Brodie Sounds Off on Plight of Public Schools Despite Recession, Alumni

Total Page:16

File Type:pdf, Size:1020Kb

Brodie Sounds Off on Plight of Public Schools Despite Recession, Alumni Perfect T Clint Carnell over Guilfon THE CHRONICLE page 11. THURSDAY, OCTOBER 3, 1991 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 25 Crash Davis Brodie sounds off on plight of public schools to return to By MICHAEL SAUL Duke faculty, staff and students for hundreds of Durham students. President Keith Brodie ad­ across the campus wish to be in­ The class of 1991 voted to give dressed the role education plays volved." $55,000 to the academic enhance­ silver screen within a democracy and the Brodie cited the Duke-Durham ment seminar at Durham High From staff reports University's commitment to pub­ Fellows Program and the Princi­ School as its class gift. "Duke lic schools Wednesday night. pals' Center as two examples of University, along with many Kevin Costner is report­ Brodie delivered the keynote the collaborative effort between other sectors of our society, has edly committed to a sequel address at Central Carolina the University and area schools. awakened to the need for a more to the successful 1988 film Bank's Gold Star Award banquet, The Duke Durham Fellows Pro­ focused, interactive partnership "Bull Durham." which annually honors Durham gram began in 1984 to link Uni­ with our public schools." Cable News Network re­ city and county teachers. versity faculty with Durham Brodie identified the nation's ported Wednesday that "Day after day you join hands teachers. The Principals' Center, new-found concern for its public Costner will return along with your colleagues and brace since its inception in November schools and teachers as a vital with writer Ron Shelton, and yourselves, while the younger 1990, provides an opportunity for awakening of responsibility. "We that the movie would again generation clambers onto your area principals and members of have been failing our most impor­ be filmed in Durham. shoulders to reach for the stars," the University community to as­ tant partners in democracy, our The original film focused Brodie said to over 100 teachers semble and discuss shared prob­ teachers and our public schools," on a down-and-out baseball and administrators. "You are lems. he said. player (Costner) who finds teachers: you work without a net, Student commitment to "Drugs and crime, AIDS and romance while playing for and you have earned our deepest strengthening the relationship teenage pregnancy, poverty and the Class A minor league respect." between the University and local despair have walked in from the Durham Bulls. The University is committed to schools is also strong, Brodie said. streets and taken their places in To ensure accuracy, the sharingits resources with the city The University Community our classrooms," he said. producers ofthe sequel will schools, he said. "We are making Service Center has coordinated The alarm bell that has goaded have to hurry; the Bulls are a beginning—actually, a variety about 500 University students to the nation to address the prob­ SCOTT BOOTH/THE CHRONICLE slated to move to Research of beginnings, trying as many dif­ tutor, to act as big sisters and big lems facing public schools is "the Triangle Park in 1993. ferent ideas as we can, because brothers and to organize field trips See BRODIE on page 10 • Keith Brodie Wednesday night Despite recession, alumni get jobs By TINA KIM school system, has yet to be paid Kirk Reische, a former political A survey of 1991 graduates for her work. Schneider said it science and English major. "I've showed their class was just as took longer than expected for her heard nightmares. But the Duke successful at job hunting and to get her job, and it is now taking connections have helped. It's great graduate school admissions as longer than it should for her to to brag about the National Cham­ classes of previous years, but some get paid. pionship," he said. graduates claim they are feeling "It really is hard in D.C," said See 1991 on page 4 • the bite of the recession. Almost three-quarters of last year's graduates surveyed in the Class of 1991: The Real World spring had definite plans to con­ tinue their studies or accept jobs, Immediate Plans said John Noble, director of the Career Development Center. 1. Graduate Study (38%) Some 900 seniors or approxi­ 2. Employment (54%) mately 67 percent ofthe graduat­ 3. Volunteer (1%) ing class completed the surveys. 4. Travel (3%) "Duke grads, by being in the 5. Other (4%) top one percentile of college grads, are somewhat immune from what is portrayed in the general press Immediate Graduate Study Plans about the job market," Noble said. Despite the recession, nearly 1. Humanities (4.7%) 35 percent of the survey respon­ 2. Social Sciences (6.0%) dents had already accepted job 3. Sciences (9.3%) offers, and another 20 percent 4. Engineering (8.8%) were still looking for employment. 5. Medicine (31.9%) Some graduates, however, said 6. Law (29.1%) they are definitely affected by the 7. Education (4.1%) recession. 