Annual Report 2019
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NYSDEC & AMR Pilot Reservation System
Updated 04/15/21 NYSDEC & AMR Pilot Reservation System DEC and the Adirondack Mountain Reserve (AMR) launched a no-cost pilot reservation system to address public safety at a heavily traveled stretch on Route 73 in the town of Keene in the Adirondack High Peaks. The Adirondack Mountain Reserve is a privately owned 7,000-acre land parcel located in the town of Keene Valley that allows for limited public access through a conservation easement agreement with DEC. The pilot reservation system does not apply to other areas in the Adirondack Park. The reservation system, operated by AMR, will facilitate safer public access to trailheads through the AMR gate and for Noonmark and Round mountains and improve visitors' trip planning and preparation by ensuring they have guaranteed parking upon arrival. In recent years, pedestrian traffic, illegal parking, and roadside stopping along Route 73 have created a dangerous environment for hikers and motorists alike. These no-cost reservations will be required May 1 through Oct. 31, 2021. Reservations will be required for parking, daily access, and overnight access to these specific trails. Visitors can make reservations beginning April 15 at hikeamr.org. Walk-in users without a reservation will not be permitted. o There is no cost associated with making a reservation. o Those arriving to Keene Valley via Greyhound or Trailways bus lines may present a valid bus ticket from within 24 hours of arrival to the AMR parking lot attendant in lieu of a reservation. o Those being dropped off or arriving by bicycle must check in at the AMR Hiker Parking Lot and produce a valid reservation. -
Tourism Advisory Council Meeting Monday, November 13Th, 2017 633 Third Ave 37Th Floor Boardroom New York, NY 11:00Am – 12:30Pm
Tourism Advisory Council Meeting Monday, November 13th, 2017 633 Third Ave 37th Floor Boardroom New York, NY 11:00am – 12:30pm Webcast address: https://livestream.com/vvt2/TAC111317 AGENDA I. Approval of Minutes Cristyne Nicholas II. Chairman’s Report Cristyne Nicholas a. 2018 Meeting Dates b. January 2018 Meeting: Tourism Counting and Visitor Numbers c. Winter Media Night Review III. Executive Director Report Ross Levi a. Fall Promotion Review i. Fall Commercials ii. Fall Foliage Report IV. International Marketing Report Markly Wilson a. WTM London b. FAM Trips and Trade Missions V. Experiential Marketing and Events Report Lizete Monteiro a. POD Tour Review b. Welcome Centers VI. Catskills Spotlight Ross Levi a. Catskills Challenge b. Advertising c. Digital Partnerships d. Guest Speaker: Warren Hart, Director of Greene County Economic Development, Tourism & Planning i. http://www.visitthecatskills.com/ ii. http://www.visitthecatskills.com/ride-the-catskills VII. New Business Next meeting: Monday, January 22nd, 2018 11am – 12:30pm 633 Third Avenue, NYC NYS Tourism Advisory Council 2018 Meeting Dates Monday, January 22, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Monday, March 19, 2018 1:00pm – 2:30pm Empire Plaza Albany, NY Monday, May 21, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Monday, September 17, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Wednesday, November 28, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Please RSVP by the Friday before the meeting to: [email protected] or 212-803-3689 Tourism Advisory Council Meeting November 13, 2017 A Division of Empire State Development 1 2018 TAC MEETING DATES . -
Dix Mountain Wilderness Area Unit Management Plan Amendment
New York State Department of Environmental Conservation Division of Lands & Forests Region 5 Dix Mountain Wilderness Area Unit Management Plan Amendment Towns of Elizabethtown, Keene and North Hudson Essex County, New York January 2004 George E. Pataki Erin M. Crotty Governor Commissioner Lead Agency: New York State Department of Environmental Conservation 625 Broadway Albany, NY 12233-4254 New York State Department of Environmental Conservation Office of the Commissioner, 14th Floor 625 Broadway, Albany, New York 12233-1010 Phone: (518) 402-8540 • FAX: (518) 402-8541 Website: www.dec.state.ny.us Erin M. Crotty Commissioner MEMORANDUM To: The Record From: Erin M. Crotty Re: Unit Management Plan Dix Mountain Wilderness Area The Unit Management Plan for the Dix Mountain Wilderness Area has been completed. The Plan is consistent with the guidelines and criteria of the Adirondack Park State Land Master Plan, the State Constitution, Environmental Conservation Law, and Department rules, regulations and policies. The Plan includes management objectives and a five year budget and is hereby approved and adopted ___________________________________ Erin M. Crotty, Commissioner PREFACE The Dix Mountain Wilderness Area Unit Management Plan has been developed pursuant to, and is consistent with, relevant provisions of the New York State Constitution, the Environmental Conservation Law (ECL), the Executive Law, the Adirondack Park State Land Master Plan, Department of Environmental Conservation (“Department”) rules and regulations, Department policies and procedures and the State Environmental Quality and Review Act. Most of the State land which is the subject of this Unit Management Plan (UMP) is Forest Preserve lands protected by Article XIV, Section 1 of the New York State Constitution. -
