Gilgamesh and the Flood
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Truth Behind Noah's Deluge
Geography within a Historical Myth – Truth behind Noah’s Deluge Dr. Saswati Roy Assistant Professor, Sarsuna College, Calcutta University Prof. Malay Mukhopadhyay Former Head of the Geography Department Visva Bharati, Santiniketan Myths about great floods Mexico • There are a large number of Mesoamerican flood myths like the Nahua (central Mexico), Tarahumara (Northern Mexico), Michoacan (Mexico), Cora (east of the Huichols), Totonac (east of Mexico), Aztec Flood Myth and others. The great Maya civilization also have documentation of such a mythical flood. India • Satyavrata, the 7th Manu considered the first king to rule this earth, who saved mankind from the great flood — after being warned of it by the Matsya avatar of Vishnu, who had also advised him to build a giant boat. China • We can see those elements in the Chinese myth where Gong Gong, so ordered by the head of the gods, created a flood as a punishment for human misbehavior. It lasted 22 years, until the hero started to dam the waters. The hero was killed for this act, but from his corpse sprang a son who finished his father's project. Rome • The Greco-Roman story, recounted by Ovid, is another tale of collusion among the gods to punish evil humanity. Jupiter persuaded Neptune to flood all the earth except for the summit of Mt. Parnassus. THE MYTHICAL NOAH’S FLOOD The story most familiar to many people is the biblical account of Noah and his ark. Genesis (A chapter in Old Testament) tells how “God saw that the wickedness of man was great” and decided to destroy all of creation. -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Darren Aronofsky's Noah (2014) As an Environmental Cinematic Midrash Lila Moore Zefat Academic College & Cybernetic Futures Institute, [email protected]
Journal of Religion & Film Volume 22 Article 35 Issue 1 April 2018 3-30-2018 Humanity's Second Chance: Darren Aronofsky's Noah (2014) as an Environmental Cinematic Midrash Lila Moore Zefat Academic College & Cybernetic Futures Institute, [email protected] Marianna Ruah-Midbar Shapiro Zefat Academic College & Schechter Institute of Jewish Studies, [email protected] Recommended Citation Moore, Lila and Ruah-Midbar Shapiro, Marianna (2018) "Humanity's Second Chance: Darren Aronofsky's Noah (2014) as an Environmental Cinematic Midrash," Journal of Religion & Film: Vol. 22 : Iss. 1 , Article 35. Available at: https://digitalcommons.unomaha.edu/jrf/vol22/iss1/35 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Humanity's Second Chance: Darren Aronofsky's Noah (2014) as an Environmental Cinematic Midrash Abstract This article proposes an interpretative study of Daren Aronofsky and Ari Handel's film Noah (2014). Our main assertion is that the film attempts to present a contemporary interpretation of the biblical flood ts ory by incorporating values and urgent issues of the 21st century Western society, such as environmentalism, fundamentalism and eco-feminism. The ap per details various traditions that serve as inspirations to the filmmakers in the re-telling of the flood ym th, and elaborates on the midrashic traditions that were intertwined – or else omitted – in the process of creating the innovative cinematic midrash. It also points to the psychologization of God in the film and its theological implications. -
Do Creation and Flood Myths Found World Wide Have a Common Origin?
The Proceedings of the International Conference on Creationism Volume 5 Print Reference: Pages 517-528 Article 47 2003 Do Creation and Flood Myths Found World Wide Have a Common Origin? Jerry Bergman Northwest State College Follow this and additional works at: https://digitalcommons.cedarville.edu/icc_proceedings DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Browse the contents of this volume of The Proceedings of the International Conference on Creationism. Recommended Citation Bergman, Jerry (2003) "Do Creation and Flood Myths Found World Wide Have a Common Origin?," The Proceedings of the International Conference on Creationism: Vol. 5 , Article 47. Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol5/iss1/47 DO CREATION AND FLOOD MYTHS FOUND WORLD WIDE HAVE A COMMON ORIGIN? Jerry Bergman, Ph.D. Northwest State College Archbold, OH 43543 KEYWORDS: Creation myths, the Genesis account of creation, Noah’s flood ABSTRACT An extensive review of both creation and flood myths reveals that there is a basic core of themes in all of the extant creation and flood myths. This fact gives strong evidence of a common origin of the myths based on actual historical events. -
The Story of Noah and Other Flood Narratives
