JUNE 2016 TALE OF TALES THE IRISH DIRECTOR’S FILM INSTITUTE NOTE

The Irish Film Institute is Ireland’s Welcome to the IFI June programme which is national cultural institution for film. packed with the first of the year’s IFI Festivals EXHIBIT It aims to exhibit the finest in independent, and a major 400th anniversary celebration. Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. JUNE

AT THE IFI Much Ado About Nothing (p12) This June the IFI is all about families and Shakespeare! A jewel in the crown of this special season will be the 70mm Moving from its regular slot in July, this year the IFI Family presentation of Kenneth Branagh’s Hamlet, a must for all Festival runs from June 24th to 26th, right at the end of cineastes and the only opportunity to see this rare version FRENCH FILM CLUB IFI OPEN DAY the school year and before many families head off on their in Ireland. Another highlight of the season will take place on summer holidays. We have another wonderful programme Friday, June 17th with a special outdoor event on Meeting This month’s French Film Club screening – where IFI and Mark Saturday, July 2nd in your calendars! IFI Open Day lined up for our younger films fans, with stories from House Square in Temple Bar. Occurring just a few nights prior Alliance Française members pay just €7 a ticket – on the returns for a full day of FREE screenings, including previews, Austria, The Netherlands, Germany, India and others, all to Midsummer, this event will combine music, food evening of June 8th is The Measure of a Man, Stéphane classics and cult favourites, as well as a glimpse behind the being told through animation and live action. Zig and Zag (a pig on a spit!) and theatre performances, all leading Brizé’s most overtly political film, and his third with Vincent scenes at the IFI, and more. Check out www.ifi.ie, are on the list, as is the modern Disney classic The Lion up to an outdoor screening of Branagh’s Much Ado About Lindon, winner of the Best Actor award at Cannes for his facebook.com/irishfilminstitute and @IFI_Dub on Twitter King with associated workshop. The IFI Family Festival is Nothing in which he also stars alongside Emma Thompson. performance. See page 5 for film notes. Please visit for details of what we’re showing and doing and, more a great opportunity to introduce young film enthusiasts to This is sure to be a magical evening. I would like to take this www.ifi.ie or ask at the IFI Box Office for further details. importantly, how to get your FREE tickets! cinema from all around the world, most of which would not opportunity to thank the British Council for their support of be otherwise seen, and many complemented by hands-on this season throughout the month of June. workshops. Check out the full programme online or in the separate flyer. And keep an eye out for the annual IFI Open Day which takes place early next month – Saturday July 2nd. To mark the global celebrations of the 400th anniversary of Once again we’ll be throwing the doors of the IFI open for the death of William Shakespeare, this month’s IFI Season a day of free film screenings for audiences old and new. focuses on the playwright, poet and actor. With too-many- to-mention adaptations of his work for the big screen, some adhering strictly to the original text and with others using Ross Keane the subject matter as inspiration, Shakespeare appears as Director relevant today as he was four centuries ago. Our season includes many classics, from Franco Zeffirelli’s The Taming of the Shrew and Derek Jarman’s The Tempest to Gus Van Sant’s Shakespeare-inspired My Own Private Idaho. IFI FAMILY FESTIVAL Jonas and the Sea FEAST YOUR EYES

The IFI Family Festival returns a little earlier this year – from Our movie and main course pairing this month will be Matteo June 24th to 26th – with amazing cinematic adventures from Garrone’s Tale of Tales, a baroque fantasy based on fables Austria, India, Germany and beyond, before school holidays from a 17th century book of Neapolitan folk tales and starring even begin! Soar with the eagles or roar with the lions, learn Salma Hayek, John C. Reilly, Toby Jones and Vincent Cassel to write like Shakespeare or dance with a little grey tractor. (see page 8 for more). Join us on June 21st at 18.15 for this There are premieres and animations, Zig and Zag and mad delightfully inventive film followed by a specially devised main creations, something for all film fans aged 4 to 12. For more course in the IFI Café Bar. Tickets €20 (free list suspended). information and to book your tickets, see www.ifi.ie/familyfest