Fulbright New Zealand Quarterly, May 2009
Fulbright New Zealand uuarterlyarterly ISSN 1177-0376 (print) Volume 15, NumberQ 2 May 2009 ISSN 1177-7885 (online) Inside Page 2: Editorial; Fulbright News: Changes in Board membership Page 3: Fulbright-Hays teachers to visit New Zealand; Important Dates Page 4: Alumni News: Alumni Association update; Grantee and Alumni News; In Memoriam Page 5: Alumni Voice: Land of myths and opportunities Page 6: Grantee Voice: East Asia and Pacifi c region Fulbright Executive Directors David Satterwhite (Japan), Mele Wendt (New Zealand), Jim Coffman At home amongst the bright (Malaysia), Mike McCoy (Indonesia), Shim Jai-Ok (Korea), Porntip Kanjananaiyot (Thailand), Joe Hlubucek (Australia) and Wu lights of Broadway Jing-Jyi (Taiwan) in Auckland Page 7: Awarded; Arrivals and Departures; Regional Fulbright EDs meet in Auckland Current Grantees Executive Directors from eight of the East Asia As part of the programme, participants and their and Pacifi c region’s Fulbright commissions met families were treated to a sight-seeing tour around Page 8: Awards in Auckland in March to discuss best practices, Auckland, were hosted for a reception at the home of new initiatives, issues and challenges of Fulbright Fulbright New Zealand Chairperson Barbara Johnson programmes across the region. The annual meeting, along with current American grantees and New Zealand hosting of which is shared between Fulbright alumni, and farewelled Fulbright Taiwan Executive commissions throughout the region, offers a unique Director Wu Jing-Jyi (who is retiring after 32 years) opportunity -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
University of Copenhagen Faculty Or Humanities
Moving Archives Agency, emotions and visual memories of industrialization in Greenland Jørgensen, Anne Mette Publication date: 2017 Document version Other version Document license: CC BY-NC-ND Citation for published version (APA): Jørgensen, A. M. (2017). Moving Archives: Agency, emotions and visual memories of industrialization in Greenland. Det Humanistiske Fakultet, Københavns Universitet. Download date: 08. Apr. 2020 UNIVERSITY OF COPENHAGEN FACULTY OR HUMANITIES PhD Thesis Anne Mette Jørgensen Moving Archives. Agency, emotions and visual memories of industrialization in Greenland Supervisor: Associate Professor Ph.D. Kirsten Thisted Submitted on: 15 February 2017 Name of department: Department of Cross-Cultural and Regional Studies Name of department: Minority Studies Section Author(s): Anne Mette Jørgensen Title and subtitle: Moving Archives. Agency, emotions and visual memories of industrialization in Greenland Topic description: Memory, emotion, agency, history, visual anthropology, methodology, museums, post-colonialism, Greenland Supervisor: Kirsten Thisted Submitted on: 15 February 2017 Cover photography: A table during a photo elicitation interview, Ilulissat April 2015 ©AMJørgensen 2 CONTENTS Pre-face 5 Abstract 7 Resumé in Danish 8 1. Introduction 9 a. Aim and argument 9 b. Research questions 13 c. Analytical framework 13 d. Moving archives - Methodological engagements 16 e. The process 18 f. Outline of the Thesis 23 2. Contexts 27 a. Themes, times, spaces 27 b. Industrialization in Greenland 28 c. Colonial and postcolonial archives and museums 40 d. Industrialization in the Disko Bay Area 52 3. Conceptualizing Memory as Moving Archives 60 a. Analytical framework: Memory, agency and emotion 61 b. Memory as agency 62 c. Memory as practice 65 d. Memory as emotion 67 e. -
Excerpts from the Book
