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Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station -
Ama 2015-Winning
This is not an open public ballot. Only approved AMA voters. If you would like to be considered, please send an email request to [email protected]. Ballots must be received by DECEMBER 14, 2015. Please drop ballots off to Scott Stamper at The Saint, 601 Main Street, Asbury Park, NJ, email your responses to [email protected] or [email protected] or send overnight to ASBURY MUSIC COMPANY, PO Box 427, BELMAR, NJ 07719. 2015 ASBURY MUSIC AWARDS WINNERS TOP YOUNG BAND (UNDER 21) TOP MALE SOLO/ACOUSTIC ACT TOP FEMALE SOLO/ACOUSTIC ACT CORRINA, CORRINA CHRIS BROWN RENEE MASKIN TOP MALE VOCALIST TOP FEMALE VOCALIST TOP JAM GROOVE/FUNK BAND RON SANTEE DESEREE SPINKS EASTBOURNE THE BATTERY ELECTRIC DES & THE SWAGMATICS TOP R&B/SOUL BAND TOP AVANT-GARDE ACT TOP INDIE ROCK BAND THE SHADY STREET SHOW BAND ACCIDENTAL SEABIRDS DENTIST TOP ALT ROCK BAND TOP INDIE FOLK BAND TOP GARAGE/SURF BAND BONE AND MARROW THOMAS WESLEY STERN BLACK FLAMINGOS TOP HEAVY/PROG ROCK TOP AMERICANA TOP POP/ROCK BAND NEGATIVE SKY THOMAS WESLEY STERN DEAL CASINO TOP PUNK BAND TOP ROCK BAND TOP GUITARIST THE BATTERY ELECTRIC BRENT OVAR BERGHOLM HOT BLOOD THE BATTERY ELECTRIC TOP BASSIST TOP DRUMMER TOP KEYBOARD PLAYER ALEX ROSEN KEVIN GROSSMAN MATT WADE THE BATTERY ELECTRIC WE USED TO CUT THE GRASS, MATT WADE BAND HOMELESS APIANS, EKJ TOP MULTI-INSTRUMENTALIST TOP HORN PLAYER TOP LIVE PERFORMANCE IAN GRAY TROMBONE CRANSTON DEAN WE USED TO CUT THE GRASS/SWIFT TECHNIQUE DEAL CASINO CRANSTON DEAN BAND BILLY WALTON BAND/WHOAPHAT BRASS BAND/ KARMIC JUGGERNAUT/REMEMBER JONES -
Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected]
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2014 The niU versal Roar: Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the American Studies Commons Recommended Citation Balserait, Jason, "The nivU ersal Roar: Walt Whitman, John Muir, and the Song of the Cosmos" (2014). Master of Liberal Studies Theses. 54. http://scholarship.rollins.edu/mls/54 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Universal Roar: Walt Whitman, John Muir, and the Song of the Cosmos A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Jason A. Balserait May, 2014 Mentor: Dr. Steve Phelan Reader: Dr. Joseph V. Siry Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Acknowledgements There are a number of people who I would like to thank for making this dream possible. Steve Phelan, thank you for setting me on this path of self-discovery. Your infectious love for wild things and Whitman has changed my life. Joe Siry, thank you for support and invaluable guidance throughout this entire process. Melissa, my wife, thank you for your endless love and understanding. I cannot forget my two furry children, Willis and Aida Mae. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Boston Symphony Orchestra Concert Programs, Season 127, 2007
hr»"«r^"9 m \ ^HONY gq H 2007-2008 SEASON WEEK 20 fames Levine SeijiOzawa Music | Director Laure 1 INSURANCE INVESTMENTS RETIREMEN' ate. ^ T/^ arh. if4 fimply parf &(j wfo we At John Hancock we celebrate the talented performers and artists who bring for the performing the arts to life. And proudly continue our legacy of support arts and cultural institutions that enrich our community. Wi wIZi the future is yours Table of Contents Week 20 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 30 FAREWELL, THANKS, AND ALL BEST: THIS YEAR'S BSO RETIREES 37 THIS WEEK'S PROGRAM Notes on the Program 39 Robert Schumann 47 Dmitri Shostakovich 59 To Read and Hear More. Guest Artists 63 Daniele Gatti 65 Garrick Ohlsson 73 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY MICHAEL STEINBERG, FORMER ANNOTATOR FOR THE BSO, SAN FRANCISCO SYMPHONY, AND NEW YORK PHILHARMONIC. program copyright ©2008 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Peter Vanderwarker EMC where information lives- When information comes together, it's always # a memorable performance. MiHim wwiwm organization, the BSO understands the critical role that information plays in keeping its operations running fluidly— and as the world leader in information infrastructure solutions, we help enterprises of all sizes manage, use, protect, and share their information more efficiently and cost effectively. Learn more atwww.EMC.com. 2 EMC , EMC, and where information lives are registered trademarks of EMC Corporation. -
