Socratic Piety and the State
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SGR VERY Final Version
PLATO’S EXPLANATORY PREDICATION A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Saul Gordon Rosenthal January 2011 © 2011 Saul Gordon Rosenthal All rights reserved PLATO’S EXPLANATORY PREDICATION Saul Gordon Rosenthal, Ph. D. Cornell University 2011 One of the most classic puzzles in Plato’s metaphysics is how to interpret his apparently self-predicational language. Plato seems committed, at least in his middle dialogues, to the view that for all forms, the form of F “is F”. For instance, he seems to say that the form of largeness itself “is large”, and to generalize this claim to all forms. Commentators have struggled to find an interpretation of such claims that is consistent with Plato’s text and that attributes to Plato a view with some plausibility. One aim of this dissertation is to show that we have good reason to doubt all of the most influential interpretations offered by commentators. The views discussed include Narrow Self-Predication, the Tautologous Identity view, two Non- Tautologous Identity views, the Pauline Predication view, Broad Self-Predication, and a view distinguishing different kinds of predication. It is doubtful whether any of these interpretations correctly captures Plato’s self-predicational commitments. Another aim of the dissertation is to argue that the textual evidence most often thought to commit Plato to the Self-Predication Assumption (SP), that for all forms, the form of F is itself an F thing, is insufficient to establish such a commitment. One chapter focuses on Plato’s repeated discussion of the resemblance between form and participant. -
The Song Elite's Obsession with Death, the Underworld, and Salvation
BIBLID 0254-4466(2002)20:1 pp. 399-440 漢學研究第 20 卷第 1 期(民國 91 年 6 月) Visualizing the Afterlife: The Song Elite’s Obsession with Death, the Underworld, and Salvation Hsien-huei Liao* Abstract This study explores the Song elite’s obsession with the afterlife and its impact on their daily lives. Through examining the ways they perceived the relations between the living and the dead, the fate of their own afterlives, and the functional roles of religious specialists, this study demonstrates that the prevailing ideas about death and the afterlife infiltrated the minds of many of the educated, deeply affecting their daily practices. While affected by contem- porary belief in the underworld and the power of the dead, the Song elite also played an important role in the formation and proliferation of those ideas through their piety and practices. Still, implicit divergences of perceptions and practices between the elite and the populace remained abiding features under- neath their universally shared beliefs. To explore the Song elite’s interactions with popular belief in the underworld, several questions are discussed, such as how and why the folk belief in the afterlife were accepted and incorporated into the elite’s own practices, and how their practices corresponded to, dif- fered from, or reinforced folk beliefs. An examination of the social, cultural, * Hsien-huei Liao is a research associate in the Department of East Asian Languages and Civilizations at Harvard University, U.S.A. 399 400 漢學研究第20卷第1期 and political impact on their conceptualization of the afterlife within the broad historical context of the Song is key to understand their beliefs and practices concerning the underworld. -
Russian Orthodoxy and Women's Spirituality In
RUSSIAN ORTHODOXY AND WOMEN’S SPIRITUALITY IN IMPERIAL RUSSIA* Christine D. Worobec On 8 November 1885, the feast day of Archangel Michael, the Abbess Taisiia had a mystical experience in the midst of a church service dedicated to the tonsuring of sisters at Leushino. The women’s religious community of Leushino had recently been ele vated to the status of a monastery.1 Conducting an all-women’s choir on that special day, the abbess became exhilarated by the beautiful refrain of the Cherubikon hymn, “Let us lay aside all earthly cares,” and envisioned Christ surrounded by angels above the iconostasis. She later wrote, “Something was happening, but what it was I am unable to tell, although I saw and heard every thing. It was not something of this world. From the beginning of the vision, I seemed to fall into ecstatic rapture Tears were stream ing down my face. I realized that everyone was looking at me in astonishment, and even fear....”2 Five years later, a newspaper columnistwitnessedasceneinachurch in the Smolensk village of Egor'-Bunakovo in which a woman began to scream in the midst of the singing of the Cherubikon. He described “a horrible in *This book chapter is dedicated to the memory of Brenda Meehan, who pioneered the study of Russian Orthodox women religious in the modern period. 1 The Russian language does not have a separate word such as “convent” or nunnery” to distinguish women’s from men’s monastic institutions. 2 Abbess Thaisia, 194; quoted in Meehan, Holy Women o f Russia, 126. Tapestry of Russian Christianity: Studies in History and Culture. -
