Fittleworth Neighbourhood Development Plan 2018-2033
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Elgar, Cello Concerto in E Minor
Cello Concerto in E minor, Op. 85 i. Adagio; Moderato ii. Lento; Allegro molto iii. Adagio iv. Allegro; Moderato; Allegro, ma non troppo; Poco più lento; Adagio Edward Elgar enjoys a curious reputation in his own country. To many, he is the composer of overtly nationalistic music such as Pomp and Circumstance, the musical incarnation of Edwardian imperialism. Although early works such as the Enigma Variations and Imperial March garnered him praise and fame, it is his later works from 1918-1919 that are much more autobiographical in content – none more so than the Cello Concerto in E minor. The Concerto was mostly composed between 1918 and 1919 at Brinkwells, a cottage in the Sussex woods where he wrote three other chamber works – the Violin Sonata, String Quartet and Piano Quintet. Like these other Brinkwells compositions, the Cello Concerto is a deeply introspective work which reveals much about the composer’s state of mind: an aging artist concerned about his waning popularity, his wife’s failing health, and reflecting on the horrors of the First World War. Despite a grossly under-rehearsed première at the Queen’s Hall on 27 October 1919, it has since been established as perhaps the finest cello concerto in the repertoire, alongside Dvořák’s, and the only work of Elgar’s to enjoy regular performances outside the English-speaking world. The Cello Concerto is an emotionally draining work not only for the players but also the listener, its overwhelming mood one of melancholy and autumnal world-weariness. The first movement opens with a declamatory, grandiose statement by the soloist leading, in almost improvisatory style, into a lilting melody; there is a wistfully lyrical middle section before the opening melody returns. -
Habitats Regulations Assessment June 2021
Horsham Local Plan Habitats Regulations Assessment Horsham District Council July 2021 Horsham Local Plan Habitats Regulations Assessment Quality information Prepared by Checked by Verified by Approved by Damiano Weitowitz James Riley Max Wade James Riley Consultant Ecologist Technical Director Technical Director Technical Director Isla Hoffmann Heap Senior Ecologist Revision History Revision Revision date Details Authorized Name Position 0 13/10/20 Emerging draft JR James Riley Technical to inform plan Director development 1 18/12/20 Updated to JR James Riley Technical assess Director Regulation 19 LP. 2 15/01/2021 Update JR James Riley Technical following client Director comments 3 30/06/21 Further update JR James Riley Technical Director Distribution List # Hard Copies PDF Required Association / Company Name Prepared for: Horsham District Council AECOM Horsham Local Plan Habitats Regulations Assessment Prepared for: Horsham District Council Prepared by: AECOM Limited Midpoint, Alencon Link Basingstoke Hampshire RG21 7PP United Kingdom T: +44(0)1256 310200 aecom.com © 2021 AECOM Limited. All Rights Reserved. This document has been prepared by AECOM Limited (“AECOM”) for sole use of our client (the “Client”) in accordance with generally accepted consultancy principles, the budget for fees and the terms of reference agreed between AECOM and the Client. Any information provided by third parties and referred to herein has not been checked or verified by AECOM, unless otherwise expressly stated in the document. No third party may rely upon this document without the prior and express written agreement of AECOM. Prepared for: Horsham District Council AECOM Horsham Local Plan Habitats Regulations Assessment Table of Contents Executive Summary........................................................................ -
String Quartet in E Minor, Op 83
String Quartet in E minor, op 83 A quartet in three movements for two violins, viola and cello: 1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto. Approximate Length: 30 minutes First Performance: Date: 21 May 1919 Venue: Wigmore Hall, London Performed by: Albert Sammons, W H Reed - violins; Raymond Jeremy - viola; Felix Salmond - cello Dedicated to: The Brodsky Quartet Elgar composed two part-quartets in 1878 and a complete one in 1887 but these were set aside and/or destroyed. Years later, the violinist Adolf Brodsky had been urging Elgar to compose a string quartet since 1900 when, as leader of the Hallé Orchestra, he performed several of Elgar's works. Consequently, Elgar first set about composing a String Quartet in 1907 after enjoying a concert in Malvern by the Brodsky Quartet. However, he put it aside when he embarked with determination on his long-delayed First Symphony. It appears that the composer subsequently used themes intended for this earlier quartet in other works, including the symphony. When he eventually returned to the genre, it was to compose an entirely fresh work. It was after enjoying an evening of chamber music in London with Billy Reed’s quartet, just before entering hospital for a tonsillitis operation, that Elgar decided on writing the quartet, and he began it whilst convalescing, completing the first movement by the end of March 1918. He composed that first movement at his home, Severn House, in Hampstead, depressed by the war news and debilitated from his operation. By May, he could move to the peaceful surroundings of Brinkwells, the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside. -
