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Activity Report 18Th September 2014
Activity Report th 18 September 2014 - 1 - www.wifa.in Professional Teams of WIFA I-League II Division I-League Indian Super League Other Top Teams Air India FC ONGC FC (Mumbai) Shivneri FC Phulwadi FC (Kolhapur) Rabani FC Young Iqbal FC Nagpur FC Rahul FC (Nagpur) DSK Shivajians FC Deccans FC Bombay Engineering Group (Pune) - 2 - www.wifa.in Mr. Praful Patel Member of Parliament, Rajya Sabha President - Western India Football Association Name Designation Mr. Atal Bahadur Singh Vice President Mr. Maloji Raje Chhatrapati Vice President Mr. Sunil Dhande Vice President Dr. Vishwajeet Kadam Vice President Mr. Liaquat Hussain Vice President Mr. Souter Vaz Hon. Secretary Mr. Pyarelal Choudhari Hon. Treasurer Mr. Wali Mohammad Asst. Secretary Mr. Manik Mandlik Asst. Secretary Mr. Deepak Dixit Asst. Secretary Mr. Suresh Sadhale Committee Member Mr. Mohd. Iqbal Committee Member Mr. Raees Kazi Committee Member Mr. Sushil Surve Committee Member Mr. Kiran Chougule Committee Member Adv. Ravindra Darekar Committee Member Mr. Godwin Dick Committee Member Mr. Haresh Vora Committee Member Mr. P. V. Ahale Committee Member Mr. Salim Parkote Committee Member Mr. U. Banerjee Committee Member Mr. Mohd. Abid Committee Member Mr. Henry Menezes Chief Executive Officer - 3 - www.wifa.in Preface The Western India Football Association (WIFA) is the governing body of football for Maharashtra WIFA was came into existence on 12th July, 1911. Out of the 34 districts in Maharashtra 30 Districts are affiliated with WIFA. Maharashtra is the second-most populous sub-national entity in the world, with over 110 million inhabitants. It is the third largest state in India by area, spread over 118,809 sq mi (307,710 km2). -
General Information
FIFA U-17 World Cup India The FIFA U- 17 World Cup was initially India, the seventh largest landmass in the established in 1985 as the FIFA U-16 World world and the country with the second Championship. In 1991, it changed to the largest population in the world, is one of FIFA U-17 World Championship and since the world’s fastest developing economies. 2007 it is known by its current name. India, blessed with a great history, natural beauty and a culture more diverse than any From 1985 to 2005, 16 teams participated other, is a growing giant in sport among divided into four groups of four teams each many other spheres. in the group stage, and expanding to 24 teams from 2007, divided into six groups of four teams each where the top 2 places in each group plus the four best third-placed teams advance to the knockout phase. FIFA U-17 World Cup India GENERAL Many legends of the game featured in this tournament in their early days, making The FIFA U-17 World Cup India 2017 will be the FIFA U-17 World Cup a springboard the 17th edition of the FIFA U-17 World Cup. INFORMATION for young talented footballers, giving fans At the FIFA Executive Committee Meeting and other stakeholders a chance to get a in Brazil on 5 December 2013 the hosting glimpse of the stars of the future. rights were given to India. India has never participated in the final Since the first edition of the tournament tournament but by virtue of being the host in China, the tournament has been played nation, India automatically qualified for the every two years. -
A Critical Review on the Indian Super League (ISL)
International Journal of Physical Education, Sports and Health 2017; 4(2): 257-261 P-ISSN: 2394-1685 E-ISSN: 2394-1693 Impact Factor (ISRA): 5.38 A critical review on the Indian super league (ISL) IJPESH 2017; 4(2): 257-261 © 2017 IJPESH www.kheljournal.com Anantarup Sen Sarma Received: 16-01-2017 Accepted: 17-02-2017 Abstract The Indian Super League was founded in 2013 in an effort to make football a top sport in India and to Anantarup Sen Sarma Research Scholar, increase the level of Indian football worldwide. The league currently features eight teams from around Department of Physical India, with four of the top five cities by population represented in the league. Unlike other football Education University of leagues from around the world, the ISL is one of the few leagues to not use the promotion and Kalyani, West Bengal, India relegation system but instead a franchise system along the lines of the Twenty20 cricket league, the Indian Premier League, Major League Soccer of the United States and Canada, and the A- League in Australia. Since the inaugural season, two teams have been crowned the champions of the Indian Super League. Atlético de Kolkata have won the league twice, in 2014 and 2016. Chennaiyin are the second team to have won the league, winning in 2015. In this article the growth and impact of ISL have been traced out. Keywords: ISL, I –LEAGUE, FIFA, AIFF, Federation Introduction The general opinion among Indian football fans regarding the Indian Super League is surprisingly negative, and the tendency to class it as futile after just 3 months, unfortunate. -
