The Great Brain Race Whose Culture?
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The Frick Collection Staff As of June 30, 2008
The Frick Collection annual report july 2007–june 2008 The Frick Collection annual report july 2007–june 2008 leadership 2 Board of Trustees, Council of The Frick Collection, and Young Fellows Steering Committee reports 3 Margot Bogert, Chairman 5 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Patricia Barnett, Andrew W. Mellon Chief Librarian financial statements 13 Statement of Financial Position 14 Statement of Activities public programming 15 Exhibitions and Lectures 16 Symposia, Publications, and Concerts notable library acquisitions 17 Gifts and Exchanges 18 Purchases donor support and membership 19 Gifts and Grants 23 Fellows and Friends 30 Corporate Members and Sponsors staff 31 The Frick Collection 34 Frick Art Reference Library on our cover: Maiolica dish with The Judgment of Paris after Raphael, Fontana workshop, tin-glazed earthenware, c. 1565, The Frick Collection, gift of Dianne Dwyer Modestini in memory of Mario Modestini; photograph by Michael Bodycomb The Frick Collection Council of Young Fellows Board of Trustees The Frick Collection Steering Committee As of June 30, 2008 As of June 30, 2008 As of June 30, 2008 Margot Bogert, Chairman George C. Wachter, Chairman Lydia Fenet, Chairman Howard Phipps Jr., Vice Chairman Jonathan Brown, Vice Chairman Elisabeth Saint-Amand, Secretary L. F. Boker Doyle, Treasurer Caitlin Davis, Coordinator John P. Birkelund, Secretary Julian Agnew Irene Roosevelt Aitken Fiona Benenson Peter P. Blanchard III W. Mark Brady Genevieve Wheeler Brown I. Townsend Burden III Vivien R. Clark Kipton Cronkite Walter A. Eberstadt Anne Goldrach Paul Cruickshank Emily T. Frick Nicholas H. -
Neil Macgregor, a History of the World in 100 Objects
TERMINUS tom 15 (2013), z. 2 (27), s. 275–282 doi:10.4467/20843844TE.13.016.1573 www.ejournals.eu/Terminus NCEIL MA GREGOR, A HISTORY OF THE WORLD IN 100 OBJECTS, FIRST PUBLISHED IN PRINT IN OCTOBER 2010 BY ALLEN LANE IMPRINT OF PENGUIN BOOKS, PP. 640 Edition used for the review: Kindle Edition, 6 October 2011, Penguin KAJA SZYMAńSKA Uniwersytet Jagielloński, Kraków Only stable, rich and powerful states can commission great art and architectu- re that, unlike text or language, can be instantly understood by anyone – a gre- at advantage in multilingual empires. Neil MacGregor1 The book A History of the World in 100 Objects is a result of a multi-plat- form BBC and British Museum joint enterprise released in 2010. It of- fered an innovative look at history and the role of a museum, and was a great success in popularising knowledge, and history in particular. The whole project involved 550 heritage partners and comprised several me- dia outlets: a six-month long series of daily broadcasts by BBC Radio 4, a website through which individual users and other institutions could also contribute, uploading objects of their own choice, and finally, the book to which this review specifically relates. The radio programme drew 4 million listeners and podcast downloads amounted to over 10 million during the 1 N. MacGregor, loc. 3542/9008. Publikacja objęta jest prawem autorskim. Wszelkie prawa zastrzeżone. Kopiowanie i rozpowszechnianie zabronione. Publikacja przeznaczona jedynie dla klientów indywidualnych. Zakaz rozpowszechniania i udostępniania w serwisach bibliotecznych 276 Kaja Szymańska following year (only just over 5.7 million from the UK). -
Book Review | a Duty to Resist: When Disobedience Should Be Uncivil by Candice Delmas Page 1 of 4
Democratic Audit: Book Review | A Duty to Resist: When Disobedience Should Be Uncivil by Candice Delmas Page 1 of 4 Book Review | A Duty to Resist: When Disobedience Should Be Uncivil by Candice Delmas In A Duty to Resist: When Disobedience Should Be Uncivil, Candice Delmas aims to foster understanding of resistance to injustice as a capacious concept that can include the possibility of lawful dissent, principled disobedience and revolution. This is a provocative and rewarding contribution to the literature, writes Suzanne Smith, that is particularly valuable for its attention to the question of the situational conditions of obligatory, potentially uncivil resistance. Marchers carrying banner reading ‘We march with Selma!’, Harlem, New York City. Picture: Stanley Wolfson, New York World Telegram & Sun. This image is available from the United States Library of Congress‘s Prints and Photographs division under the digital ID cph.3c35695. No known copyright restrictions) A Duty to Resist: When Disobedience Should Be Uncivil. Candice Delmas. Oxford University Press. 2018. ‘A commonly heard complaint’, remarked Alexis de Tocqueville in his analysis of events leading up to 1789, ‘is that the French have no respect for law’. To his mind, given the corruption characteristic of the Ancien Régime, this was not surprising. He blamed this lack of respect on the deficit of ‘intermediary powers’ capable of integrating the concerns of ‘private individuals’ with the policies of the state. Yet what Tocqueville wrote with respect to attitudes concerning law in pre-Revolutionary France is sometimes also said of the post-1945 Republic, when intermediary powers were quite robust. No sooner did World War II end than did resistance – often violent – arise against dirigisme économique. -