2 3 NEW RELEASES, IFI SEASONS & DOCS & IFI CLASSICS EVENTS CALENDAR JUNE 2016

RACE OPENS JUN 3RD DATE SCREENING TIME

THE MEASURE OF A MAN OPENS JUN 3RD 1ST IFI & CAPSTONES SHIFT: GERMANY YEAR ZERO 19.00 RELEASE NEW WED RACE EMBRACE OF THE SERPENT OPENS JUN 10TH 3RD VERSUS: THE LIFE AND FILMS OF KEN LOACH 18.30 FIRE AT SEA OPENS JUN 10TH FRI 5TH VERSUS: THE LIFE AND FILMS OF KEN LOACH 14.00 WHERE TO INVADE NEXT OPENS JUN 10TH SUN 7TH VERSUS: THE LIFE AND FILMS OF KEN LOACH 18.30 BANG GANG OPENS JUN 17TH TUE IFI CAFÉ BAR PUB QUIZ (FREE EVENT) 21.30 (A MODERN LOVE STORY) 8TH IFI EXPLORERS: RACE 15.45 CEMETERY OF SPLENDOUR OPENS JUN 17TH WED SHAKESPEARE LIVES: CHIMES AT MIDNIGHT 18.30 10TH WHERE TO INVADE NEXT 18.30 TALE OF TALES OPENS JUN 17TH FRI + LIVE SATELLITE Q&A WITH MICHAEL MOORE MA MA OPENS JUN 24TH 12TH SHAKESPEARE LIVES: THE TAMING OF THE SHREW 15.00 SUN OPENS JUNE 3RD The legendary Jesse Owens, one of the (an impressive turn from Jason REMAINDER OPENS JUN 24TH 13TH THE BIGGER PICTURE: DESERT HEARTS 18.30 MON (WITH UNA MULLALLY) all-time great athletes, famed for the Sudeikis), the film follows his ascent 14TH FIRE AT SEA + PANEL DISCUSSION 18.00 FILM INFO: still unequalled feat of setting three to Olympic greatness, all the while TUE 135 mins, France-Germany- world records and tying another in struggling with family life, the racism 15TH IFI FILM CLUB: WHERE TO INVADE NEXT 18.00 Canada, 2016, Digital 45 minutes at a 1935 event, and for he encountered from the white Notes by Kevin Coyne WED SHAKESPEARE LIVES: HAMLET (70MM) 18.30 winning four gold medals at the 1936 community, and the pressures placed GET SOCIAL! 16TH IRISH FOCUS: SHEM THE PENMAN SINGS AGAIN 16.30 Olympics in Berlin, to the horror of on him by the black community. Excited about this month’s programme? So are we! THU + Q&A the watching Hitler, is the subject of Tell your friends which film you’re planning to watch, IRISH FOCUS: MEDICATED MILK + Q&A 18.40 17TH SHAKESPEARE LIVES: MUCH ADO ABOUT NOTHING 20.30 this fine biopic from director Stephen With a supporting cast including share your movie reviews and show us your best pics on FRI (OUTDOOR PRE-FILM EVENT) Hopkins. Beginning with Owens Jeremy Irons, William Hurt, and Instagram, Twitter and Facebook! SHAKESPEARE LIVES: MUCH ADO ABOUT NOTHING 22.00 (Stephan James) arriving at Ohio State Carice van Houten as Leni Riefenstahl, (OUTDOOR SCREENING) Join the IFI Community online: University, where he comes under the it’s a fascinating account. 18TH IFI & CAPSTONES SHIFT: DUBLIN PLAYS ITSELF 11.00 SAT (TOUR GROUP 1) care of coach Larry Snyder @IrishFilmInstitute IFI & CAPSTONES SHIFT: DUBLIN PLAYS ITSELF 14.30 (TOUR GROUP 2) @IrishFilmInstitute @IFI_Dub SHAKESPEARE LIVES: MY OWN PRIVATE IDAHO 20.30 19TH SHAKESPEARE LIVES : THE TEMPEST 15.00 SUN THE MEASURE RELEASE NEW 21ST FEAST YOUR EYES: TALE OF TALES 18.15 TUE Open Captioned screening 22ND SHAKESPEARE LIVES: ROSENCRANTZ AND 18.30 WED GUILDENSTERN ARE DEAD OF A MAN 24TH IFI FAMILY FESTIVAL* Audio Described screening FRI 25TH IFI FAMILY FESTIVAL* SAT ARCHIVE AT LUNCHTIME (FREE EVENT) + 13.00 INTRODUCTION BY DR. SAM SLOTE SHAKESPEARE LIVES: ROMEO AND JULIET 13.20 26TH IFI FAMILY FESTIVAL* SUN THE HANGOVER LOUNGE: PAN’S LABYRINTH 14.00 28TH IFI & AEMI PROJECTIONS: SIXTY SIX 18.30 OPENS JUNE 3RD A victim of factory downsizing, Thierry petty theft, Thierry finds himself in a TUE + CONVERSATION WITH LEWIS KLAHR (Vincent Lindon) has been out of work compromised position, spying on those 29TH WILD STRAWBERRIES: WILD 11.00 EXCLUSIVELY AT IFI† for over a year; with special needs even less fortunate than himself. WED schooling for his teenage son on the 30TH SHAKESPEARE LIVES: MACBETH 18.15 FILM INFO: THU + PANEL DISCUSSION horizon and sundry other demands on This is Stéphane Brizé’s most TIMES 93 mins, France, 2015, his meagre unemployment benefit, overtly political film, his third with Digital, Subtitled For a breakdown of times and dates of IFI New *See separate flyer or visit www.ifi.ie/familyfest Notes by David O'Mahony something must give in order to make Vincent Lindon (winner of Best Actor Releases, IFI Docs & IFI Classics, check out our ends meet. Being on the wrong side at Cannes), which takes a leaf from FRENCH FILM CLUB of 50 proves an added obstacle, the Dardennes‘ book in its low-key weekly schedule on www.ifi.ie/weekly-schedule Our French Film Club screening or the IFI ads in The Irish Times on Fridays and – where IFI and Alliance a fact made abundantly clear to him social realist aesthetic and humanist, Saturdays. You can also sign up to receive our Française members pay just € in humiliating job centre training quietly angry concern for the weekly ezine by joining at www.ifi.ie/signup. €7 a ticket – will be on June 8th. exercises. Landing security guard work marginalised everyman. See page 2 for details. for a company trying to weed out

