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Tourism Advisory Council Meeting Monday, November 13Th, 2017 633 Third Ave 37Th Floor Boardroom New York, NY 11:00Am – 12:30Pm
Tourism Advisory Council Meeting Monday, November 13th, 2017 633 Third Ave 37th Floor Boardroom New York, NY 11:00am – 12:30pm Webcast address: https://livestream.com/vvt2/TAC111317 AGENDA I. Approval of Minutes Cristyne Nicholas II. Chairman’s Report Cristyne Nicholas a. 2018 Meeting Dates b. January 2018 Meeting: Tourism Counting and Visitor Numbers c. Winter Media Night Review III. Executive Director Report Ross Levi a. Fall Promotion Review i. Fall Commercials ii. Fall Foliage Report IV. International Marketing Report Markly Wilson a. WTM London b. FAM Trips and Trade Missions V. Experiential Marketing and Events Report Lizete Monteiro a. POD Tour Review b. Welcome Centers VI. Catskills Spotlight Ross Levi a. Catskills Challenge b. Advertising c. Digital Partnerships d. Guest Speaker: Warren Hart, Director of Greene County Economic Development, Tourism & Planning i. http://www.visitthecatskills.com/ ii. http://www.visitthecatskills.com/ride-the-catskills VII. New Business Next meeting: Monday, January 22nd, 2018 11am – 12:30pm 633 Third Avenue, NYC NYS Tourism Advisory Council 2018 Meeting Dates Monday, January 22, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Monday, March 19, 2018 1:00pm – 2:30pm Empire Plaza Albany, NY Monday, May 21, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Monday, September 17, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Wednesday, November 28, 2018 11:00am – 12:30pm 633 Third Avenue, NYC Please RSVP by the Friday before the meeting to: [email protected] or 212-803-3689 Tourism Advisory Council Meeting November 13, 2017 A Division of Empire State Development 1 2018 TAC MEETING DATES . -
Annual Report 2019
Annual Report 2019 2019 By The Numbers 130,000 2,500 36 Dollar amount awarded to our chapter Culverts inventoried by our stream Full- and part-time jobs created by by the Lake Champlain Basin Program to barrier technicians so communities our Adirondack Park Upper Hudson further our conservation efforts in the won’t flood and fish can pass (page 5) Recreation Hub microenterprise grant Boquet River watershed (page 3) program (page 13) 160 65,000 Linear feet of new wooden split-rail 4 Acres of our landholdings held under fencing installed at our Boquet River Active land acquisition projects, ranging conservation easement and monitored Nature Preserve with help from Paul from 127 acres to 3,500 acres in the annually by our stewardship staff Smith’s College student veteran Black River Valley, which connects the volunteers (page 12) Tug Hill Plateau to the Adirondacks 55,750 Number of forest acres whose 60+ 1 owners are discussing the sale of Partners in the Staying Connected Number of boat wash and decontamination carbon credits with The Nature Initiative working to create a contiguous stations east of the Mississippi; the Conservancy to preserve the forests wildlife corridor across the Northern first-of-its-kind station is now open and generate revenue Appalachian/Acadian region of the near exit 17 on I-87 to intercept aquatic eastern United States and Canada invasive species hitching a ride to the Adirondacks (page 10) 43 The number of healthy salmon fry found by scientists this summer in the North Branch of the Boquet River (page 4) Cover photo © Erika Bailey (The Nature Conservancy). -
Fulbright New Zealand Quarterly, May 2009
Fulbright New Zealand uuarterlyarterly ISSN 1177-0376 (print) Volume 15, NumberQ 2 May 2009 ISSN 1177-7885 (online) Inside Page 2: Editorial; Fulbright News: Changes in Board membership Page 3: Fulbright-Hays teachers to visit New Zealand; Important Dates Page 4: Alumni News: Alumni Association update; Grantee and Alumni News; In Memoriam Page 5: Alumni Voice: Land of myths and opportunities Page 6: Grantee Voice: East Asia and Pacifi c region Fulbright Executive Directors David Satterwhite (Japan), Mele Wendt (New Zealand), Jim Coffman At home amongst the bright (Malaysia), Mike McCoy (Indonesia), Shim Jai-Ok (Korea), Porntip Kanjananaiyot (Thailand), Joe Hlubucek (Australia) and Wu lights of Broadway Jing-Jyi (Taiwan) in Auckland Page 7: Awarded; Arrivals and Departures; Regional Fulbright EDs meet in Auckland Current Grantees Executive Directors from eight of the East Asia As part of the programme, participants and their and Pacifi c region’s Fulbright commissions met families were treated to a sight-seeing tour around Page 8: Awards in Auckland in March to discuss best practices, Auckland, were hosted for a reception at the home of new initiatives, issues and challenges of Fulbright Fulbright New Zealand Chairperson Barbara Johnson programmes across the region. The annual meeting, along with current American grantees and New Zealand hosting of which is shared between Fulbright alumni, and farewelled Fulbright Taiwan Executive commissions throughout the region, offers a unique Director Wu Jing-Jyi (who is retiring after 32 years) opportunity -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