8. Business (2.2%) Caitlin Schneider, a political 9. Other (4.1%) science graduate currently teach­ ing for the Washington, D.C. SOURCE: CAREER DEVELOPMENT CENTER STEVEN HEIST/THE CHRONICLE Group supports computers in studying language By DEAN ROMHILT that aids in the learning of lan­ field. Generous government sup­ efit from the international expo­ A international organization guages. CALICO was founded in port totaling $2 million dollars sure, students will benefit from devoted to instructional technol­ 1983 as "an association dedicated came soon afterwards, Borchardt the people and resources that ogy has moved its headquarters specifically to education and for­ said. CALICO should attract from to the Languages Building on eign languages," said Frank "Presently, Duke is perceived around the world, Borchardt said. West Campus. Borchardt, the new executive di­ worldwide as the most progres­ The technology with which The Computer Assisted Learn­ rector of CALICO and former sive group in the field of com­ CALICO is working will be imple­ ing and Industrial Consortium chair ofthe German department. puter assisted language learn­ mented in the language labs moved to the University from The University became in­ ing," Borchardt said. Thus, the around campus. "However, to take Brigham Young University this volved with the development of decision to name the University full advantage of CALICO, stu­ July. computer-assisted learning in as the new headquarters was the dents will need to take a direct 1985 by providing a three-year fulfillment of a long-term goal, he initiative," Borchardt said. The organization, known as STAFF PHOTO/THE CHRONICLE CALICO, collects and distributes grant of $300,000 to University said. "CALICO's purpose is to serve advanced computer technology professors doing research in the While the University will ben­ See CALICO on page 10 • Frank Borchardt PAGE 2 THE CHRONICLE THURSDAY, OCTOBER 3, 1991 World and National Newsfile Ousted Haitian president appeals to OAS Associated Press By GEORGE GEDDA verse the military coup in Haiti, indicating Senate grants leave: The Sen­ Associated Press he prefers to pressure the three-day old ate approved Wednesday a bill guar­ WASHINGTON — Ousted Haitian regime through OAS sanctions. anteeing many workers 12 weeks of President Jean-Bertrand Aristide asked Meanwhile, Brig. Gen. Raoul Cedras, unpaid leave in family emergencies, the Organization of American States Haiti's military chief, advised Aristide to with supporters demonstrating they Wednesday to send a delegation to his remain in exile. "I personally do not be­ may have be able to override Presi­ homeland with a demand for the newly lieve it's a good idea for Aristide" to return, dent Bush's threatened veto. installed military junta to leave the presi­ said Cedras, whom Aristide has accused of dential palace immediately. leading Monday's coup. Israel must Wait: The Demo­ In an emotional 41-minute speech deliv­ Bush appeared to leave the door to mili­ cratic leaders said they'll go along ered to OAS foreign ministers, Aristide tary action slightly ajar but said he pre­ with President Bush's request for a said the junta that forced him from office ferred to await the views of other members 120-day delay in consideration of two days ago is "crazy with power." He ofthe 32-nation OAS. $10 billion in loan guarantees for urged the international community to use Bush said his "inclination" would be to Israel. AM-US-Israel. all peaceful means available to restore his resort to sanctions to undo the coup even eight-month-old government to power. though such measures could hurt the Hai­ House wants free lunch: Some Aristide received an enthusiastic wel­ tian people. On Tuesday, the United States 300 current and former House mem­ come from delegates who assembled to cut off all aid to Haiti. bers have stiffed the House restau­ hear him a few hours after his arrival here The 12-nation European Community rant system for more than $300,000 from temporary exile in Venezuela. Wednesday suspended all cooperation with in unpaid bills, a congressman who One immediate benefit of sending a high- Haiti, including a $148 million aid pack­ oversees the operation said. level delegation to Haiti is that the junta age. France and Canada also halted aid UPI PHOTO "would be afraid to carry out a bloodbath," programs, and Prime Minister Brian President George Bush Students smart as rocks: The he said. The violence to date already has Mulroney of Canada said his nation would nation this week was handed its most claimed the lives of 26 Haitians and left consider all options to oust the military very much about it," he said. comprehensive school report card hundreds more wounded.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Black Metal and Brews
    Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record.
    [Show full text]
  • Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
    Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence".