The Story of Noah and Other Flood Narratives The biblical story of Noah and the Great Flood (see Genesis 6:5—8:22) offers one of the best biblical examples of modern scholarly analysis put to use. Because many other ancient Middle East cultures had flood stories, scholars can easily use source criticism to evaluate the similarities and differences of the biblical Flood story with the flood stories of Israel’s neighbors. And because the biblical Flood story has clear signs of the redacting (combining) of the Yahwist (J) and Priestly (P) sources, scholars can use redaction criticism to separate these two sources and learn about the peculiarities of each original source and the motives of the Israelite editor who combined them. The Biblical Flood Story Versus Other Ancient Flood Stories The two flood stories of the ancient Middle East that most resemble the biblical Flood story are the Babylonian flood myth, Atrahasis, and the Sumerian flood myth on Tablet XI of the Epic of Gilgamesh. In Atrahasis, the flood is the result of a quarrel among the gods. This leads to the god Enlil proposing to destroy all humans with a flood (because they were too noisy). The god Enki arranges for the man Atrahasis to overhear him talk about the flood, so Atrahasis builds an ark and escapes the flood with his family and animals. The gods are later sorry they destroyed humanity, because they lost their source of free labor! The Epic of Gilgamesh is similar to the flood story in Atrahasis, probably because the two stories have a common ancestry. -
MESOPOTAMIAN MAGIC in TEXT and PERFORMANCE Sam Mirelman
ACCEPTED PRE-PROOF: BOOK CHAPTER IN: S. PANAYOTOV, U. STEINERT AND L. VACÍN (EDS.), MAGIC AND MEDICINE IN MESOPOTAMIA. FESTSCHRIFT FOR M. J. GELLER. ANCIENT MAGIC AND DIVINATION SERIES. BRILL (2018). - HTTPS://DOI.ORG/10.1163/9789004368088_018 DOWNLOADED FROM SOAS RESEARCH ONLINE - HTTPS://EPRINTS.SOAS.AC.UK/30220 MESOPOTAMIAN MAGIC IN TEXT AND PERFORMANCE Sam Mirelman Any representation of an action or utterance in written form is, by definition, never a full reflection of its actual performance.1 Indeed, our knowledge of Mesopotamian magic, as it existed in performance, will always be partial and incomplete. This is a result of the simple fact that our knowledge of the practice of Mesopotamian magic is channeled mainly through the medium of text. 2 Assuming a written representation serves as a record of an existing ritual practice, it must be approached as a selective account of specific aspects of a ritual, which were deemed necessary to be written down, in a specific time, place and context.3 In addition, we cannot assume that a ritual text4 or written recitation merely records a practice which existed before it was written down; the action or recitation may have been composed initially in writing, by means of a combination of observation and writing, or with reference to an oral tradition. Following the initial writing of an incantation or ritual text, the composition represented by the text may have been transmitted in writing and/or orally. Similarly, the composition may have been performed with a full or partial reference to a text, a version of it, or as a purely or partially oral tradition. -
ANE Deities Compared Genesis 1-11 the Babylonians and Akkadians Adopted the Sumerian Pantheon with Little Changes
ANE Deities Compared Genesis 1-11 The Babylonians and Akkadians adopted the Sumerian pantheon with little changes. Gods were often renamed but their role and status in the pantheon generally remained the same. The dominance of Babylon, however, also led to the ascendancy of the god of Babylon: Marduk assumed power over An, Enlil, and Enki. Sumerian Aspect of Deity Babylonian/Akkadian An God of the heavens Anu Enlil God of the earth and air Enlil / Ellil Enki God of water; Ea god of wisdom and magic Ninhursag (Nimmah, Nintu, Ki) Mother-goddess Aruru Nanna-Sin Moon god Sin Utu Sun God; Shamash god of justice Ereshkigal Goddess of the underworld Nergal Ishkur Storm god Marduk (Adad, Ashur, Bel) Abzu Primordial sweet-water ocean Apsu (Enki’s abode) Nanshe The salt-water ocean Tiamat1 Dumuzi God of vegetation; god of the Tammuz underworld; shepherd god Inanna Fertility goddess; Ishtar goddess of love and war Ashnan God of grain Dagan Nidaba, Nisaba God of scribes, literacy, Nabu and wisdom Anunnaki2 Lesser gods, workers Anunnaki, Igigi2 Blue = the supreme gods (highest of the seven primary gods) Red = additional members of the seven primary gods Green = other important gods 1 Enuma Elish tells the story of Marduk’s victory over the sea monster Tiamat. 2 Anunnaki and Igigi are both collective terms for a group of otherwise nameless gods. It is uncertain whether or not they stand for the same group of gods. The Anunnaki seem to hold a higher position. Chart inspired by G. Herbert Livingston, The Pentateuch and Its Cultural Environment (pp. -
Comparative World Mythology
