2019 Lyman Summer Reading List
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12
Oral history interview with Ann Wilson, 2009 April 19-2010 July 12 Funding for this interview was provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Ann Wilson on 2009 April 19-2010 July 12. The interview took place at Wilson's home in Valatie, New York, and was conducted by Jonathan Katz for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANN WILSON: [In progress] "—happened as if it didn't come out of himself and his fixation but merged. It came to itself and is for this moment without him or her, not brought about by him or her but is itself and in this sudden seeing of itself, we make the final choice. What if it has come to be without external to us and what we read it to be then and heighten it toward that reading? If we were to leave it alone at this point of itself, our eyes aging would no longer be able to see it. External and forget the internal ordering that brought it about and without the final decision of what that ordering was about and our emphasis of it, other eyes would miss the chosen point and feel the lack of emphasis. -
2020 Song Index
JULY 18 2020 SONG INDEX 1000 DOVES (Etrange Fruit, SACEM/BMG Music AVAILABLE (Music By Elevation Worship BLUEBERRY FAYGO (Lil Mosey Publishing Des- CHAMPAGNE NIGHT (WC Music Corp., ASCAP/ DIANA (Anthony Blagmon Publishing Designee, ENJOY YOURSELF (Bashar Jackson Publishing Publishing, SACEM/Michael Diamond Music, Publishing, BMI/Be Essential Songs, BMI/So ignee, BMI/Songs Of Universal, Inc., BMI/Callan Haywoodja Cut That Song, ASCAP/Warner- BMI/Bashar Jackson Publishing Designee, BMI/ Designee, BMI/Christoffer Buchardt Marcussen ASCAP/Kobalt Songs Music Publishing LLC, Essential Tunes, SESAC/Fellow Ships Music, Wong Publishing Designee, BMI/Franmar Music, Tamerlane Publishing Corp., BMI/RADIOBUL- Christian Combs Kim Porter Publishing, BMI/ Publishing Designee, BMI/Lucas Grob Publishing ASCAP/OWSLA TRAX, ASCAP/These Are Songs SESAC/Integrity Worship Music, ASCAP/Said BMI/Unidisc Music Inc., BMI/Sony/ATV Songs LETSPublishing, BMI/W.C.M. Music Corp., WC Music Corp., ASCAP/Kobalt Songs Music Designee, ASCAP/Kobalt Songs Music Publish- Of Pulse, ASCAP/Rami Productions AB, ASCAP/ And Done Music, ASCAP/SHOUT! Music Pub- LLC, BMI/ECAF Music, BMI/Epic/Solar, BMI/ SESAC/EKT Publishing, SESAC/Sllaight Music Publishing LLC, ASCAP/Black Fountain Music, ing LLC, ASCAP/BMG Gold Songs, ASCAP/ Sony/ATV Songs LLC, BMI/SG Songs World- lishing Australia, APRA/Capitol CMG Paragon, Warner-Tamerlane Publishing Corp., BMI/Boobie Publishing, SOCAN/Round Hill Songs BLS JV, ASCAP/Herbilicious Music, ASCAP/Copyright Excuse My French Music, ASCAP/WC Music wide, BMI), HL, DES 41 BMI), HL, CST 50 And DJ Songs, Inc., BMI/AX5 Songz, LLC, BMI), ASCAP/Songs Of Universal, Inc., BMI/Dat Damn Control), AMP, H100 76 ; RBH 42 Corp., ASCAP/W.C.M. -
Qatar Calls for More Support to Victims of Terrorism
INDEX BUSINESS QATAR | Page 1 QATAR 2, 16 COMMENT 14, 15 | Page 16 ARAB WORLD 3 BUSINESS 1-8 Banks should INTERNATIONAL 4-13 SPORTS 1-8 Environmental have 3-pronged Science Centre strategy to DOW JONES QE NYMEX monitors transition away hawksbill turtle 26,075.30 9,316.44 40.62 from Libor: +369.21 +91.64 +1.00 conservation +1.44% +0.99% +2.52% KPMG Qatar Latest Figures in Qatar published in QATAR since 1978 SATURDAY Vol. XXXXI No. 11606 July 11, 2020 Dhul-Qa’da 20, 1441 AH GULF TIMES www. gulf-times.com 2 Riyals Amir sends greetings Stunner of a stadium to governor-general of the Bahamas Qatar calls for His Highness the Amir Sheikh Tamim bin Hamad al-Thani and His Highness the Deputy Amir Sheikh Abdullah bin Hamad al-Thani sent more support yesterday cables of congratulations to Governor-General of the Commonwealth of the Bahamas Cornelius Alvin Smith on his country’s Independence Day. HE to victims the Prime Minister and Minister of Interior Sheikh Khalid bin Khalifa bin Abdulaziz al-Thani also sent a similar cable to Prime Minister Hubert Alexander Minnis. of terrorism MoPH reports 98,232 total Covid recoveries QNA aff ected by terrorism, such as the as- The Ministry of Public Health New York sistance it provided to Mosul in Iraq. (MoPH) yesterday reported 520 Qatar is a key supporter of the work of new confirmed cases of Covid-19 as the United Nations Investigative Team well as 961 recoveries in the last 24 to Promote Accountability for Crimes hours, bringing the total number of atar said that, in light of the Committed by ISIS (UNITAD), and people to have recovered from the exceptional circumstances re- Qatar is one of the strongest support- disease in Qatar to 98,232. -
Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge
Centre for Research in the Arts, Social Sciences and Humanities Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge Invited speakers CHARLOTTE BRUNSDON (Film Studies, University of Warwick) TERESA CASTRO (Universite Sorbonne Nouvelle - Paris 3) RICHARD COYNE (Architectural Computing, Edinburgh College of Art), ROLAND-FRANÇOIS LACK and (French Studies, UCL) STEVE PILE (Human Geography, The Open University) ANDREW PRESCOTT (Digital Humanities, King’s College London) MARK SHIEL (Film Studies, King’s College London) PETER VON BAGH (Film Historian and Director, Helsinki) Conveners FRANÇOIS PENZ (University of Cambridge) RICHARD KOECK (University of Liverpool) ANDREW SAINT (English Heritage) CHRIS SPEED (Edinburgh College of Art) www.crassh.cam.ac.uk/events/2473 Battersea Power Station and Nine Elms, 1966, Aerofilms Collection, English Heritatge 1966, Aerofilms and Nine Station Elms, Power Battersea Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) Acknowledgements Supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH), the Architecture Department, both at the University of Cambridge and the Arts and Humanities Research Council (AHRC). Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) | Alison Richard Building | 7 West Road Cambridge CB3 9DT | UK | www.crassh.cam.ac.uk Cinematic Urban Geographies Cinematic Urban Geographies 3 & 4 October 2013 at CRASSH (SG1&2) Conveners François Penz (Architecture Department, University of Cambridge) Co-Conveners Richard Koeck (School of Architecture, University of Liverpool) Chris Speed (Edinburgh College of Art) Andrew Saint (English Heritage) Summary The Cinematic Urban Geographies conference aims to explore the di!erent facets by which cinema and the moving image contribute to our understanding of cities and their topographies. -
NIC and VIV's COMPULSORY COURTSHIP Will Mcintosh
NIC AND VIV'S COMPULSORY COURTSHIP Will McIntosh Will McIntosh (@willmcintoshSF and http://www.willmcin - tosh.net) lives in Williamsburg, Virginia, with his wife and their twins. The author was a psychology professor before turning to writ ing full time. He is a Hugo award winner and finalist for the Nebula and other SF/F awards. Will has published eight novels and around fifty short stories—in Asimov’s (where he won Reader’s Awards in 2010 and 2013), Lightspeed, Science Fiction and Fantasy: Best of the Year, and elsewhere. In his new story, Will explores the complications that may arise as humans and AIs learn to live together. One From across Viv’s dining table on the thirty-ninth floor of Lavender Tower, Ferruki raised his wine glass and said, “Here’s to living in one of the best places on Earth, during one of the best times, and sharing it with the perfect woman.” Viv clinked his glass and took a sip. “I love that you add those qualifiers. One of the best places. It drives me crazy when people say things like, ‘She’s the greatest singer who ever lived.’ Really? The greatest who ever lived? And you listened to recordings of every singer in the history of the world to reach that conclusion?” Viv raised a finger. “Except you didn’t qualify me . You should have said ‘sharing it with one of the best women,’ or something like that.” “That’s true,” Ferruki said. “I love how clear-eyed you are in approaching this rela - tionship. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
August 2020 Issue
THE HARBINGER Empowering young minds through information Miami Lakes Educational Center August 2020 ~ Vol. XXII No. 1 5780 NW 158th St Miami Lakes, FL Miami Week Of Welcome: “Ready, Set, MSO!” waking up at their usual time to “I expect the first week of time to begin the process of trict officials have also recom- By Aileen Delgado reunite with their classmates; to be about situating ourselves and aggregating the necessary data. mended that students wear their @aileenedu instead, high school will begin working on being able to com- “There continue to be uniforms at home, to achieve After months of un- at 8:30, an hour and ten min- municate smoothly with teachers. challenges for all of us. Students, “a greater sense of normalcy.” certainty, a surge in COVID-19 utes later. Instead of navigating It can get hard especially with parents, teachers, and district Regardless of how much infections and public debates, through the school campus, to teachers who may not be techno- personnel would all like to feel teachers and district officials push Miami-Dade County Public the right classroom in the cor- logically inclined,” she continued. 