Planning Statement Stable Field, Wisborough Green February 2021
Planning Statement Stable Field, Wisborough Green February 2021 Project Name: Stable Field, Wisborough Green Location Stable Field, Wisborough Green Client: Norfolk Square Ltd File Reference: P1764 Issue Date Author Checked Notes PL1 13.10.2020 M Warren S Sykes Initial Draft PL2 17.12.2020 S Sykes C Barker Second Draft PL3 07.01.2021 S Sykes C Barker Planning Draft PL4 05.02.2021 S Sykes C Barker Planning Issue Planning Statement – Stable Fields, Wisborough Green 2 Contents Figures ............................................................................................................................................................... 4 1. Introduction .............................................................................................................................................. 5 2. The Site ................................................................................................................................................... 6 3. Planning History .................................................................................................................................... 10 Adjacent Applications .................................................................................................................. 11 4. The Proposal ......................................................................................................................................... 13 5. Policy Overview .................................................................................................................................... -
Fittleworth Neighbourhood Plan: Sustainability Appraisal (Incorporating a Strategic Environmental Assessment)
Appendix 3: Scoping report for Sustainability Appraisal (incoporating SEA) Fittleworth Neighbourhood Plan: Sustainability Appraisal (incorporating a Strategic Environmental Assessment) Scoping Report – updated following consultation May 2017 Produced by Horsham District Council Helen Peacock BSc MA PGDip MRTPI Version 1.7 - 0 - - 1 - Contents Page 1. Introduction 3 2. Background and Context 5 3. Sustainability Issues 15 4. Sustainability Assessment Framework 17 5. Next steps and Conclusion 19 APPENDICES 1 Map of the area covered by the Fittleworth Neighbourhood Plan 19 2 Updated list of relevant plans and policies 20 3 List of consultees 24 - 2 - 1.0 Introduction 1.1 This document forms the Scoping Report for a Sustainability Appraisal and Strategic Environmental Assessment for Fittleworth Neighbourhood Plan. A map showing the area covered by the Neighbourhood Plan is included in Appendix 1. 1.2 It sets out the social, economic and environmental issues that are relevant to Fittleworth parish, the relevant policies and plans for this Neighbourhood Plan and gives a sustainability framework that will be used to assess the Plans potential socio-economic and environmental impacts. This Scoping Report has been updated in light of comments received on the original report and also to ensure that all of the baseline information is up to date. Neighbourhood Plans 1.3 Neighbourhood Plans were introduced in the Localism Act 2011. The Plans give local communities the opportunity to develop a shared vision for their areas for the use and development of land which “reflect the needs and priorities of their communities”1. The Fittleworth Neighbourhood Plan will set out the vision for the parish for the next 10 to 15 years. -
Tertis's Viola Version of Elgar's Cello Concerto by Anthony Addison Special to Clevelandclassical