Comparative World Mythology Harriet Schlueter INTRODUCTION The high school where I teach is in the process of a transformation. It was once a predominantly white school with a high number of graduates going to four-year colleges on academic scholarships. In the past fifteen years, the focus has changed. Discipline relegates academics to the back seat. Many of our students come from lower income families and must work to make ends meet at home. They are happy to get the 70 they need for passing rather than strive for a higher grade because they do not have the time to do their homework. Many of the parents do not encourage the students in the way that is a teacher's dream. Most of the motivation comes from the students themselves or from the teachers. Few students have access to computers, books, magazines, or encyclopedias. The school also does not have adequate facilities to accommodate an entire classroom set aside to have one computer per student with a working printer. The only classrooms with a "class set" of computers are the computer labs. This makes it difficult to use the Internet as the powerful teaching and research tool it could be. Also, the library in my school has very few recent books on mythology. Some of the books even date back to the 1930's. Because the students do not have much time once they leave school to work on their projects, I have set up a unit that takes place in the classroom. It combines both group work and individual work. -
A Comparative Analysis of the Origin and Divine Causation of Death in Ancient Near Eastern Literature and in the Old Testament Lazarus Castang Andrews University
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2011 A Comparative Analysis of the Origin and Divine Causation of Death in Ancient Near Eastern Literature and in the Old Testament Lazarus Castang Andrews University Follow this and additional works at: http://digitalcommons.andrews.edu/dissertations Part of the Analysis Commons, Biblical Studies Commons, and the Comparative Methodologies and Theories Commons Recommended Citation Castang, Lazarus, "A Comparative Analysis of the Origin and Divine Causation of Death in Ancient Near Eastern Literature and in the Old Testament" (2011). Dissertations. 23. http://digitalcommons.andrews.edu/dissertations/23 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. ABSTRACT A COMPARATIVE ANALYSIS OF THE ORIGIN AND DIVINE CAUSATION OF DEATH IN ANCIENT NEAR EASTERN LITERATURE AND IN THE OLD TESTAMENT by Lazarus Castang Adviser: Randall W. Younker ABSTRACT OF GRADUATE STUDENT RESEARCH Dissertation Andrews University Seventh-day Adventist Theological Seminary Title: A COMPARATIVE ANALYSIS OF THE ORIGIN AND DIVINE CAUSATION OF DEATH IN ANCIENT NEAR EASTERN LITERATURE AND IN THE OLD TESTAMENT Name of researcher: Lazarus Castang Name and degree of faculty adviser: Randall W. Younker, Ph.D. Date completed: September 2011 The present dissertation attempts a comparative analysis of both the origin of death in the creation accounts and the divine causation of death in the main flood accounts in the ancient Near Eastern (ANE) literature and the Hebrew Old Testament (OT). -
Austen Aquino Submitted in Partial Fulfillment of the Prerequisite For
"IN NOVA FERT ANIMUS MUTATAS DICERE FORMAS CORPORA": A COMPARISON OF THREE THEMES IN OVID AND ANCIENT NEAR EASTERN MYTHOLOGY Austen Aquino Submitted in Partial Fulfillment of the Prerequisite for Honors in Comparative Literature under the advisement of Edward Silver April 2017 © 2017 Austen Aquino 2 ACKNOWLEDGEMENTS There are so many people that I need to thank without whom this beast of a thesis would merely be a pipe dream. First and foremost, I have to thank my parents for everything they've done to help me during my time at Wellesley, and for letting me run away to go to a school on the East Coast that they'd never heard of before. Mom and Dad, thank you for trusting me, believing in me, raising me so that I felt I had the ability to take on a project like this one, and not letting me come home after my first week here when I called you crying because I accidentally shrank all my clothes in the school dryers. Also, thanks Mom for sending me pictures of the dog almost everyday this year for emotional support. I also need to thank the myriad of wonderful friends in my life for their undying support. Vickey, Willow, Emily, Maya, Zaynah, Bridget, Clara, Kaylie, Jeanette, Clarissa, Ryan, Lisa, Vianna, and Ethan — thank you all so much for making sure that I was eating, drinking water, and sleeping, for sending me encouraging Snapchats and animal videos at 3 AM, for leaving me notes on my thesis carrel, for staying late to have Domino's delivered to the library with me, and for listening to me complain over the course of my year-long self-indulgent pity-party. -
Theology of Judgment in Genesis 6-9
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2005 Theology of Judgment in Genesis 6-9 Chun Sik Park Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Biblical Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Park, Chun Sik, "Theology of Judgment in Genesis 6-9" (2005). Dissertations. 121. https://digitalcommons.andrews.edu/dissertations/121 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. Andrews University Seventh-day Adventist Theological Seminary THEOLOGY OF JUDGMENT IN GENESIS 6-9 A Disseration Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Chun Sik Park July 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3182013 Copyright 2005 by Park, Chun Sik All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.