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Borderline Research
Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Adam Douglas Swinton Welch 2019 Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch Doctor of Philosophy Department of Art University of Toronto 2019 Abstract Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush’s relationship with the critic Clement Greenberg; Brydon Smith’s first decade as curator at the National Gallery of Canada (1967–1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe’s debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962–1972); Barry Lord and Gail Dexter’s involvement with the Canadian Liberation Movement (1970–1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967–1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists’ fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Robin Tewes Education: 2012
ROBIN TEWES http://rtewes.neoimages.net https://en.wikipedia.org/wiki/Robin_Tewes EDUCATION: 2012 - MST-Visual Arts, Pace University, N.Y.C. 2012 - N.Y.C. D.O.E Substitute Teaching Certificate 2012 - N.Y.S. Teaching Certificate 1978 - C.U.N.Y. B.F.A, Magna Cum Laude, Hunter College, N.Y.C. 1968 - High School of Art and Design, N.Y.C. AWARDS: 2019 - Brydcliffe Arts Colony Artist in Residence Fellowship 2018 - VCCA, Virginia Center for the Cultural Arts Residency Award 2017 - UCross Artist in Residency Award 2017 - The Arts and Letters Award Nomination 2016 - The Sam & Adele Golden Foundation for the Arts Residency 2015 - Brydcliffe Arts Colony Artist in Residency Fellowship 2015 - Pollock Krasner Foundation Fellowship for Brydcliffe Artist Residency 2014 - Teaching Excellence Award for Adjunct Faculty, Pace University, N.Y.C 2014-2015 Fulbright U.S. Student Program Nomination 2014 - VSC, Vermont Studio Full Fellowship Artist in Residence Award 2013 - Dorothy Wiegner Artist Painting Fellowship 2012 - Brydcliffe Arts Colony Artist in Residency Fellowship 2012 - MST Honors Award, Pace University 2011 - Anonymous Was a Woman Award, Nomination 2011 - Brydcliffe Arts Colony Artist in Residency Fellowship 2011 - Kappa Delta Pi Honor Society in Education 2009 - Edwin Austin Abbey Mural Workshop Fellowship 2009 - Pace University Residency Painting Program 2008 - Pollock-Krasner Foundation Painting Award 2007 - Adolph and Esther Gottlieb Foundation Award 2005-1993 -The Louis Comfort Tiffany Foundation Biennial Award Nomination 2005 - Open Studio Northeastern Competition, New American Painters 2004 - New York Foundation for the Arts, Painting 1998 - Djerassi Artist in Residency 1997 - New York Foundation for the Arts, S.O.S. -
Tesis Doctoral
Lo punk como referencia expresiva en determinada pintura contemporánea occidental Lo punk como referencia expresiva en determinada pintura contemporánea occidental Janire Sagasti Ruiz Directores: Adolfo Ramírez-Escudero Prado Daniel Rodríguez Vázquez Departamento De Pintura (cc)2018 JANIRE SAGASTI RUIZ (cc by-sa 4.0) Diseño de cubierta, composición y maquetación: Unai Basabe. “Quiero agradecer a Detritus Aramburu su tiempo y sus palabras. A Adirane Azkuenaga sus fotos y amabilidad. A David su sabiduría y apasionamiento por todo lo relacionado con el Punk. Y muy especialmente, agradecer a mi amigo Unai su eterna ayuda incondicional ahora y siempre” ÍNDICE 1. INTRODUCCIÓN A LA TESIS. 17 1.1. Las motivaciones. 17 1.2. Los objetivos y su desarrollo temático. 22 1.3. Metodología y origen del punto de vista desde el que partimos. 34 1.4. Hipótesis. 36 2. EL PUNK: UNA VISIÓN NEGADORA. 41 2.1. La doctrina del inconformismo: el Punk. La actitud. 42 2.1.1. Introducción: de la contracultura underground al Punk. 43 2.1.2. El estallido Punk. 50 2.1.3. El esplendor de 1980. 62 2.2. “¡Sentir que existimos!” El pensamiento. 77 2.2.1. Del pensamiento romántico al Punk. 78 2.2.2. El individualismo como proclama: el nihilismo y lo dionisíaco. 86 2.2.3. Acercamiento al concepto “pasión”. 92 2.3. La negatividad. 100 2.3.1. Lo feo. 104 2.3.2. Lo siniestro. 113 2.3.3. Lo cruel. 119 2.3.4. Lo violento. 124 2.3.5. Lo perverso. 128 2.3.6. Lo Punk. 135 2.4. -