    [Show full text]
  • His Antecedents, His Genius, and His Achievements
    LIBRARY OF KEITH M.READ CONFEDERATE COLLECTION 1 M I i H 1 1 1 1 1 U U I r nTTTTTTT i i fi l il t? i l i lf il iVihM fi1i ^rt i'ifilit i) i rt MrtM rt M li1 lf li hh rtftff7iTiTff THE BLACK MAN, HIS ANTECEDENTS, HIS GENIUS, AND HIS ACHIEVEMENTS. BY WILLIAM WELLS BROWN, AUTHOR OF " CLOTELLE," " SKETCHES OF PLACES AND PEOPLE ABROAD," " MIRALDA, OR THE BEAUTIFUL QUADROON," ETC. EX PEDE HERCULEM. ifcto Ircfc: THOMAS HAMILTON, 48 BEEKMAN STREET. BOSTON: R. F. WALLCUT, 221 WASHINGTON ST. 1863. Entered, according to Act of Congress, in the year 1863, by WILLIAM WELLS BROWN, In the Clerk's Office of the District Court of the District of Massachusetts. STEREOTYPED AT THE BOSTON STEREOTYPE FOUNDRY. TO <S)Mi okoMjoxahit. mm (yJuxiwAbi OF NEGRO FREEDOM AND EQUALITY, WHEEEVEK FOUND, %\i% Walamt is lUspuifuIIg Jelritateb, BT THE AUTHOR. PREFACE. The calumniators and traducers of the Negro are to be found, mainly, among two classes. The first and most relentless are those who have done them the greatest injury, by being instrumental in their enslavement and consequent degradation. They de- light to descant upon the "natural inferiority" of the blacks, and claim that we were destined only for a servile condition, entitled neither to liberty nor the legitimate pursuit of happiness. The second class are those who are ignorant of the characteristics of the race, and are the mere echoes of the first. To meet and refute these misrepresentations, and to supply a deficiency, long felt in the community, of a work containing sketches of individuals who, by their own genius, capacity, and intellectual development, have surmounted the many obstacles which slavery t> PEEFACE.
    [Show full text]
  • BBB-2017E.Pdf
    Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept.
    [Show full text]
  • Weirdo Canyon Dispatch 2018
    Review: Roadburn Thursday 19th April 2017 By Sander van den Driesche It’s that time of the year again, the After Yellow Eyes it’s straight to the much anticipated annual pilgrimage to Main Stage to see Dark Buddha Rising Tilburg to join with many hundreds of perform with Oranssi Pazuzu as the travellers for Walter’s party at Waste of Space Orchestra, which is Roadburn. As I get off the train the another highly anticipated show, and in heat kicks me right in the face, what a this case one that won’t be played massive difference to the dull and rainy anywhere else (as far as I know). What morning I left behind in Scotland. This happened on that big stage was is glorious weather for a Roadburn phenomenal, we witnessed a near hour Festival! Bring it on! of glorious drone-infused psychedelic proggy doom. In fact, it felt a bit too early for me personally in the timing of the festival to experience such an extraordinarily mind-blowing set, but it was a remarkable collaboration and performance. I can’t wait for the Live at Roadburn release to come out (someone make it happen please!). Yellow Eyes by Niels Vinck After getting my bearings with the new venues, I enter Het Patronaat for the first of my highly anticipated performances of the festival, Yellow Eyes. But after three blistering minutes of ferocious black metal the PA system seems to disagree and we have our first “Zeal & Ardor moment” of 2018. It’s Waste of Space Orchestra by Niels Vinck not even remotely funny to see the On the same Main Stage, Earthless Roadburn crew frantically trying to played the first of their sets as figure out what went wrong, but luckily Roadburn’s artist in residence.