Preview Heights Chamber Orchestra conductor's notes: Tertis's viola version of Elgar's Cello Concerto by Anthony Addison Special to ClevelandClassical An old adage suggested that violists were merely vio- linists-in-decline. That was before Lionel Tertis! He was born in 1876 of musical parents who had come to England from Poland and Russia and, at three years old, he started playing the piano. At six he performed in public, but had to be locked in a room to make him practice, a procedure that has actually fostered many an international virtuoso. At thirteen, with the agree- ment of his parents, he left home to earn his living in music playing in pickup groups at summer resorts, accompanying a violinist, and acting as music attendant at a lunatic asylum. +41:J:-:/1?<1>95@@1041?@A0510-@(>5:5@E;88131;2!A?5/@-75:3B5;85:-?45? "second study," but concentrating on the piano and playing concertos with the school or- chestra. As sometime happens, his violin teacher showed little interest in a second study <A<58-:01B1:@;8045?2-@41>@4-@41C-?.1@@1>J@@102;>@413>;/1>E@>-01 +5@4?A/4 encouragement, Tertis decided he had to teach himself. Fate intervened when fellow stu- dents wanted to form a string quartet. Tertis volunteered to play viola, borrowed an in- strument, loved the rich quality of its lowest string and thereafter turned the old adage up- side down: a not very obviously gifted violinist becoming a world class violist. But, until the viola attained respectability in Tertis’s hands, composers were reluctant to write for the instrument. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Music Written for Piano and Violin
Music written for piano and violin: Title Year Approx. Length Allegretto on GEDGE 1885 4 mins 30 secs Bizarrerie 1889 2 mins 30 secs La Capricieuse 1891 4 mins 30 secs Gavotte 1885 4 mins 30 secs Une Idylle 1884 3 mins 30 secs May Song 1901 3 mins 45 secs Offertoire 1902 4 mins 30 secs Pastourelle 1883 3 mins 00 secs Reminiscences 1877 3 mins 00 secs Romance 1878 5 mins 30 secs Virelai 1883 3 mins 00 secs Publishers survive by providing the public with works they wish to buy. And a struggling composer, if he wishes his music to be published and therefore reach a wider audience, must write what a publisher believes he can sell. Only having established a reputation can a composer write larger scale works in a form of his own choosing with any realistic expectation of having them performed. During the latter half of the nineteenth century, the stock-in-trade for most publishers was the sale of sheet music of short salon pieces for home performance. It was a form that was eventually to bring Elgar considerably enhanced recognition and a degree of financial success with the publication for solo piano of Salut d'Amour in 1888 and of three hugely popular works first published in arrangements for piano and violin - Mot d'Amour (1889), Chanson de Nuit (1897) and Chanson de Matin (1899). Elgar composed short pieces for solo piano sporadically throughout his life. But, apart from the two Chansons, May Song (1901) and Offertoire (1902), an arrangement of Sospiri and, of course, the Violin Sonata, all of Elgar's works for piano and violin were composed between 1877, the dawning of his ambitions to become a serious composer, and 1891, the year after his first significant orchestral success withFroissart. -
Parliamentary Constituences in West Sussex with Effect from the General
CRAWLEY West Sussex Parliamentary Constituences With effect from General Election 2010 CRAWLEY Worth East Grinstead Rusper BOROUGH Ashurst Wood North Horsham Warnham Turners Hill Rudgwick Broadbridge Colgate West Heath Hoathly Slinfold Linchmere Plaistow & Ifold Loxwood Horsham Balcombe Ardingly Horsted Northchapel Keynes Linch Lurgashall Itchingfield HORSHAM Lower Slaugham Southwater Milland Fernhurst Beeding MID SUSSEX Woolbeding with Ebernoe Kirdford Nuthurst Redford Billingshurst Ansty & Cuckfield Lindfield Staplefield Rogate Urban Lodsworth Haywards Lindfield HORSHAM Heath Rural Easebourne Wisborough Green Bolney Stedham Shipley Midhurst Cowfold with Tillington Petworth MID SUSSEX Chithurst Iping Trotton with West Pulborough Chiltington Fittleworth West Grinstead Twineham Harting West Lavington Burgess Elstead & Graffham Shermanbury Treyford Bepton Stopham Hurstpierpoint Hill Heyshott & Sayers Common Duncton Woodmancote Cocking Thakeham Coldwaltham Henfield Albourne East Lavington Ashington Ashurst Barlavington Hassocks Sutton Parham Marden Upwaltham ARUNDEL & SOUTH DOWNS Compton CHICHESTER Bury Wiston West Storrington Singleton East Newtimber Dean Bignor & Sullington Dean Washington Poynings Amberley Steyning Pyecombe CHICHESTER Fulking Houghton Upper Stoughton Beeding Eartham Madehurst Slindon Burpham Bramber Lavant South Findon Boxgrove Stoke Westbourne Funtington Warningcamp Patching Coombes Arundel Westhampnett Sompting Tangmere Walberton ARUN ADUR Angmering Clapham WORTHING Southbourne Fishbourne City of Lancing Chichester -
Northchapel Plan A4