520 EAST 11TH STREET Between Avenues a and B EAST VILLAGE MANHATTAN | NY EAST 23RD STREET EAST 23RD STREET
450 SF Available for Lease STREET RETAIL/MEDICAL/OFFICE/RESTAURANT 520 EAST 11TH STREET Between Avenues A and B EAST VILLAGE MANHATTAN | NY EAST 23RD STREET EAST 23RD STREET Sally East Spa Side Cafe Gracefully Market Cork Wine & Spirit Gramercy Food Market Synergy Fitness Lucky Chicken EAST 22ND STREET Sona Nails SECOND AVENUE SECOND 8th Wonder Juice Bar Frank’s Trattoria AVENUE FIRST PETER COOPER Malt & Mold VILLAGE PATIENT FIRST MEDICAL CARE 21 RESIDENTIAL BUILDINGS 2,493 APARTMENTS EAST 21ST STREET Bank of America ATM Tal Bagel PETER’S Bangkok 2 FIELD Thai Restaurant Sweet Olive Grocery EAST 20TH STREET EAST 20TH STREET Hane Sushi SECOND AVENUE SECOND Cooper Town Diner FIRST AVENUE FIRST Ibiza Kids AUGUSTUS Cauz for Pawz ST. GAUDEN’S PLAYGROUND EAST 19TH STREET Complete Orthopedic Services Taco Bell Cantina Gracefully Market Gramercy Park Bar Ponce De Leon Federal Bank 20TH STREET LOOP Posto EAST 18TH STREET SECOND AVENUE SECOND FIRST AVENUE FIRST NYU HOSPITAL FOR JOINT DISEASES CENTER FOR CHILDREN H H LOOP AVENUE FIRST STUYVESANT C LOOP AVENUE EAST 17TH STREET TOWN 35 RESIDENTIAL BUILDINGS H 8,757 APARTMENTS STUYVESANT SQUARE Esquire Pharmacy SECOND AVENUE SECOND FIRST AVENUE FIRST Chameleon Nails David’s Bagels A’s Organic Cleaners 14TH STREET LOOP H Bagel Boss Asium Thai Cuisine EAST 15TH STREET Urban Maid Green Stuyvesant Town Leasing Oice The Madame Marcos Halal Shoe EspressoAREABarber RETAILCommunity Guys Repair Shop Ohanlon’s Grocery Joes Parks Eyes Custom Crocodile Hair Daily Papaya Upholstery on 14 Tailors Lounge Trendz Juice -
Oral History Interview with Claudia Demonte, 1991 February 13- April 24
Oral history interview with Claudia DeMonte, 1991 February 13- April 24 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Claudia DeMonte on February 13 & 27 and April 24, 1991. The interview took place in College Park, Maryland, and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. Interview LIZA KIRWIN: This is Liza Kirwin interviewing Claudia DeMonte for the Archives of American Art, February l3, l99l -- Ash Wednesday -- CLAUDIA DEMONTE: Yes! LIZA KIRWIN: -- a day to think about your immortality and maybe a good day to reflect on the past. I thought we'd just lead off with a question about your childhood. What were some of your early memories? CLAUDIA DEMONTE: I grew up in a very ethnic neighborhood in Queens called Astoria, where my mother still lives, which I love and am very proud of, and I grew up thinking I was rich. If I took you to where I grew up, you'd be shocked that I ever thought that, but we lived in this little apartment building next to an empty lot, next to a huge school building. No one spoke the same language. My grandparents came from Europe and everybody's grandparents there came from Europe and everybody was kind of aiming to become middle class -- Queens is very middle class. -
Occupation Culture Art & Squatting in the City from Below
Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons. -
MARTIN WONG B
