Study Guide for Parents and Educators Welcome to Amazing Grace

Total Page:16

File Type:pdf, Size:1020Kb

Study Guide for Parents and Educators Welcome to Amazing Grace Study Guide for Parents and Educators Welcome to Amazing Grace Welcome to the Amazing Grace study guide. The musical, Amazing Grace, tells the un- known story behind the most famous song in history. The purpose of this guide is to help your students better understand the time period in which Amazing Grace is set, that of the Trans- Atlantic Slave Trade and Abolitionism. We hope Amazing Grace can be a great teaching tool by setting the scene and bringing to life the hardships and tribulations of this time period. In this guide you will find background material about the making of the musical, theater etiquette, a history of the song, a synopsis of the story, character backgrounds, historical material to aid in teaching about slavery and abolitionism, resources for deeper study, information about modern day slavery, and how to get involved. Table of Contents Theater Etiquette............................................................................................................................3 The Making of Amazing Grace......................................................................................................4 A Musical Is Born Amazing Grace, How Sweet the Sound The Spark The Creative Team Background.....................................................................................................................................9 Setting the Scene Get to Know the Characters History...........................................................................................................................................11 John Newton: Slave Trader to Abolitionist The Triangular Trade The Abolitionist Movement: It Begins in the Dark Modern Day Slavery......................................................................................................................16 Diving Deeper..............................................................................................................................18 Further Reading and Online Resources......................................................................................19 Theater Etiquette Welcome to the theater! This is a magical place where stories come alive before your eyes. You will be whisked away only to return once the story has come to an end. We invite you to turn off your rational brain to be seduced by the sights and sounds of stage before you. To fully enjoy this experience, allow the music from the Orchestra to tickle your ears and affect your heart beat. As the lights peel across the stage to create the mood, al- low your mood to follow. The curtain rises and the scene is set. You are now a fly on the wall along for the ride. Try to remain in this state of childlike wonder. The magic of the theater has now taken over and you are at its whim. Be careful...who knows where she’ll take you! It is important to understand that live theater is not like watching a movie or tv. What is happening on stage, while rehearsed, is different every night. The spontaneity of the the- ater is what makes it so engaging to watch. Everything is happening in the moment and no two shows are identical. As a part of the audience, you are an important character in the show. You create the energy in the room for the actors to feed from. In order to create a ripe setting for the actors to live and for you to experience the magic of live theater, we all must follow some simple etiquette rules: • Arrive On Time. If you are late you run the risk of disturbing a scene which has already started. • Turn Off Cell Phones and other noisy electronics. Unwrap Candies. Noises from the audience can distract the actors and other audience members. • Do Not send Text Messages during the show. • Do Not take Pictures during the performance. The flash and noise is a distraction. • Stay Seated during the performance. You can use the restroom and stretch your legs during intermission. • Do Not have side conversations during the performance. Find your seat and let the play begin! the Musical is Born A Note From the Director Amazing Grace is based on a true story about John Newton, the author of the most famous song in history but it is also a show about truth itself. The themes that echo throughout this dramatic tale include loss, grief, ego, redemption, and finding one’s true love by finding the truth within your self. It is a love story of many dimensions, between a boy and his childhood sweetheart, a father and his son as well as between a man and his faith. This is an epic tale of adventure on the high seas, which becomes a metaphor in itself, for the turbulence in John’s soul and heart. Storms from within and without. The production will depict the world, as it existed in the mid 18th century: dependent on the slave trade to fuel its economy and in denial about the true horrors of what it was doing on a human scale. The show will take the audience to all three points of the slave triangle, Eng- land, Africa, and Barbados and spend a number of scenes on board various ships at sea. All this, while making sure that above all, the audience’s imagination plays a part in the process and the spectacle. It is my aim to provide a rich theatrical environment in which this plot driven tale can un- fold and it is my goal and hope that the audience will ultimately become, not just engaged in the action of the show, but see themselves in these characters, and realize the undeniable relevance of this piece for our times. -Gabriel Barre, Director Amazing Grace, How Sweet the Sound “Amazing Grace”, the world’s most recognizable hymn, was written by