IJRESS Volume 6, Issue 2
International Journal of Research in Economics and Social Sciences (IJRESS) Available online at: http://euroasiapub.org Vol. 7 Issue 7, July- 2017 ISSN(o): 2249-7382 | Impact Factor: 6.939 | Thomson Reuters Researcher ID: L-5236-2015 Dissemination of social messages by Folk Media – A case study through folk drama Bolan of West Bengal Mr. Sudipta Paul Research Scholar, Department of Mass Communication & Videography, Rabindra Bharati University Abstract: In the vicinity of folk-culture, folk drama is of great significance because it reflects the society by maintaining a non-judgemental stance. It has a strong impact among the audience as the appeal of Bengali folk-drama is undeniable. ‘Bolan’ is a traditional folk drama of Bengal which is mainly celebrated in the month of ‘Chaitra’ (march-april). Geographically, it is prevalent in the mid- northern rural and semi-urban regions of Bengal (Rar Banga area) – mainly in Murshidabad district and some parts of Nadia, Birbhum and Bardwan districts. Although it follows the theatrical procedures, yet it is different from the same because it has no female artists. The male actors impersonate as females and play the part. Like other folk drama ‘Bolan’ is in direct contact with the audience and is often interacted and modified by them. Primarily it narrates mythological themes but now-a-days it narrates contemporary socio-politico-economical and natural issues. As it is performed different contemporary issues of immense interest audiences is deeply integrated with it and try to assimilate the messages of social importance from it. And in this way Mass (traditional) media plays an important role in shaping public opinion and forming a platform of exchange between the administration and the people they serve. -
IBEF Presentataion
WEST BENGAL CULTURALLY ARTISTIC For updated information, please visit www.ibef.org July 2017 Table of Content Executive Summary .…………….….……...3 Advantage State ...………………………….4 Vision 2022 …………..……..…………..…..5 West Bengal – An Introduction …….……....6 Annual Budget 2015-16 ……………………18 Infrastructure Status ..................................19 Business Opportunities ……..…………......42 Doing Business in West Bengal …...……...63 State Acts & Policies ….….………..............68 EXECUTIVE SUMMARY One of the largest state . West Bengal, India’s 6th largest economy, had a gross state domestic product (GSDP) of US$ 140.56 billion economies in 2016-17. The state’s GSDP grew at a CAGR of 10.42% during 2005-16. Kolkata as the next IT . By 2015-16, 8 IT parks located at Barjora, Rajarhat, Asansol, Durgapur Phase II, Bolpur, Siliguri Phase II, Puralia & Kharagpur started operating. Establishment of 7 new IT parks at Haldia, Krishnanagar, Kalyani, hub Bantala, Taratala, Howrah, Malda is expected to start soon in next 5 years. Major producer of . In 2016-17, West Bengal was the 2nd largest producer of potato in India, accounting for about 25.06% of the potato country’s potato output. The state’s potato production stood at 11 million tonnes in 2016-17. West Bengal is the largest producer of rice in India. In 2016-17, rice production in West Bengal totalled to Largest rice producer 16.2 million tonnes, which is expected to cross 17 million tonnes by 2017. West Bengal is the 3rd largest state in India in term of mineral production, accounting for about one-fifth of Coal rich state total mineral production. Coal accounts for 99% of extracted minerals. Source: Statistics of West Bengal, Government of West Bengal 3 WEST BENGAL For updated information, please visit www.ibef.org ADVANTAGE: WEST BENGAL 2014-15 Geographic and cost advantage Rich labour pool 2022-23 T . -
Technical Handbook
TECHNICAL HANDBOOK CONTENTS 1. Introduction 1 2. List of Sports in Khelo India University Games (KIUG – 2020) 4 3. Player Qualification Criteria 5 4. Guidelines for Appointment of Coaches and Managers 7 5. Venues at a Glance 8 6. Sports Schedule 9 7. Medals at Stake 10 8. Contact Details of OC – KIUG & Sports Competition Managers 11 I. Archery 12 II. Athletics 17 III. Badminton 22 IV. Basketball 26 V. Boxing 30 VI. Fencing 34 VII. Football 38 VIII. Hockey 45 IX. Judo 49 X. Kabaddi 53 XI. Rugby 57 XII. Swimming 61 XIII. Table Tennis 65 XIV. Tennis 69 XV. Volleyball 73 XVI. Weightlifting 77 XVII. Wrestling 81 INTRODUCTION The “Khelo India” – National Program for Development of Sports was revamped. Khelo India has the following