    [Show full text]
  • Download the 1975 Album Rar
    1 / 2 Download The 1975 Album Rar May 29, 2021 — The 1975 - The 1975 (Deluxe Edition) Torrent Mega zip rar Mediafire 320 kbps. DOWNLOAD: http://tinybit.cc/9de2c188. Download The 1975 .... Oct 23, 2020 · Japanese Music Albums ← [Single] Mili – Phantomcat of Meowloween (2020.10.18)[MP3+Hi-Res FLAC] [Album] ... クリープハイプ – どうにかなる日々 download zip rar mp3 aac m4a flac CreepHyp… ... (1975) flac download .. Download prince discography greatest hits rar zip mega. We offer the widest variety of major and independent JPop, japanese anime, music, movies, and game .... Download File SKTDTBS rar. ... Download j-pop, k-pop, c-pop FLAC albums. ... 20/MP3/RAR) By admin On January 20, 2021 In jpop With No Comments. ... 31 MB 470 - KILLER BEE iggy pop 1975 Iggy Pop & James Williamson Kill City.. The 1975 - She's American download free mp3 flac. ... FLAC RAR album: 1731 mb. Album rating: 3.9. Available format: MP3 ... DOWNLOAD. Related albums: ... Anyway, if you like the albums please support the artist by buying the original CD or vinyl. FREE WWE TED DIBIASE THEME SONG DOWNLOAD. Brinsley .... The Free Hard Music community also provides a free Funk rock, Jazz Fusion music downloads of Lenny White Discography with full MP3 MP3 320 kbit/s album in.. Hiphoplord. Download 2021 Hip hop Songs Mp4, Mp3, Album, Zip, EP, American. MENU ... ALBUM: The 1975 – Notes on a Conditional Form · May 21, 2020 .... Apr 28, 2019 — A World Lit Only by Fire is the seventh studio album by English industrial metal band Godflesh. It was released on 7 October 2014 through .... Zippyshare songs mp3 The 1975 Notes on a Conditional Form Stream Album Download.
    [Show full text]
  • Metaldata: Heavy Metal Scholarship in the Music Department and The
    Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s .
    [Show full text]
  • Labor and Freedom: the Voice and Pen of Eugene V. Debs
    UCSB LIBRARY and rreedom Tlxe Voice and Pen of Eugene V./ Debs WKile mere is a lower class I am in it; While mere is a criminal class I am of it; While mere is a soul in prison I am not free. Published by PHIL WAGNER St. Louis 1916 "5 Introduction I think if I had been asked to name this work that comes to us from the rare mind and tender heart of 'Gene Debs, I would have called it "The Old Umbrella Mender/' It was this tragic, touch- ing tale that I first read in the manuscript; and it is the memory of this that will always return to me when I think the book. It is the of} perfect paint ing from the artist's brush the sculptured monu- ment from the master's chisel that makes one lowly, loyal soul to live forever in the hearts of humanity's lovers. Not but that every line in the book is a treasure, and every sentiment brought forth an appeal to all that makes for justice, and equality, and freedom; nor will it detract from, but rather add to, the beauty and inestimable value of the entire collection if others, likewise, carry with them the image and memory of the old umbrella mender, as they travel with Debs the struggling, storm-tossed way of Labor and Freedom. HENRY M. TICHENOR. St. Louis, March 1, 1916. MISCELLANY I THE OLD UMBRELLA MENDER. Coming Nation, March 1, 1913. It was on a cold morning late in November last, just after the national election, and I was walking briskly toward my office.
    [Show full text]
  • Swervedriver
    Swervedriver In 1990 London's indie-rock guitar scene was developing a distinctive new psychedelic sound: swirling, dreamy, mysterious and very much of the British Isles. One band stood out by hot-wiring that sound with the subversive energy of some American bands of the era and that band was Swervedriver. They had the liquid distortion of shoegaze combined with the cool swagger of Hüsker Dü, Sonic Youth, and Dinosaur Jr - giving them a unique sound and attitude. Relocating from Oxford to London, guitarists Adam Franklin and Jimmy Hartridge, bassist Adi Vines and drummer Graham Bonnar debuted with a series of landmark Creation Records EPs, Son of Mustang Ford, Rave Down, and Sandblasted. Their full-length debut, 1991's Raise, to this day is hailed by Pitchfork as an album full of "muscular, scorching guitars" that "still bring the noise like nobody's business" with Mojo stating that Son of Mustang Ford "remains one of the most glorious tunes to emerge in the wake of the so-called grunge explosion of '89, matching Adam Franklin and Jim Hartridge's motorised guitar-weaving with a beguiling, below-the-line vocal melody and lyrics that celebrated the joy of wide-open American freeways." The band toured the album extensively, including a lengthy US tour with Soundgarden that brought their wall of sound to thousands. However with both Bonnar and Vines leaving the band not long after, the 1992 EP Never Lose That Feeling looked like it might be Swervedriver's (albeit scorching) swan song. Then in late 1992, Franklin and Hartridge demoed a new tune Duress, recruited drummer Jez Hindmarsh and set about recording a second full-length album Mezcal Head with Alan Moulder (My Bloody Valentine/Led Zeppelin), which included their biggest singles Duel and Last Train To Satansville.