4 5 JUNE 2016 EMBRACE OF WHERE TO THE SERPENT INVADE NEXT DOC IFI NEW RELEASE

OPENS JUNE 10TH The year is 1909; gravely ill German film presents the two quests in parallel, OPENS JUNE 10TH In his wryly titled new film, his first crisis, it takes something of a romantic scientist Theodore Koch-Grunberg shifting between time periods. A satisfying since 2009’s Capitalism: A Love Story, perspective, with an unashamed focus (EL ABRAZO DE ventures deep into the in device in its own right, the dual narrative FILM INFO: Michael Moore is in unusually mellow on the positive elements of the countries LA SERPIENTE) search of the sacred yakruna plant also affords a critique of colonialism and 119 mins, USA, 2016, Digital form, though as impassioned as ever, as visited – in his own words, he is “picking he believes will cure him. His guide is the destruction of indigenous peoples at Notes by Kevin Coyne he travels around Europe cherry-picking flowers, not weeds.” FILM INFO: Karamakate, an imposing, swaggeringly the hands of white traders. those social innovations which he feels 122 mins, Columbia-Venezuala- Argentina, 2015, Digital, Subtitled, confident young shaman. Many years could be laid claim to for the betterment Although the film may primarily target Black & White later another adventurer, Richard Evans Filmed in gleaming monochrome, of American society. Moore’s domestic audience, it is difficult Notes by David O’Mahony seeks Karamakate, who is now a broken, Embrace of the Serpent is both a not to wonder why many of these ideas MICHAEL MOORE despondent figure, to retrace Theodore’s sensory and contemplative work, the SATELLITE Q&A From the Finnish education systems can’t be combined and applied for the steps into the heart of the jungle. cumulative effect of the visuals and There will be a live satellite to Norwegian prisons, French school betterment of any particular country, Inspired by diary accounts of Amazonian thematic weight of the story creating Q&A with director Michael dinners to the treatment received by those including our own. fieldwork, Ciro Guerra’s bracingly original an intoxicating experience. Moore following the screening bankers responsible for Iceland’s financial on June 10th at 18.30.

FIRE BANG GANG RELEASE NEW AT SEA (A MODERN IFI DOC LOVE STORY)

OPENS JUNE 10TH Lampedusa has become a flashpoint Samuele, juxtaposing impressionistic OPENS JUNE 17TH Where 16-year-old George (Marilyn his seduction of Laetita, she, seeking in the ongoing immigration crisis; observations of their lives with Lima) is outgoing and sexually aware, revenge and hoping to hurt him, FILM INFO: roughly half way between Libya and frequently harrowing scenes of (BANG GANG (UNE her best friend Laetitia (Daisy Broom) is initiates a game of “Truth or Dare, with 108 mins, Italy, 2016, Sicily, African migrants are drawn coastguard search-and-rescue missions HISTOIRE D’AMOUR shy and virginal. Both are interested in only dares” amongst the others present. Digital, Subtitled to the tiny island on their hazardous as grievously over-burdened migrant MODERNE)) class lothario Alex (Finnegan Oldfield). Over the following weeks, more and Notes by David O'Mahony crossings to make first contact with boats are apprehended. Samuele’s When George sleeps with Alex, she more classmates join the “Bang Gang” mainland Europe. Gianfranco Rosi’s obliviousness to what is happening just FILM INFO: secretly hopes that it is the beginning as the parties become mere excuses 98 mins, France, 2015, PANEL DISCUSSION (Sacro Gra) portrait of the island, a beyond his limited horizon is telling. Digital, Subtitled of something serious. for orgies. Join us after the 18.00 screening deserved winner of the Golden Bear Employing a detached viewpoint, Rosi Notes by Kevin Coyne of this film on June 14th for a panel discussion with guests as at this year’s Berlin Film Festival, takes skillfully avoids didacticism, creating Alex is currently living alone in his The film charts unexpected paths for its part of a Migration Learning Lab an oblique approach to its subject, a portrait of a traditional community large family home, which has become protagonists, and, refreshingly, presents conference (June 14th – 15th). choosing to focus on the everyday lives unwittingly tainted by the geopolitical the place for his classmates to gather their sexual explorations as an entirely See www.ifi.ie for details. of the islanders, especially 12-year-old realities of conflict and war. and party. When George walks in on natural step towards maturity.