twelve verticals: Under the vertical Annual Sports Competitions, the 1st Khelo India Games were organized in 2018. The 2nd edition was held in 2019 which saw participation of athletes from across India in U-17 & U-21 age categories. The 3rd Khelo India Youth Games were organized in Guwahati from 10th January – 22nd January 2020. This year, the University Games have been planned to be held separately at Bhubaneswar in association with the Govt. of Odisha, Association of Indian Universities (AIU) and KIIT University from 22nd Feb to 1st Mar 2020. These games will be called “Khelo India University Games, Odisha 2020”. Concept Khelo India University Games (KIUG – 2020) will be organized in Under-25 age group (Men & Women). The competition will be amongst the top Universities in 17 sports disciplines from 22nd February – 1st March 2020 at Bhubaneswar, Odisha. -
101 Chapter-Ii Early Phase of Satirical Art in Bengal
CHAPTER-II EARLY PHASE OF SATIRICAL ART IN BENGAL 2.1 INTRODUCTION In this chapter, the research deals with some essential quarries of origin of satirical impulse in art and activities in the 19th century Calcutta, as the market for art started expanding, thanks to the processes of urbanization, the rural folk traditions of pat painting transformed in the hands of the migrant artists to produce water-colours (they used gouache and tempera) of Hindu gods and goddesses as well as to address the unprecedented diversity of urban life. As a result, many of these Kalighat paintings (as the art-practice came to be known) described, using their signature bold lines and colorations, some of the city‟s most popular scandals. Most importantly, they took satirical pot-shots at the sanctimoniousness of the city‟s middle-classes. One can, in fact, trace the obsession with the dandyish and dissolute Babu figure in the early 20th century art to many of the searing images produced by these patuas. The Bat-tala prints and wood-cuts also explored the same themes, targeting the lascivious courtesan and the effeminate Babu with equal ardour. (Sardesai:2003) The historical study of the evolution of satirical images cannot be done without including the patachitras, an art that had an exclusive position in the world of art in Bengal. While speaking of patachitras what instantly comes to our mind is the school of kalighat patachitras. Satire has been a part of traditional culture in Bengal since a long time. The various traditional practises like bolan in rahr Bengal, gombhira of north Bengal, jhumur incorporated in their performances an element of satire. -
West Bengal Culturally Artistic
WEST BENGAL CULTURALLY ARTISTIC DECEMBEROCTOBER 2016 2013 For updated information, please visit www.ibef.org 1 WEST BENGAL CULTURALLY ARTISTIC Executive Summary………………..…… 3 Advantage State……………………..….. 4 Vision 2022………………………….……5 West Bengal – An Introduction…….….. 6 Annual Budget 2015-16…………..……18 Infrastructure Status…………………... 19 Business Opportunities……………….. 42 Doing Business in West Bengal……… 63 State Acts & Policies………………….. 68 DECEMBEROCTOBER 2016 2013 For updated information, please visit www.ibef.org 2 WEST BENGAL CULTURALLY ARTISTIC EXECUTIVE SUMMARY • West Bengal, India’s sixth largest economy, had a gross state domestic product (GSDP) of One of the largest state US$ 132.86 billion in 2014-15. The state’s GSDP grew at a CAGR of 10.57% during 2005- economies 16. • By 2015-16, eight IT parks located at Barjora, Rajarhat, Asansol, Durgapur Phase II, Kolkata as the next IT Bolpur, Siliguri Phase II, Puralia and Kharagpur started operating. Establishment of seven hub new IT parks at Haldia, Krishnanagar, Kalyani, Bantala, Taratala, Howrah, Malda is expected to start soon in next five years. Major producer of • In 2014-15, West Bengal was the second largest producer of potato in India, accounting for about 21.41% of the country’s potato output. The state’s potato production stood at potato 9.03 million tonnes in 2014-15. • West Bengal is the largest producer of rice in India. In 2015-16, rice production in India Largest rice producer totalled to16.10 million tonnes, which is expected to cross 17 million tonnes by 2017. • West Bengal is the third largest state in India in term of mineral production, accounting for Coal rich state about one-fifth of total mineral production. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
Declaration of the Result of Scholarship for the Year 2013-14 Under the Scheme of Award of Scholarship to Young Artistes in Different Cultural Fields
