The Unity of the Laches

Total Page:16

File Type:pdf, Size:1020Kb

The Unity of the Laches Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 12-1962 The Unity of the Laches Michael J. O'Brien Yale University Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation O'Brien, Michael J., "The Unity of the Laches" (1962). The Society for Ancient Greek Philosophy Newsletter. 46. https://orb.binghamton.edu/sagp/46 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. - THE UNITY OF' THE �.ft.CHES by Michael J. O'Brien Ye.le University 'I'he interpretation of many of Plato's early dialogues is hampered by their apparent inconclusiveness. One pattern which several of them share involves the statement of a problem (e.g. "Can virtue be taught?11 or 11What is temperance, or courage� or piety?11) 7 the analysis of vari­ ous suggestions, and the decision, finally, to accept none of them.l The conversations have the air of being un­ planned, of moving in no predetermined direction, and of coming to an end when suggestions have been exhausted. Not surprisingly, there has been no agreement, even in a broad sense, about their meaning. The simplest? and at first the most attractive, hypothesis is to take them for what they seem to be, conversations on themes recollected from Plato's hours with Socrates. John Burnet and A. E. 'l'aylor have argued for thj.s view. Burnet has slcetched for us a picture of 11the youthful Plato who was a great dramatic genius and whose- chief aim was to set before us a picture of Socrates as he was" in dialogues which 11do not give us Plato's own philosophy11 but which upreserve the memory of the teaching of Socrates. 112 The notion that the early dialogues are idealized essays in biography by a young man with no original philo­ sophy of his own has often led to their being classified under literature and not philosophy.3 In apparent support of this classification is the fact that in them Plato seems to lack