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CEMETERY OF MA MA RELEASE NEW SPLENDOUR NEW RELEASE

OPENS JUNE 17TH Not unlike his other work in which dream malady. There she befriends Keng, OPENS JUNE 24TH The new film from director Julio Medem illness, she meets at her son’s football and spirit worlds often interact with a a medium who relates the hibernating (Lovers of the Arctic Circle, Sex and match Arturo (Luis Tosar), who, in the (RAK TI KHON KAEN) recognisable reality, Palme-d’Or-winning patients’ thoughts to their families, FILM INFO: Lucia) is something of a departure for course of their conversation, receives a filmmaker Apichatpong Weerasethakul’s and Itt, a soldier with whom she forms 111 mins, Spain-France, 2015, him; while his previous work contains call informing him that his daughter has FILM INFO: Cemetery of Splendour opens with a a unique bond. It transpires that the Digital, Subtitled an abundance of sex and magical been killed in a car crash and his wife is 122 mins, Thailand, 2015, situation that appears familiar but which hospital is situated on the grounds of an Notes by Kevin Coyne Digital, Subtitled realist flourishes,Ma Ma is, by his usual in a coma. The two become closer, but Notes by Alice Butler gradually destabilises conventional ancient and contested regal cemetery standards, a relatively straightforward the progression of her illness remains notions of reason, logic and structure. disturbed by local construction work, account of how one woman deals with to the fore, and is complicated by an Voluntary nurse Jenjira (an inspired a contrivance Weerasethakul uses her diagnosis of breast cancer. unexpected pregnancy. performance from Jenjira Pongpas) to suggest ways in which a modern, arrives at a former schoolhouse now used increasingly western-influenced Thai On the day that Magda (Penélope Cruz, as a hospital to care for a unit of soldiers culture is at variance with its past. who gives an outstanding performance overcome by an unrelenting sleeping of quiet resolve) receives the news of her

TALE OF TALES REMAINDER RELEASE NEW NEW RELEASE

OPENS JUNE 17TH An anthology of fables drawn from a is seduced by the heavenly singing of OPENS JUNE 24TH Although Remainder is Omer Fast’s leaving an office block just before he is 17th century book of Neapolitan folk an unseen maiden. A gloriously realised feature-length debut, as a renowned struck down by an unidentified object FILM INFO: tales compiled by the poet Giambattista fantasia featuring a rogue’s gallery FILM INFO: video artist who uses filmic devices such hurling from the sky. While in recovery, 125 mins, Italy-France-UK, Basile, Matteo Garrone’s Tale of Tales is a of otherworldly grotesques, Tale of 103 mins, UK-Germany, as looping and reconstruction to explore he is awarded a considerable sum to 2015, Digital baroque fantasy of three mythical lands Tales sees the director leave the social 2015, Digital the politics of representation and the keep quiet about the accident, money Notes by David O’Mahony and their distressed rulers. commentaries of Gomorrah (2008) and Notes by Alice Butler often calamitous impact trauma has on he then uses to meticulously re-stage Reality (2012) very much behind him. identity and memory, he is well qualified the only fragments from his past that FEAST YOUR EYES A childless queen (Salma Hayek) sends to handle the task of adapting author he can remember. Smart, inventive Join us on June 21st at 18.15 her husband (John C. Reilly) to battle a Pitched somewhere between Grimm’s Tom McCarthy’s novel of the same and occasionally droll, Remainder is a for our Feast Your Eyes screening of Tale of Tales with sea monster; a king (Toby Jones) becomes fairytales, Pasolini’s Trilogy of Life with name about a distressed and obsessive psychological thriller that subverts genre a meal afterwards, for just €20. obsessed with his pet flea, which has smatterings of Monty Python (and even amnesiac. Set in London, the film opens conventions with impressive results. Free list suspended. grown to gargantuan proportions; a third Shrek), this delightfully imaginative film as an unnamed protagonist, played See page 2 for details. philandering monarch (Vincent Cassel) defies easy categorisation. by Tom Sturridge, is seen hurriedly

8 9 SHAKESPEARE LIVES and adds some scenes from Richard II CHIMES AT and Henry V, along with some text from MIDNIGHT The Merry Wives of Windsor. Welles himself plays the part of Sir John Falstaff, the “abominable misleader of youth” who is friend to Prince Hal ( ) (Keith Baxter), heir to the throne. JUNE 8TH 18.30 Their troubled relationship plays out against the backdrop of a country at FILM INFO: Chimes at Midnight was originally war in a film Welles regarded as his 115 mins, France-Spain- a disastrously unsuccessful stage personal favourite. Switzerland, 1965, Black & White, Digital production, the Dublin performance Notes by Kevin Coyne of which marked Orson Welles’ last appearance as an actor in the theatre. The film presents an abridged compilation of both parts of Henry IV,

