’s encounters with nature and the loneliness of the individual. His most recent work shows a growing interest in the human figure. Drawing on a variety of photographic realities to spur his imagination, Doig interweaves personal recollections with references to art history and pop culture in compositions that unfold complex narratives. His technical mastery of the subtleties of depiction and lyrical brushwork let him translate subjects with a mythical air into thoroughly contemporary paintings. “I am trying to create something that is questionable, something that is difficult if not impossible, to put into words.”* Peter Doig is one of the most influential figurative painters working today. In his exhibition at the Secession—his first solo show in Austria—he will present a new series of works.
    [Show full text]
  • Peter Doig's Cabin Essence to Lead Christie's Auctions In
    PRESS RELEASE | LONDON | 22 SEPTEMBER 2015 PETER DOIG’S CABIN ESSENCE TO LEAD CHRISTIE’S AUCTIONS IN FRIEZE WEEK Peter Doig, Cabin Essence (1993-4) 90 x 137 ¾ in. (230 x 350 cm.) London - Christie’s is delighted to present Peter Doig’s Cabin Essence as a highlight of the Post War and Contemporary Evening Auction on 16 October 2015. A crystalline vision of Le Corbusier’s Unité d’Habitation, one of the most important modernist buildings of all time, the painting was executed between 1993 and 1994 and is the largest work within Doig’s celebrated sequence of Concrete Cabins. The property of a private American collector, a significant portion of the proceeds of the sale will be given to benefit The World Justice Project. Following the record- breaking performance of Doig’s Swamped (1990) at Christie’s New York in May of this year, Cabin Essence will lead a week of Post War and Contemporary auctions at Christie’s London and will be on view at Christie’s New York from 26 to 29 September and Christie’s London from 10 October. ‘At the heart of Tate Britain`s retrospective of Peter Doig is a room of paintings for which the artist is perhaps most known: the “Concrete Cabin” series of 1991-96, comprising views of a modernist building seen through thick, dark trees. Among these works, Cabin Essence, 1993-94, is one of the best ... [It] is a great lyrical work that, although telling no particular story, distills the striking format of a strong inner structure held within a field of floating organic and decorative elements ..
    [Show full text]