That World of Somewhere in Between: the History of Cabaret and the Cabaret Songs of Richard Pearson Thomas, Volume I
That World of Somewhere In Between: The History of Cabaret and the Cabaret Songs of Richard Pearson Thomas, Volume I D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Rebecca Mullins Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Dr. Scott McCoy, advisor Dr. Graeme Boone Professor Loretta Robinson Copyright by Rebecca Mullins 2013 Abstract Cabaret songs have become a delightful and popular addition to the art song recital, yet there is no concise definition in the lexicon of classical music to explain precisely what cabaret songs are; indeed, they exist, as composer Richard Pearson Thomas says, “in that world that’s somewhere in between” other genres. So what exactly makes a cabaret song a cabaret song? This document will explore the topic first by tracing historical antecedents to and the evolution of artistic cabaret from its inception in Paris at the end of the 19th century, subsequent flourish throughout Europe, and progression into the United States. This document then aims to provide a stylistic analysis to the first volume of the cabaret songs of American composer Richard Pearson Thomas. ii Dedication This document is dedicated to the person who has been most greatly impacted by its writing, however unknowingly—my son Jack. I hope you grow up to be as proud of your mom as she is of you, and remember that the things in life most worth having are the things for which we must work the hardest. -
University of Copenhagen Faculty Or Humanities
Moving Archives Agency, emotions and visual memories of industrialization in Greenland Jørgensen, Anne Mette Publication date: 2017 Document version Other version Document license: CC BY-NC-ND Citation for published version (APA): Jørgensen, A. M. (2017). Moving Archives: Agency, emotions and visual memories of industrialization in Greenland. Det Humanistiske Fakultet, Københavns Universitet. Download date: 08. Apr. 2020 UNIVERSITY OF COPENHAGEN FACULTY OR HUMANITIES PhD Thesis Anne Mette Jørgensen Moving Archives. Agency, emotions and visual memories of industrialization in Greenland Supervisor: Associate Professor Ph.D. Kirsten Thisted Submitted on: 15 February 2017 Name of department: Department of Cross-Cultural and Regional Studies Name of department: Minority Studies Section Author(s): Anne Mette Jørgensen Title and subtitle: Moving Archives. Agency, emotions and visual memories of industrialization in Greenland Topic description: Memory, emotion, agency, history, visual anthropology, methodology, museums, post-colonialism, Greenland Supervisor: Kirsten Thisted Submitted on: 15 February 2017 Cover photography: A table during a photo elicitation interview, Ilulissat April 2015 ©AMJørgensen 2 CONTENTS Pre-face 5 Abstract 7 Resumé in Danish 8 1. Introduction 9 a. Aim and argument 9 b. Research questions 13 c. Analytical framework 13 d. Moving archives - Methodological engagements 16 e. The process 18 f. Outline of the Thesis 23 2. Contexts 27 a. Themes, times, spaces 27 b. Industrialization in Greenland 28 c. Colonial and postcolonial archives and museums 40 d. Industrialization in the Disko Bay Area 52 3. Conceptualizing Memory as Moving Archives 60 a. Analytical framework: Memory, agency and emotion 61 b. Memory as agency 62 c. Memory as practice 65 d. Memory as emotion 67 e. -
BRAND GUIDELINES Including PART 2 for Tpas —November 2Oo8—
