DOCSLIB.ORG

Cinema 9 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cinema 9 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento CINEMA 9 JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE REVISTA DE FILOSOFIA E DA IMAGEM EM MOVIMENTO ISLAM AND IMAGES edited by O ISLÃO E AS IMAGENS editado por Patrícia Castello Branco Saeed Zeydabadi-Nejad Sérgio Dias Branco CINEMA 9 !i EDITORS Patrícia Silveirinha Castello Branco (IFILNOVA) Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20) Susana Viegas (IFILNOVA/University of Dundee) EDITORIAL ADVISORY BOARD D. N. Rodowick (University of Chicago) Francesco Casetti (Catholic University of the Sacred Heart/Yale University) Georges Didi-Huberman (School for Advanced Studies in the Social Sciences) Ismail Norberto Xavier (University of São Paulo) João Mário Grilo (Nova University of Lisbon/IFILNOVA) Laura U. Marks (Simon Fraser University) Murray Smith (University of Kent) Noël Carroll (City University of New York) Patricia MacCormack (Anglia Ruskin University) Raymond Bellour (New Sorbonne University - Paris 3/CNRS) Stephen Mulhall (University of Oxford) Thomas E. Wartenberg (Mount Holyoke College) INTERVIEWS EDITOR Susana Nascimento Duarte (School of Arts and Design at Caldas da Rainha/IFILNOVA) BOOK REVIEWS EDITOR Maria Irene Aparício (Nova University of Lisbon/IFILNOVA) CONFERENCE REPORTS EDITOR William Brown (University of Roehampton) ISSN 1647-8991 CATALOGS Directory of Open Access Journals (DOAJ) Emerging Sources Citation Index, Clarivate Analytics (ESCI) Web of Science™ European Reference Index for the Humanities and the Social Sciences (ERIH PLUS) Open Access Library (OALib) The Philosopher’s Index Regional Cooperative Online Information System for Scholarly Journals from Latin America, the Caribbean, Spain and Portugal (Latindex): 23308 PUBLICATION IFILNOVA - Nova Institute of Philosophy Faculty of Social and Human Sciences Nova University of Lisbon Edifício ID, 4.º Piso Av. de Berna 26 1069-061 Lisboa Portugal www.ifilnova.pt WEBSITE www.cjpmi.ifl.pt CINEMA: JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE 9, “Islam and Images” Editors: Patrícia Silveirinha Castello Branco, Saeed Zeydabadi-Nejad (SOAS University of London, guest-editor), Sérgio Dias Branco Peer review: Behzad Dowran (Iranian Research Institute for Information Science and Technology), Jakob Hans Josef Schneider (Federal University of Uberlândia), Luis Deltell Escolar (Complutense University of Ma- drid), Patrícia Silveirinha Castello Branco, Rafael Ramón Guerrero (Complutense University of Madrid), Ricardo da Costa (Federal University of Espírito Santo), Saeed Zeydabadi-Nejad, Sajjad H. Rizvi (University of Exeter), Sérgio Dias Branco, Susana Viegas Cover: Rhiannon Fraser’s concept art for Under the Shadow (2016) Publication date: Dec. 2017 CINEMA 9 !ii EDITORES Patrícia Silveirinha Castello Branco (IFILNOVA) Sérgio Dias Branco (Universidade de Coimbra/IFILNOVA/CEIS20) Susana Viegas (IFILNOVA/Universidade de Deakin) CONSELHO EDITORIAL CONSULTIVO D. N. Rodowick (Universidade de Chicago) Francesco Casetti (Universidade Católica do Sagrado Coração/Universidade Yale) Georges Didi-Huberman (Escola de Estudos Avançados em Ciências Sociais) Ismail Norberto Xavier (Universidade de São Paulo) João Mário Grilo (Universidade Nova de Lisboa/IFILNOVA) Laura U. Marks (Universidade Simon Fraser) Murray Smith (Universidade de Kent) Noël Carroll (Universidade da Cidade de Nova Iorque) Patricia MacCormack (Universidade Anglia Ruskin) Raymond Bellour (Universidade Sorbonne Nouvelle - Paris 3/CNRS) Stephen Mulhall (Universidade de Oxford) Thomas E. Wartenberg (Mount Holyoke College) EDITORA DAS ENTREVISTAS