Bianca (Natasha Pyne), if he can find THE TAMING someone who is up to the task of marrying his eldest, the formidable, OF THE SHREW ill-tempered Kate (Elizabeth Taylor). Enter lusty nobleman Petruchio JUNE 8TH – 30TH (Richard Burton). ( ) Originally intended as a vehicle JUNE 12TH 15.00 for Sophia Loren and Marcello Mastroianni, Burton and Taylor put That is not the question. This 2016, as global Throughout the history of cinema, the play remains the FILM INFO: The setting is Padua in Italy in a million of their own cash into the 126 mins, UK-Italy, 1967, Digital the late 1500s; the rich merchant production to secure their roles; their commemorations mark the 400th anniversary of the thing – a rich source, but ripe for cinematic picking. Notes by David O’Mahony death of the actor, poet and playwright, the erstwhile Baptista Minola (Michael Hordern) undeniable chemistry adds layers to chronicler of heroes, villains, lovers, citizens and At the IFI in June we mark the anniversary with a is attempting to marry off his two this playful adaptation. statesmen, of seven ages of men and women, we need special Shakespeare programme in partnership with daughters, but he will only part with not ask whether Shakespeare lives, but rather how this British Council. Through our selected screenings, his youngest, the sweet-natured ‘upstart crow’ just keeps on living. including Branagh’s four-hour Hamlet, an open-air Much Ado About Nothing, singalong In cinema, Shakespeare has provided plots for and a panel discussion, we invite you to ‘live a little, daughter Miranda (Toyah Willcox) were countless interpretations; from the pioneers who comfort a little, cheer thyself a little’ that, in 2016, THE TEMPEST abandoned on a remote island by Antonio sought recognisable stories for a public sceptical of Shakespeare lives. (Richard Warwick), the Duke’s brother. the medium, to filmmakers who loosely borrow for new tales of star-crossed lovers or brave Macbeth- Please see details of our IFI Family screening Versed in the ways of sorcery, Prospero types. It was in fact Olivier’s 1944 take on Henry V of The Lion King as part of the IFI Family Festival creates a tempest to shipwreck Antonio that afforded Shakespeare the first truly cinematic (June 24th–26th) on www.ifi.ie/familyfest on the island in an attempt to marry his gaze. Other filmmakers followed suit; Zeffirelli cast ( ) travelling companion Prince Ferdinand real teens as young lovers of Verona. Polanski brought Introduction by Alicia McGivern. Part of British JUNE 19TH 15.00 of Naples (David Meyer) to his daughter, his own bloodied past to a ruthless Macbeth. Council’s Shakespeare Lives programme celebrating in order to restore peace between Milan Shakespeare’s work on the occasion of the 400th FILM INFO: Derek Jarman’s interpretation of and Naples. Kenneth Branagh signalled his devotion with his anniversary of his death in 2016. 93 mins, UK, 1979, Digital Shakespeare’s final play is an evocative Notes by David O’Mahony blood-and-mud-soaked, battle-calling Henry V. depiction of colonialism, revenge, Jarman brings a punk sensibility to the Gus Van Sant’s Portland hustlers play Henry IV retribution and reconciliation. production, with wild visuals and rich in My Own Private Idaho. Hamlet Prospero (Heathcote Williams), designs which conceal the film’s the former Duke of Milan, and his modest budget.

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SHAKESPEARE LIVES HAMLET MY OWN ( ) PRIVATE 70MM IDAHO

JUNE 15TH (18.30) Kenneth Branagh is contemporary entirely on 70mm adds to the epic JUNE 18TH (20.30) A key film in the New Queer Cinema inheritance that will come with it, cinema’s most noted interpreter of scale of the production, and allows movement of the early ‘90s, and a a character specifically based on FILM INFO: Shakespeare, having now brought him to create a uniquely visual FILM INFO: landmark of American independent Shakespeare’s Prince Hal. The boys’ 242 mins (plus intermission), five of his plays to the big screen. take on the material. This is a rare 104 mins, USA, 1991, Digital filmmaking,My Own Private Idaho is in paths cross in the wide-open spaces UK-USA, 1996, 70mm opportunity to experience the film Notes by David O’Mahony part based on Shakespeare’s Henry IV of the Pacific Northwest, Italy and Notes by Kevin Coyne His version of Hamlet represents as the director intended. Parts 1 & 2. back again. perhaps his crowning achievement, the first unabridged film of the play, Tickets €12 (€10 Members). Van Sant fuses the story of disaffected running to just over four hours in young gay hustler Mike (River Phoenix), length, which restores text from the who suffers from narcolepsy, with that Second Quarto and amendments from of rich kid Scott (Keanu Reeves), Supported by other sources to the First Folio version. who is idling away the time until Branagh’s decision to shoot the film his 21st birthday and the sizeable OUTDOOR ROSENCRANTZ AND SCREENING: GUILDENSTERN ARE DEAD