ability or interest in drawing together into a conclusion their many scattel'ed suggestions and argun1ents. Instead he seems content to offer a philosophic n_o_'t_ .ru:>..Y...r..ri. The disarray of ideas in these works caused Wilamowitz to treat them as literature and biography. A dialogue like the Lg__<;__h_es_9 for example 2 which does not settle the question it sets out to answer (itWhat is courage?u)9 was not written with that theoretical interest in mind� he says� but in order to show that Socrates was a brave man and the best teacher of that virtue.4 It commemorates his courage at the battle of Delium (18lb, 18S'b) and records the admira­ tion of two distinguished contemporaries for his qualifi­ cations as a teacher of the young (200cd). It is a 4ħ ħ ħ ®ħ ħ ħ ± ħ ´ħ ; ħ Yħ 2 ħ ħ óħ ħ ħ ħ !Èħ ħ 8"ħ Ě ªď­ħ ë Mħ ħ ħ ħ ! ħ ħ ġħ k{ħ Ĕħ ħ ħ ħ ħ ! ħ ħ £ħ ħ ìħ ħ ħ ħ ħ ô ğ ħ ħ ħ õ ħ 9Êħ Ò ħ Ì«ħ ¾ħ ħ Öħ Oħ /ħ ħ g×í Ĝ ħ ħ ħ ħ ħ lhħ ħ µħ ħ ħ . Á *ħ ħ ħ ħ ħ ħ ¿ ħ ħ ħ +ħ ħ ħ öħ ħ Ø ħ ħ ħ ħ=%ħ Pħ ħ ħ Qħ ħ ħ ħ ħ ħ ħ ħ ħ ħ ÍZ ħ ėħ ħ ħ ħ Ę Rħ ħ Ù< ħ ħ ħ ħ ħħ ħ Sħ ħ ħ 2ħ ħ ħ ħ ħ 0 ħ ħ -%X !$[-mrħ ħ ħ ħ ħ ħ ħ ħ 4ħ ħ ħ Ċħ ħ éê\ħ .ħ úĐħ Õ ħ ħ 'ħ ħ ( ħ 'ûħ ħ "Âħ ħ Ãħ Úħ ħ Ûħ ħ ħ ]ħ ~ħ ¦ ħ Ü ċħ ħ |ħ n% ħ ÄCħ ħ ħ 9ħ ħ ħ 1Ģ ^ħ ħ @ħ ħ ħ ħ ħ ħ » Dħ ħ ħ ħ ħ ħ đħ >>=ħħ ħ ħ ħ 58ħ ©?ħ ýħ ħ ħ ħ ħ ħ ħ Åħ ħ ħ ħ 5ħ ðħ ħħ op ħ ħ Ýqħ ħ ²ħ ",ħ Fħ ħ ħ ħ ħ þħ #ħ ÿħ Þħ i` Ë ħ Āħ ħ 3ħ ħ ħ ħ ħ ħ ÷ "ħ ħ ħ ħ āħ ¯ +ħ ħ ħ ħ Ó ħ Ïħ ħ ħ ħ 0ħ ħ ħ Čħ (ħ ħ ħ ħ ħ ħ ħ ħ ħ ħ ÎĒ ßħ ħ ħ ;aħ ¤ħ Ăħ ħ ħ ħ ħ ħ à ħ ħ < ħ ħ ħ ĞĆćsħ ¥ ħ ħ ħ ħ ħ ħ ħ Ġ á *ħ ħ ħ ¶ħ ħ Uħ ħ ħ / Vħ ħ ħ ħ À ħ ħ âħ bħ §3ħ čãħ ħ & ħ ħ ħ ħ Æă ħ ħ ħ øħ ¨ ħ ħ :¼ħ ) ħ ·ħ ħ ħ ěēħ ħ ħ ħ ħ ħ ħ ħ ħ ħ ħ ħ îħ ħ 6 ħ ħ ħ ħ ħ ħ ħ äEħ ħ ħ ħ ħ ħ ħ ħ ,ħ ęħ ¸ħ ħ ħ Aħ ħ ħ ħ Hjtx K}ħ & ħ ħ Ĉ ħ ħ #Bħ ¹ ħ ħ ħ ³ħ Ð cħ ħ ħ ħ ħ ħ ħ 7Wħ 1ħ ¡ ħ ) ħ ħ Ąĕ ħ ħ å ħ I$v Ldħ ħ Ñïħ 7ħ uħ ħ ħ ħ 'ħ )ħ ħ ñ6æ ħ ħ ħ ħ ħ ç ħ èĥħ ħ ħ ħ ħ ĉĎħ É#ħ ħ ħ ħ ħ Ħħ ħ ħ ħ ħ Ėħ ħ ħ ½ħ ħ Ô ħ òħ #ħ eº ħ ħ (ħ ħ ù °f ħ ą ħ ħ ŌwQŌŌ ĢŌ ÛŌ ĮŌ Ā Ō ( Ō Ō Ō Ō «Ō Ō ÀŌ Ō Ō ¬Ō Ō Ō Ō Ō Ō = Ō ),pŌ ÁRŌ % Ō Ō Ō Ō é Ō å¨Ō Ō Ō Ü+Ō Ō Ō Ō Ĉĩ=Ō Ō Ō ÂŌ (Ō "Ō Edqk LŌ Ō Ō Ō Ō 'ā Ō Ō Ō ľĿŌ ²Ō !