Susana Nascimento Duarte (Escola Superior de Artes e Design das Caldas da Rainha/IFILNOVA) EDITORA DAS RECENSÕES DE LIVROS Maria Irene Aparício (Universidade Nova de Lisboa/IFILNOVA) EDITOR DOS RELATÓRIOS DE CONFERÊNCIA William Brown (Universidade de Roehampton) ISSN 1647-8991 CATÁLOGOS Directory of Open Access Journals (DOAJ) Emerging Sources Citation Index, Clarivate Analytics (ESCI) Web of Science™ European Reference Index for the Humanities and the Social Sciences (ERIH PLUS) Open Access Library (OALib) The Philosopher’s Index Sistema Regional de Informação em Linha para Revistas Científicas da América Latina, Caribe, Espanha e Portugal (Latindex): 23308 PUBLICAÇÃO IFILNOVA - Instituto de Filosofia da Nova Faculdade de Ciências Sociais e Humanas Universidade NOVA de Lisboa Edifício ID, 4.º Piso Av. de Berna 26 1069-061 Lisboa Portugal www.ifilnova.pt SÍTIO ELECTRÓNICO www.cjpmi.ifl.pt CINEMA: REVISTA DE FILOSOFIA E DA IMAGEM EM MOVIMENTO 9, “Islão e Imagens” Editores: Patrícia Silveirinha Castello Branco, Saeed Zeydabadi-Nejad (SOAS Universidade de Londres, editor convidado), Sérgio Dias Branco Revisão por pares: Behzad Dowran (Instituto Iraniano de Investigação para a Ciência e Tecnologia da Informa- ção), Jakob Hans Josef Schneider (Universidade Federal de Uberlândia), Luis Deltell Escolar (Universidade Complutense de Madrid), Patrícia Silveirinha Castello Branco, Rafael Ramón Guerrero (Universidade Com- plutense de Madrid), Ricardo da Costa (Universidade Federal do Espírito Santo), Saeed Zeydabadi-Nejad, Sajjad H. Rizvi (Universidade de Exeter), Sérgio Dias Branco, Susana Viegas Capa: arte conceitual de Rhiannon Fraser para Under the Shadow (2016) Data de publicação: Dez. 2017 CINEMA 9 iii! CONTENTS | ÍNDICE Editorial: (Re)Thinking Islamic Imagery 1-3 Patrícia Silveirinha Castello Branco (IFILNOVA) Saeed Zeydabadi-Nejad (SOAS University of London) Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20) Abstracts 4-8 ARTICLES | ARTIGOS The Role of Images in al-Fārābī’s Political Thought 10-26 Sarah Virgi (SOAS University of London) An Unexpected Imagery: The Heart’s Vision and Other Synesthetic Functions of the Dhikr into the Islamic Tradition 27-39 Dario Tomasello (University of Messina) Calligraphic Animation as Visual Music: A Genealogy of Islamic Synchronization of Sight and Sound 40-54 M. Javad Khajavi (Volda University College) Seeing the Unseen: The Invisible Worlds of Jafar Panahi’s Cinema 55-71 Mani Saravanan (Nanyang Technological University) The Foil and the Quicksand: The Image of the “Veil” and the Failure of Abjection in Iranian Diasporic Horror 72-87 Shrabani Basu (Adamas University) CINEMA 9 iv! Post-Cinematic (Mis-)Representation of Islam 88-106 Taida Kusturica (Academy of Fine Arts Vienna) INTERVIEWS | ENTREVISTAS Hanan al Cinema: An Interview with Laura U. Marks 108-114 by Stefanie Baumann (IFILNOVA) and Susana Nascimento Duarte (School of Arts and Design at Caldas da Rainha/IFILNOVA) BOOK REVIEWS | RECENSÕES DE LIVROS Psychoanalytic Film Theory and “The Rules of the Game” 116-120 Anthony J. Ballas (University of Colorado Denver) The Philosophy of Documentary Film: Image, Sound, Fiction, Truth 121-126 Stefanie Baumann (IFILNOVA) Surviving Images: Cinema, War, and Cultural Memory in the Middle East 127-132 AnaMary Bilbao (Universidade Nova de Lisboa) Doing Time: Temporality, Hermeneutics, and Contemporary Cinema 133-137 Feroz Hassan (University of Michigan) Hanan al-Cinema: Affections for the Moving Image 138-141 Susana Mouzinho (IFILNOVA) The Body and The Screen: Female Subjectivities in Contemporary Women’s Cinema 142-148 Zorianna Zurba Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility 149-151 