ruthless slave trader turned abolitionist, John Newton. The hymn tells the story of a man suffering under the weight of his own cruelty who has a dramatic conversion where upon his eyes are opened to his own decrepit ways and to the grace and foregiveness that washed it all away. The verses were initially written in 1772 and were meant to be sung with any number of popular hymn tunes of the day. It wasn’t until 1835 in South Carolina that William Walker brought the tune “New Britain” to the words. This tune was among the many corporate tunes of the day but is now famously mar ried to the words of “Amazing Grace”. “Amazing Grace” was made popular in America during the Second Great Awakening, a time of increased religious fervor in the country. The hymn was referenced in Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, and was embraced by abolitionist forces. During the Civil War, the hymn inspired hope and revived suffering American spirits. A similar resurgence of the song came during the Vietnam war. It has - appeared on over 1,100 albums. It’s continual popularity is attributed to it’s power to transform and tran scend; it is a hymn for every man. - Amazing Grace, how sweet the sound, That saved a wretch like me. I once was lost but now am found, The Lord has promised good to me. Was blind, but now I see. His word my hope secures. He will my shield and portion be, T’was Grace that taught my heart to fear. As long as life endures. And Grace, my fears relieved. How precious did that Grace appear Yea, when this flesh and heart shall fail, The hour I first believed. And mortal life shall cease, I shall possess within the veil, Through many dangers, toils and snares A life of joy and peace. I have already come; ‘Tis Grace that brought me safe thus far and Grace will lead me home. by John Newton The Spark I have a habit of wandering the history section of libraries and book stores looking for interesting stories. One day I pulled a book off the shelf at random. The binding said “John Newton, His Autobiography.” Who was John Newton? I had no clue. But I had time to kill and so I sat and read. What unfolded before me was an epic story of love and loss, of harrowing storms and battles and the desperate struggle for the conscience of an entire country. The most remarkable thing about this man: He had written the lyrics to the most loved song of the last 300 years, Amaz- ing Grace. I couldn’t believe it, why hadn’t I heard of this guy? Then it hit me all at once. This could be a musical. A huge musical like Les Miz or Phantom. I could almost hear it. I went to my wife and laid out this crazy vision, I would write an epic musical based on the life of John Newton. The only problem was I didn’t know how to write a musical. She looked into my eyes and said that she believed I could do it. This was an important step because my wife is my best friend and any crazy adventure I go on she comes along to. We set off. I left my job as a policeman and youth education director and devoted myself to learning how to write a musical. I had some experience in music composition but for the most part this was a whole new craft. I didn’t have training but what I did have was a story I felt needed to be told. And when you feel really inspired by something it’s hard to give up. Looking back on it the fact that I had no expertise in this field gave me a lot of freedom to create what I feel is a new kind of musical. I wrote music I loved, inspired by Leonard Bernstein, Andrew Lloyd Webber, John Williams, Hans Zimmer. As for the book, I simply went back to the epic stories I loved as a kid: the films of George Lucas, Steven Spielberg and later Ron Howard. I grew up in the golden age of films that had it all: romance, humor, adventure, and pathos. So I said “why not put this all in a mu- sical?” Some time later I was connected with a producer, Carolyn Rossi Copeland, and the vision of seeing this musical on stage became more of a reality.
Recommended publications
  • The Two Conversions of John Newton: Politics & Christianity in the British
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2018 The woT Conversions of John Newton: Politics & Christianity in the British Abolitionist Movement Megan Keller Recommended Citation Keller, Megan, "The wT o Conversions of John Newton: Politics & Christianity in the British Abolitionist Movement" (2018). CMC Senior Theses. 1873. http://scholarship.claremont.edu/cmc_theses/1873 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 The Two Conversions of John Newton: Politics & Christianity in the British Abolitionist Movement Megan Keller April 23, 2018 2 ABSTRACT This thesis interrogated the relationship between British abolition and the eighteenth-century evangelical revival through the life of John Newton. Newton, though not representative of every abolitionist, was a vital figure in the abolitionist movement. His influence on Hannah More and William Wilberforce along with his contributions to the Parliamentary hearings made him a key aspect of its success. How he came to fulfill that role was a long and complex journey, both in terms of his religion and his understanding of slavery. He began his life under the spiritual direction of his pious, Dissenting mother, became an atheist by nineteen, and then an influential, evangelical minister in the Church of England in his later adulthood. In the midst of that journey, Newton was impressed, joined the crew of a slave ship, was himself enslaved, became a slave ship captain, and then, eventually, a fervent abolitionist. Though he was influenced by any people and ideas, his development of an evangelical Calvinistic theology seems to have driven him to ultimately condemn the slave trade.