MARTIN WONG b. 1946, Portland, OR d. 1999, San Francisco, CA EDUCATION 1970 BA, Humboldt State University, Arcata, CA SOLO EXHIBITIONS 2021 1981–2021, Martin Wong / Aaron Gilbert, P·P·O·W, New York, NY 2017 Human Instamatic, UC Berkeley Art Museum, Berkeley, CA 2016 Voices, P·P·O·W, New York, NY Human Instamatic, Wexner Center for the Arts, Columbus, OH 2015 Human Instamatic, The Bronx Museum of the Arts, Bronx, NY Painting is Forbidden, CCA Wattis Institute for Contemporary Arts, San Francisco, CA 2010 Martin Wong Works 1980 – 1998, Galerie Daniel Buchholz, Cologne, Germany 2009 Everything Must Go, P·P·O·W, New York, NY Art, Archives and Activism = Martin Wong’s Downtown Crossing, Asian/Pacific/American Institute, New York University, NY 2004 Martin Wong’s Utopia, Chinese Historical Society of America Museum of Art, San Francisco, CA 2001 Martin Wong: Storefronts 1984-86, P·P·O·W, New York, NY 1999 Martin Wong: The Eureka Years, Humboldt State University First Street Gallery, Eureka, CA 1998 Sweet Oblivion: The Urban Landscape of Martin Wong, The New Museum of Contemporary Art, New York, NY; University Galleries, Illinois State University, Normal, IL Martin Wong: New Work, P·P·O·W, New York, NY 1994 York College, Queens, NY 1993 San Francisco Art Institute, San Francisco, CA Chinatown USA, P·P·O·W, New York, NY 1991 Soap, Erotic Jail Paintings, The Pyramid Club, New York, NY 1988 Martin Wong, EXIT ART, New York, NY Frank Bernarducci Gallery, New York, NY 1987 Here and Now, Greenville County Museum of Art, Greenville, SC Signs of Significance, -
280 EAST 10TH STREET 350 SF Between First Avenue and Avenue a for Lease EAST VILLAGE NEW YORK | NY AREA RETAIL SPACE DETAILS
RETAIL SPACE 280 EAST 10TH STREET 350 SF Between First Avenue and Avenue A For Lease EAST VILLAGE NEW YORK | NY AREA RETAIL SPACE DETAILS EAST 14TH STREET EAST 14TH STREET EAST 14TH STREET LOCATIONEAST 14TH STREET TERM Optyx Artichokes Pizza Petopia Akina Sushi Muzarella Pizza Bright Horizons Brothers Candy & Grocery M&J Lex SECOND AVENUE SECOND Taverna Kyclades Big Arc Chicken AVENUE FIRST Exchange AVENUE C AVENUE AVENUE A AVENUE AVENUE B AVENUE Long-term Vinny Vicenz Jewelry Between First Avenue and Planet Rose Revolution 2 Bros Pizza Salon Icon IMMACULATE Subway CONCEPTION Bens Barber NEW YORK EYE $1 Dollar Pizza & EAR INFIRMARY CHURCH SCHOOL AvenueRESIDENTIAL A MEE H&W Hardware East Village Horse Box H Gourmet Deli Senor Pollo Johnny Art POSSESSION Drop O Service Fat Buddha Citadel Redhead Phoenix The Spotted Owl Tavern Perce’s Tavern C McCormack Inc Management Sal’s Deli Grocery Dollar Plus SIZE EAST 13TH STREET EAST 13TH STREET EAST 13TH STREET EAST 13TH STREET Immediate Meadow Komo On the Mark Sembrado Inkstop Tattoo Hampton Market Guerra Print The Roberto East Village Flowers Kumo Sushi Barber Shop Obscura Baroness Clemente Café Michael GeorgeGround Floor 350 SF Luzzo's La Pizza Tallgrass Burger Keybar M White Bar Hair Center Napoletana Sexy Flow The Garret Gena’s Kuwayana Glitz Nail Little Pakistanian Deli Corp Fashion Nails RENT BSide Baker’s Pizza RESIDENTIAL Little Poland Balade Mikeys Like It Empire Bisquit FRONTAGE Ducks Sao Mai Pharmacy Psychic Nigel the Cat Goat Milk Top Beauty Preservation Convive Wine & Spirits Upon request -
Identity, Culture and the Trauma of War Mediated Thorough the Visual Arts of North-East European Migrants and Émigrés to Australia After 1945