JUNE 17TH (20.30) Join us on June 17th for a magical Branagh’s mischievous adaptation JUNE 22ND (18.30) Sir Tom Stoppard has often exhibited wander in and out of events at Elsinore, midsummer’s evening in Temple of the Bard’s comedy wherein the a playful, subversive approach to the seemingly unaware of their roles in the DIRECTOR: Bar’s Meeting House Square, with defiantly single Beatrice (Emma FILM INFO: Bard; he co-wrote the Oscar-winning larger drama as they muse on their own Kenneth Branagh pre-screening entertainment, including Thompson) and Benedick (Branagh) 118 mins, UK-USA, 1990, 35mm screenplay for concerns. Irreverent and witty, it’s an pop-up Shakespearean performances find themselves unwittingly thrust Notes by Kevin Coyne (John Madden, 1998), and has written ingenious take on the original play. FILM INFO: and a succulent pig on a spit from The together through the machinations for the stage Dogg’s Hamlet, Cahoot’s 111 mins, 1993, USA-UK, Blu-Ray Notes by David O’Mahony Hogfather, to keep your Shakespearean of a younger newly wedded couple. Macbeth, and Rosencrantz and appetites satisfied! The night kicks Guildenstern Are Dead, this adaptation off at 20.30 and Much Ado About Boasting some of the most uproarious of which represents his sole credit as Tickets: Film only €14, Nothing will be shown in the Square verbal jousting in the English film director. Food only €8, Film + Food €18 when the sun goes down, at 22.00. language, Much Ado About Nothing (no concessions or Members The sun-kissed hills of Tuscany provide remains a wise and witty delight. Minor characters in Hamlet, the film prices, free list suspended). the perfect backdrop for Kenneth places the two at its centre as they

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SHAKESPEARE LIVES IFI EVENTS THE BIGGER PICTURE WILD STRAWBERRIES ROMEO ARCHIVE AT LUNCHTIME IFI EXPLORERS AND JULIET VERSUS: THE LIFE AND FILMS OF KEN LOACH THE HANGOVER LOUNGE IFI & CAPSTONES SHIFT IFI & AEMI PROJECTIONS IRISH FOCUS JUNE 25TH (13.20) Adapted for the screen over 50 times, protagonists, 17-year-old Leonard IFI FILM CLUB whether serving as the inspiration for Whiting and 15-year-old Olivia Hussey. FILM INFO: a film such as West Side Story (Jerome for The Bigger Picture. Todd 138 mins, UK-Italy, 1968, Digital Robbins, Robert Wise, 1961), or in Enormously successful on release, it is THE BIGGER Notes by Kevin Coyne Haynes’ exquisite Carol may versions more faithful to the original text, currently the last Shakespeare adaptation PICTURE have encapsulated the torments, Romeo and Juliet has always been one to have been Oscar-nominated for uncertainties and infatuations of of Shakespeare’s most popular plays with Best Picture. DESERT a 1950s lesbian love affair but this cinema audiences. HEARTS earlier film, based on Jane Rule’s classic novel, offered a rawer, less Zeffirelli’s remains one of the most effortful portrait. Cut-off denim meets acclaimed, and was the first film to cast JUNE 13TH (18.30) academic suit in a sun-kissed 1950s as leads actors close to the (speculative, Reno of quickie divorces and ranch in Romeo’s case) ages of the play’s DIRECTOR: Our monthly strand in which a key life where uptight East Coast Viv falls Donna Deitch film is presented in the context of for free-spirited sculptor and casino FILM INFO: a notional film canon. worker, Cay. Regarded as the first 96 mins, USA, 1985, 35mm mainstream lesbian film, it depicts a MACBETH Notes by Alicia McGivern Marking this year’s Pride Festival, passionate relationship with positive journalist and broadcaster Una outcomes for both women – neither of Mullally will present Desert Hearts which involves returning to a man.

on a solo, three-month, 1,100-mile WILD trek across America, after her STRAWBERRIES mother’s death from lung cancer. Sometimes short on dialogue but big WILD on introspection, the film offers a counterpoint to the buddy-talkie JUNE 30TH (18.15) As the first film Roman Polanski PANEL DISCUSSION A Walk in the Woods and the stunning directed following the horrific murder In deciding to adapt a Shakespeare play JUNE 29TH & landscapes will make you want to DIRECTOR: of Sharon Tate, his pregnant wife, at the for either screen or stage, one of the first JULY 1ST (11.00) pack up and head for the hills. Roman Polanski hands of the Manson Family, it is not decisions concerns the use of language – surprising that his treatment of Macbeth to use or not to use the original dialogue DIRECTOR: Wild Strawberries is our Tickets: €4.25 including regular EVENT INFO: is particularly dark and brutal. It is also – and the context. Our panel discussion 140 mins (film) Jean-Marc Vallée bi-monthly film club for over 55s. tea/coffee before the event. + 60 mins (discussion), powerful and undeniably cinematic, will focus on Shakespeare adaptations Wild Strawberries is our film club for UK-USA, 1971, Digital. FILM INFO: full of sound and fury, all of which is for both stage and screen, and the 115 mins, USA, 2014, Digital Notes by Kevin Coyne Based on US writer Cheryl Strayed’s over 55s. If you are lucky enough significant in one of the most singular of panellists will include: theatre director Notes by Alicia McGivern memoir, this beautiful looking film to look younger please don’t take Shakespeare adaptations. Selina Cartmell; Abbey Theatre Education follows Reese Witherspoon in the offence if we ask your age. Manager, Phil Kingston; actress Karen title role as the woman who embarks Ardiff; and lecturer Dr. Jane Grogan.