    [Show full text]
  • William Wilberforce: Triumph Over Britain’S Slave Trade
    William Wilberforce: Triumph Over Britain’s Slave Trade Abigail Rahn Senior Division Historical Paper Words: 2499 Rahn 1 History has shown that the road to societal change is often paved with hardship and sorrow. The fight to end the British slave trade was a poignant example of the struggles to reach that change. The British slave trade thrived for over two centuries and was responsible for transporting 3.4 million slaves, mainly to Spanish, Portuguese, and British colonies.1 This horrific institution was permeated with misery, corruption, and cruelty. The conditions on the ships were abhorrent. The male captives were shackled together below deck, unable to move, and forced to lie in their own filth.2 The women were allowed some mobility and stayed on deck but were exposed to sexual harassment.3 Yet the appalling trade was “as accepted as birth and marriage and death.”4 It was not until William Wilberforce decided to combat slavery within Parliament that slaves had true hope of freedom. William Wilberforce’s campaign against the British slave trade, beginning in 1789, was a seemingly-endless battle against the trade’s relentless supporters. His faith propelled him through many personal tragedies for nearly two decades before he finally triumphed over the horrific trade. Because of Wilberforce’s faith-fueled determination, the slave trade was eradicated in the most powerful empire in the world. After the trade was abolished, Wilberforce fought for emancipation of all slaves in the British empire. He died just days after the House of Commons passed the act to free all slaves, an act that owed its existence to Wilberforce’s relentless fight against the slave trade.5 1Clarkson, Thomas.
    [Show full text]
  • Annotated Bibliography of African American Carillon Music by Tiffany Ng
    Revised February 20, 2020 Annotated Bibliography of African American Carillon Music by Tiffany Ng User’s Guide his comprehensive annotated bibliography lists carillon scores by African American composers and/or based on T African American music. While most of the items are published, a few are unpublished but in informal circulation, or are pending publication. Carillonneurs are invited to use this resource to identify music to perform and teach. Despite the length of this bibliography, there is currently only one published original carillon work by an African American composer. The vast majority of items are arrangements by White composers, and most of these arrange- ments are of spirituals, revealing an essentialization of African American music that omits major genres (ex. jazz, soul, and rhythm and blues, to name a few) and freezes musical development in the 19th century. These imbalances point to a serious need for the commissioning of original works by Black composers. This survey also reveals that there are only four original carillon works by Black women, all of which I helped com- mission. Furthermore, of the 55 carillon arrangements of works that can be attributed to specific composers, only seven arrangements (13%) are of works originally composed by women—Katherine Stockwell Hazzard and Florence Price. Carillonneurs seeking to commission composers are thus encouraged to explore the intersection of race and gender when identifying potential collaborators, and to ask colleagues of races and genders other than their own for outside referrals to composers who will diversify their collaborative relationships. The bibliography is arranged into five sections: 1) Original carillon works by African American composers (sorted by composer last name) 2) Arrangements of African American music (by title) 3) Arrangements of Scott Joplin’s works (by title)1 4) Arrangements of Florence Price’s works (by title) 5) Original carillon works honoring African American history, culture, and identity (by composer last name) Each entry follows the format below.