BRAND GUIDELINES Including PART 2 for TPAs —November 2oo8— 1 OUR HISTORY The year was 1976, and the New York that people once knew was about to change. The State was in a deep economic slump and looked to tourism to help turn around the economy. With $400,000 from the Governor, industry leaders took an incredibly bold step and spent the entire tourism budget on market research. With consumer feedback in hand and $4 million, an advertising campaign was launched in 1977. The great minds of Madison Avenue produced a brilliant little campaign called I LOVE NEW YORK. A full-blown orchestra was assembled to record the song created by the “King of the Jingle” Steve Karmen, while acclaimed graphic designer, Milton Glaser crafted the famous logo. It all started with the very first TV commercial highlighting the grandeur of New York State with lakes, mountains and countryside and folks proclaiming “I live in [North Carolina, Cape Cod, Brooklyn]...but I Love New York!” The campaign was magical and captivated hearts instantly. The next commercial highlighted New York City and featured Broadway packages. From there, I LOVE NEW YORK blossomed into a star-studded extravaganza with A-list celebrities and Broadway stars declaring their love for New York at every turn. Something soon happened though. I LOVE NEW YORK became deeply connected with New York City, even though the brand started with the state. This association strengthened further in September 2001 when the world joined New Yorkers in expressing their love for this special place. 2 OUR HEART There’s something really special about being a New Yorker— whether you’re from the City or across the State. -
Rockefeller Center Flag Project, As Part of Kamilleon, an Artistic Immersion for Young Adults with Neurological Differences
The Flag Project 2020 Catalog The Flag Project Celebrating New York This Spring, we asked people across the world to show their love for New York by designing flags that would be flown in a temporary art installation on the 193 poles surrounding the iconic Rink at Rockefeller Center. We invited artists of all abilities to help us dream up new ways to celebrate the diverse culture, vibrant energy, and strength of New York City. And celebrate New York we did – The Flag Project generated well over a thousand incredible responses, garnering creative and inspiring submissions, not just from New York and the U.S., but from across the world. The designs were hand-crafted, star-spangled, brilliantly bold, and digitally decorated – and they expressed a true love of the City and demonstrated a sense of community that is at the core of all Rockefeller Center does and believes in. The Flag Project helped us usher in a new era of togetherness and human connection amidst a difficult time. We’re proud to fly these beautiful works of art for all to see, in the heart of New York. 4 5 The Flag Project Map Flags are arranged in alphabetical order according to artists’ last names Channel Gardens & 5th Avenue Building #6 Building #5 E-F P-R O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Fountain O O Fountain O O O O O O O O O O O O O O O O O O O O O O O B-D R-T O O O O O O O F-H M-P O O O O The Rink O 49th Street 50th Street O O O Summer at O O O O South Esplanade North Esplanade O O A-B Fountain O O Fountain O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Prometheus O O O O O O Sculpture O W-Z O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B H-M H-M V-W Entrance to 30 Rock The Flag Project Featured Artists New York wouldn’t be New York without its diverse, page 10 Marina Abramović inspiring collective of local artists. -
Nohra Haime Gallery
NOHRA HAIME GALLERY LESLEY DILL Born 1950 Lives and works in Brooklyn, New York EDUCATION 1980 Maryland Institute College of Art, Baltimore, MD, M.F.A. 1974 Smith College, Northampton, MA, MAT 1972 Trinity College, Hartford, CT, B.A. AWARDS/GRANTS 2018 Lucie Foundation Grant Project on Shaker Art, Religion and Design, Fordham University, Bronx, NY 2017 John Simon Guggenheim Fellowship 2016 Artist-in-Residence, Fullerton College, CA 2014-15 Falk Visiting Artist Residency, University of North Carolina at Greensboro 2014 The McIlroy Family Visiting Professorship in the Performing and Visual Arts 2013 Milwaukee Institute of Art and Design, SGC International Lifetime Achievement in Printmaking Award 2010 Center for Book Arts Honoree 2008 Anonymous Was A Woman 2007 Rockefeller Foundation Multi Artists Production Award with Tom Morgan Maryland Institute of Art, Alumna Award 1996 Joan Mitchell Foundation Grant 1995 New York Foundation for the Arts, Drawing - Printmaking Category 1992 Project Residency Award, Hillwood Art Museum and New York State Council on Arts 1990 National Endowment for the Arts, Sculpture Fellowship 1984 Artist-in-Residence, Altos de Chavon, Dominican Republic 1983 Zaner Corporation Purchase Award from Small Works ‘83 SELECTED SOLO EXHIBITIONS 2021 “Wilderness: Words are where what I catch is me,” Figge Art Museum, Davenport, IA 2019 “Lesley Dill: Sculpture: 1994-2018,” Nohra Haime Gallery, New York “Lesley Dill: Wilderness,” Nohra Haime Gallery at ADAA The Art Show, New York 2018 “Wilderness: Words are where what I catch is me,” Nohra Haime Gallery, New York. Traveled to: Mattatuck Museum, Waterbury, CT, 2018; University Art Gallery, Central Michigan University, MI, 2018. -