Wayne E. Arnold (The University of Kitakyushu) CINEMA 9 !v The Philosophy of Spike Lee 152-155 Aspen Taylor Johnson (Metropolitan State University of Denver) CINEMA 9 !1 EDITORIAL: (RE)THINKING ISLAMIC IMAGERY Patrícia Silveirinha Castello Branco (IFILNOVA) Saeed Zeydabadi-Nejad (SOAS University of London) Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20) This issue of Cinema is dedicated to the topic of Islam and images. In proposing this topic we were particularly interested in discussing the philosophical understandings of Islamic imagery production, their roots in the history of philosophy, the Islamic tradition of aniconism and anti-ocularcentrism, its influences on styles and movements in the history of art (namely abstract imagery), their development in contemporary societies dominated by new technologies of the moving image, the relationships between the classical and the contemporary, the manual and the digital, artefacts and technologies. In releasing an issue on this theme we aimed at offering an open debate to the academic community and, mostly, we aimed at trying to understand what kind of aesthetic and political bias could be found in particular images originating from Muslim contexts and diasporas. At the same time, we were making an effort to explore how such images encompass forms of visibility, ways of doing and making, and ways of conceptualizing the world that can enrich our contemporary debate on aesthetics and politics. Can a better understanding of Muslim traditions of visual art, old and new, that rely on astonishing traditions of thought, making and experiencing, function as a fruitful contribution within our global contemporary art and politics? We certainly believed it did. The selection of essays that compose this issue reflects our aims and are a direct response to our initial intentions, developing the topic in several directions. The first essay, entitled “The Role of Images in al-Fārābī’s Political Thought” by Sara Virgi, directly responds to some of our most important aims and intentions, addressing the concept of image in Abū Nasr al-Fārābī’s philosophical thought. In her essay Virgi carefully and consistently considers how for al-Fārābī’s images are taken as a decisive instrument for the legislator and religious leader to guide people towards “political happiness,” or the “achievement
Load more

Recommended publications
  • Download File (Pdf; 3Mb)
    Volume 15 - Number 2 February – March 2019 £4 TTHISHIS ISSUEISSUE: IIRANIANRANIAN CINEMACINEMA ● IIndianndian camera,camera, IranianIranian heartheart ● TThehe lliteraryiterary aandnd dramaticdramatic rootsroots ofof thethe IranianIranian NewNew WaveWave ● DDystopicystopic TTehranehran inin ‘Film‘Film Farsi’Farsi’ popularpopular ccinemainema ● PParvizarviz SSayyad:ayyad: socio-politicalsocio-political commentatorcommentator dresseddressed asas villagevillage foolfool ● TThehe nnoiroir worldworld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ofof IranianIranian ‘Sacred‘Sacred Defence’Defence’ CinemaCinema ● AAsgharsghar Farhadi’sFarhadi’s ccinemainema ● NNewew diasporicdiasporic visionsvisions ofof IranIran ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon Volume 15 - Number 2 February – March 2019 £4 TTHISHIS IISSUESSUE: IIRANIANRANIAN CCINEMAINEMA ● IIndianndian ccamera,amera, IIranianranian heartheart ● TThehe lliteraryiterary aandnd ddramaticramatic rootsroots ooff thethe IIranianranian NNewew WWaveave ● DDystopicystopic TTehranehran iinn ‘Film-Farsi’‘Film-Farsi’ ppopularopular ccinemainema ● PParvizarviz SSayyad:ayyad: ssocio-politicalocio-political commentatorcommentator dresseddressed aass vvillageillage ffoolool ● TThehe nnoiroir wworldorld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ooff IIranianranian ‘Sacred‘Sacred DDefence’efence’ CinemaCinema ● AAsgharsghar FFarhadi’sarhadi’s ccinemainema ● NNewew ddiasporiciasporic visionsvisions ooff IIranran ● PPLUSLUS RReviewseviews aandnd eeventsvents