Excerpts from Heaven Up-h’isted-ness! Copyright © 2011 by the Adirondack Forty-Sixers, Inc. All rights reserved. On the formation of the Forty-Sixers of Troy: During the early 1930s Bob Marshall’s booklet, “The High Peaks of the Adirondacks,” and Russell Carson’s Peaks and People of the Adirondacks captured the attention of a small group of outdoor enthusiasts from Grace Methodist Church in Troy, in particular the church’s pastor, the Rev. Ernest Ryder (#7), and two parishioners, Grace Hudowalski (#9) and Edward Hudowalski (#6)…. Ed and the Rev. Ryder had not, originally, intended to climb all 46. According to Ed, their goal was 25 peaks, but when they hit 27 “by accident,” they decided to climb 30. After reaching 30 they decided to climb all of them. The two finished arm-in-arm on Dix in the pouring rain on September 13, 1936. They shared a prayer of praise and thanks for their accomplishment. Less than six months after the Rev. Ryder and Ed finished their 46, the duo organized a club, comprised mainly of Ed Hudowalski’s Sunday School class, known as the Forty-Sixers of Troy. It was Ryder who coined the name “Forty-Sixer.” The term first appeared in print in an article in the Troy Record newspaper in 1937 announcing the formation of the hiking club: “Troy has its first mountain climbing club, all officers of which have climbed more than thirty of the major peaks in the Adirondacks. The club recently organized will be known as the Forty-sixers...” On Grace Hudowalski: Much like Bob Marshall, whose love of the wilderness was his all-consuming passion, Grace devoted her talents and energy, in both her professional and personal life, to promoting the exploration of New York State and in particular the Adirondack Mountains. -
BRAND GUIDELINES Including PART 2 for Tpas —November 2Oo8—
BRAND GUIDELINES Including PART 2 for TPAs —November 2oo8— 1 OUR HISTORY The year was 1976, and the New York that people once knew was about to change. The State was in a deep economic slump and looked to tourism to help turn around the economy. With $400,000 from the Governor, industry leaders took an incredibly bold step and spent the entire tourism budget on market research. With consumer feedback in hand and $4 million, an advertising campaign was launched in 1977. The great minds of Madison Avenue produced a brilliant little campaign called I LOVE NEW YORK. A full-blown orchestra was assembled to record the song created by the “King of the Jingle” Steve Karmen, while acclaimed graphic designer, Milton Glaser crafted the famous logo. It all started with the very first TV commercial highlighting the grandeur of New York State with lakes, mountains and countryside and folks proclaiming “I live in [North Carolina, Cape Cod, Brooklyn]...but I Love New York!” The campaign was magical and captivated hearts instantly. The next commercial highlighted New York City and featured Broadway packages. From there, I LOVE NEW YORK blossomed into a star-studded extravaganza with A-list celebrities and Broadway stars declaring their love for New York at every turn. Something soon happened though. I LOVE NEW YORK became deeply connected with New York City, even though the brand started with the state. This association strengthened further in September 2001 when the world joined New Yorkers in expressing their love for this special place. 2 OUR HEART There’s something really special about being a New Yorker— whether you’re from the City or across the State. -
Rockefeller Center Flag Project, As Part of Kamilleon, an Artistic Immersion for Young Adults with Neurological Differences
The Flag Project 2020 Catalog The Flag Project Celebrating New York This Spring, we asked people across the world to show their love for New York by designing flags that would be flown in a temporary art installation on the 193 poles surrounding the iconic Rink at Rockefeller Center. We invited artists of all abilities to help us dream up new ways to celebrate the diverse culture, vibrant energy, and strength of New York City. And celebrate New York we did – The Flag Project generated well over a thousand incredible responses, garnering creative and inspiring submissions, not just from New York and the U.S., but from across the world. The designs were hand-crafted, star-spangled, brilliantly bold, and digitally decorated – and they expressed a true love of the City and demonstrated a sense of community that is at the core of all Rockefeller Center does and believes in. The Flag Project helped us usher in a new era of togetherness and human connection amidst a difficult time. We’re proud to fly these beautiful works of art for all to see, in the heart of New York. 4 5 The Flag Project Map Flags are arranged in alphabetical order according to artists’ last names Channel Gardens & 5th Avenue Building #6 Building #5 E-F P-R O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Fountain O O Fountain O O O O O O O O O O O O O O O O O O O O O O O B-D R-T O O O O O O O F-H M-P O O O O The Rink O 49th Street 50th Street O O O Summer at O O O O South Esplanade North Esplanade O O A-B Fountain O O Fountain O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Prometheus O O O O O O Sculpture O W-Z O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B H-M H-M V-W Entrance to 30 Rock The Flag Project Featured Artists New York wouldn’t be New York without its diverse, page 10 Marina Abramović inspiring collective of local artists. -