Ō êÝŌ Ō Ō Ō ë Ō Ō Ō ! Ō Ō Ď>Ō Ō Ō ìŌ Ō ĪŌ Ō ĂŌ Ō Ō ĶŌ Ō ÞŌ Ō Ō ij Ō Ō Ō Ō Ō Ō Ō Fel.Ō 2Ō Ō Ō Ō Ō Ō 7 Ō Ō Ĵ Ō Ō Ō ªT Ō ³Ō Ō Ō Ō ÃŌ Ō Ō Ō Ō Ō ÑŌ Ō Ō Ō */. Ō ķ Ō Ō Ō Ō Ō Ō ģŌ Ō Ō Ō Ō Ō G,/m Ō Ō Ō Ō Ō Ō ­ Ō Ō Ō Ō Ō ® Ō f Ō ùŌ ětŌ Ō Ō ĄàŌ Ō Ō "Ō Ō Ō 7´ Ō Ō 'µVďŌ Ō H-rn #Ō Ō ĤŌ Ō Ō &8 Ō *0o WŌ 2 Ō Ō Ō Ō įŌ ! ;Ō Ō Ō Ō % Ō Ō Ō ĐŌ Ō íŌ 6Ō AŌ ą Ō Ō ĸ Ō Ō Ō 4Ō Ō ÆŌ Ō Ō Ō Ō Ō Ō Ć Ō Ō Ō #Ō ĥŃŌ î Ō "Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō ;Ō Ō Ō 9 ĜŌ Ō Ō Ō Ō Ō Ō ïŌ Ō Ō Ō ðŌ Ō ĉ ¶Ō % ·Ō Ō Ō Ō ñŌ Ō Ō Ig0s Ō YŌ Ō Ō òBŌ XŌ đŌ Ō Ō Ō Ō Ō Ō Ō Ō Ō óŌ |ý[Ō 1Ō Ō ôŌ ĒŌ Ō ĝ¸Ō ÒŌ ¹ Ō Ō 6 Ō Ō Ō Ō CŌ ºŌ Ō Ō õ Ō Ō Ō Ō Ō Ō : Ō Ō Ō Ō Ō Ō Ō ~ öŌ Ō ! Ō Ō Ō Ō Ō Ō Ō Ō áŌ Ō Ō © Ō §5Ō Ō Ō Ō ¯Ğ Ō þŌ 5 Ō Ċī$Ō h]?Ō Ō Ō Ō Ō âĭiŌ Ø^Ō Ō Ō ÷æĕûŌ Ō Ō Ō Ō Ō : Ō ãŌ Ō Ō OŌ x Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō ċ Ō İ£Ō Ō Ō J-ub4$Ō & Ō Ō Ō Ō Ō Ō Ō Ō Ō ņŌ Ō <¤È Ō Ō Ō Ō Ō Ō Ō Ō Ō Ō äŌ Ō ğŌ ÿŌ Ō Ō KŇM_Ō y Ō Ō Ō Ō Ō °Ō Ħ Õ Ō ÄŌ ČĬ Ō ħ IJçŌ Ō Ō Ō Ĺ Ō Ō Ō DĻ¥ĨŌ »Ō ı¼Ō Ō Ō ÅŌ Ō Ō Ō Ō ÉŌ ½ĵ'P¾+Ō & Ō ÓŌ Ō Ō Ō ēĺ Ō Ō (Ō }èĖü Ō Ō Ō z Ō 3ĠŌ Ō Ō ÊŌ Ō ėĘġňŌ Ĕ3ËŌ 9 Ō Ō Ō Ō <Ō Ō ÌŌ Ō ͱŌ Ō Ō ÙŌ Ō ʼnŌ ÔŌ Ō ø " Ō { Ō Ō úŌ Ō Ō `Ō οŌ Ō Ō Ō 8ŊŌ Ō Ō Ō ÚŌ Ō Ō aŌ Ō ŋŌ Ō Ō Ō Ō >Ō Ō Ō Ō Ō Ō Ō Ō ¦Ï $Ō Ō Ō Ō Ō Ō Ō ľ ľ ¯ľ *ľ ľ Rľ ľ ľ ľ ľ & ľ ľ ° ľ ľ @*ă ľ ľ ĸ ģ ľ ľ ÓSľ Ĥľ ľ ľ ľ ľ $ľ ľ @ľ ľ 2"ľ Ąľ ľ Ôľ ¬ '9ľ ;ľ ľ Aľ ľ İ ľ ĀÇľ ø|¤ą%ľ ,ľ ľ Iľ à ľ ľ ľ 3 ľ ľ ľ ľ Bľ ± $ľ ľ ľ 'ľ ! Ĺ ľ ïðľ ľ ľ ľ 4 Eľ Ćľ ľ ľ ľ ľ Tľ ľ ľ ĵ3 ľ 3ľ ľ &ľ ľ ľ ľ ­ ľ G#ľ ľ ľ Õ-ľ ľ ľ +ľ ľ Uľ ľ 5ľ Vľ ľ 'ľ ö%ľ ľ ľ ľ "A ľ ľ ľ Ò i0ľ ľ ľ ľ 5ľ Ö ²ľ ľ ľ ľ ľ ľ ľ "³ľ ľ ľ (ľ ľ ľ ľ 7)upNľ Ļľ ľ #ľ ºľ ľ ľ ľ ľ -ľ ľ ľ ù ñľ ľ ľ ĝjľ ľ ?ľ "´ľ ľ 2ľ ľ B!ľ 4ľ ľ ľ ! ľ ľ ľ Ĩµ ^ľ ćľ (ľ ľ ľ ľ '!