Plato's "Euthyphro"
24.231 Ethics – Handout 1 Plato, “The Euthyphro” I. Plato’s Dialogue Plato’s Question: What is it to be pious? - He is not looking for a list of things that are pious - He is not looking for a property that (even all) pious things have. Euthyphro’s (best?) answer: To be pious is to be loved by all the gods. Plato’s Argument against Euthyphro’s answer: Perhaps all and only those things/actions that are loved by the gods are pious. But why is that? Are pious things loved by the gods because they are pious, or are they pious because they are loved by the gods? Socrates and Euthyphro agree that they must be loved by the gods because they are pious. But, says Socrates, in that case, being pious cannot be the same thing as being god-beloved. Because something that is god-beloved is so because it is loved by the gods. But something that is pious isn’t so because it is loved by the gods; rather, it is loved by the gods because it is pious. Being loved by the gods causes god-belovedness, but being loved by the gods does not cause piety. So god-belovedness and piety cannot be the same thing. (This kind of argument will be relevant again in the selection from Moore that we’re reading for Wednesday.) II. The “Euthyphro Problem” Socrates’ question about whether what’s loved by the gods is pious because it is loved by them, or loved by them because it is pious, forms the lynchpin of an important contemporary debate about what moral philosophers call “Divine Command Theory.” According to DCT, morally good actions are good because they are commanded by God. -
Agorapicbk-17.Pdf
Excavations of the Athenian Agora Picture Book No. 17 Prepared by Mabel L. Lang Dedicated to Eugene Vanderpool o American School of Classical Studies at Athens ISBN 87661-617-1 Produced by the Meriden Gravure Company Meriden, Connecticut COVER: Bone figure of Socrates TITLE PAGE: Hemlock SOCRATES IN THE AGORA AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1978 ‘Everything combines to make our knowledge of Socrates himself a subject of Socratic irony. The only thing we know definitely about him is that we know nothing.’ -L. Brunschvicg As FAR AS we know Socrates himselfwrote nothing, yet not only were his life and words given dramatic attention in his own time in the Clouds of Ar- istophanes, but they have also become the subject of many others’ writing in the centuries since his death. Fourth-century B.C. writers who had first-hand knowledge of him composed either dialogues in which he was the dominant figure (Plato and Aeschines) or memories of his teaching and activities (Xe- nophon). Later authors down even to the present day have written numerous biographies based on these early sources and considering this most protean of philosophers from every possible point of view except perhaps the topograph- ical one which is attempted here. Instead of putting Socrates in the context of 5th-century B.C. philosophy, politics, ethics or rhetoric, we shall look to find him in the material world and physical surroundings of his favorite stamping- grounds, the Athenian Agora. Just as ‘agora’ in its original sense meant ‘gathering place’ but came in time to mean ‘market place’, so the agora itself was originally a gathering place I. -
Pilgrimage Processions, Religious Sensibilities and Piety in the City Of
Pilgrimage Processions, Religious Sensibilities and Piety in the City of Acre in the Latin Kingdom of Jerusalem Peregrinaciones, sensibilidades religiosas y piedad en la ciudad de Acre del Reino latino de Jerusalén Peregrinações, sensibilidades religiosas e piedade na cidade de Acre do Reino Latino de Jerusalém Shlomo LOTAN1 Resumen: Después de la caída de Jerusalén en 1187, Acre se convirtió en la capital formal de la cruzada de la cristiandad. Durante el siglo XIII, se convirtió en lugar de peregrinaje para los cristianos, quienes, a su vez, enriquecieron la ciudad con las ceremonias religiosas que aportaron. Esta procesión se ha denominado Perdón de Acre y ha contribuido notablemente al entendimiento que hoy tenemos de los lugares religiosos y de los grupos militares situados en la Acre franca. Es por ello que en este ensayo pretendo revisitar estos eventos para aportar nueva luz a la comprensión de los lugares