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APRIL 2011 || the Magazine of the Community Broadcasting Association of Australia
APRIL 2011 || The Magazine of the Community Broadcasting Association of Australia ON AIR A Local Focus || Dispute Resolution Initiative || Social Networking 101 We have lift off... 36 metro-wide CBX is the triennial magazine of the Community Broadcasting community radio Association of Australia. stations officially CBX is mailed to CBAA members launch their and stakeholders. Subscribe to CBX by emailing: digital services! [email protected] CBX is also available online at: www.cbaa.org.au/cbx By > Adrian Basso Follow us on Twitter: CBAA President @_CBX_ Like us on Facebook: CBX We have lift off! From April, across Australia, 36 metro-wide community EDITOR: radio stations will officially launch their digital services. Nell Greco Ph 02 9310 2999 This marks a new era for community radio and, just like the lunar landing, Email [email protected] it has not occurred by chance or overnight. It has involved many years of lobbying, planning, negotiations, wading through complex legislation and GRAPHIC DESIGN: contracts and considerable determination to ensure community broadcasters’ birdcreative Judith Martinez participation in the digital radio framework. & Kasia Froncek www.birdcreative.com.au The implementation of digital radio in the five mainland capital cities is the first stage of the digital radio roll out. The CBAA will continue to advocate SUBMISSIONS: and negotiate for the inclusion of all community broadcasters as digital radio Email articles and images develops. to [email protected] Minister Conroy’s article, on page nine, acknowledges both the Federal ADVERTISING: For all advertising enquiries Government’s recognition of our contribution to Australian cultural life and its please contact the Editor. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Campaign Monitoring Process 1. Dispatch Creative Audio to Networks
Campaign Monitoring Process 1. Dispatch Creative Audio to Networks: All material for monitoring must be dispatched to networks via AudioNET for Key Number identification in the AirCheck system. Dispatch can be processed by the creative agency, media agency or the client themselves. (Charges apply) 2. Export Campaign from SMD. AudioNET currently relies on a .csv file from SMD to match campaign bookings with airplay. 3. Email the SMD export, Material Instructions and the Media Plan to [email protected]. • Keep AudioNET updated with all changes to campaign bookings, including Upweight campaigns, dropped spots, key number changes, spot volume changes as they occur to avoid delays in receiving your reports. 4. Subscribe to reports: From the list of Reporting Options below, nominate reports required, weekly, monthly or at the end of campaign. Report packages can be decided on a client-by-client basis and altered at any time. All reports are available in PDF and/or excel format. 5. Auditing Process: Your designated account manager will audit your client’s activity weekly, a week in arrears. Standard weekly reports are emailed through on any day between Tuesday to Thursday as the auditors work through each of their client’s radio campaign activities. The time to complete an audit and provide files is variant, dependent on the size and complexity of the campaign. A prompt delivery of weekly reports is also dependent on the accuracy of the campaign booking information provided to us (SMD & Material Instructions), whilst we compare these with how each station has aired your booked campaign. When booking discrepancies do arise, our auditors then start the manual process of reconciling ‘where has the error occurred’. -
Community Broadcasting Foundation Annual Report 2016