ľ ׾ ľ ľ ÈĜ ľ ľ ľ ªľ ľ ľ &ľ ,ľ ľ ľ ! ľ ľ ,ľ ľ ľ ľ ľ ľ Ĉľ ľ ľ ľ ľ Øľ K)vÉQ])wq/_ľ #ľ ľ <`ľ ľ Äľ ľ ľ 6ľ ľ Ğľ ĉ( ľ ľ Iľ ľ ľ ľ ÙĊľ ľ ľ$ľ ċ-ğľ ÊÚľ ľ ČÛ fľ ľ ľ ½ľ ľ »ľ ! ľ ľ ľ ľ ľ ľ #ľ FÜ$ľ 1ľ ľ ľ ľ Ýľ $ľ ľ 8ľ ľ ľ ®ľ ľ ľ 2 ľ ĩú8ľ ò ľ ľ 'ľ G ľ ı ľ Dľ ľ ĥľ û ľ Þľ ľ *ľ ľ ľ ľ & ľ čľ ßľ ľ ! ľ ľ ľ ľ Ġľ ľ ľ ľ ľ Wľ +ľ ľ ľ ľ Ëàľ ľ ľ Ìľ aľ ľ Dľ ľ ľ & ľ Ī ¶%ľ ľ ľ ľ Ďľ À( ľ ľ ľ ľ ÷ ľ ľ Xľ ľ *ľ ď ľ Đľ á ľ ľ ľ 5ľ ľ ľ ľ ü bľ ľ ľ "ľ ļľ ľ ľ ľ ÍĶIJ ľ ľ ľ âã ľ ( ľ ľ đ·ľ ľ ä ľ ľ J gľ ¥ľ ľ ľ ľ åľ Ē ľ ÎYľ ľ ij9ľ =ľ ľ Ϧ#ľ ľ +ē ¸Zľ ľ F [ľ ľ ľ J cľ <ľ ľ ľ Ĵľ ľ ľ .ľ ¼ľ Hľ ľ ľ Ĕæľ ; #ľ ľ Åľ Ħ +ġľ ľ ľ ç ľ ĕ ľ ľ ý þ ľ § ī \ľ C¨ľ ľ ľ ľ ľ ľ Ĭ¹ľ ľ ā ľ ó ľ CĖľ L)xr kysOľ Ľľ ¾ħľ ľ ?ľ ľ èÁľ ėľ 6ľ ľ ľ ľ Ę}ľ ľ ĭ6ľ ľ ľ 4.ľ ľ E ľ ľ Į">«ľ Mľ ľzt/0ľ ¡ľ.ľľ ĺ ľ ľ Æľ ľ ľ Ă %ľ £ ľ ľ ęľ éľ ľ Ðěõľ ľ ľ ê"©ľ -ľ ľ ľ ľ ľ ľ ¢dľ ëľ ľ 0ľ =ľ ľ ľ ìH>1ľ ľ :Ñ ílľ ô%ľ 1ľ ÂĢľ ľ ľ : įîľ no /ľ ľ ľ ľ Ěľ ÿľ ľ ,.ľ ľ ľ ľ ľ ± Ɗ Ɗ Ɗ !ŨƊ Ɗ Ɗ Ɗ Ɗ Ɗ ÜƊ Ɗ « Ɗ ìVƊ ľ Ĥ ĞƊ Ɗ ķ Ɗ Ɗ - Ɗ Ɗ Ň Ɗ ĥƊ Ɗ ėƊ Ɗ Ħ¤9/_Ɗ ¬ Ɗ Ɗ Ɗ ň íƊ Ɗ Ę Ɗ ÝƊ Ɗ Þʼn: Ɗ Ɗ Ɗ Ɗ `'Ɗ Ɗ H Ɗ ÊƊ 8Ɗ aƊ Ɗ Ɗ Ɗ !Ɗ ğƊ ĎŊ Ɗ Ɗ %Ɗ ħƈƊ ũƊ ęK ËîƊ ďƊ Ɗ ĨL ŢƊ Ɗ Ɗ Ɗ Ū Ɗ ,Ɗ Ɗ Ɗ Ɗ Ɗ $ ƅ Ɗ ĀƊ ŋƊ ūƊ Ɗ ,ÇWƊ ·ƇƊ !Ɗ Ɗ \ ÌƊ ßƊ ĩƊ Ɗ ?¸Ɗ Ɗ Ɗ Ɗ Ɗ ĪƊ ļƊ Ɗ ŽƊ Ɗ Ɗ Ɗ žƊ Ɗ Ŀ ƊƊ ÍƊ Ɗ Ɗ GƊ HIŌƊ ïƊ ŬƊ Ġī ÎðƊ Ɗ J Ɗ Ɗ Ɗ Đ4(Ɗ Ĭ ţƊ Ɗ Ɗ "ſ ñƊ àƊ Ɗ Ɗ Ɗ Ɗ ò 0Ɗ Ɗ FƊ óƊ Ɗ āƊ Ɗ áƊ ŭ (Ɗ Ɗ Ɗ ŀ (Ɗ Ɗ ÖƊ Ɗ Ɗ ƀ Ɗ ĂƊ ĭ'Ɗ OăƊ b Ɗ Ɗ Ɗ C- ] Ɗ ) 1Ɗ }~Q=Ɗ Ɗ Ɗ Ɗ ) Ɗ Ɗ Ɗ ō ôƊ Ɗ ­ 53Ɗ R6TƊ Ɗ » Ɗ Ɗ Ɗ Ɗ Ɗ Ɗ Ɗ Ɗ Ɗ ņ Ɗ ÏƊ Ɗ Ɗ ¢ Ɗ ĮƊ Ɗ Ɗ C Ɔ -&Ɗ Ɗ ĽƊ GƊ м Ɗ Ɗ Ɗ no Ɗ 0Ɗ ĄƊ K Ɗ Ɗ ŎƊ Ɗ ÑƊ 1Ɗ Ɗ Ɗ Ɗ 8 Ɗ Ɗ Ɗ × Ɗ Ɗ ƊƊƊ ?¹Ɗ =Ɗ Ł đpƊ Ɗ Ɗ PƊ #ą DƊ Ɗ ,ŮƊ BƊ Ɗ Ɗ Ƃł Ɗ ġ Ɗ Ɗ Ɗ ; Ɗ Ɗ Ɗ ¥# ÈĒ2ƃƊ Ɗ Ć Ɗ Ɗ ½ŏ cƊ Ɗ XƊ Ɗ ® Ɗ AÒƊ IƊ S67 .47 UƊ Ɗ Ɗ B Ɗ Ɗ *ē ŐƊ â Ɗ Ɗ ŹƊ Ɗ <Ɗ ãƊ Ɗ Ɗ ¾ÓƊ Ɗ Ɗ Ɗ Ɗ Ɗ $JĶƊ Ɗ ůƊ @j'Ɗ Ɗ Ɗ ¡ Ɗ Ɗ Ɗ Ńqr ƊƊ Ɗ #ls"őƊ ØŒƊ Ɗ ŰƊ ;%ĕdƊ )Ɗ EõƊ Ɗ Ɗ Ɗ Ɗ ćƊ œƊ Ɗ Ɗ öƊ ² Ɗ Ɗ Ɗ Ɗ § MƊ ĸ Ɗ äĔĹƊ Ɗ ¯ NƊ Ɗ Ɗ Ɗ Ɗ Ĉ űƊ Ɗ įƊ Ɗ >Ɗ ŔńƊ Ɗ Ɗ Ɗ Ɗ Ɗ ŲŕƊ ¨ ƊƊ3Ɗ Ɗ tu ÷Ɗ .
Recommended publications
  • The Roles of Solon in Plato's Dialogues
    The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought.
    [Show full text]
  • Isaeus 9 and Astyphilus' Last Expedition David Welsh
