Lamar Odom Hlomar Is Officially No More
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Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Commercial Counterhistory: Remapping the Movement in Lee Daniels’ the Butler
Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S Commercial Counterhistory: Remapping the Movement in Lee Daniels’ The Butler LEIGH ANNE DUCK Lee Daniels’ The Butler () might seem an unlikely candidate for intervening in Hollywood’s civil rights genre, given both its nationalistic ending and its recuperation of iconic styles and images. This paper argues, however, that the film’s pastiche interrogates past cinematic tropes for race and space; in this sense, it proves counterhistorical, a term indicating not a lack of accuracy but a commitment to illuminating the role of visual media in shaping contemporary understandings of history and to encouraging fresh perspectives on the past. Examining the many forms of constraint produced by iconic images of black and gendered per- sonhood, the film also takes on the spatial icon with which many of these figures are associated – the southern plantation. Both exposing and challenging the ways in which spectacular accounts of southern racism occlude the geographic and political reach of African American movements against oppression, the film inconsistently insists on the importance of thinking across conven- tional demarcations of space and time. At these moments, it suggests possibilities for how even commercial cinema might contribute to new conceptions of black political history and possibility. We were right on the border: ten miles from Memphis and a million miles from the rest of the world. FBI agent Rupert Anderson (played by Gene Hackman) on his previous career as a small-town sheriff in Mississippi Burning () While Mississippi Burning, Alan Parker’s action-packed account of an FBI investigation into the disappearance of three civil rights workers, was widely lauded for its technical achievements, it became notorious almost immediately upon release for “whitewashing” the fight for African American rights. -
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa. -
Dossier De Presse
DOSSIER DE PRESSE 2019-2020 Partout, Pour tous, Tout le temps NOUVEAUTÉS REUNION LA 1ÈRE DAN KER LA REUNION 17.00 - 19.00 ON S’EXPLIQUE Claude Montanet Décryptage, analyse, et commen- taires sur l’actualité du jour avec des invités qui s’expriment sans langue de bois. Elodie suivra pour nous les réactions 7.40 LE GOÛT DE L’ENFANCE FONNKER des internautes. Magazine Anne Bonneau 19.40 ARCHIPELS Sur le web de Réunion la 1ère, un espace Le « goût de l’enfance » propose des est dédié à nos « fonkézèrs » (poètes) rencontres avec des Francophones de Elyas Akhoun prend les commandes et « fonkézèzs » (poétesses) de notre toutes contrées, en replongeant dans de «ARCHIPELS «, diffusé en prime île. leurs souvenirs gustatifs. Autant de tous les mercredis à 19h45. Le verbe réunionnais, dans toute sa prétextes pour explorer les cultures, les Depuis le 21 août et avec des inédits, richesse, est mis à l’honneur. Chaque liens, les héritages. La cuisine, sphère de le documentaire « Archipels » tient une samedi, ces amoureux des mots et de l’intime, étant le marqueur culturel le plus large place sur Réunion la 1ère. la poésie, connus et moins connus nous probant, le plus évident. Autour d’un plat, Ce rendez-vous permet de découvrir ou déclament leurs propres textes ou alors d’un dessert de fête ou d’un fruit particulier redécouvrir des documentaires et des ceux empruntés à d’autres auteurs. se dessinent des mondes, des liens nouant magazines autour de l’Océan Indien et Passionnés, ils nous font voyager à tra- les générations et sont soulevées les ques- des Outre-mer 1ère. -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Kesha Accused Dr Luke of 'Raping Katy Perry' in Series of Text