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ARCHIVE AT IFI EXPLORERS VERSUS: LUNCHTIME THE LIFE AND FILMS OF KEN LOACH

JUNE 3RD (18.30), 5TH (14.00) & 7TH (18.30) In 2014 Ken Loach announced his in the Palme d’Or at Cannes for retirement after 50 years of filmmaking. The Wind that Shakes the Barley (2006). The following year the Conservative

Ulys DIRECTOR: Louise Osmond Party came back into power, reason The screening on June 5th will be FILM INFO: enough for him to come out of operated on a ‘pay what you can’ model SHAKESPEARE & COMPANY RACE 92 mins, UK, 2016, Digital retirement to begin work on his new to reflect Ken Loach’s ethos. There will Notes by David O’Mahony film,I, Daniel Blake. Versus chronicles be a collection box by the Box Office the crusading director’s preparations for on that day and tickets will be available Free screenings of films from the IFI Irish JUNE 8TH (15.45) this film, while reflecting on his career – on a first-come-first-served basis. No Film Archive (collect tickets at IFI Box Office). from the controversies surrounding the advance bookings can be made online or Please see www.ifi.ie for dates and times. IFI Explorers is our discounted ticket offering This month we celebrate Bloomsday and the for 15–18 year olds. TV film Cathy Come Home (1966), in person. Supported by Dogwoof with quatercentenary of Shakespeare’s death. to international recognition culminating the backing of the BFI Distribution Fund. This month’s film selection on special offer for IFI PROGRAMME 1: SHAKESPEARE Explorers is Race, based on the incredible true Amharc Éireann Newsreel: Abbey players at RSC. story of legendary athlete Jesse Owens. (3 mins, B&W, 1964, Digital.) His quest to become the greatest track-and-field THE HANGOVER Hamlet at Elsinore: The Gate Theatre takes sportsperson in history puts him on the world Hamlet to Denmark. (17 mins, B&W, 1952, Digital.) stage of the 1936 Berlin Olympics, where he LOUNGE crosses racial barriers to defy Adolf Hitler's vision of Aryan supremacy and shows the world that PAN’S LABYRINTH PROGRAMME 2: JOYCE he’s the fastest man alive. A fascinating film about Amharc Éireann: Opening of the Joyce Tower courage, determination, tolerance and friendship. with Sylvia Beach of Shakespeare and Company, publisher of Ulysses. (2 mins, B&W, 1962, Digital.) Tickets: €3 for 15–18 year olds.

Ulys: Tim Booth’s animated, potted Ulysses. DIRECTOR: Stephen Hopkins (3 mins, 1998, Digital.) FILM INFO: 135 mins, France-Germany-Canada, 2016, Digital Notes by Dee Quinlan Eamon Morrissey’s Joycemen: Passages from JUNE 26TH (14.00) Our monthly indulgent Sunday in Franco’s army. Relief from her Ulysses. (5 mins, ca1980, Digital.) afternoon of brunch and a classic. difficult family situation appears in (EL LABERINTO DEL FAUNO) the form of a fairy who leads her to a Faithful Departed: Kieran Hickey’s portrait DIRECTOR: The release this month of adult magical labyrinth where she is believed of Dublin on June 16th 1904. (10 mins, B&W, 1968, Digital.) Guillermo del Toro fantasy Tale of Tales (see page 8) to be the reincarnation of a princess. provides the Hangover Lounge with Filled with genuinely astonishing Dr. Sam Slote, Joycean Scholar and Associate FILM INFO: 119 minutes, Spain-Mexico, a welcome opportunity to revisit imagery, it may well prove to be Professor of English in Trinity College, Dublin, 2006, Subtitled, Digital Guillermo del Toro’s dark fairytale. del Toro’s most durable film. will explore James Joyce’s relationship with the Notes by Kevin Coyne Arguably the director’s best work to work of William Shakespeare in an introduction date, and certainly his most popular, Brunch + film €16; film only is normal to the Archive at Lunchtime Double Bill at 13.00 it tells the story of young Ofelia, the IFI pricing. Sunday brunch is served on June 25th. See also Shakespeare Lives, p10. unhappy stepdaughter of a captain 12pm – 4pm.