    [Show full text]
  • Amazing Grace
    GOODSPEED MUSICALS TEACHER’S INSTRUCTIONAL GUIDE Goodspeed’s Teacher’s Instructional Guide Instructional Teacher’s Goodspeed’s is madepossiblethroughthegenerosity of The Max Showalter Centerfor Education inMusical Theatre AMAZING GRACE The Norma Terris Theatre May 17 - June 10, 2012 _________ MUSIC AND LYRICS BY CHRISTOPHER SMITH BOOK BY ARTHUR GIRON Teacher’s Instructional Guide & CHRISTOPHER SMITH TABLE OF CONTENTS SCENIC DESIGN BY How To Use The Guides.......................................................................................3 BEOWULF BORITT ABOUT THE SHOW: COSTUME DESIGN BY Show Synopsis........................………………………………………………...4 TONI-LESLIE JAMES Character Summary.........................………………………………………..6 LIGHTING DESIGN BY Meet the Writers.........................................................................................7 KEN BILLINGTON Behind the Scenes: Creating the Set......................................................8 MUSIC DIRECTION BY JODIE MOORE BACKGROUND AND THEMATIC MATERIAL: Slavery...............................................…....…...…………………………….9 MUSIC SUPERVISION AND ARRANGEMENTS BY The Slave Trade......................…………....…………………………………10 KIMBERLY GRIGSBY Modern-Day Slavery..............……………..………………………………..12 FIGHT MOVEMENT John Newton.................…………………………………………….……….13 AND MILITARY DIRECTOR DAVID LEONG “Amazing Grace”...................................................................................15 LESSONS: CHOREOGRAPHED BY BENOIT-SWAN POUFFER Middle School Language Arts.....….………………………………..........16
    [Show full text]
  • The Transatlantic Slave Trade
    Raw materials (sugar, cotton, tobacco) BRISTOL NORTH EUROPE AMERICA High among these was the work of dedicated Manufactured campaigners such as Granville Sharp, Thomas The Transatlantic THE goods CARIBBEAN WEST Clarkson and William Wilberforce, who AFRICA challenged slave traders in the courts, in Parliament, at public meetings, in the press Slave Trade SOUTH AMERICA Slaves and from the pulpit. They were joined by a grass-roots movement of thousands of people from all walks of life, black and white, appalled by reports of the callous treatment Map of the slave trade routes of the slaves. Slavery has existed since ancient (Bristol Museums, Galleries and Archives). Evidence of this cruelty was gathered from times and continues in the modern many British sailors came down with fever. those with first-hand experience of the trade, They would aim to reach the Caribbean by world. A slave was defined by the including Olaudah Equiano, a former slave, the end of April the following year at sugar- and John Newton, writer of ‘Amazing Grace’ United Nations in 1927 as making time. and a former captain of a slave ship. Quobna someone ‘over whom any or all of Many profited from this lucrative trade, Ottobah Cugoano, a campaigner who had the powers attached to the right which contributed to Britain becoming one been kidnapped and sold into slavery in 1770 of ownership are exercised’. of the world’s wealthiest and most powerful at the age of 13, wrote in 1787: nations. However, on 25 March 1807 the Is it not strange to think, that they who ought Slave Trade Abolition Bill was passed and The Transatlantic Slave Trade, in which to be considered as the most learned and although slavery would officially continue in European states forcibly transported millions civilised people in the world, that they should the colonies until 1834, from this point in of African captives to the colonies, began in carry on a traffic of the most barbarous time no enslaved people could be traded in earnest in the early seventeenth century and cruelty and injustice, and that many..
    [Show full text]
  • “Amazing Grace” May 10, 2020
    “Amazing Grace” May 10, 2020 2537 Lee Road Cleveland Heights, OH 44118‐4136 Ephesians 2:8‐10 Telephone: 216‐321‐8880 Rev. Andy Call, Lead Pastor Website: www.COTSumc.org Our subject today is Grace. Some understanding of grace is common to all Christian movements. Grace is the loving kindness God shows toward us. All Christians understand grace to be a free gift offered by God that we neither earn nor deserve. The concept of grace is often associated with the great hymn by John Newton: “Amazing grace, how sweet the sound, that saved a wretch like me.” We were reminded of that tune in the inspiring prelude for our worship today that Bob Day played so beautifully. The concept of grace is not unique to Methodism or other Wesleyan expressions of faith. What is distinctive is how we understand it and apply it in our lives. I want to read to you from the Book of Discipline of The United Methodist Church. We have many negative associations with this book for various rules and restrictions we find tedious or even objectionable. And we often think about what we would like to change in the Book of Discipline to better fit our lived realities. But there are some inspiring and tremendously helpful passages in it, especially when it comes to describing our role in partnering with God in bringing hope and justice in the world. Drawing on our doctrinal heritage from the teachings of John Wesley and others, it defines grace as “the undeserved, unmerited, and loving action of God in human existence through the ever‐present Holy Spirit.” John Wesley understood grace to have three distinct expressions: prevenient, justifying, and sanctifying grace.