The Jerry Gray Story
THE JERRY GRAY STORY THE JERRY GRAY STORY “The Jerry Gray Story” has been compiled to provide researchers and music fans an overview of the musical life of Jerry Gray (1915-1976) following his discharge from the US Army Air Force in late 1945. This chronology documents all known daily activities, media articles, commercial recording sessions, transcription library recording sessions, radio broadcasts, film productions, television appearances, theater appearances, and personal appearances of Jerry Gray post-WWII. This encompasses three primary locations and time frames: The New York City Years 1945-1947; The Hollywood Years 1947-1969; and The Dallas Years 1969-1977. These are presented as: Part 01 - 1945-1946 Part 02 – 1947 Part 03 – 1948 Part 04 – 1949 Part 05 – 1950 Part 06 – 1951-1952 Part 07 – 1953-1954 Part 08 – 1955-1960 Part 09 – 1961-1968 Part 10 – 1969-1977 Additionally, we will eventually include as: Part 11 – Song Index Part 12 – Location Index Part 13 – Artist Index Part 14 – Recording Session Index Part 15 - Discography This is a work-in-progress. There are still many items, articles, stories, photographs, and label scans to be reviewed and confirmed. They will be included in future versions. As of today, our full work product is about 2,342 pages and 526,447 words. Events are posted chronologically. However, like topics are grouped together when possible [such as record reviews and media reports of a specific event]. Recording sessions will show only the matrix number and the primary released recordings for each song. Part 1 - Page 2 of 200 Part 15 - Discography to follow will document all known commercial and transcription recording sessions and radio/film/television/personal performances and their known releases in detail. -
The Theatre in Mississippi from 1840 to 1870. Guy Herbert Keeton Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1979 The Theatre in Mississippi From 1840 to 1870. Guy Herbert Keeton Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Keeton, Guy Herbert, "The Theatre in Mississippi From 1840 to 1870." (1979). LSU Historical Dissertations and Theses. 3399. https://digitalcommons.lsu.edu/gradschool_disstheses/3399 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Pagefs)”. If it was possible to obtain the missing pagefs) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
28 Songs in Jazz, Gospel, R&B, Soul, and Show Styles PDF Book
POPULAR VOICEWORKS 1: 28 SONGS IN JAZZ, GOSPEL, R&B, SOUL, AND SHOW STYLES PDF, EPUB, EBOOK Charles Beale,Steve Milloy | 240 pages | 15 May 2008 | Oxford University Press | 9780193435568 | English | Oxford, United Kingdom Popular Voiceworks 1: 28 Songs in Jazz, Gospel, R&B, Soul, and Show Styles PDF Book Junior Voiceworks 2 Kevin Stannard. The album became a commercial success in the US selling over two and a half million copies and reached number one in both the US and the United Kingdom. Nevertheless, Hyman reached New York in her early twenties and soon began working as a vocalist. As the founder and current CEO of Aftermath Entertainment he has produced many albums with a variety of artists. Charles Beale: You gotta move Trad. Blackstreet won a Grammy Award for the best rhythm and blues performance in Most of these genres were created by music labels to target new audiences, however classification is useful to find music and distribute it. Making Music Patricia M. Burke says that his grandmother had seen his coming in a dream some 12 years before his birth. In , Ice Cube released volume one of his hard hitting best-seller War and Peace. The ability to find such talent sets Combs apart from most other hip hop producers. Inspired by the teachings and nonviolent organizing of Dr. New York : Oxford University Press. In addition to his own albums, Bow Wow has had a guest appearance on several TV shows. Clinton however lost his lawsuit in due to a contract that he signed in The Ballerina and the Clown Libby Larsen.