The Rhetorical Dimensions of Black Music Past and Speech Communication Association, New York, N.Y. African American Studies;
DOCUMENT RESUME ED 082 255 CS 500 420 AUTHOR Baker, David N. TITLE The Rhetorical Dimensions of Black Music Past and Present. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE Nov 72 NOTE ,47p.; Paper presented at the Black Communication Conference (Pittsburgh, November 1972) EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS African American Studies; Applied Music; Communication (Thought Transfer); *Cultural Awareness; Cultural.Factors; Higher Education; Jazz; *Musical Composition; *Music Techniques; Negro Attitudes; *Negro Culture; *Rhetoric; Secondary Education IDENTIFIERS *Afro American Communication ABSTRACT Examination of lyrics of the blues and jazz forms of black music indicates their importance as communication. Contemporary styles can be divided into five overlapping categories: (1) "mainstream," the post- "bebop" style and soul jazz; (2)jazz influenced by other ethnic music; (3) the avant-garde jazz, which is often nationalistic and of social importance;(4) "thirdstream," a combination of jazz, with European classical concert styles; and (5) the new, diversified liturgical music. Aside from lyrics, there are musical signals that are of communicational importance to blacks because of special uses of rhythm, melody, inflection, scale patterns, harmony, and improvisation. Black music has been largely influenced by two durable styles that possess tested communicative powers. One is the antiphonal (call and response) song, issuing directly from African traditions. The other is the blues, the 'foundation of much popular black music and an embodiment of those elements which characterize black culture and the life style of . blacks. (Included in this document are outlines for four courses on black music and an extensive reading list.) (RN) FILMED FROM BEST AVAILABLE COPY U S. -
Ama 2013 Master
This is not an open public ballot. Only approved AMA voters. If you would like to be considered, please send an email request to [email protected]. Ballots must be received by DECEMBER 10, 2013. Please drop ballots off to Scott Stamper at The Saint, 601 Main Street, Asbury Park, NJ, email your responses to [email protected] or send overnight mail to ASBURY MUSIC COMPANY, PO Box 427, BELMAR, NJ 07719. 2013 ASBURY MUSIC AWARDS BALLOT TOP YOUNG BAND (UNDER 21) TOP MALE/BAND ACOUSTIC ACT TOP JAM/GROOVE BAND The Glycerine Queens Bobby Mahoney Eastbourne Seventh Son Carl Chesna & Co. Lemon Juice Downtown Hour Colton Kayser Dub Proof The Agony Family Frank Lombardi Loose Fit The New Royalty Joe Miller We Used To Cut The Grass The Shadows Thomas Wesley Stern The Underwater Sounds The Stolen Michael Askin More Or Less GNGR Vic Della Pello SensaMotion Band Ardvark Smile Pat Veil Tash Even & Kyle Giffords Lane Cranston Dean Brummy Brothers UFOTOFU Blend Mode TOP MALE VOCALIST TOP BLUES / SOUL BAND TOP FEMALE/BAND ACOUSTIC ACT Brandon Asraf BRICK + MORTAR Sandy Mack Band Alex English Jesse Lee ACCIDENTAL SEABIRDS Slim Chance & The Gamblers Amanda Fama Joe Cirotti ONLY LIVING BOY The Jo Wymer Band Deirdre Forrest Quincy Mumford QUINCY MUMFORD JoBonanno & The Godsons Hope Vista AND THE REASON WHY The F.L.O.W Sofia Nicole Ron Santee THE BATTERY ELECTRIC The Shady Street Show Band Sarah Donner Brandon Sweeny LORDS OF MERCY Pepperwine Kacie Baker Mario Casella SLIM CHANCE & THE GAMBLERS Des & The Swagmatics Xenia Sky Justin Matthews TOOTHGRINDER Chelsea Carlson Joe McCaig EMPIRE ESCORTS Emily Grove Tony Tedesco TONY TEDESCO & FULL FATHOM 5 C.M. -
CITY of ASBURY PARK Comprehensive Parking Management Plan