Declaration of the result of scholarship for the year 2013-14 under the scheme of Award of Scholarship to Young Artistes in different cultural fields. Sl.N. Name Enrl. No. Field 1. Bhoomika Singh 2013/0944 Visual Arts 2. Baraiya Raju 2013/0980 Visual Arts 3. Abhijit Saikia 2013/1669 Visual Arts 4. Ankur Singla 2013/1674 Visual Arts 5. Manoj Kumar 2013/0652 Visual Arts Mohanty 6. Sunil Kumar 2013/3712 Visual Arts 7. Vishal Vishwakarma 2013/4094 Visual Arts 8. Malvika Jain 2013/1202 Visual Arts 9. Akshita Aggarwal 2013/1243 Visual Arts 10. Kailash Chandra Deka 2013/1594 Visual Arts 11. Sher Bahadur Patel 2013/0135 Visual Arts 12. Mhasiselhu Viyie 2013/0465 Visual Arts 13. Tridip Sarma 2013/1048 Visual Arts 14. Dipankar Deka 2013/3525 Visual Arts 15. Shammi Vishwakarma 2013/4289 Visual Arts 16. Debadyuti Saha 2013/0024 Visual Arts 17. Dheeraj Yadav 2013/0608 Visual Arts 18. Akhiljith V. 2013/0807 Visual Arts 19. Krishna Trivedi 2013/0983 Visual Arts 20. Sweta Kaneria 2013/0986 Visual Arts 21. Asmita Ashok Dhule 2013/1984 Visual Arts 22. Shubhangi 2013/3805 Visual Arts 23. Shikha Deo 2013/0915 Visual Arts 24. Linu J. 2013/1757 Visual Arts 25. Ritesh Yadav 2013/1229 Visual Arts 26. Vipin Singh Rajput 2013/0129 Visual Arts 27. Ramesh Mandalik 2013/1222 Visual Arts 28. Maithili Dongaonkar 2013/4033 Visual Arts 29. Shailesh Kumar Ram 2013/4109 Visual Arts 30. Akhil Mohan 2013/1057 Visual Arts 31. Sharwan Kumar Yadav 2013/1034 Visual Arts 32. Namita Kanade 2013/0689 Visual Arts 33. -
'Aradhona' a University of Visual & Performing Arts By
‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS BY IFREET RAHIMA 09108004 SEMINAR II Submitted in partial fulfillment of the requirements for the degree of Bachelors of Architecture Department of Architecture BRAC University SUMMER 2013 DISSERTATION THE DESIGN OF ‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS This dissertation is submitted to the Department of Architecture in partial gratification of the exigency for the degree of Bachelor of Architecture (B.Arch.) at BRAC University, Dhaka, Bangladesh IFREET RAHIMA 09108004 5TH YEAR, DEPARTMENT OF ARCHITECTURE BRAC UNIVERSITY, DHAKA FALL 2013 DECLARATION The work contained in this study has not been submitted elsewhere for any other degree or qualification and unless otherwise referenced it is the author’s own work. STATEMENT OF COPYRIGHT The copyright of this dissertation rests with the Architecture Discipline. No quotation from it should be published without their consent. RAHIMA | i ‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS A Design Dissertation submitted to the Department of Architecture in partial fulfillment of the requirement for the Degree of Bachelor of Architecture (B.Arch) under the Faculty of BRAC University, Dhaka. The textual and visual contents of the Design Dissertation are the intellectual output of the student mentioned below unless otherwise mentioned. Information given within this Design Dissertation is true to the best knowledge of the student mentioned below. All possible efforts have been made by the author to acknowledge the secondary sources information. Right to further modification and /or publication of this Design Dissertation in any form belongs to its author. Contents within this Design Dissertation can be reproduced with due acknowledgement for academic purposes only without written consent from the author. -
The Bengalis: a Thousand Years
Bengalis Thousand Years 8670/ 021116 The BengAlis: A ThousAnd YeArs Jawhar Sircar The last few days of a century that also happen to be at the end of a whole millennium, are bound to stir a strange excitement in even the most placid person. The two most expected feelings that hold their sway can perhaps be summarized as: introspection and expectation — drawing a balance sheet of the past as also trying to gauge what the future holds. Such an exercise can cover not only a single person or his immediate concerns; it may as well cover his locality, his state or nation and may be stretched to entire humanity. The constraints of my acquaintance and knowledge hardly qualify me to scan any group higher or bigger than my own people: the Bengalis. Even in this, my limitations now plague me more than my enthusiasm to try out such a review — but these notwithstanding; the sheer thrill of initiating an animated adda on the subject overpowers me. At the beginning, let me make it clear that I do not have the audacity to try to cover a thousand years in just a few pages: hence I will concentrate only on certain significant periods or issues, for the sake of presenting a viewpoint. So let us begin: are the Bengalis a thousand years old? Or even more? Historians tell us about our history during the Pala- Sena period, which would give us about 1250 years to be proud of, but if we include the great Sasanka, we could be share-holders in a great concern that goes back fourteen centuries.