David Alan Miller
FROM SUFFRAGE TO STONEWALL 2019 DAVID ALAN MILLER HEINRICH MEDICUS MUSIC DIRECTOR DAVID ALAN MILLER, HEINRICH MEDICUS MUSIC DIRECTOR Grammy®Award-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. Music Director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. He and the orchestra have twice appeared at “Spring For Music,” an annual festival of America’s most creative orchestras at New York City’s Carnegie Hall. Other accolades include Columbia University’s 2003 Ditson Conductor’s Award, the oldest award honoring conductors for their commitment to American music, the 2001 ASCAP Morton Gould Award for Innovative Programming and, in 1999, ASCAP’s first-ever Leonard Bernstein Award for Outstanding Educational Programming. Frequently in demand as a guest conductor, Mr. Miller has worked with most of America’s major orchestras, including the orchestras of Baltimore, Chicago, Cleveland, Detroit, Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh and San Francisco, as well as the New World Symphony, the Boston Pops and the New York City Ballet. In addition, he has appeared frequently throughout Europe, Australia and the Far East as guest conductor. He made his first guest appearance with the BBC Scottish Symphony in March, 2014. Mr. Miller received his Grammy Award in January, 2014 for his Naxos recording of John Corigliano’s “Conjurer,” with the Albany Symphony and Dame Evelyn Glennie. -
Nohra Haime Gallery
NOHRA HAIME GALLERY LESLEY DILL Born 1950 Lives and works in Brooklyn, New York EDUCATION 1980 Maryland Institute College of Art, Baltimore, MD, M.F.A. 1974 Smith College, Northampton, MA, MAT 1972 Trinity College, Hartford, CT, B.A. AWARDS/GRANTS 2018 Lucie Foundation Grant Project on Shaker Art, Religion and Design, Fordham University, Bronx, NY 2017 John Simon Guggenheim Fellowship 2016 Artist-in-Residence, Fullerton College, CA 2014-15 Falk Visiting Artist Residency, University of North Carolina at Greensboro 2014 The McIlroy Family Visiting Professorship in the Performing and Visual Arts 2013 Milwaukee Institute of Art and Design, SGC International Lifetime Achievement in Printmaking Award 2010 Center for Book Arts Honoree 2008 Anonymous Was A Woman 2007 Rockefeller Foundation Multi Artists Production Award with Tom Morgan Maryland Institute of Art, Alumna Award 1996 Joan Mitchell Foundation Grant 1995 New York Foundation for the Arts, Drawing - Printmaking Category 1992 Project Residency Award, Hillwood Art Museum and New York State Council on Arts 1990 National Endowment for the Arts, Sculpture Fellowship 1984 Artist-in-Residence, Altos de Chavon, Dominican Republic 1983 Zaner Corporation Purchase Award from Small Works ‘83 SELECTED SOLO EXHIBITIONS 2021 “Wilderness: Words are where what I catch is me,” Figge Art Museum, Davenport, IA 2019 “Lesley Dill: Sculpture: 1994-2018,” Nohra Haime Gallery, New York “Lesley Dill: Wilderness,” Nohra Haime Gallery at ADAA The Art Show, New York 2018 “Wilderness: Words are where what I catch is me,” Nohra Haime Gallery, New York. Traveled to: Mattatuck Museum, Waterbury, CT, 2018; University Art Gallery, Central Michigan University, MI, 2018. -
Route Hopping on Route 73
PHOTOS BY TK CLIFF NOTES BY RYAN WICHELNS CLIFF NOTES LOGISTICS Guidebook: Blue Lines by Don Mellor is the de facto ice-route reference for the entire Adirondack Park. Seasons: Ice can form in the Adirondack High Peaks as early as October, but often takes until December in lower roadside elevations. By April you’ll be switching to rock shoes. Other crags: It may be the local epicenter, but Keene Valley is only scratching the surface of Adirondack ice. If spending half the day on an approach is fine by you, start hiking from any number of the valley’s trailheads to the big slides and passes of the High Peaks’ interior. The North Face of Gothics (NEI 2, 1,100 feet) and Colden’s Trap Dike (NEI 2, 2,000 feet) are “easy” but exciting and unnervingly exposed climbs, and Avalanche Pass is packed with difficult shorter lines. Route 73 also accesses the North Face of Pitchoff Mountain, ripe with thick ice that tends to come in earlier than some of that around Nick Bullock (U.K) on Ice Storm (NEI 5+ M6), put up by Alex Lowe in Chapel Pond Canyon. Chapel Pond. Accommodation: The I looked back toward the road to see a school bus pass beginning stretch of Route ROUTE along the serpentine mountain highway. I wondered 73 is bordered by designated what the kids in that bus must think to see the wilderness, which means HOPPING mountainsides around them, covered in glassy smears the truly hardy have the and decorated with people hanging like Christmas option to winter-camp almost anywhere, following ON ROUTE 73 ornaments from their faces.