P36-37 Neil Macgregor.Indd
MEXICO Moctezuma: Aztec ruler BY NEIL MACGREGOR DIRECTOR OF THE BRITISH MUSEUM n behalf of the Trustees of the British Moctezuma’s life and dramatic death are explained Museum, I would like to take this through a variety of stunning objects, generously opportunity to welcome President Felipe lent from Mexico, from monumental sculpture, gold Calderón Hinojosa to the UK on his and mosaic items to codices and European paintings. OState Visit. The British Museum has a long-standing Recent finds and research will shed light on Moctezuma commitment to the presentation of Mexican cultures, and offer a re-assessment of his reign and legacy. The millions have visited the Museum’s permanent gallery exhibition will allow visitors to rediscover the Aztec devoted to Mexico since it opened in 1994. world and trace the foundation of modern Mexico. 2009 is a particularly apt time to be thinking about The exhibition is supported by ArcelorMittal and has Mexico and its rich history in advance of the celebration been conceived in partnership with the National Institute NEIL MACGREGOR of the centenary of the Mexican Revolution and bi- for Anthroplogy and History (INAH), Mexico City. has been Director of centenary of Mexican Independence in 2010. The Mexicana is the airline partner and additional support has the British Museum coincidence of these two anniversaries will allow the come from Visit Mexico. The exhibition would not have since 2002. He is an world to reconsider the history of Mexico. It has offered been possible without the personal commitment of the honorary Fellow of New an opportunity for us here at the British Museum, in Mexican Ambassador to the UK, Juan José Bremer and College, Oxford and partnership with colleagues in Mexico, to examine his colleagues, the Museum is greatly indebted to them the British Academy, a afresh the role of one of the key figures at a pivotal for their help and assistance. -
'The Wealth of Nations: the Health of Society': 60 Years of the Wolfson
‘The Wealth of Nations: the Health of Society’: 60 Years of the Wolfson Foundation Neil MacGregor OM, Director, The British Museum Lecture given at Wolfson College, Oxford, 8 June 2015, on the occasion of the 60th anniversary of the Wolfson Foundation Janet thank you very much indeed for that generous introduction, and thank you above all for inviting me to pay tribute to the Foundation and to your father and grandfather, and what the Foundation has done and what it represents. This is as you all know a year of anniversaries, and indeed June the month of anniversaries: 800 years of Magna Carta and two hundred years since the Battle of Waterloo, which has also cast along historical shadow. It is also, and for this evening’s purposes, above all, the 60th anniversary of the creation of the Wolfson Foundation, and the history of that Foundation is in the excellent booklet that has just been published, but I would like to pay tribute to its two founding figures, its founding Chairmen: the grandfather and the father of the current Chairman, Janet Wolfson de Botton. Isaac Wolfson, who was born in poverty in Glasgow in 1897, came to London to make a fortune with Great Universal Stores, and used that fortune, as you know, to endow the Foundation. And his son, Leonard Wolfson, who continued not just GUS, but also the Foundation, developed it remarkably. I never knew Isaac Wolfson, but I did frequently meet Leonard, and was the recipient of enormous generosity and encouragement, and also extremely testing conversations. It was always the first thing: this extraordinarily generous man, already committed to helping the institution that one was trying to ask for money for, always began with a very firm and ringing endorsement that the one thing he would not pay was VAT. -
Course Syllabus
Freedom Political Theory Project Course Description: Freedom has been called the greatest political concept of the modern world. But what is freedom? And if freedom is important, what should we do about it? Does freedom conflict with other important values, such as gender equality or distributive fairness? Can political systems that claim allegiance to freedom also make room for other values? Is the best society the one that cares only about freedom? Format: This is a demanding, reading intensive freshman seminar. As a seminar, classroom discussion is of the utmost importance. Be sure to complete all the readings before class meets each week, and come to class ready to join in the conversation. In this class, we are a team. So join in. Presentations: Each week, seminar will be opened by a brief presentation prepared by a team of two students. When it is your turn to present, your mission is NOT to teach the whole class, or to become world-class experts on the issues at hand. Rather, each presentation team is expected to study the assigned readings carefully, briefly summarize the main points, and to identify a few fundamental questions or challenges posed by the readings that they found most interesting (or confusing!). Requirements: 1. Students are expected to attend in each seminar, and to participate actively. We will allow one excused absence during the semester. Any additional absence will be penalized by a grade unit deduction from your final grade (so, if you had an A++, your final grade would be reduced to a measly A+, though of course if you had a B-, that would become a C+. -