    WELSH, DAVID, Isaeus 9 and Astyphilus' Last Expedition , Greek, Roman and Byzantine Studies, 32:2 (1991:Summer) p.133 Isaeus 9 and Astyphilus' Last Expedition David Welsh SAEUS 9, ON THE ESTATE OF ASTYPHILUS, can be conveniently I studied through part of the family stemma of the litigants.1 The speech relates that the professional soldier Astyphilus died on military service at Mytilcnc, and subsequently in Athens Cleon, his first cousin and the speaker's opponent in the suit, took possession of the estate in the name of his own son. x I Thudippus Euthycrates = sister of Hierocles = Theophrastus I I I Cleon Astyphilus speaker I son Cleon maintained that Astyphilus had adopted this son before his departure and invoked a will deposited with a certain Hierocles. The (unnamed) speaker, Astyphilus' uterine half­ brother by the remarriage of Euthycrates' widow to Theo­ phrastus, denounces the will as a forgery and contends that he has a stronger claim to the estate.z One of his chief arguments is 1 The following works will be cited by author's name: A. R. W. HARRISON, The Law of Athens: The Family and Property (Oxford 1968);]. K. DAVIES, Athenian Propertied Families 600-300 B.C. (Oxford 1971); W. WYSE, The Speeches of Isaeus (Cambridge 1904); A. P. BURNETT and C. N. EDMONSON, "The Chabrias Monument in the Athenian Agora," Hesperia 30 (1961) 74-91; T. T. B. RYDER, Koine Eirene (London 1965); S. HORNBLOWER, Mausolus (Oxford 1982). 2 Since Cleon and his son were respectively the first cousin and first cousin once removed of Astyphilus on the paternal side, either would normally have enjoyed legal precedence over the speaker in the order of succession to the 133 WELSH, DAVID, Isaeus 9 and Astyphilus' Last Expedition , Greek, Roman and Byzantine Studies, 32:2 (1991:Summer) p.133 134 ISAEUS 9 AND ASTYPHILUS' LAST EXPEDITION based on Astyphilus' alleged hostility to Cleon because Thudippus was said to have killed Euthycrates in a fraternal quarrel over partition of the family estate.
    [Show full text]
  • Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
    MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V.