    [Show full text]
  • Amazing Grace: Exploring Right and Wrong
    AMAZING GRACE: EXPLORING RIGHT AND WRONG A Tapestry of Faith Program for Children 6th Grade BY RICHARD KIMBALL © Copyright 2008 Unitarian Universalist Association. This program and additional resources are available on the UUA.org web site at www.uua.org/tapestryoffaith. 1 TABLE OF CONTENTS ABOUT THE AUTHORS ...................................................................................................................................... 3 ACKNOWLEDGMENTS ...................................................................................................................................... 3 THE PROGRAM .................................................................................................................................................... 5 SESSION 1: INTRODUCING AMAZING GRACE: EXPLORING RIGHT AND WRONG ........................... 17 SESSION 2: CURIOUS FAITH ........................................................................................................................... 37 SESSION 3: BEING GOOD, BEING BAD ......................................................................................................... 51 SESSION 4: TELLING RIGHT FROM WRONG ............................................................................................... 63 SESSION 5: UNITARIAN UNIVERSALISM .................................................................................................... 75 SESSION 6: THE FIRST U .................................................................................................................................
    [Show full text]
  • The Abolition of the British Slave Trade Sofía Muñoz Valdivieso (Málaga, Spain)
    The Abolition of the British Slave Trade Sofía Muñoz Valdivieso (Málaga, Spain) 2007 marks the bicentenary of the Abolition of individual protagonists of the abolitionist cause, the Slave Trade in the British Empire. On 25 the most visible in the 2007 commemorations March 1807 Parliament passed an Act that put will probably be the Yorkshire MP William an end to the legal transportation of Africans Wilberforce, whose heroic fight for abolition in across the Atlantic, and although the institution Parliament is depicted in the film production of of slavery was not abolished until 1834, the 1807 Amazing Grace, appropriately released in Act itself was indeed a historic landmark. Britain on Friday, 23 March, the weekend of Conferences, exhibitions and educational the bicentenary. The film reflects the traditional projects are taking place in 2007 to view that places Wilberforce at the centre of commemorate the anniversary, and many the antislavery process as the man who came different British institutions are getting involved to personify the abolition campaign (Walvin in an array of events that bring to public view 157), to the detriment of other less visible but two hundred years later not only the equally crucial figures in the abolitionist parliamentary process whereby the trading in movement, such as Thomas Clarkson, Granville human flesh was made illegal (and the Sharp and many others, including the black antislavery campaign that made it possible), but voices who in their first-person accounts also what the Victoria and Albert Museum revealed to British readers the cruelty of the exhibition calls the Uncomfortable Truths of slave system.
    [Show full text]
  • Amazing Grace: the Story of John Newton
    Amazing Grace: The Story of John Newton “Amazing grace, how sweet the sound...” So begins one of the most beloved hymns of all times, a staple in the hymnals of many denominations, New Britain or “45 on the top” in Sacred Harp. The author of the words was John Newton, the self-proclaimed wretch who once was lost but then was found, saved by amazing grace. Newton was born in London July 24, 1725, the son of a commander of a merchant ship which sailed the Mediterranean. When John was eleven, he went to sea with his father and made six voyages with him before the elder Newton retired. In 1744 John was impressed into service on a man-of-war, the H. M. S. Harwich. Finding conditions on board intolerable, he deserted but was soon recaptured and publicly flogged and demoted from midshipman to common seaman. Finally at his own request he was exchanged into service on a slave ship, which took him to the coast of Sierra Leone. He then became the servant of a slave trader and was brutally abused. Early in 1748 he was rescued by a sea captain who had known John's father. John Newton ultimately became John Newton 1725-1807 captain of his own ship, one which plied the slave trade. Although he had had some early religious instruction from his mother, who had died when he was a child, he had long since given up any religious convictions. However, on a homeward voyage, while he was attempting to steer the ship through a violent storm, he experienced what he was to refer to later as his “great deliverance.” He recorded in his journal that when all seemed lost and the ship would surely sink, he exclaimed, “Lord, have mercy upon us.” Later in his cabin he reflected on what he had said and began to believe that God had addressed him through the storm and that grace had begun to work for him.