100 percent secure as we move for a smooth opening of schools, Schools (MDCPS) will begin rect building, Jaguars will open With an updated bell forward, but we are utilizing a it will feel far from normal. the 2021 school year online. up a laptop and click to attend schedule and an unfamiliar on- technological medium to deliver “The past several months After days of parent in- a scheduled virtual meeting. -
Stonewalls & Cellarholes
stonewalls & cellarholes A GUIDE FOR LANDOWNERS ON HISTORIC FEATURES AND LANDSCAPES IN VERMONT’S FORESTS Authors: Robert Sanford is a District Coordinator for the Vermont Environmental Board and teaches anthropology at the Community College of Vermont. Don and Nina Huffer are consultant foresters. Contributors: Tom Neumann is a consulting archaeologist who is now based in Georgia. Giovanna Peebles is the Vermont State Archaeologist. Mary Butera is a student at the Community College of Vermont and librarian of the South Londonderry Free Library. Dave Lacy is Forest Archaeologist for the Green Mountain National Forest. Photo credits: John Barrows, Wes Guyette, Don Huffer, Nina Huffer, Brian MacDonald, Jay Maciejowski, Gary Salmon, Robert Sanford, Lisa Stuhlmuller. Cover Photos: Gideon Ricker Farm, Then and Now, Waterbury, VT Acknowledgements: The authors thank Melissa Currier, Gary Salmon and Janis Murcic for their assistance with this project. Editing and layout by Ginger Anderson This is a project of the Vermont Forest Stewardship Program Vermont Agency of Natural Resources Department of Forests, Parks, and Recreation 103 South Main Street Waterbury, VT 05671-0601 The Agency of Natural Resources is an equal opportunity Agency and offers all persons the benefit of participating in each of its programs and competing in all areas of employment regardless of race, color, religion, sex, national origin, age, disability, sexual preference, or other non-merit factors. This document is available upon request in large print, braille and audio cassette. 1994-VGA Single Copy Price 1995-Revision $3.00 No reproduction of this material without acknowledgement. Stonewalls and Cellarholes: A Guide for Landowners on Historic Features and Landscapes in Vermont’s Forests Contents Introduction ......................................................................................................... -
Love You to Death Kaleigh Longe
Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-13-2017 Love You to Death Kaleigh Longe Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Fiction Commons Recommended Citation Longe, Kaleigh. (2017). Love You to Death. In BSU Honors Program Theses and Projects. Item 221. Available at: http://vc.bridgew.edu/ honors_proj/221 Copyright © 2017 Kaleigh Longe This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Love You to Death Kaleigh Longe Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 13, 2017 Dr. Lee Torda, Thesis Director Dr. James Crowley, Committee Member Dr. Ann Brunjes, Committee Member 1 Chapter One Street corners are waiting places. A throng of faceless people wait for the angry red hand across the street to give way to a luminescent white stick figure, granting them safe passage across a sea of black pavement. The woman in the yellow taxi that sits doubles parked with its flashers on waits for a call from her boyfriend. They’re fighting. Inside the Corner Bistro, aptly named, the head chef waits for his favorite line cook to come back from her smoke break in the side alley. Waiting, waiting . waiting. I do a lot of waiting myself. My job, like so many things in this world, is all about timing. And in about ten seconds, it’ll be time for me to do my job. Ten. -
Brandi Daniels, NYCFC Representative