2020 Annual Meeting 201 2 Contents
20Advancing PPE at every opportunity 2020 ANNUAL MEETING 201 2 CONTENTS Welcome 05 Schedule 06 Thursday 06 Friday 14 Saturday 24 New Orleans Suggestions 34 Index and Notes 35 3 WELCOME Dear PPE Conference Participants, This is the Fourth Annual Meeting of the PPE Society! Welcome. The PPE Society continues to grow dramatically, as does the number of submissions for our annual conference. Our hope is that the resulting program gives you too much of interest and leaves you wishing you had more time to navigate the questions people in the sessions are exploring. New this year is our use of the Whova app, on which you will find details about the various sessions and information about speakers and other participants. In order to offer as many options as possible, we are again offering a large number of concurrent sessions. But we do have two keynote addresses, one by Steven Macedo (on Thursday) and one by Elizabeth Anderson (on Saturday). Receptions will follow each keynote address. As in the past, the days will be filled to the brim, but the evenings are free for you to enjoy New Orleans and the company of a fascinating group of people. The PPE Society’s mission is to encourage the interaction and cross-pollination of three intellectual disciplines that are historically deeply intertwined and continue to have much to offer one another. If you have not already joined the PPE Society, please do (using http://ppesociety.web.unc.edu/join-the-ppe-society/). If you have any suggestions about how we might effectively pursue our mission, please do not hesitate to pass them on to me. -
Neil Macgregor from Wikipedia, the Free Encyclopedia
Neil MacGregor From Wikipedia, the free encyclopedia 5 Robert Neil MacGregor, OM, AO, FSA (born 16 June 1946) is a British art historian and museum director. He was the Editor of the Burlington Magazine from 1981 to 1987, the Director of the National Gallery, London, from 1987 to 2002, and was appointed Director of the British Museum in 2002. He has presented three television series on art and the BBC Radio 4 series A History of the World in 100 Objects, which aired in 2010 and later 10 became a best-selling book.[1] He has announced that he will step down as Director of the British Museum on 15th December 2015. Biography 15 Neil MacGregor was born in Glasgow to two doctors, Alexander and Anna MacGregor. At the age of nine, he first saw Salvador Dalí's Christ of Saint John of the Cross, newly acquired by Glasgow's Kelvingrove Art Gallery, which had a profound effect on him and sparked his lifelong interest in art. MacGregor was educated at Glasgow Academy and 20 then read modern languages at New College, Oxford, where he is now an honorary fellow. The period that followed was spent studying philosophy at the École Normale Supérieure in Paris (coinciding with the events of May 1968), and as a law student at Edinburgh 25 University, where he received the Green Prize. Despite being called to the bar in 1972, MacGregor next decided to take an art history degree. The following year, on a Courtauld Institute (University of London) summer school in Bavaria, the Courtauld's director Anthony Blunt spotted MacGregor and persuaded him to take a master's degree under his supervision.[3] Blunt later considered MacGregor "the most brilliant pupil he 30 ever taught".[4] From 1975 to 1981, MacGregor taught History of Art and Architecture at the University of Reading. -
(Microsoft Powerpoint
Dr. Luis Miguel De Sande González. Medical Oncology. There is an old saying that says (hay un viejo refran que dice) ““LifeLife isis notnot measuredmeasured byby thethe breathsbreaths youyou taketake ,, butbut byby thethe momentsmoments thatthat taketake youryour breathbreath awayaway ”” Irish saying I´ll come straight to the point... ( Iré directamente al grano ) The British Museum ◦ It´s free to all visitors and ◦ open daily A History of the World in 100 Objects London 2009 The British Museum Museum of human history and culture Was established in 1753 Sir Hans Sloane, (founder) More than seven million objects. ◦ Today has grown to over 13 million objects. Neil MacGregor He was the ◦ Director of the National Gallery in London from 1987 to 2002, ◦ and then became Director of the British Museum In 2010, MacGregor presented a series on BBC Radio 4 ◦ entitled A History of the World in 100 Objects , ◦ based on objects from the British Museum's collection. A History of the World in 100 Objects It comprising a 100-part radio series written and presented by British Museum director Neil MacGregor Podcast. In 15-minute presentations ◦ MacGregor used objects of ancient art, industry, technology and arms, ◦ all of which are in the British Museum's collections, as an introduction to parts of human history Together they represent an amazing amount of history B.C. is for "Before Christ” Ante Christum Natum", which is Latin for “before the birth of Christ". A.D is for “Anno Domini”, Latin for "In the Year of Our Lord" I want to show you some of them • The radio programmes are available on the website • permanently for listening or downloading. -