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2014 A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945 Eileen Whitehead Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Art and Design Commons, and the Social and Behavioral Sciences Commons Recommended Citation Whitehead, E. (2014). A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945. https://ro.ecu.edu.au/theses/1438 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1438 Theses Theses: Doctorates and Masters Edith Cowan University Year 2014 A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Emigr´esTo´ Australia After 1945 Eileen Whitehead Edith Cowan University, [email protected] This paper is posted at Research Online. http://ro.ecu.edu.au/theses/1438 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. -
THE FUTURE SOUND of CHINA the Conflicting Tides Of
THE FUTURE SOUND OF CHINA The Conflicting Tides of Follow Digital Streaming and Live Music us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 2 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 FEBRUARY 2020 AD 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 邮编 100045 Published by China Intercontinental Press Address: 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing 100045, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department 付平 Fu Ping 编辑 Editor 朱莉莉 Zhu Lili 发行 Circulation 李若琳 Li Ruolin Editor-in-Chief Valerie Osipov Editor Herlina Liu National Arts Editor Bryan Grogan Designers Ivy Zhang 张怡然 , Joan Dai 戴吉莹 , Xinting Huang 黄欣婷 Contributors Alex Gomar, Andrew Braun, Aron Solomons, Claire Tay, Dominique Wong, Matthew Bossons, Mia Li, Mollie Gower, Ned Kelly, Phoebe Kut, Ryan Gandolfo Cover Artist Mayura Jain HK FOCUS MEDIA Shanghai (Head office) 上海和舟广告有限公司 上海市静安区江宁路 631 号 6 号楼 407-408 室 邮政编码 : 200041 Room 407-408, Building 6, No. 631 Jiangning Lu, Jing'an District, Shanghai 200041 电话 : 021-6077 0760 传真 : 021-6077 0761 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Lu Yuan Lu, Yuexiu District, Guangzhou, PRC 510095 电话 : 020-8358 6125, 传真 : 020-8357 3859-800 Shenzhen 广告代理 电话 : 0755-8623 3220, 传真 : 0755-8623 -
T He a Ndy W a Rh Ol F Ounda Tio N Fo R Th E V Is Ual a Rts
The Andy Warhol Foundation for the Visual Arts 20-Year Report 1987–2007 Grants and Exhibitions The Andy Warhol Foundation for the Visual Arts 20-Year Report 1987–2007 Grants and Exhibitions List of Grants 04 Program Grants 04 Warhol Initiative 65 Arts Writing Initiative 67 9/11 Emergency Fund For Lower Manhattan Visual Arts Organizations 67 Katrina Relief Emergency Fund 68 List of Exhibitions 70 Solo Exhibitions 70 Group Exhibitions 77 ©2007 The Andy Warhol Foundation for the Visual Arts, Inc. 65 Bleecker Street, 7th Floor New York, NY 10012 telephone 212-387-7555 fax 212-387-7560 www.warholfoundation.org Works appearing in this publication may not be reproduced without authorization from The Andy Warhol Foundation for the Visual Arts. ISBN 0-9765263-1-X List of Grants 1989 Program Grants 1989 Cardinal Hayes High School Exit Art Massachusetts Institute of Technology, The New York Studio School Bronx, NY New York, NY List Visual Arts Center New York, NY American Federation of Arts Art materials and equipment New York City Tableaux: Tompkins Square Cambridge, MA Scholarship support New York, NY $25,000 Krzysztof Wodiczko exhibition and James Coleman residency $12,000 1989 Whitney Biennial of Film and Video tour catalogue $20,000 $15,000 Cathedral High School $25,000 P.S.1 Contemporary Art Center New York, NY MTA Arts for Transit Long Island City, NY American Museum of the Moving Image Art and computer equipment The Film Society of Lincoln Center New York, NY Publications program Astoria, NY $36,500 New York, NY Permanent Pat Steir installation for Eastern $25,000 Video equipment 1990 New Directors/New Films Parkway/Brooklyn Museum Transit Station $25,000 Checkerboard Foundation, Inc.