religiosos, peregrinaciones y grupos militares que participaron en tan señalado momento. Palabras clave: Cruzadas – Reino latino de Jerusalén – Acre – Peregrinación – Órdenes militares – Hospitalarios – Templarios – Orden Teutónica. Abstract: After the fall of Jerusalem in 1187, Acre became the formal capital of the Crusader Kingdom. During the 13th century, it became a pilgrimage site for many Christian pilgrims, who enriched the city with their religious ceremonies. Such as a procession called the Pardon d'Acre, which contributed greatly to our understanding of the religious places and military compounds in Frankish Acre. In this essay, I link the religious ceremonies that took place in Acre with the passages among the locations mentioned therein. All these contributed to the revival of the historical and religious space in medieval Acre. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
The Seven Deadly Sins
THE SEVEN DEADLY SINS "The lesson writ in red since first time ran, A hunter hunting down the beast in man; That till the chasing out of its last vice, The flesh was fashioned but for sacrifice." GEORGE MEREDITH xenrht IDas h<mtmi(# Snjferbta, /mJ/i S—^5^T\ ~t{?H placcOjjfltKeo dmti mmtsi^/a mi/'i. s* / PRIDE. (After Goltziits.) [Frontispiece. THE SEVEN DEADLY SINS BY FREDERICK ROGERS A. H. BULLEN 47, GREAT RUSSELL STREET, LONDON, W.C. I907 TO ARTHUR C. HAYWARD WITH WHOM I HAVE READ MANY BOOKS AND FROM WHOM I HAVE HAD MUCH FRIENDSHIP I DEDICATE THESE PAGES CONTENTS INTRODUCTION LIST OF SINS AND VIRTUES WORKS OF MERCY, SPIRITUAL GIFTS, AND PENITENTIAL PSALMS PAGE CHAPTER I. THE SINS AND THE CHURCH 1 CHAPTER II. THE SINS AND RELIGIOUS DRAMA - 11 CHAPTER III. THE SINS AND SOCIAL REVOLT - r 29 CHAPTER IV. THE SINS IN COMMON LIFE - 44 CHAPTER V. THE SINS AND THE REFORMATION - - 62 CHAPTER VI. THE SINS AND THE ELIZABETHANS - - 74 CHAPTER VII. EXEUNT THE SINS ----- - 98 ILLUSTRATIONS PRIDE (after Goltzws) . FRONTISPIECE TO FACE PAGE PRIDE (after De Vos) . 8 LECHERY „ . 18 ENVY „ • 32 WRATH „ . 42 COVETOUSNESS „ . 58 GLUTTONY „ .70 SLOTH „ . 80 WRATH (after Peter Brueghil) . : . 88 AVARICE „ . IOO INTRODUCTION HE business of literature is the presentation Tof life, all true literature resolves itself into that. No presentation of life is complete without its sins, and every master of literary art has known it, from the poet King of Israel to Robert Browning. The imagination of the Middle Ages, in many ways more virile and expansive than our own, had a strong grasp of this fact, and realised that it is the sense of fault or error that lies at the root of every forward movement, that there is no real progress unless it is accompanied by a sense of sin. -
Plato the ALLEGORY of the CAVE Republic, VII 514 A, 2 to 517 A, 7
Plato THE ALLEGORY OF THE CAVE Republic, VII 514 a, 2 to 517 a, 7 Translation by Thomas Sheehan THE ALLEGORY OF THE CAVE SOCRATES: Next, said I [= Socrates], compare our nature in respect of education and its lack to such an experience as this. PART ONE: SETTING THE SCENE: THE CAVE AND THE FIRE The cave SOCRATES: Imagine this: People live under the earth in a cavelike dwelling. Stretching a long way up toward the daylight is its entrance, toward which the entire cave is gathered. The people have been in this dwelling since childhood, shackled by the legs and neck..Thus they stay in the same place so that there is only one thing for them to look that: whatever they encounter in front of their faces. But because they are shackled, they are unable to turn their heads around. A fire is behind them, and there is a wall between the fire and the prisoners SOCRATES: Some light, of course, is allowed them, namely from a fire that casts its glow toward them from behind them, being above and at some distance. Between the fire and those who are shackled [i.e., behind their backs] there runs a walkway at a certain height. Imagine that a low wall has been built the length of the walkway, like the low curtain that puppeteers put up, over which they show their puppets. The images carried before the fire SOCRATES: So now imagine that all along this low wall people are carrying all sorts of things that reach up higher than the wall: statues and other carvings made of stone or wood and many other artifacts that people have made. -
BMC 13 - Georg Philipp Telemann (1681-1767): Orchestral Music