    [Show full text]
  • Persian 1103 Course Change.Pdf
    COURSE CHANGE REQUEST Last Updated: Vankeerbergen,Bernadette 1103 - Status: PENDING Chantal 11/20/2020 Term Information Effective Term Autumn 2021 Previous Value Autumn 2015 Course Change Information What change is being proposed? (If more than one, what changes are being proposed?) We wish to add the option to offer this course as an online class. What is the rationale for the proposed change(s)? The NELC Department has decided to request approval to regularly offer this course in a distance learning format after having learned much about online foreign language course instruction during the pandemic emergency. What are the programmatic implications of the proposed change(s)? (e.g. program requirements to be added or removed, changes to be made in available resources, effect on other programs that use the course)? N/A Is approval of the requrest contingent upon the approval of other course or curricular program request? No Is this a request to withdraw the course? No General Information Course Bulletin Listing/Subject Area Persian Fiscal Unit/Academic Org Near Eastern Languages/Culture - D0554 College/Academic Group Arts and Sciences Level/Career Undergraduate Course Number/Catalog 1103 Course Title Intermediate Persian I Transcript Abbreviation Intermed Persian 1 Course Description Further development of listening, writing, speaking, and reading skills; reading of simplified Persian texts. Closed to native speakers of this language. Semester Credit Hours/Units Fixed: 4 Offering Information Length Of Course 14 Week, 12 Week Flexibly
    [Show full text]
  • Animation! [Page 8–9] 772535 293004 the TOWER 9> Playing in the Online Dark
    9 euro | SPRING 2020 MODERN TIMES REVIEW THE EUROPEAN DOCUMENTARY MAGAZINE CPH:DOX THESSALONIKI DF ONE WORLD CINÉMA DU RÉEL Copenhagen, Denmark Thessaloniki, Greece Prague, Czech Paris, France Intellectually stimulating and emotionally engaging? [page 10–11] THE PAINTER AND THE THIEF THE PAINTER HUMAN IDFF MAJORDOCS BOOKS PHOTOGRAPHY Oslo, Norway Palma, Mallorca New Big Tech, New Left Cinema The Self Portrait; Dear Mr. Picasso Animation! [page 8–9] 772535 293004 THE TOWER 9> Playing in the online dark In its more halcyon early days, nature of these interactions. ABUSE: In a radical the internet was welcomed Still, the messages and shared psychosocial experiment, into households for its utopi- (albeit blurred for us) images an possibilities. A constantly are highly disturbing, the bra- the scope of online updating trove of searchable zenness and sheer volume of child abuse in the Czech information made bound en- the approaches enough to sha- Republic is uncovered. cyclopaedia sets all but obso- ke anyone’s trust in basic hu- lete; email and social media manity to the core («potential- BY CARMEN GRAY promised to connect citizens ly triggering» is a word applied of the world, no longer seg- to films liberally these days, Caught in the Net mented into tribes by physical but if any film warrants it, it is distance, in greater cultural un- surely this one). Director Vit Klusák, Barbora derstanding. The make-up artist recog- Chalupová In the rush of enthusiasm, nises one of the men and is Czech Republic, Slovakia the old truth was suspended, chilled to witness this behav- that tools are only as enlight- iour from someone she knows, ened as their users.