    [Show full text]
  • Victoria WOHL Cleon Before Pericles: Thucydides on the "Turn" in Athenian Politics
    Victoria WOHL Cleon before Pericles: Thucydides on the "turn" in Athenian politics In his summation of Pericles' achievements, Thucydides draws a strong distinction between Pericles and his successors (2.65). In his intelligence, integrity, and near monarchical authority, Pericles represented a perfection in Athenian history never to be matched. By comparison, his successors were mere parodies of his greatness, poor imitations of the original. Cleon in particular is presented in Thucydides' narrative as a failed or parodic Pericles. This paper questions not only the relation between Cleon and Pericles, but also the historiographic impulse (ancient and modern) to conceive of history in terms of perfect originals and failed copies. What does it mean to view Cleon as a purely derivative figure, a parodic Pericles? What is at stake for Thucydides in this contrast? What is at stake for Pericles and "Periclean" Athens? Thucydides' contrast turns on the issue of democratic pleasure. Pericles leads the demos because of his refusal to "speak to please" (2.65.8); his successors "turned to pleasing the people and relinquished affairs to them" (2.65.10). Aristophanes reaffirms this historiographical schism: his Knights literalizes this "turn to pleasure," and its vile economy of oral gratification exposes the vital concerns behind Thucydides' insistence that Pericles, unlike his successors, did not speak to please. But while Thucydides represents Cleon as a failed Pericles, Plutarch shows us Pericles as a barely sublimated Cleon. In his Life of Pericles, the statesman's early career is characterized by precisely the sort of pleasing politics associated with Cleon. Plutarch's Pericles turns away from Cleontic pleasures, but the turn is never complete and the line between Pericles and Cleon is not as clear as Thucydides, for one, would like.
    [Show full text]
  • Neale C. Gay First Draft of Research Paper Tentatively Titled: The
    Neale C. Gay First Draft of Research Paper Tentatively titled: The Dual Theses Regarding Democracy In Thucydides’ History of the Peloponnesian War Thucydides’ History of the Peloponnesian war stands as one of the benchmarks of Western historiography. The History is a history interlaced with a tragedy befitting fifth century Athens, and an understanding of the cultural and intellectual achievements of the twenty-four years covered by its author. That he stretches farther back in his archeology to cover the Persian Wars is a further benefit to his readers, because, by doing so, he manages to encompass one hundred years of Athenian democracy into the vastness of his scope. His is a history written for posterity,1 a history written to illuminate forever the importance of the war between the Athenian alliance and the Spartan alliance.2 This was his initial purpose. The study of Thucydides’ History, however, has given much more to future generations than merely an understanding of the greatness of the Peloponnesian War; Thucydides has bequeathed an account of the decline and fall of Athenian democracy. When he began chronicling the battles fought and the speeches made, this was far from his mind. He began to develop underlying theses concerning government that, while saying volumes about Athenian characteristics, have dire consequences for his opinion of his countrymen, and for humankind in general. The History becomes a tragic satire as Thucydides witnesses the rapid decline of his culture. 1 “My work is not a piece of writing designed to meet the taste of an immediate public, but was done to last for ever.” (I, 22) 2 Thucydides believed that never in history were two adversaries matched so evenly as Athens and Sparta while at the height of their militaristic power.
    [Show full text]
  • Defining the Athenian Arche
    Defining the Athenian Arche Thucydides uses arche in his History nearly one thousand times. The meanings are multiple and varied; they range from beginning, command, dominion, rule, and empire, for example. My presentation will focus on when Thucydides uses arche to mean empire and the various ways in which Thucydides’ use of the term helps to elucidate his characterization of the Athenian Empire. Three manifestations of arche will be addressed: Athens’ economic arche, Pericles’ vision of the Athenian arche, and Cleon’s vision of the Athenian arche. In the Archaeology, Thucydides recalls great empires and the resources they possessed—resources that the reader may see as indicative of power. Thucydides is quick to assert that true power does not reside in the intangibles of material wealth and possessions. He argues that later generations would misjudge Athenian and Spartan power based on the physical evidence that remains of their culture. However at 1.75, the Athenians affirm their arche as the aggregation of land and material that they have acquired after the continued prosecution of the Persian Wars. This arche is economic because it is quantifiably measurable. Thucydides intends that the origin of the Athenian Empire does indeed lie in its physical resources, but those resources do not adequately or wholly define Athenian arche. Pericles’ vision of Athenian arche is intrinsically related to her economic superiority but which takes on political significance during the Peloponnesian War. Pericles never doubts Athenian superiority or the survival of the city; his means to achieve that end lay in a programmatic strategy of economic conservatism and rhetorically unifying language.