BMC 13 - Georg Philipp Telemann (1681-1767): Orchestral Music Born in Magdeburg in 1681, Telemann belonged to a family that had long been connected with the Lutheran Church. His father was a clergyman, his mother the daughter of a clergyman, and his elder brother also took orders, a path that he too might have followed had it not been for his exceptional musical ability. As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus) two years later to the consternation of his family (particularly his mother's side), who disapproved of music. However, such resistance only reinforced his determination to persevere in his studies through transcription, and modeling his works on those of such composers as Steffani, Rosenmüller, Corelli and Antonio Caldara. After preparatory studies at the Hildesheim Gymnasium, he matriculated in Law (at his mother's insistence) at Leipzig University in 1701. That he had little intention of putting aside his interest in music is evident from his stop at Halle, en route to Leipzig, in order to make the acquaintance of the young Handel, with whom he was to maintain a lifelong friendship. It was while he was a student at Leipzig University that a career in music became inevitable. At first it was intended that he should study language and science, but he was already so capable a musician that within a year of his arrival he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater; in 1703 he became musical director of the Leipzig Opera, and was appointed Organist at the Neue Kirche in 1704. -
Gregory Vlastos
Gregory Vlastos: A Preliminary Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Vlastos, Gregory, 1907-1991 Title: Gregory Vlastos Papers Dates: circa 1930s-1991 Extent: 100 document boxes (42.00 linear feet) Abstract: The papers of philosopher Gregory Vlastos, a scholar of ancient Greek philosophy who spent most of his career studying the thought of Plato and Socrates, document his studies, his writings, and his career as an educator at several American universities. Call Number: Manuscript Collection MS-4361 Language: English, with Ancient Greek, French, German, Italian, Latin, Modern Greek, and Spanish Access: Open for research Administrative Information Acquisition: Gifts, 1993-2010 (G9070, G9134, G9163, G9225, G9252, G9628, G9979, G9982, G10214, G10288, G11877, 10-03-014-G) Processed by: Hope Rider, 2006; updated by Joan Sibley, 2016 Repository: The University of Texas at Austin, Harry Ransom Center Vlastos, Gregory, 1907-1991 Manuscript Collection MS-4361 Scope and Contents The papers of philosopher Gregory Vlastos (1907-1991), a scholar of ancient Greek philosophy who spent most of his career studying the thought of Plato and Socrates, document his studies, his writings, and his career as an educator at several American universities, especially Cornell, Princeton, and The University of California at Berkeley. The papers are arranged in six series: I. Correspondence and Offprint Files, II. Study, Lecture, and Teaching Files, III. Works, IV. Works by Others, V. Miscellaneous, and VI. Offprints Removed from Manuscripts. The Correspondence and Offprint Files (35 boxes) in Series I. represent Vlastos' extensive correspondence with other philosophers, classicists, former students, academics, and others. The files are arranged alphabetically by correspondent name, and generally include not only letters received, but copies of Vlastos' responses. -
Plato's Critique of Injustice in the Gorgias and the Republic
Plato's critique of injustice in the Gorgias and the Republic Author: Jonathan Frederick Culp Persistent link: http://hdl.handle.net/2345/972 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2008 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Political Science PLATO’S CRITIQUE OF INJUSTICE IN THE GORGIAS AND THE REPUBLIC a dissertation by JONATHAN FREDERICK CULP submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2008 © Copyright by JONATHAN FREDERICK CULP 2008 Plato’s Critique of Injustice in the Gorgias and the Republic Jonathan Frederick Culp Advisor: Professor Christopher Bruell No rational decision can be made concerning how to live without confronting the problem of justice—both what it is and whether it is good to be just. In this essay I examine Plato’s articulation of these problems in the Gorgias and the Republic. Through detailed analyses of Socrates’ exchanges with several interlocutors, I establish, first, that despite some real and apparent differences, all the interlocutors share the same fundamental conception of justice, which could be called justice as fairness or reciprocal equality (to ison). The core of justice lies in refraining from pleonexia (seeking to benefit oneself at the expense of another). Second, according to this view, the practice of justice is not intrinsically profitable; it is valuable only as a means to the acquisition or enjoyment of other, material goods. This conception thus implies that committing successful injustice is often more profitable than being just.