    [Show full text]
  • 2010S Hymn Title – Year(S) Sung
    1 Westminster Seminars January 2020 The Enduring Influence of Hymns in Protestant America Week 1 – The Congregation Singing: Memories, Responses, Legacies LONG-LASTING PRESBYTERIAN HYMNS 1940s – 2010s A record of hymns sung at Central Presbyterian Church, Anderson, South Carolina, in the 1940s mirrors many of the popular hymns now sung at Westminster Presbyterian Church, Pittsburgh, Pennsylvania. Westminster’s began singing these hymns at its founding in 1940s. Hymn choices from similar churches in the South and the North show us over 70 years of Presbyterian tradition in song. The Presbyterian Hymnal, Presbyterian Church in the United States (Southern), 1927. During the years 1945-1948, one copy of the hymnal includes dated notations of when a hymn was sung in worship by Sara Cathcart Ruhle, choir director, Central Presbyterian Church, Anderson, South Carolina. The following list includes the notated hymns that we still sing and the year(s) and the number of times the hymn was sung. The hymnal was the official denominational hymnal of the time, The Presbyterian Hymnal, Presbyterian Church in the United States (Southern), 1927. Hymn Title – Year(s) Sung – Times Sung The Church’s One Foundation – 1945-1948 – 14X My Hope Is Built on Nothing Less – 1945-1948 – 9X Holy, Holy, Holy – 1945-1948 – 8X (Hymn No. 1) Spirit of God, Descent Upon My Heart – 1946-1948 – 7X O for a Thousand Tongues to Sing – 1946-1948 – 7X O Worship the King – 1945-1948 – 7X Crown Him with Many Crowns – 1946-1948 – 6X Come, Thou Almighty King – 1945-1948 – 6X Beneath
    [Show full text]
  • Download a Pdf File of This Issue for Free
    Issue 81: John Newton: Author of “Amazing Grace” John Newton: Did You Know? Interesting and unusual facts about John Newton's life and times Newton the muse Did Newton inspire the writers of Europe's Romantic movement? Various critics have seen him as anticipating Blake's prophetic vision, or as a source for Coleridge's "Rime of the Ancient Mariner" or for episodes in Wordsworth's "Prelude." Man in the middle Even John Wesley recognized the role Newton played in forging a "center" for evangelical Christianity. He wrote to Newton, "You appear to be designed by Divine Providence for an healer of breaches, a reconciler of honest but prejudiced men, and an uniter (happy work!) of the children of God that are needlessly divided from each other." Yes, that's 216 welts When caught attempting to leave the Royal Navy, into which he had been impressed against his will, Newton was whipped 24 times with a cat-o'-nine-tails (similar to the whip in the eighteenth-century scene above). This was actually the lighter punishment for going absent without leave. He could have been hung for desertion. Those … blessed Yankees In June of 1775, after news of the first shots of the War of American Independence broke, Newton's Olney parishioners held an impromptu early-morning prayer meeting. Newton reported to Lord Dartmouth, Olney's Lord of the Manor and Secretary of State for the American Colonies, that between 150 and 200 people turned out at five o'clock in the morning. Newton spoke about the state of the nation, and for an hour the group sang and prayed together.
    [Show full text]
  • Amazing Grace: the Story of John Newton
    Amazing Grace: The Story of John Newton by Al Rogers This article is reprinted from the July-August 1996 issue of Away Here in Texas. "Amazing grace, how sweet the sound..." So begins one of the most beloved hymns of all times, a staple in the hymnals of many denominations, New Britain or "45 on the top" in Sacred Harp. The author of the words was John Newton, the self-proclaimed wretch who once was lost but then was found, saved by amazing grace. Newton was born in London July 24, 1725, the son of a commander of a merchant ship which sailed the Mediterranean. When John was eleven, he went to sea with his father and made six voyages with him before the elder Newton retired. In 1744 John was impressed into service on a man-of-war, the H. M. S. Harwich. Finding conditions on board intolerable, he deserted but was soon recaptured and publicly flogged and demoted from midshipman to common seaman. Finally at his own request he was exchanged into service on a slave ship, which took him to the coast of Sierra Leone. He then became the servant of a slave trader and was brutally abused. Early in 1748 he was rescued by a sea captain who had known John's father. John Newton ultimately became captain of his own ship, one which plied the slave trade. Although he had had some early religious instruction from his mother, who had died when he was a child, he had long since given up any religious convictions.
    [Show full text]