    [Show full text]
  • Theopompus' Homer
    Haverford College Haverford Scholarship Faculty Publications Classics 2020 Theopompus’ Homer: Paraepic in Old and Middle Comedy Matthew C. Farmer Follow this and additional works at: https://scholarship.haverford.edu/classics_facpubs THEOPOMPUS’ HOMER: PARAEPIC IN OLD AND MIDDLE COMEDY MATTHEW C. FARMER T IS A STRIKING FACT that, out of the twenty titles preserved for the late fifth- and early fourth-century comic poet Theopompus, three directly reference I Homer’s Odyssey: Odysseus, Penelope, and Sirens. In one fragment (F 34) preserved without title but probably belonging to one of these plays, Odysseus himself is the speaking character; he quotes the text of the Odyssey, approv- ingly.1 Another fragment (F 31), evidently drawn from a comedy with a more contemporary focus, mocks a politician in a run of Homeric hexameters. Theo- pompus was, it seems, a comic poet with a strong interest in paraepic comedy, that is, in comedy that generates its humor by parodying, quoting, or referring to Homeric epic poetry. In composing paraepic comedy, Theopompus was operating within a long tra- dition. Among the earliest known Homeric parodies, Hipponax provides our first certain example, a fragment in which the poet invokes the muse and deploys Homeric language to mock a glutton (F 128). The Margites, a poem composed in a mixture of hexameters and trimeters recounting the story of a certain fool in marked Homeric language, may have been composed as early as the seventh cen- tury BCE, but was certainly known in Athens by the fifth or fourth.2 In the late
    [Show full text]
  • Nikolaidis Revisiting the Pylos Episode
    REVISITING THE PYLOS EPISODE AND THUCYDIDES’ ‘BIAS’ AGAINST CLEON By Anastasios Nikolaidis Summary: The Pylos episode, ending with the capture of almost 300 Spartans who had been cut off on the Sphacteria island, was the first major setback suffered by Sparta dur- ing the Peloponnesian war and, at the same time, the first major – and more importantly – unexpected success of Athens, in Peloponnesian territory at that. Without overlooking the military side involved, this paper will primarily focus on the political aspects of this enterprise in an attempt (a) to assess and evaluate Thucydides’ attitude to the protago- nists of this episode, Cleon, Nicias and Demosthenes, (b) to better understand the histo- rian’s political stance and judgement through the vocabulary that he employs, and (c) to show that his notoriously presumed bias against Cleon is poorly substantiated and, insofar as it may occasionally occur, it does not interfere with his respect for historical truth. Thucydidean scholarship is unanimous, I think, on the importance of the Pylos affair. The Sicilian expedition aside, no other single episode of the war takes up almost one third of a book, and to no other single episode does Thucydides return time and again, however briefly, in three more books.1 Apart from its very interesting military aspects, this affair pro- vides insights into the character, abilities, and the whole personality of such significant protagonists as Nicias, Cleon and Demosthenes, thus al- lowing us (a) to assess and evaluate Thucydides’ attitude to these men, and (b) to explore the historian’s political judgement through some de- 1 From the 135 chapters of book 4, almost all of the first 46 concern the Pylos affair.
    [Show full text]
  • To What Extent Does Aristophanes' Knights Reflect Greek Opinion Of
    Portland State University PDXScholar Young Historians Conference Young Historians Conference 2018 Apr 18th, 9:00 AM - 10:15 AM To What Extent Does Aristophanes’ Knights Reflect Greek Opinion of Cleon and the Peloponnesian War? Samuel M. Hinerfeld Riverdale High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Military History Commons Let us know how access to this document benefits ou.y Hinerfeld, Samuel M., "To What Extent Does Aristophanes’ Knights Reflect Greek Opinion of Cleon and the Peloponnesian War?" (2018). Young Historians Conference. 20. https://pdxscholar.library.pdx.edu/younghistorians/2018/oralpres/20 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Hinerfeld 1 Samuel Hinerfeld Keldorf Western Civilization 14 March 2018 EQ: To what extent does Aristophanes’ Knights reflect Greek opinion of Cleon and the Peloponnesian War? Aristophanes’ early comedies were highly critical of the Peloponnesian War. In Babylonia and Knights, he critiques all aspects of the war, but is particular in his condemnation of Cleon, an Athenian General who many scholars regard as the first demagogue. Aristophanes satirizes Cleon by portraying him as the manipulative slave of the frail, temperamental Demos–the embodiment of the Athenian assembly– in The Knights . Aristophanes satirizes him again in Peace , which follows Cleon’s demise, staged days before the Peace of Nicias was ratified.