Kesha accused Dr Luke of ‘raping Katy Perry’ in series of text messages to Lady Gaga Rebecca Lewis Wednesday 13 Jun 2018 9:22 pm Kesha accuses Luke of raping Katy (Picture: Getty) New court documents have revealed that Kesha has accused Dr Luke of ‘raping’ Katy Perry in a series of text messages to Lady Gaga. Luke has denied the claims. The documents in the ongoing case between Kesha and Dr Luke were filed in New York as part of the on-going legal battle between the music producer, real name Lukas Gottwald, and the singer. Obtained by The Blast, the documents – filed by Luke’s team – read: ‘On February 26, 2016 [Kesha] sent a text message to Stefani Germanotta p/k/a/ Lady Gaga which repeated [Kesha’s] false claim that [Luke] had raped her.’ ‘[Kesha] also falsely asserted that [Luke] had also raped Kathryn Hudson p/k/a/ Katy Perry.’ and that, ‘following this text message conversation, and with [Kesha’s] encouragement, [Lady Gaga] spread negative messages about [Luke] in the press and on social media’. Lukasz Gottwald (L), better known as Dr. Luke, and Kesha (R) in 2011 (Picture: Reuters) Perry has been deposed in the case and gave a written statement but her comments have not been revealed. Perry has never publicly accused Dr. Luke of any sexual misconduct. She previously admitted she had chosen to no longer work with him, simply using the phrase: ‘I had to leave the nest’. Katy Perry (Picture: Rex) Kesha dropped all sexual assault claims in her lawsuit against Dr Luke in August 2016 after years of controversy and legal battles. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Read It Here
FILED: NEW YORK COUNTY CLERK 12/03/2015 05:43 PM INDEX NO. 159710/2015 NYSCEF DOC. NO. 9 RECEIVED NYSCEF: 12/03/2015 SUPREME COURT OF THE STATE OF NEW YORK COUNTY OF NEW YORK ---------------------------------------------------------------- X : SEAN PENN, : Index No. 159710/2015 : Plaintiff, : : v. : : LEE DANIELS, an individual, and : JOHN DOES 1-100, : : Defendants. : ---------------------------------------------------------------- X MEMORANDUM OF LAW IN SUPPORT OF LEE DANIELS’ MOTION TO DISMISS STROOCK & STROOCK & LAVAN LLP Counsel for Lee Daniels 180 Maiden Lane New York, New York 10038 (212) 806-5400 – and – Southeast Financial Center 200 South Biscayne Blvd., Suite 3100 Miami, Florida 33131 Deadline.com(305) 358-9900 TABLE OF AUTHORITIES Page(s) Cases 600 West 115th Street Corp. v. Von Gutfeld, 80 N.Y.2d 130 (1992) ..................................................................................................... Page 11 Alianza Dominiciana, Inc. v. Luna, 229 A.D.2d 328 (1st Dep’t 1996) ................................................................................... Page 24 Alliance Network, LLC v. Sidley Austin, LLP, 43 Misc. 3d 848(Sup. Ct. N.Y. Cnty. March 20, 2014) .................................................... Page 5 Aronson v. Wiersma, 65 N.Y.2d 592 (1985) ....................................................................................................... Page 8 Basis Yield Alpha Fund (Master) v. Goldman Sachs Grp., Inc., 115 A.D. 128 (1st Dep’t 2014) ........................................................................................ -
2019-2020 Annual Review 2 Table of Contents
2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year. -
The Voice As Trauma Recovery: Vocal Timbre in Kesha's “Praying” I
The Voice as Trauma Recovery: Vocal Timbre in Kesha’s “Praying” I vividly remember the first time I heard the stunning, emotional power ballad that is “Praying.” Like many of us, I assumed Ke$ha—previously stylized with a dollar sign— only performed auto-tuned party anthems like “Tik Tok.” In 2017, Kesha, sans dollar sign, shocked listeners with her first single in 5 years—and her first ballad ever—“Praying.” In it, she reacts to the abuse she suffered from her former producer, Dr. Luke. In my presentation today, I will show how Kesha utilizes various registers, laryngeal positions, timbral effects, and places within the track’s sonic environment to portray symptoms of trauma and recovery—including improving