January 29th 2020 VOL 3 ISSUE 3 By Sheena Luke On Monday, January 18th, 2021, the New York City Football Club (NYCFC) hosted a Poetry Workshop in honor of Martin Luther King Jr. Day. The purpose of the event was to empower and educate youth on Martin Luther King Jr.'s work and its relevance to today. Panelists/Co-hosts at the event included James Gnatt, Damien Tillman, Heather Butts, Brandi Daniels, Tony Rocha, Michael Blake, and Joneé Billy. Damien Tillman, co-host of the event, posed questions related to youth empowerment to the panelists. In addition to brainstorming what the youth could do to advocate for their futures, the group addressed big issues facing the nation today. One of the topics discussed during the event was the need for equal access to a proper education throughout the nation. By understanding and addressing an issue, the solution will become easier to achieve. In light of this, it is imperative to speak about significant topics with the youth. “I think having the ability to get educated, across the board no matter where you live is something that needs to be better established in the country.” - Tony Rocha, New York Football Club First Team Player. The poetry workshop took place after the panel. It was an opportunity for the youth to express themselves through their own literary work that they could share with others. I contacted panelists Heather Butts and Brandi Daniels so that they could provide more insight on the event and their hopes for future events. Brandi Daniels, NYCFC Representative Though you enjoyed helping people and giving back to the community as a kid, what truly made you want to pursue this as your career and life profession? "There comes a time where you're asked, 'What do you want to do with your life?' And, when I was a teenager, my life was soccer. -
Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 8, 2021 Page 1 of 29 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top •Country Morgan Albums Wallen’s chart dated April 18. In itsLeads first week (ending AprilHot 9), it 100 for 8th Week, earned‘Dangerous’ 46,000 equivalent Hits album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingEighth to Nielsen Week at Music/MRC No. Data. The Weeknd’sand total Country ‘Blinding Airplay No. 1 as “Catch” (BigLights’ Machine Label Group) ascends Southside1 on Billboard marks 200 Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart andAlbums fourth Chart top 10. It follows freshman LP Marks a Year in TopYoung’s first 10 of six chart entries, “Sleep With- Montevallo, which arrived at the summit in No - out You,” reached No. 2 in December 2016. He • New Annenberg vember 2014 and reigned for nine weeks. To date, BY GARY TRUST followed with the multiweek No. 1s “In Case You MontevalloStudy hasShows earned ‘No 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionMeaningful’ in album Changesales. -
Zoning Code Shall Be Known and May Be Designated As the “City of Coldwater Zoning Code” and Shall Be Referred to Hereinafter As “This Zoning Code.” 2
City of Coldwater Zoning Ordinance Effective January 4, 2021 Intentionally Blank Formatting, organization, graphics & design © 2020 Giffels Webster. All rights reserved. Giffels Webster’s Clearzoning® Ordinance : It’s Your Code, Only Better™ Table of Contents Table of Contents with Sections 4 How to Use this Ordinance 7 Article 1.0 Purpose and Introduction 1-1 Intentionally Blank Article 2.0 Definitions 2-1 Article 3.0 Zoning Districts 3-1 Article 4.0 Use Standards 4-1 Article 5.0 Site Standards 5-1 Article 6.0 Development Procedures 6-1 Article 7.0 Administration, Appeals and Enforcement 7-1 Formatting, organization, graphics & design © 2020 Giffels Webster. All rights reserved. Giffels Webster’s Clearzoning® Ordinance : It’s Your Code, Only Better™ Adopted: December 14, 2020 3 Table of Contents with Sections How To Use This Ordinance 1. Content and Organization 2. Symbols and User Notes 3. Reading This Ordinance 4. Use Matrix 5. Development Standards by District Zoning Map Article 1 - Purpose and Intent 1.1 Title 1-3 1.2 Purpose 1-3 1.3 Scope 1-3 1.4 Separability 1-3 1.5 Effective Date 1-3 Article 2 - Definitions 2.1 Meaning of Words and Phrases 2-4 2.2 Definitions 2-4 Article 3 - Zoning Districts 3.1 Established Districts 3-3 3.2 Zoning Map 3-28 3.3 District Boundaries 3-28 3.4 Areas not Included Within A District 3-28 3.5 R-3, A-1 and A-2 One and Two-Family Residential District Standards 3-29 3.6 A-3 Multi-Family Residential District Regulations 3-30 3.7 C-1 Community Business District Standards 3-30 3.8 C-3 Highway Commercial District