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PROGRAMME 1: FROM THE VAULTS: PROGRAMME 1: PROGRAMME 2: GERMANY YEAR ZERO SHEM THE PENMAN JUNE 1ST (19.00) GERMANY YEAR ZERO DUBLIN PLAYS ITSELF SINGS AGAIN SHEM THE PENMAN MEDICATED MILK JUNE 16TH (16.30) DIRECTOR: Following Rome, Open City (1945) and The Irish Architecture Foundation SINGS AGAIN Lucia Joyce was a talented dancer, Roberto Rossellini Paisan (1946), Roberto Rossellini turned and IFI present two walking DIRECTOR: writer and musician. She spent her life Padraig Trehy A new exploration of the actual and FILM INFO: to the ruined city of Berlin to complete tours, complemented by film and much-fabled friendship between Joyce under the control of her father James, 75 mins, Germany, 1948, 35mm architectural analysis, exploring the her family and multiple doctors. his trilogy of films exploring the FILM INFO: and Irish tenor, John McCormack. impact of the 1916 Rising on the 80 mins, Ireland, 2015, Digital, Her time in Ireland during the 1930s destruction wreaked by World War II. McCormack inspires the character of DUBLIN PLAYS ITSELF A devastating portrait of an obliterated fabric of Dublin and the post-conflict Black & White and Colour – particularly in Bray, Co. Wicklow evolution of the city. Both walks Shaun the Post in Joyce’s famously – was one of her few moments of JUNE 18TH post-war Europe, Germany, Year Zero ‘unreadable’ final novel Finnegans (11.00 & 14.30) is also one of the most affecting begin at the IFI, taking in the IAF on MEDICATED MILK freedom. This film deftly interweaves Bachelor’s Walk and the Hugh Lane JUNE 16TH (18.40) Wake, in which Joyce portrayed himself Lucia's story with the filmmaker’s FILM INFO: films about childhood in the history as Shaun’s lowly twin brother, Shem. of cinema. Gallery, Parnell Square for screenings own to explore accounts of loss and 11.00 – 13.45 Group 1 — Sunniva from the IFI Irish Film Archive. DIRECTOR: Joyce’s twin obsessions, singing and trauma spanning over 100 years. O’Flynn & Dr. Ellen Rowley; Áine Stapleton, made in literary experimentation, flow through 14.30 – 17.15 Group 2 — Sunniva The screening will be introduced by collaboration with With a haunting electronic score by O’Flynn & Merlo Kelly the film as the friends’ encounters Professor Kathleen James-Chakraborty, The walking tours will be conducted José Miguel Jiménez Somadrone, fine dance sequences, by Sunniva O’Flynn, IFI Head of Irish are reimagined in a variety of early vivid underwater cinematography and Presented with the Capstones UCD School of Art History and Cultural FILM INFO: cinematic styles and real and imaginary Shift conference organised by Policy. Film Programming, Dr. Ellen Rowley, 50 mins, Ireland, 2015, Digital graphic scenes of animal butchery. Dublin City Council and UCD Irish Research Council EPS Fellow, audio recordings. Decade of Centenaries, which DCC Heritage + UCD Architecture, See page 16 for our Archive at Áine Stapleton and José Miguel Jiménez seeks to explore the impact of Lunchtime series of free Joycean Director Padraig Trehy will participate conflict on the built environment. and Merlo Kelly, Architect and short films during June. will participate in a post-screening Q&A. Architectural Historian. in a post-screening Q&A.

achievement”, the culmination and the audience is welcome to IFI & AEMI of several decades of productive IFI FILM CLUB: contribute their thoughts. The talk PROJECTIONS: engagement with what NY Times WHERE TO is open to anyone who has seen the SIXTY SIX + calls a “cinematic archaeology of INVADE NEXT film or is interested in contributing the American unconscious.” (attendance at the film screened just CONVERSATION before is not mandatory). For full WITH LEWIS KLAHR We are delighted to welcome Lewis film notes, see page 7. Klahr to introduce the film and to JUNE 28TH (18.30) take part in a discussion about his JUNE 15TH (18.00) Normal film ticket prices apply for the work at Temple Bar Gallery + Studios film and discussion. Attendance at the DIRECTOR: In the vein of Peter Horvath, Winston after the screening. DISCUSSION AT 20.00 Join us for a discussion following a discussion only is free. Lewis Klahr Smith, or William Burroughs, Lewis DIRECTOR: screening of Michael Moore’s latest FILM INFO: Klahr can be considered among the AEMI – Supporting and Exhibiting Michael Moore documentary, Where to Invade Next. 90 mins, USA, 2002-15, Digital great cut-up/collage artists of his Artists’ and Experimental Moving The IFI Film Club strand takes one Notes by Daniel Fitzpatrick FILM INFO: generation. His latest work, Sixty Six, Image. See www.aemi.ie for 119 mins, USA, 2016, Digital film each month as a starting point which premiered at MoMA last year, more details. for discussion about the filmmaker, has been celebrated as a “milestone the work itself and relevant themes,

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