    [Show full text]
  • Language Variation and Music African American English As a Lyrical Strategy in the Blues
    Language Variation and Music African American English as a Lyrical Strategy in the Blues Word count: 22,317 Romeo De Timmerman Student number: 01507549 Supervisor: Prof. Dr. Stef Slembrouck A dissertation submitted to Ghent University in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics and Literature: language combination English - Dutch Academic year: 2019 - 2020 [PAGE INTENTIONALLY LEFT BLANK] I hereby grant Ghent University my written consent and permission to release and/or use this master’s dissertation as part of the university's internal self-evaluation and/or assessment procedures, internal efforts to improve teaching and learning effectiveness, or to recognize student achievement. Romeo De Timmerman, August 2020 [PAGE INTENTIONALLY LEFT BLANK] Abstract Traditionally, language variation was considered to be governed primarily by geographical location, ethnicity and socio-economic status (Bailey & Bassett, 1986; Fasold, 1981; Labov, 1966, 1972). Over the last few decades, however, sociolinguists have started to deviate from this consensus, e.g. by examining the use of African American English [AAE] by non-African Americans (Bucholtz, 2010; Chun, 2001; Cutler, 1999, 2015; Fix, 2014; Reyes, 2005). Additionally, recent sociological and psychological research has shown that music preference plays an instrumental role in shaping the personality of individuals and their judgement of others (Chamorro-Premuzic & Furnham, 2007; Halliday, 2019; Marshall & Naumann, 2018; Rentfrow & Gosling, 2003; Vella & Mills, 2016). To date, few scholars have attempted to combine these findings to consider the potential influence music has on language use. Consequently, the present study aims to provide support for the consideration of music as a factor governing language variation by comparing the lyrical language use of blues artists with a variety of socio-cultural backgrounds.
    [Show full text]
  • Sarah Benck (Tardy), Vocals and Guitar Joe Putjenter, Vocals Joe Mccarthy, Vocals and Guitar John Crews, Vocals and Harmonica Steve Dallas, Guitar
    Absolutely Fresh All Stars Performing at the 40th Anniversary of Absolutely Fresh Seafood Company September 22nd, 2019 Core Band Bucky McCann, vocals, sax, keys and Music Director Mitch Towne, Hammond B3 Craig Balderston, vocals and bass Dan Maca, drums Brian Eckleberry, vocals and piano Neil Johnsen, vocals and guitar Horns Joel Edwards, trumpet Jim Schweigert, trumpet Davey Polson, baritone sax Darren Pettit, tenor sax Guest Performers Hector Anchondo, vocals and guitar Kris Lager, vocals and guitar Sarah Benck (Tardy), vocals and guitar Joe Putjenter, vocals Joe McCarthy, vocals and guitar John Crews, vocals and harmonica Steve Dallas, guitar Hector Anchondo, vocals and guitar I started playing when I was 16, moved to Omaha at 19, and started jamming with Omaha’s finest at Pheasant Tavern with Dave Barger’s jam. That helped me take my playing to the next level. All I wanted was to play music professionally and put out albums. Now that I get to play at a pro level, I still love it just as much as I did back then, jamming with all the guys and Dave. I still have a dream of getting into the Billboard blues charts and getting a BMA, and maybe even a Grammy one day. Time will tell. Until then, I’ll keep grindin.’ Winner of the 2015 Nebraska Blues Challenge Finalist in the 2016 International Blues Challenge Multiple award winner of the “Best Blues” category through the Omaha Entertainment and Arts Awards -Finalist in the 2016 International Blues Challenge in Memphis, TN (top 8 of 240 acts worldwide) -Semifinalist at the 2015 International Blues Challenge in Memphis, TN -Winner of the 2014 & 2015 Nebraska State Blues Challenge -Winner of the 2013, 2014, 2015, & 2018 “Best Blues” award by the Omaha Entertainment and Arts Awards Craig Balderston, vocals and bass Craig has been a mainstay on the Omaha music scene since relocating here in 1992, to play with the Mighty Jailbreakers.
    [Show full text]