thought patterns, an increasing ability to connect with others, and a growing sense of emotional strength and control. [s] In October 2014, after rehabilitation surrounding her abuse, Kesha sued Dr. Luke for sexual assault and battery, sexual and civil harassment, gender violence…and intentional infliction of emotional distress.1 She also sued multiple companies founded by Dr. Luke for negligence, including Kemosabe Records. The body of the lawsuit explains: [s] “For the past ten years, Dr. Luke has sexually, physically, verbally, and emotionally abused Ms. Sebert to the point where Ms. Sebert nearly lost her life.” 2 [s] Kesha filed a court injunction in attempts to record elsewhere, but it was denied in February 2015.3 [s] Lacking evidence, Kesha’s lawsuits ended in Dr. Luke’s favor, making her bound to her six album contract with Kemosabe Records. Though devastated, she continued to make music, releasing the album Rainbow in August 2017, saying: [s] 1 Kesha Rose Sebert v. -
How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2019 Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry Laura Kozel Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Kozel, Laura, "Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry" (2019). Law School Student Scholarship. 1019. https://scholarship.shu.edu/student_scholarship/1019 ABSTRACT Despite improvements in female visibility and a number of movements pushing for equality in recent years, gender imbalance continues to plague the world of entertainment. While strides have been made to achieve parity in the film industry, little progress has been made to achieve the same in music where the disproportionality of females is even worse. Females are chronically underrepresented across virtually all aspects of music, both on-stage and off-stage, whether it be as musicians or as executives, which subsequently effects the amount of nominations, as well as awards that females in music receive. The implementation of inclusion riders in Hollywood has demonstrably improved female representation in popular films, but until now inclusion riders have not been applied to the music industry. This paper explores the application of inclusion riders to the music industry in order to remedy a long-standing history of female exclusion, as well as increase visibility for the vast number of talented females in the music industry that deserve the same opportunities and recognition, but until now have remained invisible. -
Supreme Court of the State of New York Das
1 SUPREME COURT OF THE STATE OF NEW YORK DAS COMMUNICATIONS, LTD. Plaintiff, vs. KESHA ROSE SEBERT p/k/a/ KE$HA, an individual, LUKASZ GOTTWALD p/k/a/ DR. LUKE, an individual, Defendant. June 16, 2011 10:10 a.m. Deposition of KESHA ROSE SEBERT, held at the offices of Proskauer Rose, Eleven Times Square, New York, New York before David Henry, a Certified Shorthand Reporter and Notary Public of the State of New York. Elisa Dreier Reporting Corp (212) 557-5558 950 Third Avenue, New York, NY 10022 2 1 2 APPEARANCES: 3 FREUNDLICH LAW 4 Attorneys for Plaintiff 16133 Ventura Blvd, Suite 1270 5 Encino, CA 91436-2441 BY: KENNETH D. FREUNDLICH, ESQ. 6 7 MITCHELL SILBERBERG & KNUPP, LLP Attorneys for Defendant Lukasz 8 Gottwald 12 East 49th Street, 30th Fir. 9 New York, New York 10017-1028 BY: CHRISTINE LEPERA, ESQ. 10 11 PROSKAUER ROSE, LLP Attorneys for Defendant Kesha Rose 12 Sebert Eleven Times Square 13 New York, New York 10036-8299 BY: CHARLES B. ORTNER, ESQ. 14 BY: DANIEL P. GOLDBERGER ESQ. AND: SANDRA A. CRAWSHAW-SPARKS, ESQ. 15 16 17 18 ALSO PRESENT: 19 LONNIE HAMERMAN 20 JACK ROVNER 21 EMILY BURTON 22 ILITCH PETERS, Videographer 23 24 25 Elisa Dreier Reporting Corp. (212) 557-5558 950 Third Avenue, New York, NY 10022 128 1 SEBERT 2 Q. I've asked her if she thought her 3 mother was exaggerating here, and now she's 4 told me to go line-by-line, so that's what 5 we're doing. 6 Is there anything in this 7 document that's an exaggeration? 8 A.