Parish Plan for NORTHCHAPEL Published December 2009 The Old Forge Centre village across green Working Men’s Club, Pipers Lane Centre village looking south 2 Introduction from the Chairman of Northchapel Parish Council I am delighted to introduce the Northchapel Parish Plan. This document has been worked on over a number of years, and is the result of consultation within the community of Northchapel, with Chichester District Council and West Sussex County Council. We have also benefited great- ly from the input of Action in rural Sussex and the Sussex Association of Local Councils. The Parish Plan is an overview of the way we, as a community, wish Northchapel to develop in the years ahead, the problems and challenges we face, and how we propose to deal with them in partnership with the appropriate outside authorities. We are happily supplied with an excellent local school, with a newly refurbished Village Hall, and a Village Shop and Post Office, however there is much to be addressed if we are to achieve our aim of making Northchapel a place that not only we, but also our children, will be happy to call home. • We must ensure there is an adequate supply of appropriate and affordable housing to meet the needs of future generations (High Priority and Ongoing). • We need to work to establish transport services which link the village to local townships on a regular basis (Medium Priority). • We must work to provide leisure facilities for the younger members of our community (Ongoing). • We must continue to campaign for proper control of the speed of traffic through our village (High Priority and Ongoing). -
Wild Walks in the West Weald Landscape
Natural Attractions: Wild Walks in the West Weald Landscape Taking Care of Sussex Welcome to the wonderful West Weald Landscape We encourage you to explore this beautiful natural area by enjoying Editor Rich Howorth ‘wild walks’ around the nature ‘hotspots’ of this internationally important Research Lesley Barcock environment. Design Neil Fletcher The West Weald Landscape extends over 240 square kilometres of West Front cover photo by Richard Cobden, Cowdray Colossus photo by Klauhar Sussex and south Surrey. It characterised by gently undulating terrain on Low Weald clay soils, framed by elevated acidic greensand hills on three sides and All other photos by Neil Fletcher and Rich Howorth the Upper Arun river valley in the east. © Sussex Wildlife Trust 2011 The high-quality traditional countryside of the West Weald is one of the finest All rights reserved lowland landscapes in Britain. Standing amongst the small fields and strips of woodland, peppered with historic small hamlets, you could be stepping back to medieval times or beyond, as much of the landscape remains fundamentally We are grateful to our partner organisations for providing valuable unchanged since then. information for this booklet. Woodland blankets one-third of the area, with two-thirds of this classified as Production supported by donations from ‘ancient’ in nature, making it one of the most wooded landscapes in Britain. The Tubney Charitable Trust, It includes natural areas akin to the ancient ‘wild wood’ that once covered South Downs National Park Authority, the whole country after the last Ice Age. A wide range of wildlife calls this Lisbet Rausing, Peter Baldwin, Dick Poole, landscape home, including numerous rare species such as the Lesser-spotted Bat & Ball Inn, Crown Inn (Chiddingfold), Foresters Arms, Hollist Woodpecker, Wood White butterfly and Barbastelle bat which are all regional Arms, Lurgashall Winery, Onslow Arms, Star Inn, Stonemasons Inn, specialities. -
19 Duncton to Bignor Escarpment SAC
Submitted to Client: Submitted by: South Downs National Park AECOM Authority Midpoint Alençon Link Basingstoke Hampshire RG21 7PP United Kingdom South Downs National Park Authority Local Plan Habitats Regulations Assessment July 2018 AECOM South Downs National Park Authority Page ii Prepared by: Isla Hoffmann Heap Checked by: Dr James Riley Senior Ecologist Technical Director Approved by: Dr James Riley Associate Director Rev No Comments Checked Approved Date by by 0 DRAFT IHH JR 05/05/17 1 Following client comments IHH JR 30/06/17 2 Incorporating air quality impact assessment IHH JR 01/08/17 3 Updated to address Pre-Submission Local Plan and IHH JR 13/09/17 incorporate air quality analysis for Ashdown Forest SAC 4 Update to reflect Consultation Comments and policy update IHH JR 16/03/18 5 New report produced in response to Sweetman European MK JR 24/07/18 Court of Justice ruling Midpoint, Alençon Link, Basingstoke, Hampshire, RG21 7PP, United Kingdom Telephone: 01256 310 200 Website: http://www.aecom.com July 2018 Limitations South Downs National Park Authority Local Plan Habitats Regulations July 2018 Assessment AECOM South Downs National Park Authority Page iii AECOM Infrastructure & Environment UK Limited (“AECOM”) has prepared this Report for the sole use of the South Downs National Park Authority (“Client”) in accordance with the Agreement under which our services were performed. No other warranty, expressed or implied, is made as to the professional advice included in this Report or any other services provided by AECOM. This Report is confidential and may not be disclosed by the Client nor relied upon by any other party without the prior and express written agreement of AECOM.