    [Show full text]
  • The Speed of the VCR
    Edinburgh Research Explorer The speed of the VCR Citation for published version: Davis, G 2018, 'The speed of the VCR: Ti West's slow horror', Screen, vol. 59, no. 1, pp. 41-58. https://doi.org/10.1093/screen/hjy003 Digital Object Identifier (DOI): 10.1093/screen/hjy003 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced PDF of an article accepted for publication in Screen following peer review. The version of record Glyn Davis; The speed of the VCR: Ti West’s slow horror, Screen, Volume 59, Issue 1, 1 March 2018, Pages 41–58 is available online at: https://doi.org/10.1093/screen/hjy003. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The speed of the VCR: Ti West’s slow horror GLYN DAVIS In Ti West’s horror film The House of the Devil (2009), Samantha (Jocelin Donahue), a college student short of cash, takes on a babysitting job.
    [Show full text]
  • The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques
    The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques A dissertation submitted to Birmingham City University in fulfilment of the requirement for the degree of Doctor of Philosophy in Art and Design By: Ahmad Saleh A. Almontasheri Director of the study: Professor Mohsen Aboutorabi 2017 1 Dedication My great mother, your constant wishes and prayers were accepted. Sadly, you will not hear of this success. Happily, you are always in the scene; in the depth of my heart. May Allah have mercy on your soul. Your faithful son: Ahmad 2 Acknowledgments I especially would like to express my appreciation of my supervisors, the director of this study, Professor Mohsen Aboutorabi, and the second supervisor Dr. Mohsen Keiany. As mentors, you have been invaluable to me. I would like to extend my gratitude to you all for encouraging me to conduct this research and give your valuable time, recommendations and support. The advice you have given me, both in my research and personal life, has been priceless. I am also thankful to the external and internal examiners for their acceptance and for their feedback, which made my defence a truly enjoyable moment, and also for their comments and suggestions. Prayers and wishes would go to the soul of my great mother, Fatimah Almontasheri, and my brother, Abdul Rahman, who were the first supporters from the outset of my study. May Allah have mercy on them. I would like to extend my thanks to my teachers Saad Saleh Almontasheri and Sulaiman Yahya Alhifdhi who supported me financially and emotionally during the research.
    [Show full text]
  • SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
    SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place.
    [Show full text]
  • The Unique Ibn Al-Bawwab Manuscript
    D.S.RICE THE UNIQUE IBN AL-BAWWAB MANUSCRIPT The text of the Qur'an was recorded'in the Prophet's lifetime, on a variety of writing materials.These inclu- ded such diverse materials as papyrus, parchment, leather, limestone slabs,shoulder blades,ribs, saddle- boards, &c. The Qur'an was first collectedunder the first caliph, Abu Bakr, and codified under the third caliph, 'Uthman. It was, in all likelihood, written on parchmenton both occasions,although one sourcehas it that papyrus was used on the first. All the early Qur'ans which have so far come to light are on parchment, with the exception of a small frag- ment on papyruswhich is attributed to the third Islamic century. The earliest Qur'ans w\ich have reachedus are written in variety of angular scripts commonly-but inappro- priately-describedas Kufic. No completeKufic Qur'an has, to my knowledge, survived and none is provided with a colophon. It is still a matter of controversy whether we possessany Qur'an which can be dated to the first century of the Muslim era.There are a number "signatures" of coclices which bear of the caliphs 'Uthman and 'Ali, but these have been shown to be later pious forgeries. Thanks to the studies published in the course of the last fifty years,especially by B. Moritz, J. von Karaba- cek, G. Bergstrásser,O. Pretzl,A. Grohmann, N. Abbott, and G. Levi della Vida much progresshas been made in the provisional dating of certain Kufic Qur'ans to the late first and to the second century of the Hijra.