100 Histories of 100 Worlds in 1 Object
100 Histories of 100 Worlds in 1 Object Deadline: Nov 15, 2020 100histories100worlds.org Dr Mirjam Brusius How many stories can an object have? Neil MacGregor’s BBC Radio 4 programme and subse- quent book "A History of the World in 100 Objects" of 2010 was a resounding success with the Bri- tish public, as well as internationally. Reaching new audiences with the aim of providing a global outlook and presenting history through the lens of objects the argument, however, had its flaws. The British Museum reinstated the idea of a ‘view from nowhere’ and everywhere at the same time. It was presented as a place to see the world; yet without any reflection on how the institu- tion itself obtained and reframed the objects in order to create its own seemingly universal narra- tive. Critics particularly pointed to a failure of the museum to engage with the provenance and repatriation of objects. Many saw their view confirmed that colonialism ultimately produced not just inequalities of power but also a distorted view of history. Ten years after the radio programme was broadcast, our project 100 Histories of 100 Worlds in 1 Object returns to its narrative. Focussing on voices from ‘the Global South’ and the formerly subal- tern people it left out: where are the stories of the objects presented as seen by people who once used them? How was knowledge about an object informed by colonial collecting practices; and how is this context presented in museums today? Could an entirely new History of the World in 100 Objects be told, and if so, how? Can a history of the world be told through a certain number of objects at all? How can formerly excluded voices be empowered to tell their own histories beyond these frameworks? Our long-term publication project will take a selection of the 100 Objects as a starting point to then move beyond them in material, archival, and philosophical terms. -
A History of the World in 100 Objects Free
FREE A HISTORY OF THE WORLD IN 100 OBJECTS PDF Neil MacGregor | 640 pages | 01 Dec 2012 | Penguin Books Ltd | 9780241951774 | English | London, United Kingdom A History Of The World In Objects pdf Free Download - We use cookies to make our website work more efficiently, to provide you with more personalised services or advertising to you, and to analyse traffic on our website. For more information on how we use cookies and how to manage cookies, please follow the 'Read more' link, otherwise select 'Accept and close'. Please note only certain galleries on the Lower and Ground floors A History of the World in 100 Objects open to visitors. Our trails will take you on fascinating tours, highlighting the most popular objects on display and covering a variety of themes. Skip to main content Please enable JavaScript in your web browser to get the best experience. Read more about our cookie policy Accept and close the cookie policy. Object trails. The Royal Game of Ur on Collection online. You are in the Visit section Home Visit Object trails. Share the page Share on Facebook Share on Twitter. Visiting information Plan your visit. View the Museum map. Choose from a selection of object trails around the Museum. One hour at the Museum This trail will take you on a whirlwind tour of the history of the world. Collecting and empire trail Learn how colonial relationships shaped the British Museum's collection. Twelve objects to see with children From ancient armour to mummies, travel back in time on this captivating trail. Three hours at the A History of the World in 100 Objects This three-hour trail showcases the most popular objects on display. -
A History of the World in 100 Objects by Neil Macgregor (2011) - Not Even Past
A History of the World in 100 Objects by Neil MacGregor (2011) - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 0 Like THE PUBLIC HISTORIAN A History of the World in 100 Objects by Neil MacGregor (2011) Making History: Houston’s “Spirit of the by Cynthia Talbot Confederacy” Objects not only inform us about the time and place when they were made, but often have subsequent biographies of use that shed light on later historical developments. Take this wooden drum acquired in Virginia around 1730 and sent to a wealthy collector in England. Identified as an American Indian artifact, it was one of 71,000 items in the founding collection of the British Museum, the world’s first national public museum. Since its founding in 1753 the British May 06, 2020 Museum’s collection has grown to more than 8 million objects, yet this drum still holds a special More from The Public Historian significance. A recent examination of the instrument’s wooden body revealed that it was made in West Africa, even though it had been BOOKS obtained in North America and was long assumed to be of American Indian origin. Scholars now America for Americans: A History of believe that the drum traveled across the Atlantic in Xenophobia in the United States by a slave ship and spent some time on a Virginia Erika Lee (2019) plantation before winding up in London.