    [Show full text]
  • From Athens to Atlantis: Democratic Mythmaking in Classical Greece
    FROM ATHENS TO ATLANTIS: DEMOCRATIC MYTHMAKING IN CLASSICAL GREECE Casey Edward Stegman A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Political Science. Chapel Hill 2013 Approved by: Michael Lienesch Susan Bickford Jeff Spinner-Halev ©2013 Casey Edward Stegman ALL RIGHTS RESERVED ii ABSTRACT CASEY EDWARD STEGMAN: From Athens to Atlantis: Democratic Mythmaking in Classical Greece (Under the direction of Michael Lienesch) This paper is concerned with political myth and the process of political mythmaking in Classical Athens (5th-4th centuries B.C.E.), and by extension, in other democracies as well. While there has been a number of political science works that have looked at how monopolistic political myths are formed in authoritarian or otherwise restricted nationalist regimes, few have considered how political myths are created and transmitted in democracies. This paper addresses this dearth in the literature by investigating the understudied phenomenon that it labels democratic mythmaking. In looking at Classical Athens, this paper illustrates that democratic mythmaking has been a part of democracy since its inception. Discussing Herodotus, The Old Oligarch, Thucydides, Isocrates, and Plato, this paper illustrates that their works: 1) refer to and describe other democratic myths; 2) contribute myths of their own; and 3) demonstrate that the process of political mythmaking in a democracy is pluralistic, contested, and above all democratic. iii ACKNOWLEDGEMENTS This thesis reflects the high level of encouragement and intellectual support I have received from faculty and friends since arriving at UNC-Chapel Hill as a graduate student in the department of political science.
    [Show full text]
  • A Commentary on Solon's Poems a Thesis Submitted for the Degree Of
    A Commentary on Solon's Poems A Thesis submitted for the Degree of Doctor of Philosophy by Maria Noussia University College London February, 1999 BIET, LOIMOI1 ABSTRACT This dissertation is a Commentary on Solon's Poems (elegiacs and tetrameters; the iambic trimeters, though taken into consideration for the examination of the rest of the poems, are not given a detailed commentary). Solon's poetry is studied mainly from a literary point of view; it is compared with the language and vocabulary of his predecessors Homer, Hesiod, and the other lyric poets of his age. The study attests the influence of Solon's language, content, motives, and ethical / political ideas on his lyric successors, on Aristophanes and the tragedians (above all Euripides who specifically appears to share the ideology of the polls and the heightened consciousness about civic affairs which emerged in the Athenian community under Solon) as well as the coincidence between Solon's ethical statements and the topoi of the language of the inscriptions. This is not a historical Commentary; the connections of Solon's poetry with his Laws as well as with the historical situation of his time and the reforms he sponsored are taken into consideration only when they are useful and rewarding in the answers they provide for the interpretation of the Solonian poetry. The emphasis of this work is on Solon's poetry as a work of Literature and on Solon's poetic achievements. The close examination of his poems reveals his creativity, his artistry together with his view of the process of poetic composition as technical making and his focus on his craftsmanship as a tool for his profession as a politician and as a statesman.
    [Show full text]
  • Sparta, Athens, and the Surprising Roots of Common Schooling Avi I
    Avi I. Mintz 105 Sparta, Athens, and the Surprising Roots of Common Schooling Avi I. Mintz University of Tulsa INTRODUCTION When Plato and Aristotle advocated common schooling in antiquity, they referred regularly to Sparta. They may have been critical of some aspects of Spartan education, but each conceded that Sparta was the preeminent model of common education designed, administered, and preserved by a political community. When Plato has an Athenian Visitor discuss the outlines of a well-governed polis in Laws – and education is taken to be central to cultivating virtue among citizens and, hence creating a virtuous political regime – he sets the conversation among an Athenian, a Spartan and Cretan.1 In Politics, when Aristotle warns against individualistic, private education and calls for common education, he singles out Sparta for credit: “One might well praise the Spartans for this: they most of all pay serious attention to their children, and do so in common.”2 In the Nicomachean Ethics, the same claim appears: “in the city of the Spartans alone, or among few others, does the lawgiver seem to have taken care for upbringing and exercises, while in most cities they have been utterly careless about such things, and each person lives the way he wants.”3 Indeed, there is a long tradition of admiration for Sparta’s prioritization of education. For example, Plutarch says that Lycurgus, the quasi-mythical founder of Sparta, declared that education is “the greatest and noblest task of the law-giver.”4 While Spartans were celebrated for creating the most impressive sys- tem of common education in Greece, they were simultaneously regarded as the least cultured, the least sophisticated, and the least educated of all Greeks.
    [Show full text]