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G.
    [Show full text]
  • The Study of the Principles of Philosophy of Islamic Art Hasti Safavi University of Exeter Stocker Road, Exeter, United Kingdom, EX4 4PY
    RUDN Journal of Philosophy 2020 Vol. 24 No. 1 23—38 Âåñòíèê ÐÓÄÍ. Ñåðèÿ: ÔÈËÎÑÎÔÈß http://journals.rudn.ru/philosophy DOI: 10.22363/2313-2302-2020-24-1-23-38 Research Article / Научная статья The Study of the Principles of Philosophy of Islamic Art Hasti Safavi University of Exeter Stocker Road, Exeter, United Kingdom, EX4 4PY Abstract. The main discourse on Islamic art in the western academia primarily views Islamic art through the lens of art history and sociology of art. Islamic art is considered as sacred in Islamic civilisation and culture, and derives its sanctity from the Quran as the fountain from which it has emanated, which Muslims consider to be the Word of God, much like Christ is the Word of God in Christianity. The Quran has played a formative role in shaping the trinity of sacred Islamic art which is Quranic recitation, calligraphy and architecture. However, another approach which not only is viable but can be considered of great importance to the study of Islamic art, is the employment and utilisation of principles of Islamic philosophy and Sufism which were the pillars of the intellectual milieu in which a given work of art is produced. The application of such principles allows a more comprehensive and detailed interpretation of a work of art. In this paper, the primary Islamic philosophy and sufi doctrines that will be dis- cussed are the concepts of imagination, colour, and calligraphy and examples of their applica- tion in the khānqāh and shrine ensemble of Shaykh Ṣafi al-Din Ardabīlī in Ardabil, Iran. Keywords: Islamic art, philosophy, Sufism, Quran, imagination, colour, calligraphy, Shaykh Ṣafi al-Din Ardabīlī’s shrine ensemble Article history: The article was submitted on 03.10.2019 The article was accepted on 06.11.2020 For citation: Hasti Safavi.
    [Show full text]
  • Manual De Cine De Género
    Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina compilado por Hernán Moyano y Carina Rodríguez © 2015 - Sergio E. Salgueiro, para Fan Ediciones [[email protected]] 1ª edición: octubre 2015 - ISBN 978-987-33-8928-3 Impreso en el mes de octubre de 2015 en los talleres gráficos de Laiglón, Paso 769 - C.A.B.A. [4961-2223 / [email protected]] Queda hecho el depósito que establece la ley 11.723. Libro de edición argentina. No se per- mite la reproducción parcial o total, el almacenamiento, el alquiler, la transmisión o la trans- formación de este libro, en cualquier forma o por cualquier medio, sea electrónico o mecá- nico, mediante fotocopias, digitalización u otros métodos, sin el permiso previo y escrito del editor. Su infracción está penada por las leyes 11.723 y 25.446. Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina Alfonso Acosta ... [et al.] ; compilado por Carina Rodríguez; Hernán Moyano; ilustrado por Diego Garavano; Eduardo Santaella 1ª ed. - Buenos Aires: Fan Ediciones, 2015. 498 ps. - 14 x 20,5 cm. ISBN 978-987-33-8928-3 1. Cine. I. Acosta, Alfonso. II. Rodríguez, Carina, comp. III. Moyano, Hernán, comp. IV. Garavano, Diego, ilus. V. Santaella, Eduardo, ilus. CDD 778.5 Fecha de catalogación: 06/10/2015 Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina Compilado por Hernán Moyano y Carina Rodríguez Edición de textos Carina Rodríguez Ilustración de portada Eduardo Santaella Ilustraciones de interior Diego Garavano con el apoyo de Agradecimientos Hernán: A mi familia, Raúl Moyano, Dora Perri, Sabrina Moyano por creer en mí y apoyarme siempre.