CITY OF ASBURY PARK Comprehensive Parking Management Plan Submitted to: Department of Planning & Redevelopment City of Asbury Park, New Jersey Prepared by: March 2015 CITY OF ASBURY PARK Comprehensive Parking Management Plan EXECUTIVE SUMMARY The City of Asbury Park (“City”) is a 1.5 square mile Atlantic coast waterfront community located in Monmouth County, New Jersey. The City is characterized by its rich history as a seaside resort, a center for the performing arts, and its history as a commercial destination. The City is currently in the midst of a period of revitalization. A variety of large and small revitalization projects have been recently completed, while others are in various stages of planning and implementation. These projects are transforming the City’s Waterfront, Central Business District (CBD), Main Street corridor, and the Springwood Avenue redevelopment district. Along with this revitalization has come some concerns that the community’s need for parking to support continued growth and redevelopment has become a serious challenge, and in turn, economic revitalization may suffer. At present, the City’s parking system is comprised of several off‐street surface parking lots and a network of on‐street parking meter pay stations which are dispersed throughout the downtown and waterfront district. The City also owned one parking structure located in the downtown area which was sold to the State of New Jersey in 1999. The garage is open to the public on weekends but primarily is used to support the functions at the State Office building during weekday business hours. Several private sector entities control a number of surface parking lots in downtown area and on the waterfront. -
Monmouth Health & Life September 2009 Issue
M O THE GOOD LIVING MAGAZINE from MONMOUTH MEDICAL CENTER N M O U T H H E A L T H & L I F E September 2009 I $3.95 S E healthONMOUTHlife P M T & E M B E R 2 0 0 9 MOMS making a difference: local ladies Photos and the causes from ‘The o Best f Monm close to outh’ pages 11 their hearts 16 & 64 + OUR MEAL AT BELFORD BISTRO • INSIDE 3 AREA SHOW HOUSES • GURU-GUIDED GETAWAYS HEALTH LINK • Get a better blood test • Relief for celiac sufferers • Where health pros turn when they need a new joint Welcome LETTER Advancing care AT MONMOUTH MEDICAL CENTER, THE TREND of performing surgery through small incisions is clearly illus- trated in a history that is rich in laparoscopic milestones. In 2006, Monmouth’s Department of Surgery added another impressive achievement to its long list of minimally invasive firsts, becoming the first and only hospital in the region to offer the da Vinci S Surgical System—the sophisticated robotic plat- form that combines computer and robotic technologies with the skills of the surgeon to overcome the limitations of traditional surgery. For Monmouth, the da Vinci system has painted a pic- ture of surgical precision and a future in which an ever-widen- ing population of patients will be able to benefit from the advantages offered by minimally invasive surgery. Now Monmouth—the hospital that performs the most pediatric surgeries and same-day procedures in Monmouth and Ocean counties each year—has broadened its robotic sur- gical scope to include children. -
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Author: Carter, Dale; Title: Surf Aces Resurfaced: The Beach Boys and the Greening of the American Counterculture, 1963-1973 Surf Aces Resurfaced: The Beach Boys and the Greening of the American Counterculture, 1963-1973 Dale Carter Aarhus University Abstract The rise of the American counterculture between the early- to mid-1960s and early- to mid-1970s was closely associated with the growth of environmentalism. This article explores how both informed popular music, which during these years became not only a prominent form of entertainment but also a forum for cultural and social criticism. In particular, through contextual and lyrical analyses of recordings by The Beach Boys, the article identifies patterns of change and continuity in the articulation of countercultural, ecological, and related sensibilities. During late 1966 and early 1967, the group’s leader Brian Wilson and lyricist Van Dyke Parks collaborated on a collection of songs embodying such progressive thinking, even though the music of The Beach Boys had previously shown no such ambitions. In the short term, their efforts floundered as the risk- averse logic of the