Community Broadcasting Foundation Annual Report 2016 Snapshot 2015.16 500 $200M 24,600 Licensed community owned and The Community Broadcasting Foundation has given more operated broadcasting services making than $200M in grants since 1984. Volunteers involved in community broadcasting Australia's community broadcasting largest independent media sector. 230 70% 5,800 This year the Community Broadcasting 70% of community radio and television People trained each year in Foundation allocated 617 grants totaling services are located in regional, rural media skills, leadership skills $ $15,882,792 to 230 organisations. and remote areas. The median income and digital literacy. at regional and rural stations is $52,900. 42% of regional and rural stations are 605M wholly volunteer operated. With a turnover of over $120m and the economic value of its volunteer effort estimated at $485m per annum, the community broadcasting sector makes a significant contribution to the 78% 8,743 Australian economy. 78% of all community radio broadcast 8,743 hours of specialist programming in an average week time is local content. Local news and information is the primary reason Australians listen to community radio. Religious Ethnic + RPH Cover: 100.3 Bay FM broadcaster Hannah Sbeghen. This photo taken 5M Indigenous by Sean Smith won the Exterior/ 27% of Australians aged over Interior category in the CBF’s Focus 15 listen to community radio in an LGBTIQ on Community Broadcasting Photo average week. 808,000 listen exclusively Competition. to community radio. 0 500 1000 1500 2000 2500 3000 3500 4000 Community Broadcasting Foundation Annual Report 2016 1 Success Stories Leveraging support to expand Success broadcast range Coastal FM broadcasts to the Stories northwest coast of Tasmania, with the main transmitter located The increase in phone in Wynyard and additional calls and visits to our transmitter sites in Devonport and Smithton. -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
Changing Stations
1 CHANGING STATIONS FULL INDEX 100 Top Tunes 190 2GZ Junior Country Service Club 128 1029 Hot Tomato 170, 432 2HD 30, 81, 120–1, 162, 178, 182, 190, 192, 106.9 Hill FM 92, 428 247, 258, 295, 352, 364, 370, 378, 423 2HD Radio Players 213 2AD 163, 259, 425, 568 2KM 251, 323, 426, 431 2AY 127, 205, 423 2KO 30, 81, 90, 120, 132, 176, 227, 255, 264, 2BE 9, 169, 423 266, 342, 366, 424 2BH 92, 146, 177, 201, 425 2KY 18, 37, 54, 133, 135, 140, 154, 168, 189, 2BL 6, 203, 323, 345, 385 198–9, 216, 221, 224, 232, 238, 247, 250–1, 2BS 6, 302–3, 364, 426 267, 274, 291, 295, 297–8, 302, 311, 316, 345, 2CA 25, 29, 60, 87, 89, 129, 146, 197, 245, 277, 354–7, 359–65, 370, 378, 385, 390, 399, 401– 295, 358, 370, 377, 424 2, 406, 412, 423 2CA Night Owls’ Club 2KY Swing Club 250 2CBA FM 197, 198 2LM 257, 423 2CC 74, 87, 98, 197, 205, 237, 403, 427 2LT 302, 427 2CH 16, 19, 21, 24, 29, 59, 110, 122, 124, 130, 2MBS-FM 75 136, 141, 144, 150, 156–7, 163, 168, 176–7, 2MG 268, 317, 403, 426 182, 184–7, 189, 192, 195–8, 200, 236, 238, 2MO 259, 318, 424 247, 253, 260, 263–4, 270, 274, 277, 286, 288, 2MW 121, 239, 426 319, 327, 358, 389, 411, 424 2NM 170, 426 2CHY 96 2NZ 68, 425 2Day-FM 84, 85, 89, 94, 113, 193, 240–1, 243– 2NZ Dramatic Club 217 4, 278, 281, 403, 412–13, 428, 433–6 2OO 74, 428 2DU 136, 179, 403, 425 2PK 403, 426 2FC 291–2, 355, 385 2QN 76–7, 256, 425 2GB 9–10, 14, 18, 29, 30–2, 49–50, 55–7, 59, 2RE 259, 427 61, 68–9, 84, 87, 95, 102–3, 107–8, 110–12, 2RG 142, 158, 262, 425 114–15, 120–2, 124–7, 129, 133, 136, 139–41, 2SM 54, 79, 84–5, 103, 119, 124, -
Media Release Sue Carter Appointed Mix102.3 & Cruise
MEDIA RELEASE Tuesday 23 June, 2015 SUE CARTER APPOINTED MIX102.3 & CRUISE 1323 CONTENT DIRECTOR The Australian Radio Network (ARN) today announced the appointment of Sue Carter to the role of Content Director for Adelaide’s #1FM station Mix102.3 and Cruise 1323. Joining ARN on 10th August, Carter has a wealth of radio experience both in Australia and overseas having worked for international radio brands including UTV in Ireland as well as GWR, GGap and JACKfm in the UK. She boasts an extensive media career including Sponsorship and Promotions Manager, Content Director, Breakfast Producer and Presenter, News Editor and Creative Director. In her time as Content Director, Carter saw JACKfm take out Station of the Year in 2011 & 2012. Carter’s most recent role was Executive Breakfast Producer in Brisbane. Duncan Campbell, ARN National Content Director said: “I am thrilled to have Sue join us at ARN. Her impressive radio credentials, outstanding producing skills and creativity will be perfect to lead the Mix102.3 content team and take Breakfast with Jodie and Soda to even greater levels of success.” Carter added: “It is an exciting time at ARN and I can’t wait to get started and continue to build the Mix 102.3 and Cruise 1323 brands and deliver great content to Adelaide audiences. I look forward to working with Duncan and the content team.” Sue Carter replaces Chris Cotton as Content Director who has decided to return to the UK. AUSTRALIAN RADIO NETWORK WWW.ARN.COM.AU www.arn.com.au ABOUT ARN ARN is one of the leading broadcasters in the country with ownership or investments in 12 radio stations nationwide. -