    [Show full text]
  • Qadi-S and the Political Use of the Mazalim Jurisdiction Under the ’Abbasids Mathieu Tillier
    Qadi-s and the political use of the mazalim jurisdiction under the ’Abbasids Mathieu Tillier To cite this version: Mathieu Tillier. Qadi-s and the political use of the mazalim jurisdiction under the ’Abbasids. Christian Lange, Maribel Fierro. Public Violence in Islamic Societies: Power, Discipline, and the Construction of the Public Sphere, 7th–18th Centuries CE, Edinburgh University Press, pp.42-66, 2009. hal- 00587370v1 HAL Id: hal-00587370 https://hal.archives-ouvertes.fr/hal-00587370v1 Submitted on 21 Apr 2011 (v1), last revised 8 Aug 2011 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. GRAHAMS IMAC:Users:Graham:Public:GRAHAM'S IMAC JOBS:11654 - EUP - LANGE:EB0038 - LANGE TXT GRAHAMS IMAC:Users:Graham:Public:GRAHAM'S IMAC JOBS:11654 - EUP - LANGE:EB0038 - LANGE TXT 2 Qāḍīs and the political use of the maẓālim jurisdiction under the ʿAbbāsids Mathieu Tillier* The role of the maẓālim jurisdiction is generally regarded as threefold by present-day historians. As ordinary courts – all grievances could in theory be brought to the caliph – the maẓālim symbolized the discretion- ary authority vested in the ruler who could, at any time, exercise a power that he would ordinarily delegate to other judges.
    [Show full text]
  • Friday, Jan. 1
    Friday, Jan. 1 B = LIVE SPORTS MOVIES MOVIE PREMIERE EASTERN 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 11AM 11:30 CENTRAL 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 MOUNTAIN 2AM 2:30 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 PACIFIC 1AM 1:30 2AM 2:30 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 PREMIUM MOVIES Die Another Day (( (’02, Action) Pierce (:15) Mr. Mom ((6 (’83, Comedy) Michael (7:50) Tommy Boy (( (’95, WarGames ((( (’83, Suspense) Matthew (:25) Ghost SHO-E 318 Brosnan, Halle Berry ‘PG-13’ Keaton, Teri Garr ‘PG’ Comedy) Chris Farley ‘PG-13’ Broderick, Dabney Coleman ‘PG’ (’90) SHO-W 319 ¨Full Metal Jacket (’87) The Last of the Mohicans ((( (’92) ‘R’ Die Another Day (( (’02, Action) ‘PG-13’ (:15) Mr. Mom ((6 (’83, Comedy) ‘PG’ (10:50) Tommy Boy ¨Scary Stories to Tell (:05) Belushi (’20, Documentary) John Landis, (6:55) The Current War: Director’s (:40) Meet the Parents ((( (’00, Comedy) Meet the Fockers ((6 (’04, SHO2-E 320 in the Dark (’19) ‘PG-13’ Lorne Michaels ‘NR’ Cut (’19, Historical Drama) ‘PG-13’ Robert De Niro, Ben Stiller ‘PG-13’ Comedy) Robert De Niro ‘PG-13’ SHOBET 321 ¨She Hate Me (( (’04) ‘R’ Beneath a Sea of Lights (’20) Jim Sarbh ‘NR’ Against the Tide Surge (’20, Documentary) ‘NR’ (:15) The Express ((6 (’08, Biography) ‘PG’ SHOX-E 322 (:05) A Most Violent Year (’14) Oscar Isaac ‘R’ (:10) The Tuxedo (6 (’02, Comedy) ‘PG-13’ Top Gun ((( (’86, Action) Tom Cruise ‘PG’ Miami Vice (’06, Crime Drama) Colin Farrell ‘R’ SHOWTIME SHOS-E 323
    [Show full text]