commercial music industry prompted group members to resist perceived threats to their established profile. Yet in the long term (and ironically in the name of commercial survival), The Beach Boys began selectively to adopt innovations they had previously shunned. Shorn of its more controversial associations, what had formerly been considered high risk had by 1970 become good business as once-marginal environmentalism gained broader acceptability: thus did ‘America’s band’ articulate the flowering, greening, and fading of the counterculture. Keywords: popular music, ecology, counterculture, Beach Boys Resumen Vol 4, No 1 El auge de la contracultura americana entre principios y mediados de las décadas de 1960 y 1970 guarda una estrecha relación con la expansión del movimiento ecologista. -
Bruce Springsteen Tourism to Asbury Park (& the Jersey Shore)
'Bruceland', the 'Promised Land' and the 'Land of Hope and Dreams' Constructing Music Tourism: Bruce Springsteen Fans and the Meaning of Visiting Asbury Park and the Jersey Shore Master Thesis Tourism and Culture Arts and Culture Studies Radboud University Name: C.A. van Helden, MA Student number: 4168968 Supervisor: Dr. F.P.G.B.M. Meens Date: 15 August 2018 Van Helden / s4168968 / 2 Abstract Recently, the niche of music tourism has become increasingly significant and widespread. Even though research into music tourism has also started to develop more broadly, the perspective of fans travelling someplace out of fandom of a musician, band, or music scene remains rather neglected. This research will focus on the case study of fans of Bruce Springsteen and his ‘adopted’ hometown of Asbury Park, New Jersey, as well as its neighboring towns of Belmar, Freehold, and Long Branch. In this thesis, this area is referred to as Asbury Park and the Jersey shore. This research will focus on an interpretation of recurring themes in the ways in which fans of Bruce Springsteen describe their motivations for visiting this area, as well as their experiences. As such, this research aims to add to an understanding of the ways in which (fan) tourists add to a construction of a music tourism destination; in other words, how do fans of Bruce Springsteen shape an image of said destination in their discourses? What makes their visit meaningful? How do they contribute to a particular tourist landscape? Van Helden / s4168968 / 3 Table of Contents Introduction ---------------------------------------------------------------------------------------------- 4. Chapter 1: “Greetings from Asbury Park, N.J.”: Theoretical Framework------------------------ 9. -
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æµ·ç˜ ç”·å© æŒ æ›² 串行 Barbara Ann Wind Chimes Cabin Essence Honkin' Down the Highway You're So Good to Me That's Why God Made the Radio Goin' On Take a Load Off Your Feet My Solution Marcella Danny Boy Deirdre It's About Time Only with You Wonderful Livin' with a Heartache Amusement Parks U.S.A. Hold On Dear Brother The Old Master Painter Love to Say Dada I'm Bugged at My Ol' Man All Dressed Up for School Sumahama And Your Dream Comes True Bull Session with the "Big Daddy" Little Pad Hawaii She's Got Rhythm Funky Pretty Don't Go Near the Water Surf's Up Good Timin' Isn't It Time Long Promised Road Fall Breaks and Back to Winter 'Til I Die Wonderful Little Bird On a Holiday Hawaii It's a Beautiful Day Good Time We'll Run Away Sherry She Needs Me Spirit of America Salt Lake City Deidre The Girl from New York City She's Goin' Bald Trombone Dixie All I Wanna Do Aren't You Glad Hey Little Tomboy Do You Remember? Whistle In Let the Wind Blow It's About Time Drive-In Their Hearts Were Full of Spring With Me Tonight God Only Knows You Still Believe in Me All Summer Long Little Deuce Coupe That's Not Me åª æœ‰ä¸Šå¸ç Ÿ¥é“ Wendy Pet Sounds Girls on the Beach Wouldn't It Be Nice Don't Hurt My Little Sister Good to My Baby Don't Worry Baby è‹±é›„èˆ‡æƒ¡æ£ I Get Around Heroes and Villains Good Vibrations I Know There's an Answer Don't Talk Let's Go Away for Awhile I Just Wasn't Made for These Times I'm Waiting for the Day Do You Like Worms? Good Vibrations Little Honda Karate No-Go Showboat Luau Vegetables She Knows Me Too Well Noble Surfer