Commercial Radio
FINALISTS FOR 2019 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan>Syndication/Production Company BEST ON-AIR TEAM – METRO FM The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold Nova Network, NOVA Entertainment M Chrissie, Sam & Browny Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne VIC, NOVA Entertainment M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM, Sydney NSW, Australian Radio Network M Fifi, Fev & Byron; Fifi Box, Brendan Fevola & Byron Cooke, 101.9 The Fox, Melbourne VIC, Southern Cross Austereo M Kennedy Molloy; Jane Kennedy & Mick Molloy, Triple M Network, Southern Cross Austereo M BEST ON-AIR TEAM – METRO AM Afternoons with Erin Molan & Natalie Peters; Erin Molan & Natalie Peters, 2GB, Sydney NSW, Macquarie Media Limited M Breakfast with David Penberthy & Will Goodings; David Penberthy & Will Goodings, 5AA, Adelaide SA, NOVA Entertainment M Drive with Mark Allen & David Schwartz; Mark Allen & David Schwartz, Macquarie Sports Radio, Melbourne VIC, Macquarie Media Limited M Ray Hadley's Continuous Call Team; 2GB, Sydney NSW, Macquarie Media Limited M Laurel, Gary & Mark; Laurel Edwards, Gary Clare & Mark Hine, 4KQ, Brisbane QLD, Australian Radio Network M BEST ON-AIR TEAM COUNTRY AND PROVINCIAL Monkey in the Morning; Matt Monk, Lachi Rooke & Danielle Keilar, -
COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville -
Reclink Annual Report 2017-18
, Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1. -
Media Contact List for Artists Contents
MEDIA CONTACT LIST FOR ARTISTS CONTENTS Welcome to the 2015 Adelaide Fringe media contacts list. 7 GOLDEN PUBLICITY TIPS 3 PRINT MEDIA 5 Here you will fi nd the information necessary to contact local, interstate and national media, of all PRINT MEDIA: STREET PRESS 9 types. This list has been compiled by the Adelaide NATIONAL PRINT MEDIA 11 Fringe publicity team in conjunction with many of our RADIO MEDIA 13 media partners. RADIO MEDIA: COMMUNITY 17 The booklet will cover print, broadcast and online media as well as local photographers. TELEVISION MEDIA 20 ONLINE MEDIA 21 Many of these media partners have offered generous discounts to Adelaide Fringe artists. PHOTOGRAPHERS 23 Please ensure that you identify yourself clearly as PUBLICISTS 23 an Adelaide Fringe artist if you purchase advertising ADELAIDE FRINGE MEDIA TEAM 24 space. Information listed in this guide is correct as at 20 November 2014. 2 GOLDEN PUBLICITY TIPS There are over 1000 events and exhibitions taking part in the 2015 Adelaide Fringe and while they all deserve media attention, it is essential that you know how to market your event effectively to journalists and make your show stand out. A vibrant pitch and easy-to-access information is the key to getting your share of the media love. Most time- poor journalists would prefer to receive an email containing a short pitch, press release, photo/s and video clip rather than a phone call – especially in the fi rst instance. Here are some tips from the Adelaide Fringe Publicity Team on how to sell your story to the media: 1) Ensure you upload a Media Kit to FERS (Step 3, File Upload) These appear on our web page that only journalists can see and the kits encourage them to fi nd out more about you and your show. -
Community Participation in the Development of Digital Radio: the Australian Experience
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Spurgeon, Christina, Rennie, Ellie, & Ming Fung, Yat (2011) Community participation in the development of digital radio: The Australian experience. In Lowes, N (Ed.) Record of the Communications Policy and Research Forum 2011. Network Insight Pty Ltd, Australia, pp. 166-179. This file was downloaded from: https://eprints.qut.edu.au/49677/ c First published November 2011. Copyright 2011 Network Insight Pty Ltd & C. Spurgeon, E. Rennie and Y. Fung. This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.networkinsight.org/ events/ cprf2011.html This is the published version of the following conference paper: Spurgeon, Christina L., Rennie, Elinor M., & Ming Fung, Yat (2011) Community participation in the development of digital radio : the Australian experience.